View allAll Photos Tagged authenticity
I believe whole heartedly that the reason Disney resorts are so magical is because of their efforts to make evertything look as authentic as possible. The Polynesian is one of my fav's, most people know this, because of its gorgeous waterfalls, flowers, and humidity. This is another detail from the lobby of the Polynesian. I think this was just on a little cart that was selling that wonderful Disney paraphanelia but I thought the colors and textures were really fun.
Walt Disney World
Disney's Polynesian
December 2010
Nike, Air Force 180 Olympic Dream Team 2016, Men’s Size 10, White, Blue 310095-100, UPC 00886736643748, 2016, 20th Anniversary, re-mastered, leather and nubuck construction, PU midsole, Air-Sole unit, rubber outsole for traction, Olympic-themed colorway, mid-foot strap, visible 180 Max Air in the heel, mid-cut upper, swoosh branding, color gradient on the midsole, Olympic gold adorns the tongue, Dream Team Pack, originally reissued in 2012, 777, reddealsonline, sneakerhead, eBay shoes, Authenticate, Authenticity Guarantee, Red Deals Online
The Beach at Selsey Bill - ca. 1865
James Abbott McNeill Whistler (American, 1834 - 1903)
Whistler, whose work does not fit into any one school, period, or country, and the painting “Beach at Selsey Bill”, which does not fit neatly into his known oeuvre, present problems for art historians and connoisseurs alike. There have been doubts regarding the authenticity and condition of “Beach at Selsey Bill”, since portions have been repainted, but not about its intrinsic quality. The composition is strikingly simple; the figures are summarized with masterly broken strokes; the brushwork expressive and the paint thin, laid on with confident flowing strokes blending to a lustrous surface.
Selsey Bill lies east of the Isle of Wight and south of Chichester, on the south coast of England. The prevailing westerly winds drive long Atlantic rollers onto the broad shingle bank. Whistler stayed there with a friend, the charming and unscrupulous Charles Augustus Howell. Born in Portugal, Howell settled in London about 1864, working as secretary to, among others, Dante Gabriel Rossetti, who had "complete confidence in his judgement on questions of art." (1) Howell pawned, promoted, sold, and even collected Whistler's work-not always with the artist's approval. He sold one sketch, Whistler claimed, as a Michelangelo. (2) Howell also commissioned a portrait of his mistress, Rosa Corder, the magnificent “Arrangement in Brown and Black” (1878; Frick Collection, New York), paying, according to Whistler, with money the artist had lent him. A year later, he was one of the chief creditors involved in Whistler's bankruptcy.
In 1879, when the insolvent artist returned from Venice, he visited Howell, who had converted a row of fishermen's cottages called "Old Denner" at Selsey into a house. Whistler painted the house in watercolor and etched “Lobster-Pots”, which was published in the “Second Venice Set” in 1886, helping to re-establish the artist’s reputation.
Whistler's fortunes improved as Howell’s declined. Howell died in 1890 in sordid circumstances, and several seascapes, including a “Selsey Shore," in his estate sale were attributed to Whistler, but their authenticity is uncertain. (3) Two oil paintings in the sale are associated with Whistler's Selsey visits: the New Britain “Beach at Selsey Bill” and “The Selsey Shore” (Hill-Stead Museum, Farmington, Conn.).
In August 1894 Whistler objected to the sale of what he called “Selsea Bill Sands” at Messrs. Dowdeswell, “an odd scrap that I left at Howell's when I once went down there, and that I never meant should exist at any price!” He continued:
I suppose that, being miserable without painting something, I strolled out on the beach, and found all "Nature" in a shocking state-bleak sky-hard as nails, in an east wind-cheap mean sea-and cold sands-in short everything abominable and only fit for the British landscapist!-Of course I could do nothing-and ought never to have dipped my brush in such company!-There is no excuse for it. (4)
He then wrote a label for the back:
This rag of canvas, bought of Messrs. Dowdeswell, "Beach at Selsey Bill" was never meant to be signed.
It is no more fit for signature than would be the odd scrap of paper that had fallen between waste basket and fire when thrown aside by the author too careless to see the destruction he intended completed before him.-Nothing in the house of Howell was ever lost-and so this sweeping of an afternoon's visit was gathered and stowed away for future transaction. (5)
This denunciation corresponds to the canvas now called “The Selsey Shore”, which is an unfinished, thinly painted, battered study of surf breaking on a beach. In contrast, “Beach at Selsey Bill” is richly painted and in reasonable condition, though it has been repaired.
