View allAll Photos Tagged autonomy

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1hu GSCASH oloctions this year are being hold 1n the backdrop of a concortcd assoult on tho autonomy and tunctior11ng of tho GSCASH. and ot a time whon we are witnessing an nssortlon of communal rasctst forces across tho country. .

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Ourfng this yeor, tho vision of 'fearless freedom·. which omergod out of the Nirbhaya movement, was oxpllndod through tho our struggles against power hierarchy .

in rho university structure, rac1al discrimination, rape-culture, srato oppression and v(olation of workers· rights. JNU student community boldly stood up tor gender justice and democratic rights noninst the brutal rape of a minor girl from the North·East and racist intimidation in Munitka, protesting at the Vasant Vihar Pohce Station and marching on the Parliament Street, in the faco of indiscriminate lathi-charge and detention. Whether it was communally targeted rape and sexual violence against the Muslim women in Muzaffarnagar, repeated instances of rnpe-culturo and victim blaming, moral policing, continuation of J<lwp and dis-'honour' killings, impunity of the security forces in cases of sexual violence through AFSPA, exploitation of women workers on campus. re-criminalization of gay sex by the Supreme Court, increasing cases of acid attacks on women in Delhi, or rac1st xonophobic attacks on African women in Khnki .

village, together we fought the communal, cap1talist and patriarchal forces. .

Within tho campus, we witnessed multiple administrative attempts to undermine GSCASH, be it the attempts to delay and overnde the GSCASH verdict in the CSRD professor case or the appointment of a professor with pending GSCASH enqu1ry to SIS deanship. We confronted these challenges through protracted struggles signature campaigns, university stnkes, protests. referendum and consultative meetings -to safeguard the GSCASH from administrative interference and forge a firm consensus to make GSCASH verdicts binding on the administration. The EC, which consists of senior professors and academiCians. can no longer be allowed to act as a peer group to shield people wtth 'emrnence' and ·power.' It is essential to safeguard the autonomy of a GSCASH like body from the hierarchical command structure of an institution, a .

sine qua non for GSCASH's existence and efficacy. .

Advances of Our Collective Struggles .

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Gender Orientation sessions held in Jan-Feb 2014 for better gender sensitization. .

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Xerox machine got installed in the GSCASH off1ce, necessary for maintammg confidentiality of its cases. .

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Ensuring release of funds for installing sanitary pad dispensers in three locations on campus. .

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In_the wake of appointment of a professor to SIS deanship, :-v~t~ pending GSCASH enquiry, the student commumty mthated a struggle against the promotion/appomtment of any perso~, wit.h pending GSCAH enqu1ry, to Important admmtstrattve posts. The struggle forced the administration to send the concerned professor on leave. .

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~~CASHgot together with the Equal Opportunity Office to tntllate programmes on caste and gender. .

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Active steps have been initiated to implement the .

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recommendations of the vc·s 1a-member committee formed after the 31st July inctdent. .

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We Not worMip .. butoqualtfYanddignily Not Patoarchal JProtBC/JOn1 ..... .

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Rashid Shora Bul Equal Accosc to Public Spacee Not a(.J(Jdoctaf ., buta platform where you and I can &trugglolota world free ofrolatlonsofpoweranddOminavon .

Agenda: .

~ Safeguarding the Autonomy of GSCASH: Make GSCASH recommendations binding on administration. leaving no space for delay or dilution by the EC; no administrative posts to those under GSCASH enqu1ry. .

,_. Making GSCASH more accessible to PHNH students: Provision of online complaint form to facilitate PH/VH complainants. .

;... Recognizing harassment of LGBTIQ communityinGSCASH, especially after SC's retrograde verdict on fPC Section 377. .

, Removing existing genderstereotypes by introducing 'other option against gender category in admission and other administrative forms and removing the opt1on of husband/ father's name. .

J... Expansion of GSCASH for speedy justice by mcreasing the number of all elected representatives, number of elected student representatives be increased from 2 to 4. .

;. Axing administratjve responsibility if a research student faces harassment from faculty by immediately changing the .

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superv1sor. .

-,. Implementation of the pos1tive recommendations of VCs1O-member Committee. .

~ Introduction of Gender Module for formal gender sensitization courses across centres. .

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,. Appointment of a set of permanent psychotherapists! counsellors, forming an mdependent counselling centre, to assist the GSCASH and the health centre. .

).-Permanent legal ard, office assistant, Section Off1cer and increasing annual funds m the GSCASH to fulfi. 1ts basic infrastructural necessities. .

;. Ensure safer working conditions and health facilities for women workers m JNU. .

;. Formation of the thret?member supervisory committee to promote democratic student-teacher relations. .

,. Resisting Racial, Casteist and Communal Proftling, Homophobia, Moral Policing, V1ct1m Blaming~ Rape-Culture. draconian laws like AFSPA and State Repressron. .

