“Non tutte le prigioni hanno le sbarre: ve ne sono molte altre meno evidenti da cui è difficile evadere, perché non sappiamo di esserne prigionieri. Sono le prigioni dei nostri automatismi culturali che castrano l'immaginazione, fonte di creatività.”

Henri Laborit

"Not all prisons have bars: there are many less obvious from which it is difficult to escape because we do not know they are prisoners. They are the prisons of our cultural automatisms casting imagination, a source of creativity. "

Henri Laborit

St. Matthäus-Kirche, Berlin

Only a short remark for all my friends:

my friends, Slowly, the desire to photograph returns. I'll limit myself to one or two pictures a week, I think. I appreciate the exchange with you, but please not as an automatism. I have to practice long-suffering, and if I react sporadically, that's not a sign of disinterest. Thank you for your understanding and see you soon in this wonderful world of impressions.

your friend

Klaus

or mini malist

An old doodle blended with the stunning echeveria that's growing in our lounge. Happy weekend! Oh I love the weekend.

"Automatism as a term is borrowed from physiology, where it describes bodily movements that are not consciously controlled like breathing or sleepwalking. Psychoanalyst Sigmund Freud used free association and automatic drawing or writing to explore the unconscious mind of his patients."

Dictated by thought

Exempt from concern

Pure state

15.12.1992, Eisnacht, 10x15 cm, Pastell-Stifte auf Papier.

15.12.1992, Ice night, 4x6 inch, pastel pens on paper.

Zur Erholung und Aufmunterung zeichne ich gern vom Zufall geleitete Überraschungen - meist sehr abstrahierte bis ungegenständliche kleine Bilder. Diese und die folgenden fand ich kürzlich beim Aufräumen und Sortieren zwischen Notizblättern.

For recreation and encouragement, I like to draw randomly guided surprises - mostly abstracted or non-objektive art small pictures. I recently found these and the following when cleaning up and sorting between notes.

8.10.2018, Farbabfall, 21x30 cm, Wasserfarben, Acryl, Farbstifte auf Papier.

8.10.2018, Color waste, 8x12 inch, watercolors, acrylic, colored pencils on paper.

Eben noch als Idee notiert, habe ich neugierig eine farbige Fassung der Zeichnung entworfen. Ich habe meine Malerei aus der Palette gleichzeitig mit dem 1qm thematisiert.

Just noted as an idea, I curiously designed a colored version of the drawing. I have themedisiert my painting from the palette simultaneously with the 1qm.

This Challenge wasn`t as easy as i thought. When you are used to process images with focused details then you have to make a change according to your automatism in your mind if you need to shoot blurred, not in focus images :)

What you see is an bottle of Eau de Tolilette ! Here you can check out how it looks sharply in focus :)

cdn03.plentymarkets.com/ea1mg3k08t8u/item/images/7268/ful...

Thx for this great Challenge to the Smile on Saturday Team :)

Thank you for visits, comments and favs!

Vielen Dank für Eure Besuche, Kommentare und Sternchen!

Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved

15.12.1992, Untergang, 10x15 cm, Pastell-Stifte auf Papier.

15.12.1992, Downfall, 4x6 inch, pastel pens on paper.

Zur Erholung und Aufmunterung zeichne ich gern vom Zufall geleitete Überraschungen - meist sehr abstrahierte bis ungegenständliche kleine Bilder. Diese und die folgenden fand ich kürzlich beim Aufräumen und Sortieren zwischen Notizblättern.

For recreation and encouragement, I like to draw randomly guided surprises - mostly abstracted or non-objektive art small pictures. I recently found these and the following when cleaning up and sorting between notes.

The Fractured Landscape. On black.

7.10.2018, Farbgebung, 1qm, 15x21 cm, Acryl, Wasserfarven, Farbstifte auf Papier. Detail.

7.10.2018, Coloring, 1sqm, 6x8 inch, acrylic, water colors, colored pencils on paper. Detail.

More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

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Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

ANY use without my permission in writing is forbidden by law.

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7.10.2018, Missachtet, 1qm, 15x21 cm, Acryl, Wasserfarven, Farbstifte auf Papier. Detail.