Despite Whistler’s objections, “The Selsey Shore” was bought by Alfred Atmore Pope. Thus it appears that Pope bought both “Beach at Selsey Bill” and then “The Selsey Shore” from Dowdeswell’s in 1894. Years later, in 1948, Pope's daughter sold “The Selsey Shore” to Macbeth Gallery, New York, where it was joined in 1949 by “Beach at Selsey Bill”. At this point all record of the history of “Beach at Selsey Bill” and any justification for the title had been lost.
Unfortunately, Whistler either did not see or did not comment on “Beach at Selsey Bill” in 1894. The distinction is vital: if he saw the painting, or consigned it to Dowdeswell’s, then obviously it is authentic. Otherwise, it’s authorship is in doubt. “Beach at Selsey Bill” has affinities with Whistler's work, and it is possible that just as the watercolor “Selsey Bill” was innovative in Whistler’s oeuvre (he had worked almost exclusively in pastel and etching in Venice), the oil may also have been experimental.
No other large-scale landscape or seascape by Whistler resembles “Beach at Selsey Bill” in style and technique, but comparable subjects and format are seen in several small works, such as the watercolor “Note in Opal-The Sands, Dieppe” and the oil “Harmony in Blue and Pearl: The Sands, Dieppe” (both 1885; private collection). Both works have a narrow upright format, a high horizon with a few sailing boats, a low shoreline scattered with figures, and a sea painted with fluid strokes that cross the picture cleanly from edge to edge. The asymmetrical composition and expressive brushwork suggest the influence of Asian art.
While the smooth brushstrokes across the beach in “Beach at Selsey Bill” are perfectly controlled and consistent with Whistler's work, the figures are loosely constructed with broad brush strokes that lack Whistler's usual painterly precision. The sky and clouds, effective as they are in color and brushwork, find no equivalent elsewhere in his oils.
These discrepancies raise questions of authenticity-as to whether the painting, fine as it is, is by Whistler or was perhaps started by him and completed by another, albeit competent, hand. Messrs. Dowdeswell saw many alleged Whistlers pass through their gallery, including works the artist is known to have destroyed at the time of his bankruptcy and those reworked by other artists. Walter Greaves, Whistler's erstwhile pupil, was suspected of retouching works.
In the case of “Beach at Selsey Bill”, a more obvious candidate is Howell's mistress, Rosa Frances Corder. She studied painting with Felix Moscheles, drawing with Frederick Sandys, etching with Whistler, and forgery with Howell. Corder faked drawings by Henry Fuseli, Dante Gabriel Rossetti, and possibly Whistler, judging from works in Howell's collection. (6) As few of her paintings survive, it is not clear if she was capable of original work of the caliber of “Beach at Selsey Bill”.
These unresolved questions do not affect the underlying quality of the painting. A powerful work, “Beach at Selsey Bill” is beautiful in color, expressive in brushwork, and indeed worthy of being called a Whistler.
Son of Major G. W. Whistler, a railway engineer, and his second wife, Anna McNeill, James McNeill Whistler was born in Lowell, Massachusetts. He attended art classes at Saint Petersburg Academy of Arts and Sciences during a five-year sojourn in Russia and then at the United States Military Academy at West Point, N.Y..
An admirer of Rembrandt’s etchings, Whistler learned to etch at the U.S. Coast and Geodetic Survey in Washington, D.C., in 1855. With the help of printer Auguste Delâtre, he published his first set of etchings, the “French Set”, in 1858. It was followed by the “Thames Set” (London, 1871) and by two Venetian sets (1880, 1886), which secured Whistler’s reputation. In 1855 he went to study art in Paris, where he joined the academy of Charles Gleyre and was influenced by Gustave Courbet, leader of the Realist movement.
