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The original successor to the Tremulant P-12P BiChambered Autonomic Thrust Bearing Sequencer was designed with maximum chamber thrust in mind. However, cost overruns, faulty carbon gaskets and the need for the discontinued Oswalt overhead cams made this model short-lived. Heavy users of the series will note that its optimized hydraulic load balancing, aided by the dual Van Yang T-30 QuadThrusters, made its way into the architecture of the industry-changing P-12DX.
Jesse Darling
Foam, cast silicon, paper, pvc, velvet ribbon, stell, used work glove, & Foam, cast silicon, spray paint, toilet paper
Taken in the exhibition
Witch
The exhibition’s final act, Witch, focuses on a Britain spanning 2008’s financial crash until the present day, and celebrates the emergence of a younger generation and their hyper-connected community – a global coven readily embracing a dynamic grounded in integration and equality. Linder’s The Goddess Who has Sky as Hair (2019) and Zadie Xa’s Three Thousand and Thirty High Priestess of Pluto (2016) forgo the patriarchal occult and druidism of old, in favour of a new sorcery rooted in ecology and bodily autonomy.
Among the works on display are newly commissioned works from Somerset House Studios artists Tyreis Holder and Col Self, as well as a new commission from Linda Stupart & Carl Gent. The act’s final scene features a striking presentation of Turner Prize winning-artist Tai Shani’s The Neon Hieroglyph (2021), inspired by the incredible true story of the Maiara, flying witches commemorated on the remote Italian island of Alicudi. The sculpture, seen for the first time in the UK, can be seen alongside an audio installation by Gazelle Twin specially commissioned for The Horror Show!.
Contributing artists include Ackroyd & Harvey, Josh Appignanesi, Jane Arden, Ruth Bayer, Anne Bean, Anna Bunting-Branch, Juno Calypso, Leonora Carrington, Coil, Charlotte Colbert, Cyclobe, Marisa Carnesky, Damselfrau, Jesse Darling, Eccentronic Research Council, Jake Elwes, Tim Etchells, Gazelle Twin, Bert Gilbert, Rose Glass, Miles Glyn, Tyreis Holder, Matthew Holness, Sophy Hollington, Bones Tan Jones, Isaac Julien, Tina Keane, Serena Korda, Linder, Alice Lowe, Hollie Miller & Kate Street, Grace Ndiritu, Col Self, Tai Shani, Oliver Sim, Penny Slinger, Matthew Stone, Linda Stupart & Carl Gent, Suzanne Treister, Cathy Ward, Ben Wheatley, Zoe Williams and Zadie Xa.
The Horror Show! A Twisted Tale of Modern Britain
(October 2022 - February 2023)
Somerset House presents The Horror Show!: A Twisted Tale of Modern Britain, a major exhibition exploring how ideas rooted in horror have informed the last 50 years of creative rebellion. The show looks beyond horror as a genre, instead taking it as a reaction and provocation to our most troubling times. The last five decades of modern British history are recast as a story of cultural shapeshifting told through some of our country’s most provocative artists. The Horror Show! offers a heady ride through the disruption of 1970s punk to the revolutionary potential of modern witchcraft, showing how the anarchic alchemy of horror – its subversion, transgression and the supernatural – can make sense of the world around us. Horror not only allows us to voice our fears; it gives us the tools to stare them down and imagine a radically different future.
Featuring over 200 artworks and culturally significant objects, this landmark show tells a story of the turbulence, unease and creative revolution at the heart of the British cultural psyche in three acts – Monster, Ghost and Witch. Each act interprets a specific era through the lens of a classic horror archetype, in a series of thematically linked contemporaneous and new works:
Each of the exhibition’s acts opens with ‘constellations’ of talismanic objects. These cabinets of curiosities speak to significant cultural shifts and anxieties in each era, while invoking a haunting from the counter-cultural voices in recent British history. Alongside these introductory artworks and ephemera is an atmospheric soundtrack, conjuring the spirit of the time with music from Bauhaus, Barry Adamson and Mica Levi.
Monster, Ghost and Witch culminate in immersive installations, combining newly commissioned work, large-scale sculpture, fashion and sound installation, with each chapter signed off with a neon text-work by Tim Etchells. The Horror Show! offers an intoxicating deep-dive into the counter-cultural, mystic and uncanny, with the signature design of the three acts courtesy of architects Sam Jacob Studio and Grammy-winning creative studio Barnbrook.
[Somerset House]
Ilha da Madeira -
Praça da Autonomia is a historical monument in Funchal, Portugal. It is not missed frequently, as its height is very conspicuous. The tall statue overlooks the waters, and the blue waters go well with the colour of the structure. Easily accessible, you can spend some quiet moments here. The square is by the waters and so, you can gaze at the calming waters and enjoy this tranquility. Don’t forget to carry your camera, as the view is definitely worth a couple of clicks.
Macau, also spelled Macao, is, along with Hong Kong, one of the two special administrative regions of the People's Republic of China. It lies on the western side of the Pearl River Delta, bordering Guangdong province to the north and facing the South China Sea to the east and south.
The territory's economy is heavily dependent on gambling and tourism but also includes manufacturing.
Macau was a Portuguese colony and both the first and last European colony in China. Portuguese traders first settled in Macau in the 16th century and subsequently administered the region until the handover on 20 December 1999. The Sino-Portuguese Joint Declaration and the Basic Law of Macau stipulate that Macau operates with a high degree of autonomy until at least 2049, fifty years after the transfer.