,. Resist moral policing and gender discriminatory rules/ restrictions m campus spaces, address ssues of sexual health. .

;. Strengthen the struggle against the regressive provisions of the Sexual Harassment at Workplace Act 2012. .

With th1s perspective, I seek your vote and support to struggle for the enfarged ambit of genderJUstice th1s year 1n the context of administrative interference, racial dtscrimination, caste violence, state oppress1on and patriarchy on campus and beyond. Together we shall fight for an active, autonomous, impartial and strong GSCASH. .

Shehla Rashid Shora .

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The Function of Automation & Autonomy in Unmanned Systems Panel:

Chad Hawthrone, Principal Investigator and Autonomy Researcher of Johns Hopkins University Applied Physics Laboratory

Frank Kelley, Deputy Assistant Secretary of the Navy for Unmanned Systems (DASN U/S) of the U.S. Navy

Jean Charles Ledé, Program Manager, Tactical Technology Office of the Defense Advanced Research Project Agency (DARPA)

Corey Schumacher, Lead Integration Engineer for Autonomy for Loyal Wingman (ALW) of the U.S. Air Force

Moderator: Chris Pehrson, Vice President, Strategic Development of General Atomics Aeronautical Systems, Inc.

Harvey Nicholls, Knightsbridge, London.

ArtIAMAS is a cooperative agreement between the DEVCOM Army Research Laboratory and the University of Maryland that supports and stimulates the advancement of science and technology in robotics, systems, and smart devices that work intelligently in cooperation with each other and human actors across multiple domains. Learn more... artiamas.umd.edu/

"Ballerinas" | Zelda Fitzgerald 1900–1948

 

Oil on canvas, c. 1933

Montgomery Museum of Fine Arts, Montgomery, Alabama

 

Born Montgomery, Alabama

 

Stepping out from her husband’s shadow, Zelda Fitzgerald pursued her own artistic identity in Paris. Her original, visionary use of language had boosted the literary success of F. Scott Fitzgerald, who appropriated her words in his novels and short stories. In Paris, she returned to her youthful love of ballet as a source of artistic expression and autonomy. Through grueling training, she hoped to perform with the Ballets Russes. Instead, overwork triggered a mental health crisis.

 

In her semi-autobiographical novel "Save Me the Waltz" (1932), Fitzgerald shattered the graceful illusions of ballet. Through unflinching descriptions, she emphasized the physical demands placed on dancers’ bodies.

 

This painting provides a visual equivalent. Fitzgerald represents herself as an androgynous figure with bulging calf and thigh muscles, “Because that’s how a ballet dancer feels after dancing.” Casting aside a pair of tutus, she removes the frilly adornments that camouflage a ballerina’s athleticism and hard work.

 

April 26, 2024 - February 23, 2025

 

www.smithsonianmag.com/smithsonian-institution/these-amer...

 

npg.si.edu/podcasts/brilliant-exiles

 

During the early twentieth century, Paris was the destination of choice for talented and independent American women who were determined to move beyond the limitations that restricted them at home. As foreigners in a cosmopolitan city, they escaped the societal expectations and constraints of both the United States and France. Many used their newfound liberty as an opportunity for self-reinvention and discovery.

 

In Paris, American women explored a variety of options for making their mark on contemporary culture. They carried out transformative work in wide-ranging fields including art, literature, dance, publishing, music, and fashion. An impressive number not only participated in important modernist initiatives but led them.

 

By crossing the Atlantic to pursue their personal and professional aspirations, these “brilliant exiles” took a leap into the future. They experienced liberties, opportunities, and tolerances that were yet to be achieved in the United States. How much has changed since then? Have the freedoms and possibilities they sought become realities?

 

npg.si.edu/exhibition/brilliant-exiles

 

"IN 1900, PARIS DAZZLED. The Exposition universelle was held from April to November that year, and 50 million visitors flocked to see Modernism celebrated in such wondrous exhibits as an escalator of moving steps and “talking pictures.” A “Palace of Electricity” bloomed in a pavilion decorated with thousands of lightbulbs, colored lamps, and multicolored electric flames. The exposition was cheered as “a fairytale spectacle.”

 

American dancer Loïe Fuller had her own pavilion. She was a star of the Folies Bergère, and brought her innovative performance to the exposition: She used yards of swirling silk and attached bamboo sticks to her sleeves to transform herself into such wonders of nature as a silken butterfly or a bursting flower. Isadora Duncan, then just starting out, came to the exposition expressly to see Fuller, and launched her own career by performing in Fuller’s troupe.

 

The 1900 Exposition universelle secured Paris as a center for Modernism, and a new exhibition describes how that city became a beacon for American women seeking to break from constrained traditions in the United States in the early twentieth century. Brilliant Exiles at the National Portrait Gallery spotlights fifty-seven of these expatriate women who were involved in art, writing, dance, fashion, music, and theater. As curator Robyn Asleson writes in the catalogue, Paris was a “particularly attractive destination for women who were impatient to move beyond the societal expectations and constraints that limited them in the United States”—restrictions on gender, sexuality, and race. They believed that Paris would help them forge new identities as Modern Women............"