Whistler's early Realist painting, “At the Piano” (1858-59; Taft Museum, Cincinnati), was well received at the Royal Academy in London in 1860, but “The White Girl” (1862; National Gallery of Art, Washington, D.C.) was rejected by the academy in 1862 and by the Paris Salon in 1863 and hung at the Salon des Refusés instead. His Japanese subjects were admired for their color and exoticism but criticized for their lack of "finish." Whistler moved in the circle of the Pre-Raphaelite Dante Gabriel Rossetti. An advocate, like his friend Albert Moore, of "art for art’s sake," Whistler painted figural compositions, such as “Symphony in White No. 3” (Barber Institute of Fine Art, University of Birmingham, Eng.), whose titles emphasize the importance of color over subject.
Concurrently with his figurative subjects, Whistler painted vigorous seascapes. His work in Valparaiso, Chile, in 1867 inaugurated the famous Nocturnes of the 1870s. He also turned to deeply psychological portraits, such as “Arrangement in Gray and Black, No. 1: The Artist's Mother” (1871; Musée du Louvre, Paris), which hung in his one-man exhibition at the Flemish Gallery, London, in 1874. In 1876 he started the major decorative scheme known as the Peacock Room (Freer Gallery of Art, Washington, D.C.), which became a gorgeous harmony in blue and gold for his patron, the Liverpool shipowner F. R. Leyland. Disputes over the scale of Whistler's work for this commission later led to a break between the two men.
In 1877 Whistler exhibited eight paintings at the newly opened Grosvenor Gallery, London. In a review of the show, John Ruskin attacked “Nocturne in Black and Gold: The Falling Rocket” (1875; Detroit Institute of Arts). The artist sued Ruskin for libel and won, but his legal expenses forced him into bankruptcy in 1879. That year, the insolvent Whistler traveled to Venice to fulfill a commission for twelve etchings, the “First Venice Set”.
Whistler's works in all mediums were usually small (5 by 8 inches), though he did execute lifesize portraits. Extremely thin paint, fluid brushwork, and subtle color harmonies distinguish his paintings. Expressive line, intricate detail, and a feeling for light, movement, and character mark his drawings and prints.
The artist was at the forefront of the etching and lithography revivals. His late etchings of Holland and his lithographs of Lyme Regis, on the southern coast of England, as well as his moving lithographic portraits of his dying wife, Beatrice, are among his finest works.
In the 1880s and 1890s Whistler gained international acclaim, exhibiting throughout Europe and America. As president of the International Society of Painters, Sculptors and Gravers, his radical influence on art and exhibition design bore fruit, evidenced in their exhibitions of 1898, 1899, and 1901. He died in Chelsea, London.
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"Acknowledged as the first museum in the world dedicated solely to collecting American art, the NBMAA is renowned for its preeminent collection spanning three centuries of American history. The award-winning Chase Family Building, which opened in 2006 to critical and public acclaim, features 15 spacious galleries which showcase the permanent collection and upwards of 25 special exhibitions a year featuring American masters, emerging artists and private collections. Education and community outreach programs for all ages include docent-led school and adult tours, teacher services, studio classes and vacation programs, Art Happy Hour gallery talks, lectures, symposia, concerts, film, monthly First Friday jazz evenings, quarterly Museum After Dark parties for young professionals, and the annual Juneteenth celebration. Enjoy Café on the Park for a light lunch prepared by “Best Caterer in Connecticut” Jordan Caterers. Visit the Museum Shop for unique gifts. Drop by the “ArtLab” learning gallery with your little ones. Gems not to be missed include Thomas Hart Benton’s murals “The Arts of Life in America,” “The Cycle of Terror and Tragedy, September 11, 2001” by Graydon Parrish,” and Dale Chihuly’s “Blue and Beyond Blue” spectacular chandelier. Called “a destination for art lovers everywhere,” “first-class,” “a full-size, transparent temple of art, mixing New York ambience with Yankee ingenuity and all-American beauty,” the NBMAA is not to be missed."
www.tripadvisor.com/Attraction_Review-g33847-d106105-Revi...
www.nbmaa.org/permanent-collection
The NBMAA collection represents the major artists and movements of American art. Today it numbers about 8,274 paintings, works on paper, sculptures, and photographs, including the Sanford B.D. Low Illustration Collection, which features important works by illustrators such as Norman Rockwell, Howard Pyle, and Maxfield Parrish.