7.10.2018, Disregarded, 1sqm, 6x8 inch, acrylic, water colors, colored pencils on paper. Detail.

Eben noch als Idee notiert, habe ich neugierig eine farbige Fassung der Zeichnung entworfen. Zu viele Dinge landen auf dem Müll. Schließlich auch meine 1qm-Idee?

Just noted as an idea, I curiously designed a colored version of the drawing. Too many things end up in the garbage. Finally, my 1qm idea?

15.12.1992, Gewitter, 10x15 cm, Pastell-Stifte auf Papier.

15.12.1992, Thunderstorm, 10x15 cm, pastel pens on paper.

Zur Erholung und Aufmunterung zeichne ich gern vom Zufall geleitete Überraschungen - meist sehr abstrahierte bis ungegenständliche kleine Bilder. Diese und die folgenden fand ich kürzlich beim Aufräumen und Sortieren zwischen Notizblättern.

For recreation and encouragement, I like to draw randomly guided surprises - mostly abstracted or non-objektive art small pictures. I recently found these and the following when cleaning up and sorting between notes.

7.10.2018, Farbgebung, 1qm, 15x21 cm, Acryl, Wasserfarven, Farbstifte auf Papier.

7.10.2018, Coloring, 1sqm, 6x8 inch, acrylic, water colors, colored pencils on paper.

15.12.1992, Im Fluss, 10x15 cm, Pastell-Stifte auf Papier.

15.12.1992, Fluently, 6x8 inch, pastel pens on paper.

Zur Erholung und Aufmunterung zeichne ich gern vom Zufall geleitete Überraschungen - meist sehr abstrahierte bis ungegenständliche kleine Bilder. Diese und die folgenden fand ich kürzlich beim Aufräumen und Sortieren zwischen Notizblättern.

For recreation and encouragement, I like to draw randomly guided surprises - mostly abstracted or non-objektive art small pictures. I recently found these and the following when cleaning up and sorting between notes.

automatisms @ Reeperbahn

Hamburg St.Pauli, Spielbudenplatz

another p.o.v.:

flic.kr/p/2pZJfyv

7.10.2018, Missachtet, 1qm, 15x21 cm, Acryl, Wasserfarven, Farbstifte auf Papier.

7.10.2018, Disregarded, 1sqm, 6x8 inch, acrylic, water colors, colored pencils on paper.

Eben noch als Idee notiert, habe ich neugierig eine farbige Fassung der Zeichnung entworfen. Zu viele Dinge landen auf dem Müll. Schließlich auch meine 1qm-Idee?

Just noted as an idea, I curiously designed a colored version of the drawing. Too many things end up in the garbage. Finally, my 1qm idea?

15.12.1992, Eiszeit, 10x15 cm, Pastell-Stifte auf Papier.

15.12.1992, ice age, 4x6 inch, pastel pens on paper.

Zur Erholung und Aufmunterung zeichne ich gern vom Zufall geleitete Überraschungen - meist sehr abstrahierte bis ungegenständliche kleine Bilder. Diese und die folgenden fand ich kürzlich beim Aufräumen und Sortieren zwischen Notizblättern.

For recreation and encouragement, I like to draw randomly guided surprises - mostly abstracted or non-objektive art small pictures. I recently found these and the following when cleaning up and sorting between notes.

500px | instagram

7.10.2018, Sammelstelle, 1qm, 15x21 cm, Acryl, Wasserfarven, Farbstifte auf Papier. Detail.

7.10.2018, Collecting point, 1sqm, 6x8 inch, acrylic, water colors, colored pencils on paper. Detail.

Eben noch als Idee notiert, habe ich neugierig eine farbige Fassung der Zeichnung entworfen. Zu viele Dinge landen auf dem Müll. Schließlich auch meine 1qm-Idee?

Just noted as an idea, I curiously designed a colored version of the drawing. Too many things end up in the garbage. Finally, my 1qm idea?

The Abstract Landscape: Winter Automatism

7.10.2018, Sammelstelle, 1qm, 15x21 cm, Acryl, Wasserfarven, Farbstifte auf Papier.

7.10.2018, Collecting point, 1sqm, 6x8 inch, acrylic, water colors, colored pencils on paper.