Under the policy of "one country, two systems", the PRC's Central People's Government is responsible for the territory's defense and foreign affairs, while Macau maintains its own legal system, police force, monetary system, customs policy, and immigration policy. Macau participates in many international organizations and events that do not require members to possess national sovereignty. According to the CIA factbook, Macau has the highest life expectancy in the world.
Source: livinghistories.newcastle.edu.au/nodes/view/7760
Colour slide by photographer Ross Smith of Autonomy Day March along Hunter Street in 1967.
We thank Mr Ross Smith for his permission to scan his private collection of images and place them online.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
These images can be used for study and personal research purposes. If you wish to reproduce any image(s) for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
If you have any information about this set, please leave a comment in the box
Saint-Malo had a tradition of asserting its autonomy in dealings with the French authorities and even with the local Breton authorities. From 1490–1493, Saint-Malo declared itself to be an independent republic, taking the motto "not French, not Breton, but Malouins". The town became notorious as the home of the corsairs, French privateers and sometimes pirates. The corsairs of Saint-Malo not only forced English ships passing up the Channel to pay tribute, but also brought wealth from further afield. Jacques Cartier, who sailed the Saint Lawrence River and visited the sites of Quebec and Montreal – and is thus credited as the discoverer of Canada, lived in and sailed from Saint-Malo, as did the first colonists to settle the Falklands – hence the islands' French name Îles Malouines, which gave rise to the Spanish name Islas Malvinas. In 1758 a British expedition known as the Raid of Saint-Malo land intending to capture the town. However the British made no attempt on the walled town of St Malo, and instead occupied the nearby town of St Servan where they destroyed 30 corsair ships before departing.
***
Saint Malo are o veche tradiţie în a-şi clama autonomia faţǎde autoritǎţile franţuzeşti, ba chiar şi faţǎde cele locale bretone. In anii 1490-1493, Saint Malo s-a autoproclamat republicǎ independentǎ, având ca motto “nici francez, nici breton, ci malvin”. Oraşul a devenit faimos ca fiind “casa” corsarilor, a navigatorilor semi-legali, ba chiar a piraţilor. Corsarii din Saint-Malo nu numai cǎau forţat navele englezeşti care strǎbǎteau Canalul Mânecii sǎ plǎteascǎtribut, dar au şi adus bogǎţii de peste mǎri. Jacques Cartier, care a navigat pe râul St.Lawrence şi a ajuns pânǎîn zonele Quebec şi Montreal – fiind astfel considerat descoperitorul Canadei – a trǎit la Saint Malo, de unde a pornit în expediţiile sale pe mare. De asemenea, tot din Saint-Malo erau şi primii colonişti care s-au aşezat în insulele Falkland, de unde şi numele de “Îles Malouines” dat insulelor de francezi, devenit în spaniolǎ “Islas Malvinas” (Insulele Malvine). In 1758, o expediţie britanicǎcunoscutǎ sub numele de “Raidul de la Saint-Malo” a debarcat în zonǎ cu intenţia de a captura oraşul. Totuşi, britanicii nu au atacat oraşul fortificat, ocupând însǎoraşul vecin St.Servan, unde au distrus 30 de nave ale corsarilor înainte de plecare.
Source: WIKIPEDIA
MRISAR's Robotic Assembly Labs. John Siegel, President of MRISAR, lets a tour group have a "Hands On" demonstration of Robotic devices.
Photo taken in New Leipzig, North Dakota by MRISAR Team Member Victoria Croasdell-Siegel.
Interior image of MRISAR’s World-Class “Interactive; Robotics, Technology, Invention, Art & Nature Center”. At this time in our transformation, Public Admission is by Appointment Only!
In 2010 MRISAR, (a business that has Designed, Fabricated & Marketed the Earth’s Largest Selection of “Internationally Renowned & Awarded, World-Class Robotics Exhibits & Devices”; and “Hands On” Scientific, Technological & Interactive Art Exhibits), purchased a disused school on the plains of North Dakota and relocated to it. Profit from their International Exhibit Sales helps fund their Humanitarian R&D and the transformation of the 36,000 sq. ft. complex, surrounded by 10 acres in North Dakota, into a World-Class “Interactive, Robotics, Technology, Invention, Art & Nature Center”.
Description of MRISAR’s “Interactive; Robotics, Technology, Invention, Art & Nature Center”.
1- Our 7,000 sq. ft. Exhibit Hall will feature; our standard line of interactive robotic & technology exhibits that we sell to Centers world-wide and our exclusive collection of robotic exhibits & devices that we will not sell to anyone else. Our talking Rail Robot Guide will lead visitors through the exhibit hall. Interact with our innovative, lifelike, futuristic, Robotic creations. Examples; Play with & feed Artificial Life forms in a Robot Zoo! Challenge robots with your human intelligence! Interact with otherworldly artistic, interactive, robotic sculptures! It will also feature Responsible Technologies.
2- Our Art Galleries will display the hundreds of pieces of family friendly, original 2D, 3D and Interactive Art that our team has already created, plus have revolving Family Oriented Local Artists Exhibitions.