Among collection highlights are colonial and federal portraits, with examples by John Smibert, John Trumbull, John Singleton Copley, Gilbert Stuart, and the Peale family. The Hudson River School features landscapes by Thomas Cole, Asher B. Durand, Martin Johnson Heade, John Kensett, Albert Bierstadt, and Frederic Church. Still life painters range from Raphaelle Peale, Severin Roesen, William Harnett, John Peto, John Haberle, and John La Farge. American genre painting is represented by John Quidor, William Sidney Mount, and Lilly Martin Spencer. Post-Civil War examples include works by Winslow Homer, Thomas Eakins, John Singer Sargent, George de Forest Brush, and William Paxton, and 19 plasters and bronzes by Solon Borglum. American Impressionists include Mary Cassatt, Theodore Robinson, John Henry Twachtman, J. Alden Weir, Willard Metcalf, and Childe Hassam, the last represented by eleven oils. Later Impressionist paintings include those by Ernest Lawson, Frederck Frieseke, Louis Ritman, Robert Miller, and Maurice Prendergast.
Other strengths of the twentieth-century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O’Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson, and Ralston Crawford; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence, and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry, and Thomas Hart Benton, notably the latter’s celebrated five-panel mural, The Arts of Life in America (1932).
Works by the American Abstract Artist group (Stuart Davis, Ilya Bolotowsky, Esphyr Slobodkina, Balcomb Greene, and Milton Avery) give twentieth-century abstraction its place in the collection, as do later examples of Surrealism by artists Kay Sage and George Tooker; Abstract Expressionism (Lee Krasner, Giorgio Cavallon, Morris Graves, Robert Motherwell, Sam Francis, Cleve Gray), Pop and Op art (Andy Warhol, Larry Rivers, Robert Indiana, Tom Wesselman, Jim Dine), Conceptual (Christo, Sol LeWitt), and Photo-Realism (Robert Cottingham). Examples of twentieth-century sculpture include Harriet Frishmuth, Paul Manship, Isamu Noguchi, George Segal, and Stephen DeStaebler. We continue to acquire contemporary works by notable artists, in order to best represent the dynamic and evolving narrative of American art.
FEVERNOVA OFFICIAL FIFA WORLD CUP KOREA - JAPAN 2002 CERTIFIED ADIDAS FINAL MATCH USED BALL, GERMANY VS BRAZIL, INTERNATIONAL STADIUM YOKOHAMA WITH COCA-COLA CERTIFICATE OF AUTHENTICITY AND SPECIAL EDITION BOX
PROPERTY OF YKYECO
Seluruh kegiatan Samsons bersama Marcell dan Atika Dora di Jambi, dalam event AUTHENTICITY, 13 - 14 Mei 2016.
FINAL OCEAUNZ FIFA WOMEN'S WORLD CUP AUSTRALIA - NEW ZEALAND 2023 OFFICIAL ADIDAS 3RD PLACE MATCH USED CONNECTED BALL 03/20, SWEDEN VS AUSTRALIA, WITH CERTIFICATE OF AUTHENTICITY
PROPERTY OF YKYECO
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Meine erste Foto-Einzelausstellung präsentiert im Café Berio, Berlin
Vernissage 31. Juli 2018 | Finissage 22. September 2018
In meiner ersten Foto-Einzelausstellung zeigte ich meine Berliner Portraits und einige meiner Vogel-Fotografien; daher der Titel der Ausstellung. In meinem Fotoprojekt wollte ich einmal weg von den sonst bewusst gewählten Orten, an denen man ein Fotoshooting durchführt. Ein Studio oder eine ausgewählte Location haben für die Menschen meist etwas sehr Unpersönliches. Ich wollte dorthin, wo es am authentischsten ist; an die Orte, an denen die Protagonisten (überwiegend Künstler) zu Hause und in ihrem Element sind: auf der Bühne, hinter der Bühne und vor, während und nach einem Auftritt bzw. Event. Ich möchte dem Betrachter Bilder zeigen, die er nicht unbedingt während einer Veranstaltung wahrnimmt und Außenstehende gefangen nehmen, als hätten sie es live miterlebt.
Über 70 Arbeiten präsentierte ich in der Ausstellung; darunter Portraits von Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper und vielen anderen.
Vögel leben auf allen Kontinenten. Sie sind flüchtige, scheue Tiere. Auf meinen Fotografien lassen sie aber eine unwahrscheinliche Nähe zu. Das eigentlich Fremde und in der Natur nicht Sichtbare habe ich in meinen Vogel-Portraits festgehalten.