Eben noch als Idee notiert, habe ich neugierig eine farbige Fassung der Zeichnung entworfen. Zu viele Dinge landen auf dem Müll. Schließlich auch meine 1qm-Idee?

Just noted as an idea, I curiously designed a colored version of the drawing. Too many things end up in the garbage. Finally, my 1qm idea?

More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

.

Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

ANY use without my permission in writing is forbidden by law.

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15.12.1992, Wetter, 10x15 cm, Pastell-Stifte auf Papier.

15.12.1992, Weather, 10x15 cm, pastel pens on paper.

Zur Erholung und Aufmunterung zeichne ich gern vom Zufall geleitete Überraschungen - meist sehr abstrahierte bis ungegenständliche kleine Bilder. Diese und die folgenden fand ich kürzlich beim Aufräumen und Sortieren zwischen Notizblättern.

For recreation and encouragement, I like to draw randomly guided surprises - mostly abstracted or non-objektive art small pictures. I recently found these and the following when cleaning up and sorting between notes.

15.12.1992, Aufbruch, 10x15 cm, Pastell-Stifte auf Papier.

15.12.1992, Breakup, 4x6 inch, pastel pens on paper.

Zur Erholung und Aufmunterung zeichne ich gern vom Zufall geleitete Überraschungen - meist sehr abstrahierte bis ungegenständliche kleine Bilder. Diese und die folgenden fand ich kürzlich beim Aufräumen und Sortieren zwischen Notizblättern.

For recreation and encouragement, I like to draw randomly guided surprises - mostly abstracted or non-objektive art small pictures. I recently found these and the following when cleaning up and sorting between notes.

15.12.1992, Wachstum, 10x15 cm, Pastell-Stifte auf Papier.

15.12.1992, Growth, 4x6 inch, pastel pens on paper.

Zur Erholung und Aufmunterung zeichne ich gern vom Zufall geleitete Überraschungen - meist sehr abstrahierte bis ungegenständliche kleine Bilder. Diese und die folgenden fand ich kürzlich beim Aufräumen und Sortieren zwischen Notizblättern.

For recreation and encouragement, I like to draw randomly guided surprises - mostly abstracted or non-objektive art small pictures. I recently found these and the following when cleaning up and sorting between notes.

"automatism refers to creating art without conscious thought, accessing material from the unconscious mind as part of the creative process . . . [or using] some elements of chance to create works"

for our The 12.12 Project theme of automatism this month... chance (and wind + pelting rain) definitely had a big hand in this one

More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

.

Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

Do not rip these photos off; they do not belong to you!

ANY use without my permission in writing is forbidden by law, including use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.

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8.10.2018, Nicht vergessen - Notiz, Entwurf Abfall, 10x15 cm, Bleistift auf Papier.

8.10.2018, Do not forget - note, draft waste, 4x6 inch, pencil on paper.

Auf 10x15 cm-Papier zeichne ich als erste Notiz oft Ideen, die später zu farbigen Malereien verwandelt werden sollen. In einem Ringbuch werden die entstandenen Blätter gesammelt, bis ich Zeit für eine weitere Ausführung finde. Nicht vergessen.

On 10x15 cm paper I draw as a first note often ideas, that will later be transformed into colored paintings. In a ring binder, the resulting leaves are collected, until I find time for another execution. Do not forget.

View On Black

(Explore) 334

Happy weekend dear friends!!!

Born to the families of a goldsmith and watchmaker, the young Juan Miró was drawn towards the arts community that was gathering in Montparnasse and in 1920 moved to Paris, France. There, under the influence of the poets and writers, he developed his unique style: organic forms and flattened picture planes drawn with a sharp line. Generally thought of as a Surrealist because of his interest in automatism and the use of sexual symbols (for example, ovoids with wavy lines emanating from them), Miró’s style was influenced in varying degrees by Surrealism.

(Wikipedia)

More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

.

Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

ANY use without my permission in writing is forbidden by law.

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"She" was my first SLR: the fantastic Canon A-1.

My brother recommended it to me. It was a revolutionary device with new automatisms, at least for the time I bought it: 1982.

I bought it in the Base Exchange inside the (now defunct) Mather Air Force Base, in Sacramento, California, USA.