3- The surrounding 10 acres is slowly being transformed into an Outdoor Interactive Art & Nature Area that will be filled with paths, trees, gardens and kinetic & interactive, solar & wind, technological art sculptures. The emphasis is edible, medicinal & organic landscapes that promote sustainability & health. As of 2015 over 3,000 edible and medicinal trees and shrubs have been planted.
4- We will provide “Special Tours” of behind the scenes areas. Examples are; (a) our Humanitarian & Environmental Research & Development Think Tank Invention labs that feature our R & D Projects. (b) the actual workshops where the attractions are created (similar to visiting the workshops & creations of Jim Henson’s creature shop). (c) a behind the scenes view of the production studio for the web series we are creating called the “Mysterious Lab of Robotics” (our robotic version of “Bill Nye the Science Guy” or “Beakman’s World”). (d) a chance to meet MRISAR’s internationally renowned robotics R & D team. A four member family team who since 2000 has designed, fabricated & marketed the earth’s largest selection of world-class robotic exhibits. The 2 youngest members joined the team as preschoolers.
5- “Public Enrichment Events”. Examples are; (a) special overnight events called “A Night with the Robots” (available no-where else in the world). Families can make reservations to spend the night on the center floor in sleeping bags or cots and experience special robotic demonstrations in a futuristic atmosphere. In recent years “A Night at the Museum” events have become very popular and highly accepted. (b) special classes on robotics for the general public. (c) Robotics Competitions. We are already providing technical assistance to teachers and academic establishments (both in the state and outside of the country), that are trying to enter robotic competitions, but lack the knowledge to fully instruct and inspire their students. A natural progression for this, once we are open for tourism, would be to offer to hold regional, national and international competitions at our location. (d) International conferences regarding Robotics and Beneficial R & D Conferences. (e) Collaborations, enrichment classes and internships in enhanced technologies with higher academic establishments; combining elements such as Cybernetics, Bionics, Mechatronics, Autonomics, Animatronics & Teleoperation.
6- Admission will be free to the underprivileged. We hope to inspire the upcoming generation to create careers in responsible technologies that improve the quality of life.
7- The proceeds from the Center will help fund our R & D and further our creation of a “Prototype Environment, low cost, low impact, self-sustaining, alternative energy powered, Humanitarian & Environmental Research & Development institute with Think Tank Invention labs”. Our purpose is to invent and present responsible, low cost and easy to implement, beneficial humanitarian and environmental based technologies and methods that assist with social, ecological, sustainable and economic solutions. Accomplishing the prototype environment alone requires research & development of new technologies & improvement of existing technologies.
We have Designed, Fabricated & Marketed the Earth’s Largest Selection of "Internationally Renowned & Awarded" World-Class Robotics Exhibits & Devices; and “Hands On” Scientific, Technological & Interactive Art Exhibits. Our innovative, interactive, inexpensive, durable & easy to maintain creations incorporate interactive technologies & designs for people with disabilities and other special needs. We also provide our own Educational Kits & Materials for K thru 12/College & University level curriculums.
Our Exhibit Sales Customers include World-Class Science Centers, Museums, Universities, NASA, Royalty, Foreign & Domestic Governments, the Film Industries for inclusion in media productions, etc. We specialize in Cybernetics, Bionics, Mechatronics, Autonomics, Animatronics & Teleoperated devices.
Our Humanitarian & Environmental Research & Development has been presented before and/or published and awarded by: the United Nations, NASA-Emhart, Stanford, Cambridge, ICORR, ROMAN, IEEE, Discover Awards, International Federation of Robotics (IFR), etc. Our 1990's circa, original innovative R & D in "Facial Feature Controlled Technology" and "Artificial Sense of Touch Technology" (Adaptive Technology prototypes for the disabled), has helped pioneer those fields! We were the only company in the world to be awarded an entire chapter regarding our work in the International Federation of Robotics (IFR) “World Robotics; Service Robotics, 2011”.
Autonomy etalk’s new corporate headquarters focuses on creating an exciting, hip, and fun space that highlights their software-based products and corporate culture. Special Attention was paid to the lobby and show center to illustrate etalk’s “Meaning Based Computing” system. In the lobby and boardroom, customers enjoy open views to the Dallas Cultural District below. The views are only interrupted by a large fish tank dividing the lobby from the boardroom. Large scale artwork adds dramatic colors to the space and provides an extra touch of fun. To balance these bright colors, a natural color palette was chosen, and texture and materials were carefully selected to create an elegant space, as evidenced by the stone flooring and wool carpeting.
Change management was a critical step in achieving success on this project. The existing employee workstations required a large footprint and included high, enclosed panels. The solution for the new space was to use a 120-degree furniture system with low panels to provide a more efficient real estate solution.
Fun and multifunctional spaces were used throughout to give employees and managers places to explore and collaborate on the next generation of new ideas. For example, a new breakroom/dining/meeting space was designed to include the opportunity for friendly Xbox competitions among employees. Autonomy etalk has found that these community spaces are bringing people together and boosting productivity.
Macau, also spelled Macao, is, along with Hong Kong, one of the two special administrative regions of the People's Republic of China. It lies on the western side of the Pearl River Delta, bordering Guangdong province to the north and facing the South China Sea to the east and south.
The territory's economy is heavily dependent on gambling and tourism but also includes manufacturing.