 

www.thebulwark.com/p/brilliant-exiles-national-portrait-g...

 

"The artistic American women who moved to Paris in the first four decades of the 20th century traveled there to change their lives. In the process, they changed much more than that. Their story is sumptuously illustrated by the National Portrait Gallery’s sweeping exhibition “Brilliant Exiles: American Women in Paris, 1900-1939.”

One well-known saga of Americans in Paris in those years is exactly what curator Robyn Asleson intends to counterbalance. In her catalogue essay, she writes that “focusing on the accomplishments and experiences of women brings into view a very different picture from that conveyed by the male-centered Lost Generation legend.”

Some of the subjects of this exhibition, it’s true, are known for their links to famous men. Bookseller Sylvia Beach published James Joyce’s “Ulysses” when no one else would, and author Gertrude Stein is represented in the show by a notable portrait painted by Pablo Picasso.

Yet Beach and Stein helped construct a world largely independent from men. As lesbians, along with more than a few of their fellow American expatriates, they were able to live women-centered lives in Paris that would have been improbable, if not impossible, in the United States. This freedom was facilitated by a privilege many of them shared: inherited wealth......."

 

www.washingtonpost.com/dc-md-va/2024/06/19/brilliant-exil...

 

"Perhaps no place and time has captured the American imagination more than Paris in the first decades of the 20th century. Certainly for one group of remarkable women who moved across the Atlantic before World War II, Paris offered a life-changing allure. Robyn Asleson’s “Brilliant Exiles: American Women in Paris 1900-1939” highlights the lives and work of 57 of these women, including artists, writers, publishers, entertainers, designers, collectors and salonistes. The book is being published to coincide with an exhibit running at the Smithsonian’s National Portrait Gallery through February 2025......"

 

www.wsj.com/arts-culture/books/brilliant-exiles-review-a-...

 

www.c-span.org/video/?536085-1/brilliant-exiles-exhibit-a...

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After much years of petitioning, the University of Newcastle achieved autonomy on January 1, 1965 from the University of NSW. Since then, it is celebrated with great enthusiasm on campus in the second semester of each year.

 

If you wish to reproduce this image for any purpose please obtain permission by contacting the Newcastle University Students Association Inc.

 

Please contact Newcastle University Students Association Inc., NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.

 

If you would like to comment on the photograph, please contact Newcastle Students Association Inc., NSW, Australia, or leave a comment below.

Download : ww2.findbooks.space?book=0781776848

 

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School Autonomy and its Implications for the Future of Boston's Public Schools, June 2014

181215-N-PO203-0049 HONOLULU, Hawaii (Dec. 15, 2018) Team Bumblebee from the National University of Singapore prepare to launch their autonomous surface vehicle during the final day of competition at the Office of Naval Research (ONR)-sponsored Maritime RobotX Challenge in Honolulu, Hawaii. Team Bumblebee, one five teams made up of competitors from the United States, Australia and Asia competing in the finals, finished in first place. Organized by RoboNation and Navatek, RobotX is designed to foster student interest in autonomous robotic systems operating in the maritime domain, with an emphasis on the science and engineering of cooperative autonomy. (U.S. Navy photo by John F. Williams/Released)

Jennifer Uhler (RELOBrazil/U.S. Department of State)

Whilst the UK has voted not to criminalise women who terminate their pregnancy outside the rules, for example after 24 weeks, will no longer be at risk of being investigated by police.

www.bbc.co.uk/news/articles/c2le12114j9o

 

America continues to erode women's rights and forces a brain-dead woman's body to be used as an incubator.

www.independent.co.uk/news/world/americas/georgia-brain-d...

  

***I did not use AI to create this image ***

 

All manipulations were created in Photoshop.

 

Artwork ©jackiecrossley

© All rights reserved. This image may not be copied, reproduced, distributed, republished, displayed, posted, or transmitted in any form or by any means, including electronic, mechanical, photocopying & recording without my written permission. This image is not authorised for use on your blogs, pinboards, websites, or any other way. You may not download this image without my written permission from me. Thank you

 

Listen: NEW * Eve Of Destruction - Barry McGuire {Stereo}

181215-N-PO203-0037 HONOLULU, Hawaii (Dec. 15, 2018) Team NCTU from National Chiao Tung University prepare to launch their autonomous surface vehicle during the final day of competition at the Office of Naval Research (ONR)-sponsored Maritime RobotX Challenge in Honolulu, Hawaii. Team NCTU was one five teams made up of competitors from the United States, Australia and Asia competing in the finals. Organized by RoboNation and Navatek, RobotX is designed to foster student interest in autonomous robotic systems operating in the maritime domain, with an emphasis on the science and engineering of cooperative autonomy. (U.S. Navy photo by John F. Williams/Released)

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