And it has been my companion for many years until I moved to the Nikon brand and the digital world.

But here it is with me, and it still works perfectly.

Photo taken in Pozuelo de Alarcón, Madrid, Spain.

MI PRIMERA SLR, CANON A-1 EN 1982, 2025

"Ella" fue mi primera SLR: la fantástica Canon A-1.

Me la recomendó mi hermano. Se trataba de un dispositivo revolucionario con nuevos automatismos, al menos para el tiempo en que la compré: 1982.

La compré en el la tienda que había dentro de la (ya desaparecida) Base Aérea de Mather, en Sacramento, California, USA.

Y ha sido mi compañera durante muchos años hasta que me mudé a la marca Nikon y al mundo digitaL.

Pero aquí sigue conmigo, y sigue funcionando perfectamente.

Foto tomada en Pozuelo de Alarcón, Madrid, España.

More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

.

Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

Do not rip these photos off; they do not belong to you!

ANY use without my permission in writing is forbidden by law, including use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.

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More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

.

Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

Do not rip these photos off; they do not belong to you!

ANY use without my permission in writing is forbidden by law, including use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.

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🎶 Join us for a wild musical experience with DD (Deceptions Digital) LIVE at Cloud Galleries!

DD's music is a true reflection of pure psychological automatism.

📅 Date: September 19

⏰ Time: 11:00 AM

✈️

maps.secondlife.com/secondlife/Novatron/39/166/3848

The Canadian goose over the pond abstract.

More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

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Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

ANY use without my permission in writing is forbidden by law.

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More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

.

Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

Do not rip these photos off; they do not belong to you!

ANY use without my permission in writing is forbidden by law, including use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.

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More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

.

Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

Do not rip these photos off; they do not belong to you!

ANY use without my permission in writing is forbidden by law, including use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.

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decalcomania - oil on board (2' x 3')

The surrealist Óscar Domínguez referred to his work as "decalcomania with no preconceived object", using gouache spread thinly on a sheet of paper (glass has been used), which is then pressed onto another surface such as a canvas.

Here I have substituted gouache with oil colour thinned with turpentine on glass with board as the pressed surface.

Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway making use of this method through 'chance operations'.

Not all prisons have bars: there are many other less obvious from which escape is difficult, because we do not know to be prisoners. Are the prisons of our cultural automatism that castrate the imagination, the source of creativity.

(Henri Laborit)

Entered ANCIENT MODERNITY - Art Museion / Worlds Of Thrylium Challenge -

Sound and Vision

Landscape and processing are mine, city, moon and android are in public domain....

Thank you for stopping by....

All rights reserved. Image can not be inserted in blogs, websites or any other form, without my written permission.

www.shawncorbett.com

ISuNWaTCH oN BLaCKI

HaVe aLL a SuNNY NeW WeeK

The lion you see here is in Angkor wat in Cambodia.

When I left the temple after 2 days exploring, the sun was going down.

Holy moment, this place is so magical.

If you ever have the chance to visit Cambodia, go there.

It is unbelievable this beauty.

A friend told me once a joke someone did when he was dreaming of this place.

“this are only old stones” he said to my friend.

He is right, but stones with history and power, much power.

For all who missed my shout out on my previous one.

I will delete all comments made with graphic invite!!!!!!

Why?

Go and read

The song goes out to my sweet panther

Thank you darling, for being my sunset all day

Put on the sunglasses and……………

♪♪♫ L I S T e N ♪♪♫♪♪♫

More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

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Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

ANY use without my permission in writing is forbidden by law.

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More drastically altered photos in my set, "Automatic Photography:"

www.flickr.com/photos/motorpsiclist/sets/72157637198879375/

.

Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

Do not rip these photos off; they do not belong to you!

ANY use without my permission in writing is forbidden by law, including use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.

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La sorcière maléfique qui a maltraité l'enfant. Le clou et le pied.

Des légendes populaires de l'intérieur de certains pays racontent qu'une très méchante sorcière trouva un jour un enfant sans surveillance dans une cabane en bois au fond de la forêt.

Comme l'enfant ne pouvait pas indiquer où se trouvaient les trésors de la famille, la sorcière furieuse punit l'enfant a fixé son pied gauche avec un énorme clou sur le parquet du salon de la cabane.