Macau was a Portuguese colony and both the first and last European colony in China. Portuguese traders first settled in Macau in the 16th century and subsequently administered the region until the handover on 20 December 1999. The Sino-Portuguese Joint Declaration and the Basic Law of Macau stipulate that Macau operates with a high degree of autonomy until at least 2049, fifty years after the transfer.
Under the policy of "one country, two systems", the PRC's Central People's Government is responsible for the territory's defense and foreign affairs, while Macau maintains its own legal system, police force, monetary system, customs policy, and immigration policy. Macau participates in many international organizations and events that do not require members to possess national sovereignty. According to the CIA factbook, Macau has the highest life expectancy in the world.
SOLUTIONS’
Opening event Wednesday 1 May 6-8pm
Continues until 18 May 2013
Christopher LG Hill, MAXIMUM RIM, Adelle Mills, Danae Valenza and Friends and Marcin Wojcik.
Bus Projects presents an exhibition of DIY art solutions.
For SOLUTIONS, a group of Melbourne artists will select, create and/or interpret freely distributed artworks and instructional pieces.
Taking the sharing of creative methods as the exhibition’s modus operandi, works will be either sourced online, newly conceived of and subsequently shared and distributable, or make use of open methods and technologies that can be freely distributed for future seekers of art solutions.
Danae Valenza
Using video, sound installation and performance with a process-driven aesthetic, Danae Valenza’s work often hinges on phono-social experiments, placing restrictions or subtle guidelines on situations to form generative actions and exercises. The resulting works create and document a broader scope of communication, which gives focus to the individual in a collective setting.
MAXIMUM RIM
MAXIMUM RIM is an ongoing collaboration between Antuong Nguyen and Warran Wright. Their practice includes installation, art direction, film and design.
Since 2011 MAXIMUM RIM have exhibited at Screen Space, Craft Victoria, Netherlands Institute of Media Arts and No Vacancy Gallery.
Christopher LG Hill
Ideas of freedom mediated through the self and others, and objects.
Languages of objects undulate between the objective and subjective in both a concrete and emotional way. A poetry of space and politics occurs within people and their surrounds, in humour and struggle. An embracing of anarchist principles within inter personal relationships materialises through free intellectual property, through publications, performance, object dialogs, interaction and web interfaces. debris and words float on floors and pages like a temporary mist. Multidirectional and multidiscipline operating within as a lived politic and art, active and in flux.
Practice outcomes have inhabited ; Buyip Trax (record label run with Joshua Petherick), ENDLESS LONELY PLANET (edtior), Y3K (2009-2011) (co directed with James Deutsher),Conical, Clubs Project inc, Y3K, Gambia Castle, Enjoy, Room 103, Uplands, TCB, TATE modern, Centre Ongoing, Chateau 2f, Rear View, Art Beat, Gertrude Contemporary, Heide, Discipline, Margaret Laurence Gallery, Mir11, West wing, Techno Park, Neon Parc, MCA, Hell, wBST, CCP, Joint Hassles, UN, Loose Projects, Gallery Of South Australia, ELP, NGV Studio, Utopian Slumps, Platform artists space, Window online, , Shepparton Art Gallery, Magasine, a Copenhagen Beach, The Narrows, UQ Art Museum, Palm Springs, David Pestorious, Seventh, and others.
Adelle Mills
Adelle Mills’s practice principally involves the production of group actions that are partly choreographed and partly improvised. Initially drawing up a compositional score, the performers are invited to respond and do so with some autonomy. Working with video, sculpture, people and place, Mills’s works attend to chance, direction and organisation to consider the agency of people and things within the same field of experience. Notions of social and material ‘difference and sameness’ are examined through performance video and spatial investigation.
Marcin Wojcik
Marcin Wojcik completed his Bachelor of Fine Art (Honours) in Sculpture at the Victorian College of the Arts in 2010. His work uses the theatricality of performance and its manifestation as roles, props and scenes to interrogate the themes of exploration, masculinity, adventure and adversity.
Jesse Darling
Foam, cast silicon, paper, pvc, velvet ribbon, stell, used work glove, & Foam, cast silicon, spray paint, toilet paper
Taken in the exhibition
Witch
The exhibition’s final act, Witch, focuses on a Britain spanning 2008’s financial crash until the present day, and celebrates the emergence of a younger generation and their hyper-connected community – a global coven readily embracing a dynamic grounded in integration and equality. Linder’s The Goddess Who has Sky as Hair (2019) and Zadie Xa’s Three Thousand and Thirty High Priestess of Pluto (2016) forgo the patriarchal occult and druidism of old, in favour of a new sorcery rooted in ecology and bodily autonomy.
Among the works on display are newly commissioned works from Somerset House Studios artists Tyreis Holder and Col Self, as well as a new commission from Linda Stupart & Carl Gent. The act’s final scene features a striking presentation of Turner Prize winning-artist Tai Shani’s The Neon Hieroglyph (2021), inspired by the incredible true story of the Maiara, flying witches commemorated on the remote Italian island of Alicudi. The sculpture, seen for the first time in the UK, can be seen alongside an audio installation by Gazelle Twin specially commissioned for The Horror Show!.