Mein Motto: "Authentizität ist das Schlüsselwort, das hinter meiner Fotografie steht. Ich ziehe es vor, mehr die menschliche Note zu zeigen und weniger die Retusche."
Die meisten der Exponate sind in der queeren Community entstanden.
berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...
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My first solo photo exhibition presented at Café Berio, Berlin
Opening July 31, 2018 | Closing September 22, 2018
In my first solo photo exhibition, I showed my Berlin portraits and some of my bird photographs; hence the title of the exhibition. In my photo project, I wanted to get away from the usual deliberately chosen locations for a photo shoot. There is usually something very impersonal about a studio or a selected location for people. I wanted to go where it is most authentic; to the places where the protagonists (mostly artists) are at home and in their element: on stage, backstage and before, during and after a performance or event. I want to show the viewer images that they don't necessarily see during an event and capture outsiders as if they had witnessed it live.
I presented over 70 works in the exhibition, including portraits of Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper and many others.
Birds live on every continent. They are elusive, shy animals. In my photographs, however, they allow an improbable closeness. I have captured what is actually alien and invisible in nature in my bird portraits.
My motto: "Authenticity is the keyword that lies behind my photography. I prefer to show more the human touch and less the retouch."
Most of the exhibits were created in the queer community.
berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...
uno documento compilo celebrating 8 years of indie authenticity featuring Skies Of Ember, Archaster, Down Boy Down, Elemento @ Bela Bar P. Guevarra San Juan
Nike, Air Jordan 3 Retro SE Unit, Men’s Size 7, Red Cement, Fire Red, Cement Grey, CK5692-600, Women’s Size :8.5, 2019, UPC: 00193154434019, Fire Red Cement Grey and Black color scheme, Grey leather on the perforated eyelets, Red tumbled leather upper, elephant print overlays, Red Jumpman logo, Black heel tab with “Nike Air” branding, metallicized Signature elephant-print overlays, Jumpman logo on tongue and heel panel, Retro silhouette, Comfortable ankle collars, Tongue perforations for ventilation, Visible Nike Air units, Air Jordan Jumpman logo branding, Rubber outsoles, generational traction pattern, reddealsonline, redd3413, eBay shoes, Authenticate, Authenticity Guarantee, sneaker collection
Photograph by: Justin Stubleski
Description: Intermezzo Project for my Digital Photo Production class. Result of walking around for 2-3hrs at 3-4 different locations. The use of color was the concept of the assignment and I went after the red and yellow tones in brick and rust as well as some blues. Texture was also key in my portrayal of my assignment. I would like to think of this as an extension of my "Stylized Authenticity".
Seluruh kegiatan Samsons bersama Marcell dan Atika Dora di Jambi, dalam event AUTHENTICITY, 13 - 14 Mei 2016.
Nike Dunk High 6.0, Women's Size 8.5, Neon Green, Pink, Multicolor, 342257-311, Release Year 2009, UPC 00091205556461, Green leather upper, Dunk High 6.0 WMNS, fish scales imitation leather, pink outsole, Multicolor mesh, seams in colored lines, "Swoosh" white logo, full-length EVA midsole, flexible rubber outsole, Rare, Retro, full cup sole stitch, Designed specifically for action sports, reddealsonline, eBay shoes, redd3413, Authenticity Guarantee
Vice President for Digital Ad Products at Time Inc. Adam Solomon speaks during "The Secret Sauce of Native Advertising? Authenticity" panel at the Advertising and Marketing Hub at JWT as part of Social Media Week in New York February 21, 2013. INSIDER IMAGES/Andrew Kelly (United States)