Désespéré, l'enfant a pleuré et souffert en essayant de s'échapper. Mais le pied était là fixé au parquet et l'enfant désespéré tournait, tournait, tournait sur son pied coincé. Et cette horrible condition de souffrance se répétait sans cesse et l'enfant tournait, souffrait, tournait et souffrait et rien n'a changé.

Une légende aussi triste est une métaphore de la condition provoquée dans l'esprit humain par la névrose. L'esprit perçoit la souffrance et en souffre beaucoup, mais la souffrance se répète, se répète, se répète, un automatisme sans fin. La condition de névrose emprisonnant tourne en rond.

La réalité déformée qui entretient la névrose est comme le plancher en bois de la cabane au fond de la forêt.

La réalité, comme le plancher en bois qui ne devrait que soutenir et sécuriser pour se tenir debout et marcher, mais emprisonne et amplifie la souffrance causée par l'énorme clou qui a fixé le pied.

L'clou, la métaphore de la condition de fonctionnement spécifique de la neurotransmission du réseau de neurones que l'on pourrait penser dans le Trouble Obsessionnel Compulsif, le Trouble Anxieux Général, le Trouble de l'humeur Bipolaire, le Trouble de Stress Post Traumatique. Il se répète, il se répète, il se répète, et l'esprit ne peut pas s'échapper.

L'enfant, l'enfant est la métaphore de l'Ego, Notre Centre Opérationnel qui travaille au centre du champ de notre conscience, notre mémoire RAM, qui traite tout ce qui provient du HD de notre esprit, le fond de la forêt, d'où provient l'origine de tout. Nos possibilités génomiques, stockées dans notre ADN, comme les programmes stockés dans la HD.

La tâche sans fin du Ego, métaphore du héros qui lutte pour surmonter le doute angoissant, l'anxiété, l'impulsion, la souffrance et la peur.

Comprendre cet automatisme est très important pour trouver un moyen d'interrompre le schéma répétitif de la névrose, pour enfin se débarrasser de l'énorme clou qui retient le pied.

A l'interieur RAM Notre Centre Opérationnel l'Ego et dedans la mémoire du HD notre Génome, où sont les programmes.

Ivan

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The evil witch who mistreated the child. The nail and the foot.

Folk legends from the interior of some countries say that a very wicked witch once found a child unattended in a wooden hut deep in the forest.

Since the child could not point out where the family treasures were, the enraged witch punished the child by nailing her left foot with a huge nail to the wooden floor of the cabin's living room.

Desperate, the child cried and suffered as she tried to escape. But the foot was there nailed to the floor and the desperate child turned, turned, turned on his stuck foot. And this horrible condition of suffering repeated itself over and over again and the child was spinning and hurting and spinning and hurting and nothing changed.

Such a sad legend is a metaphor for the condition caused in the human mind by neurosis. The mind perceives suffering and suffers greatly from it, but the suffering repeats, repeats, repeats, an endless automatism. The condition of imprisoning neurosis turns in circles.

The distorted reality that sustains neurosis is like the wooden floor of the cabin deep in the woods. Reality, like the wooden floor that should only support and secure for standing and walking, but traps and amplifies the pain caused by the huge nail that grips the foot.

The fingernail, metaphor for the specific functioning condition of neural network neurotransmission that one might think of in Obsessive Compulsive Disorder, General Anxiety Disorder, Bipolar Mood Disorder, Post Traumatic Stress Disorder . It repeats, it repeats, it repeats, and the mind cannot escape.

The child, the child is the metaphor of the Ego, Our Operational Center that works in the center of our consciousness field, our RAM memory, which processes everything that comes from the HD of our mind, the bottom of the forest, from where everything originated. Our genomic possibilities, stored in our ADN, like the programs stored in HD.

The endless task of the Ego, a metaphor for the hero who struggles to overcome agonizing doubt, anxiety, impulse, suffering and fear.

Understanding this automatism is very important to find a way to interrupt the repetitive pattern of neurosis, to finally get rid of the huge nail that holds the foot.

Inside RAM Our Operational Center the Ego and inside the memory of the HD our Genome, where the programs are.

Ivan

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