Contributing artists include Ackroyd & Harvey, Josh Appignanesi, Jane Arden, Ruth Bayer, Anne Bean, Anna Bunting-Branch, Juno Calypso, Leonora Carrington, Coil, Charlotte Colbert, Cyclobe, Marisa Carnesky, Damselfrau, Jesse Darling, Eccentronic Research Council, Jake Elwes, Tim Etchells, Gazelle Twin, Bert Gilbert, Rose Glass, Miles Glyn, Tyreis Holder, Matthew Holness, Sophy Hollington, Bones Tan Jones, Isaac Julien, Tina Keane, Serena Korda, Linder, Alice Lowe, Hollie Miller & Kate Street, Grace Ndiritu, Col Self, Tai Shani, Oliver Sim, Penny Slinger, Matthew Stone, Linda Stupart & Carl Gent, Suzanne Treister, Cathy Ward, Ben Wheatley, Zoe Williams and Zadie Xa.
The Horror Show! A Twisted Tale of Modern Britain
(October 2022 - February 2023)
Somerset House presents The Horror Show!: A Twisted Tale of Modern Britain, a major exhibition exploring how ideas rooted in horror have informed the last 50 years of creative rebellion. The show looks beyond horror as a genre, instead taking it as a reaction and provocation to our most troubling times. The last five decades of modern British history are recast as a story of cultural shapeshifting told through some of our country’s most provocative artists. The Horror Show! offers a heady ride through the disruption of 1970s punk to the revolutionary potential of modern witchcraft, showing how the anarchic alchemy of horror – its subversion, transgression and the supernatural – can make sense of the world around us. Horror not only allows us to voice our fears; it gives us the tools to stare them down and imagine a radically different future.
Featuring over 200 artworks and culturally significant objects, this landmark show tells a story of the turbulence, unease and creative revolution at the heart of the British cultural psyche in three acts – Monster, Ghost and Witch. Each act interprets a specific era through the lens of a classic horror archetype, in a series of thematically linked contemporaneous and new works:
Each of the exhibition’s acts opens with ‘constellations’ of talismanic objects. These cabinets of curiosities speak to significant cultural shifts and anxieties in each era, while invoking a haunting from the counter-cultural voices in recent British history. Alongside these introductory artworks and ephemera is an atmospheric soundtrack, conjuring the spirit of the time with music from Bauhaus, Barry Adamson and Mica Levi.
Monster, Ghost and Witch culminate in immersive installations, combining newly commissioned work, large-scale sculpture, fashion and sound installation, with each chapter signed off with a neon text-work by Tim Etchells. The Horror Show! offers an intoxicating deep-dive into the counter-cultural, mystic and uncanny, with the signature design of the three acts courtesy of architects Sam Jacob Studio and Grammy-winning creative studio Barnbrook.
[Somerset House]
A wide view of the General Assembly Hall during the opening of the Permanent Forum on Indigenous Issues, held on the theme: "Indigenous peoples, business, autonomy and the human rights principles of due diligence including free, prior and informed consent". The 21st session of the UNPFII is held between 25 April - 6 May.
UN Photo/Manuel Elías
25 April 2022
New York, United States of America
Photo # UN7930710
Macau, also spelled Macao, is, along with Hong Kong, one of the two special administrative regions of the People's Republic of China. It lies on the western side of the Pearl River Delta, bordering Guangdong province to the north and facing the South China Sea to the east and south.
The territory's economy is heavily dependent on gambling and tourism but also includes manufacturing.
Macau was a Portuguese colony and both the first and last European colony in China. Portuguese traders first settled in Macau in the 16th century and subsequently administered the region until the handover on 20 December 1999. The Sino-Portuguese Joint Declaration and the Basic Law of Macau stipulate that Macau operates with a high degree of autonomy until at least 2049, fifty years after the transfer.
Under the policy of "one country, two systems", the PRC's Central People's Government is responsible for the territory's defense and foreign affairs, while Macau maintains its own legal system, police force, monetary system, customs policy, and immigration policy. Macau participates in many international organizations and events that do not require members to possess national sovereignty. According to the CIA factbook, Macau has the highest life expectancy in the world.
Macau, also spelled Macao, is, along with Hong Kong, one of the two special administrative regions of the People's Republic of China. It lies on the western side of the Pearl River Delta, bordering Guangdong province to the north and facing the South China Sea to the east and south.
The territory's economy is heavily dependent on gambling and tourism but also includes manufacturing.
Macau was a Portuguese colony and both the first and last European colony in China. Portuguese traders first settled in Macau in the 16th century and subsequently administered the region until the handover on 20 December 1999. The Sino-Portuguese Joint Declaration and the Basic Law of Macau stipulate that Macau operates with a high degree of autonomy until at least 2049, fifty years after the transfer.
Under the policy of "one country, two systems", the PRC's Central People's Government is responsible for the territory's defense and foreign affairs, while Macau maintains its own legal system, police force, monetary system, customs policy, and immigration policy. Macau participates in many international organizations and events that do not require members to possess national sovereignty. According to the CIA factbook, Macau has the highest life expectancy in the world.
Macau, also spelled Macao, is, along with Hong Kong, one of the two special administrative regions of the People's Republic of China. It lies on the western side of the Pearl River Delta, bordering Guangdong province to the north and facing the South China Sea to the east and south.
The territory's economy is heavily dependent on gambling and tourism but also includes manufacturing.
Macau was a Portuguese colony and both the first and last European colony in China. Portuguese traders first settled in Macau in the 16th century and subsequently administered the region until the handover on 20 December 1999. The Sino-Portuguese Joint Declaration and the Basic Law of Macau stipulate that Macau operates with a high degree of autonomy until at least 2049, fifty years after the transfer.
Under the policy of "one country, two systems", the PRC's Central People's Government is responsible for the territory's defense and foreign affairs, while Macau maintains its own legal system, police force, monetary system, customs policy, and immigration policy. Macau participates in many international organizations and events that do not require members to possess national sovereignty. According to the CIA factbook, Macau has the highest life expectancy in the world.
Source: livinghistories.newcastle.edu.au/nodes/view/43875
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, please contact us or leave a comment.
A detailed view of the jacket of a a participant during the opening of the Permanent Forum on Indigenous Issues (UNPFII), held on the theme: "Indigenous peoples, business, autonomy and the human rights principles of due diligence including free, prior and informed consent". The 21st session of the UNPFII is held between 25 April - 6 May.
UN Photo/Manuel Elías
25 April 2022
New York, United States of America
Photo # UN7930712
Inauguració de les Jornades del Programa Meta, per a la Millora de l'Ocupabilitat dels Titulats de la Universitat de València, per part del President del Consell Social de la Universitat de València, Carlos Pascual, el Rector de la Universitat de València, Dr. Esteban Morcillo, i el Secretari Autonòmic d'Ocupació, Luís Lobón.
Inauguración del Programa META, para la Mejora de la Empleabilidad de los Titulados de la Universitat de València, por parte del Presidente del Consell Social de la Universitat de València, Carlos Pascual, del Rector de la Universitat de València, Dr Esteban Morcillo, y el Secretario Autonómico de Empleo, Luís Lobón.
Dario Jose Mejia Montalvo (centre), elected Chair of UN Permanent Forum on Indigenous Issues and Leader of the National Indigenous Organization of Colombia, takes his seat at the dais during the opening of the Permanent Forum on Indigenous Issues (25 April-6 May), held on the theme: "Indigenous peoples, business, autonomy and the human rights principles of due diligence including free, prior and informed consent".
UN Photo/Manuel Elías
25 April 2022
New York, United States of America
Photo # UN7930716
MRISAR's 7,000 sq. ft. Robotic, Science & Interactive Art Exhibit Hall
Interior image of MRISAR’s World-Class “Interactive; Robotics, Technology, Invention, Art & Nature Center”. At this time in our transformation, Public Admission is by Appointment Only!
In 2010 MRISAR, (a business that has Designed, Fabricated & Marketed the Earth’s Largest Selection of “Internationally Renowned & Awarded, World-Class Robotics Exhibits & Devices”; and “Hands On” Scientific, Technological & Interactive Art Exhibits), purchased a disused school on the plains of North Dakota and relocated to it. Profit from their International Exhibit Sales helps fund their Humanitarian R&D and the transformation of the 36,000 sq. ft. complex, surrounded by 10 acres in North Dakota, into a World-Class “Interactive, Robotics, Technology, Invention, Art & Nature Center”.
Description of MRISAR’s “Interactive; Robotics, Technology, Invention, Art & Nature Center”.
1- Our 7,000 sq. ft. Exhibit Hall will feature; our standard line of interactive robotic & technology exhibits that we sell to Centers world-wide and our exclusive collection of robotic exhibits & devices that we will not sell to anyone else. Our talking Rail Robot Guide will lead visitors through the exhibit hall. Interact with our innovative, lifelike, futuristic, Robotic creations. Examples; Play with & feed Artificial Life forms in a Robot Zoo! Challenge robots with your human intelligence! Interact with otherworldly artistic, interactive, robotic sculptures! It will also feature Responsible Technologies.
2- Our Art Galleries will display the hundreds of pieces of family friendly, original 2D, 3D and Interactive Art that our team has already created, plus have revolving Family Oriented Local Artists Exhibitions.
3- The surrounding 10 acres is slowly being transformed into an Outdoor Interactive Art & Nature Area that will be filled with paths, trees, gardens and kinetic & interactive, solar & wind, technological art sculptures. The emphasis is edible, medicinal & organic landscapes that promote sustainability & health. As of 2015 over 3,000 edible and medicinal trees and shrubs have been planted.
4- We will provide “Special Tours” of behind the scenes areas. Examples are; (a) our Humanitarian & Environmental Research & Development Think Tank Invention labs that feature our R & D Projects. (b) the actual workshops where the attractions are created (similar to visiting the workshops & creations of Jim Henson’s creature shop). (c) a behind the scenes view of the production studio for the web series we are creating called the “Mysterious Lab of Robotics” (our robotic version of “Bill Nye the Science Guy” or “Beakman’s World”). (d) a chance to meet MRISAR’s internationally renowned robotics R & D team. A four member family team who since 2000 has designed, fabricated & marketed the earth’s largest selection of world-class robotic exhibits. The 2 youngest members joined the team as preschoolers.
5- “Public Enrichment Events”. Examples are; (a) special overnight events called “A Night with the Robots” (available no-where else in the world). Families can make reservations to spend the night on the center floor in sleeping bags or cots and experience special robotic demonstrations in a futuristic atmosphere. In recent years “A Night at the Museum” events have become very popular and highly accepted. (b) special classes on robotics for the general public. (c) Robotics Competitions. We are already providing technical assistance to teachers and academic establishments (both in the state and outside of the country), that are trying to enter robotic competitions, but lack the knowledge to fully instruct and inspire their students. A natural progression for this, once we are open for tourism, would be to offer to hold regional, national and international competitions at our location. (d) International conferences regarding Robotics and Beneficial R & D Conferences. (e) Collaborations, enrichment classes and internships in enhanced technologies with higher academic establishments; combining elements such as Cybernetics, Bionics, Mechatronics, Autonomics, Animatronics & Teleoperation.
6- Admission will be free to the underprivileged. We hope to inspire the upcoming generation to create careers in responsible technologies that improve the quality of life.
7- The proceeds from the Center will help fund our R & D and further our creation of a “Prototype Environment, low cost, low impact, self-sustaining, alternative energy powered, Humanitarian & Environmental Research & Development institute with Think Tank Invention labs”. Our purpose is to invent and present responsible, low cost and easy to implement, beneficial humanitarian and environmental based technologies and methods that assist with social, ecological, sustainable and economic solutions. Accomplishing the prototype environment alone requires research & development of new technologies & improvement of existing technologies.
We have Designed, Fabricated & Marketed the Earth’s Largest Selection of "Internationally Renowned & Awarded" World-Class Robotics Exhibits & Devices; and “Hands On” Scientific, Technological & Interactive Art Exhibits. Our innovative, interactive, inexpensive, durable & easy to maintain creations incorporate interactive technologies & designs for people with disabilities and other special needs. We also provide our own Educational Kits & Materials for K thru 12/College & University level curriculums.
Our Exhibit Sales Customers include World-Class Science Centers, Museums, Universities, NASA, Royalty, Foreign & Domestic Governments, the Film Industries for inclusion in media productions, etc. We specialize in Cybernetics, Bionics, Mechatronics, Autonomics, Animatronics & Teleoperated devices.
Our Humanitarian & Environmental Research & Development has been presented before and/or published and awarded by: the United Nations, NASA-Emhart, Stanford, Cambridge, ICORR, ROMAN, IEEE, Discover Awards, International Federation of Robotics (IFR), etc. Our 1990's circa, original innovative R & D in "Facial Feature Controlled Technology" and "Artificial Sense of Touch Technology" (Adaptive Technology prototypes for the disabled), has helped pioneer those fields! We were the only company in the world to be awarded an entire chapter regarding our work in the International Federation of Robotics (IFR) “World Robotics; Service Robotics, 2011”.
Members of the Michigan State STrength Augmenting Robotic eXoskeleton (SPARX) Team make some last minute repairs before the obstacle course at the Applied Collegiate Exoskeleton Competition held inside the Bob & Betty Beyster Building on Saturday May 5, 2018 in Ann Arbor, MI.
The first ever collegiate competition brought five teams together to test the designs and overall effectiveness of their robotic exoskeletons.
Photo by Robert Coelius/ Michigan Engineering, Communications and Marketing
Fiume gained autonomy for the first time in 1719 when it was proclaimed a free port of the Holy Roman Empire in a decree issued by the Emperor Charles VI. In 1776, during the reign of the Empress Maria Theresa, the city was transferred to the Kingdom of Hungary and in 1779 gained the status of Corpus separatum within that Kingdom. The city briefly lost its autonomy in 1848 after being occupied by the Croatian ban (viceroy) Josip Jelačić, but regained it in 1868 when it rejoined the Kingdom of Hungary, again as a corpus separatum. Until 1924, Fiume existed for practical purposes as an autonomous entity with elements of statehood.[citation needed]
In the 19th century, the city was populated by Croats, Italians, Hungarians, and other ethnicities. National affiliations changed from census to census, as at that time "nationality" was defined mostly by the language a person spoke. The special status of the city, being placed between different states, created a local identity among the majority of the population. The official languages in use were Italian, Hungarian, and German; most business correspondence was carried out in Italian, while most families spoke a local dialect, a blend of Venetian with a few words of Croatian. In the countryside outside the city, the Croatian Chakavian dialect was spoken.
Inauguració de les Jornades del Programa Meta, per a la Millora de l'Ocupabilitat dels Titulats de la Universitat de València, per part del President del Consell Social de la Universitat de València, Carlos Pascual, el Rector de la Universitat de València, Dr. Esteban Morcillo, i el Secretari Autonòmic d'Ocupació, Luís Lobón.
Inauguración del Programa META, para la Mejora de la Empleabilidad de los Titulados de la Universitat de València, por parte del Presidente del Consell Social de la Universitat de València, Carlos Pascual, del Rector de la Universitat de València, Dr Esteban Morcillo, y el Secretario Autonómico de Empleo, Luís Lobón.
A tour group viewing MRISAR's Art in the "West Art Gallery".
Photo taken in New Leipzig, North Dakota by MRISAR Team Member Victoria Croasdell-Siegel.
Interior image of MRISAR’s World-Class “Interactive; Robotics, Technology, Invention, Art & Nature Center”. At this time in our transformation, Public Admission is by Appointment Only!
In 2010 MRISAR, (a business that has Designed, Fabricated & Marketed the Earth’s Largest Selection of “Internationally Renowned & Awarded, World-Class Robotics Exhibits & Devices”; and “Hands On” Scientific, Technological & Interactive Art Exhibits), purchased a disused school on the plains of North Dakota and relocated to it. Profit from their International Exhibit Sales helps fund their Humanitarian R&D and the transformation of the 36,000 sq. ft. complex, surrounded by 10 acres in North Dakota, into a World-Class “Interactive, Robotics, Technology, Invention, Art & Nature Center”.
Description of MRISAR’s “Interactive; Robotics, Technology, Invention, Art & Nature Center”.
1- Our 7,000 sq. ft. Exhibit Hall will feature; our standard line of interactive robotic & technology exhibits that we sell to Centers world-wide and our exclusive collection of robotic exhibits & devices that we will not sell to anyone else. Our talking Rail Robot Guide will lead visitors through the exhibit hall. Interact with our innovative, lifelike, futuristic, Robotic creations. Examples; Play with & feed Artificial Life forms in a Robot Zoo! Challenge robots with your human intelligence! Interact with otherworldly artistic, interactive, robotic sculptures! It will also feature Responsible Technologies.
2- Our Art Galleries will display the hundreds of pieces of family friendly, original 2D, 3D and Interactive Art that our team has already created, plus have revolving Family Oriented Local Artists Exhibitions.
3- The surrounding 10 acres is slowly being transformed into an Outdoor Interactive Art & Nature Area that will be filled with paths, trees, gardens and kinetic & interactive, solar & wind, technological art sculptures. The emphasis is edible, medicinal & organic landscapes that promote sustainability & health. As of 2015 over 3,000 edible and medicinal trees and shrubs have been planted.
4- We will provide “Special Tours” of behind the scenes areas. Examples are; (a) our Humanitarian & Environmental Research & Development Think Tank Invention labs that feature our R & D Projects. (b) the actual workshops where the attractions are created (similar to visiting the workshops & creations of Jim Henson’s creature shop). (c) a behind the scenes view of the production studio for the web series we are creating called the “Mysterious Lab of Robotics” (our robotic version of “Bill Nye the Science Guy” or “Beakman’s World”). (d) a chance to meet MRISAR’s internationally renowned robotics R & D team. A four member family team who since 2000 has designed, fabricated & marketed the earth’s largest selection of world-class robotic exhibits. The 2 youngest members joined the team as preschoolers.
5- “Public Enrichment Events”. Examples are; (a) special overnight events called “A Night with the Robots” (available no-where else in the world). Families can make reservations to spend the night on the center floor in sleeping bags or cots and experience special robotic demonstrations in a futuristic atmosphere. In recent years “A Night at the Museum” events have become very popular and highly accepted. (b) special classes on robotics for the general public. (c) Robotics Competitions. We are already providing technical assistance to teachers and academic establishments (both in the state and outside of the country), that are trying to enter robotic competitions, but lack the knowledge to fully instruct and inspire their students. A natural progression for this, once we are open for tourism, would be to offer to hold regional, national and international competitions at our location. (d) International conferences regarding Robotics and Beneficial R & D Conferences. (e) Collaborations, enrichment classes and internships in enhanced technologies with higher academic establishments; combining elements such as Cybernetics, Bionics, Mechatronics, Autonomics, Animatronics & Teleoperation.
6- Admission will be free to the underprivileged. We hope to inspire the upcoming generation to create careers in responsible technologies that improve the quality of life.
7- The proceeds from the Center will help fund our R & D and further our creation of a “Prototype Environment, low cost, low impact, self-sustaining, alternative energy powered, Humanitarian & Environmental Research & Development institute with Think Tank Invention labs”. Our purpose is to invent and present responsible, low cost and easy to implement, beneficial humanitarian and environmental based technologies and methods that assist with social, ecological, sustainable and economic solutions. Accomplishing the prototype environment alone requires research & development of new technologies & improvement of existing technologies.
We have Designed, Fabricated & Marketed the Earth’s Largest Selection of "Internationally Renowned & Awarded" World-Class Robotics Exhibits & Devices; and “Hands On” Scientific, Technological & Interactive Art Exhibits. Our innovative, interactive, inexpensive, durable & easy to maintain creations incorporate interactive technologies & designs for people with disabilities and other special needs. We also provide our own Educational Kits & Materials for K thru 12/College & University level curriculums.
Our Exhibit Sales Customers include World-Class Science Centers, Museums, Universities, NASA, Royalty, Foreign & Domestic Governments, the Film Industries for inclusion in media productions, etc. We specialize in Cybernetics, Bionics, Mechatronics, Autonomics, Animatronics & Teleoperated devices.
Our Humanitarian & Environmental Research & Development has been presented before and/or published and awarded by: the United Nations, NASA-Emhart, Stanford, Cambridge, ICORR, ROMAN, IEEE, Discover Awards, International Federation of Robotics (IFR), etc. Our 1990's circa, original innovative R & D in "Facial Feature Controlled Technology" and "Artificial Sense of Touch Technology" (Adaptive Technology prototypes for the disabled), has helped pioneer those fields! We were the only company in the world to be awarded an entire chapter regarding our work in the International Federation of Robotics (IFR) “World Robotics; Service Robotics, 2011”.
A view of participants in the General Assembly Hall prior to the opening of the Permanent Forum on Indigenous Issues (25 April-6 May), held on the theme: "Indigenous peoples, business, autonomy and the human rights principles of due diligence including free, prior and informed consent".
UN Photo/Manuel Elías
25 April 2022
New York, United States of America
Photo # UN7930697