Patrick Ewing 33 Hi Winter, Men’s Size 8.5, Brown, Navy, Gold, 1EW90129-900, UPC 191744021977, Release Year 2012, New York Knicks legend, signature sneaker, Knicks's color scheme, waterproof leather upper, Cushioned lining, padded tongue, Cushioned PU midsole, partial mesh inner sleeve, Gold metal eyelets, Solid rubber outsole, redd3413, reddealsonline, eBay store, sneakers collection, Authenticity Guarantee
uno documento compilo celebrating 8 years of indie authenticity featuring Skies Of Ember, Archaster, Down Boy Down, Elemento @ Bela Bar P. Guevarra San Juan
LEGO Star Wars - Amazing what a little washing powder can do to add to the authenticity of the scene
(L-R) Vice President for Digital Ad Products at Time Inc. Adam Solomon, SVP of Digital Strategy and Partnerships at Mediavest Ritu Trivedi, Team Lead of Creative Solutions at Facebook Kevin Knight and Chief Strategy Officer for Mashable Adam Ostrow participate in "The Secret Sauce of Native Advertising? Authenticity" panel at the Advertising and Marketing Hub at JWT as part of Social Media Week in New York February 21, 2013. INSIDER IMAGES/Andrew Kelly (United States)
Nike Lunar Air Force 1 VT Mesh, Menâs Size 8.5, Blue Hero, Black, 599499-400, UPC 00887225548308, 2013, Vac-Tech mesh upper, Nike Air Branding on tongue, Nike Lunar Force on heel, Padded tongue, cushioned inner sole for comfort, Traction rubber outsole for ultimate performance, Lunarlon midsole, Lunarlon sole, encapsulated air-sole heel unit, gum rubber outsole, Lace up closure, hybrid, reddealsonline, sneakerhead, eBay shoes, Authenticate, Authenticity Guarantee, Red Deals Online
About the only authentically Mercedes thing about the Mercedes stand were the old cars. Here are the pipes on an SLR with lovely residue on the pristine bodywork.
Adidas Forest Grove, Men's 12, Running Shoes, Grey, Yellow, White, BD7943, EAN: 4059808603933, Rubber sole, Mix of suede textile and leather Upper, EVA foam, lightweight mesh upper, web-wrapped midsole, Textile lining, Lightweight EVA midsole, Rubber sole, Adidas Logo hits on the tongue tag, White midsoles, Trefoil branding on the heel and Side Panel, Adidas typical 3 stripes on the side, herringbone pattern, three-stripe adidas branding, padded tongue, Padded heel collar, cross-country design, 777, reddealsonline, eBay shoes, Authenticate, Authenticity Guarantee
Vans, Old Skool Logo Repeat Racing Red, Men’s Size 13, True White, VN0A4U3BW35, 2017, UPC 194116272182, EAN 0194116272182, Women’s Size: 14.5, canvas and Suede upper, durable canvas, vans logos on the sides, Signature Leather sidestripe, padded collars, UltraCush insoles for long-lasting comfort, Synthetic Lining, weather-resistant, re-enforced toecaps, rubber construction, classic shoes, signature waffle outsole, vulcanised midsole, Vulcanized rubber construction, classic shoes, weather-resistant, Paul Van Doren, 777, reddealsonline, eBay shoes, Authenticate, Authenticity Guarantee
(for English scroll down)
Meine erste Foto-Einzelausstellung präsentiert im Café Berio, Berlin
Vernissage 31. Juli 2018 | Finissage 22. September 2018
In meiner ersten Foto-Einzelausstellung zeigte ich meine Berliner Portraits und einige meiner Vogel-Fotografien; daher der Titel der Ausstellung. In meinem Fotoprojekt wollte ich einmal weg von den sonst bewusst gewählten Orten, an denen man ein Fotoshooting durchführt. Ein Studio oder eine ausgewählte Location haben für die Menschen meist etwas sehr Unpersönliches. Ich wollte dorthin, wo es am authentischsten ist; an die Orte, an denen die Protagonisten (überwiegend Künstler) zu Hause und in ihrem Element sind: auf der Bühne, hinter der Bühne und vor, während und nach einem Auftritt bzw. Event. Ich möchte dem Betrachter Bilder zeigen, die er nicht unbedingt während einer Veranstaltung wahrnimmt und Außenstehende gefangen nehmen, als hätten sie es live miterlebt.
Über 70 Arbeiten präsentierte ich in der Ausstellung; darunter Portraits von Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper und vielen anderen.
Vögel leben auf allen Kontinenten. Sie sind flüchtige, scheue Tiere. Auf meinen Fotografien lassen sie aber eine unwahrscheinliche Nähe zu. Das eigentlich Fremde und in der Natur nicht Sichtbare habe ich in meinen Vogel-Portraits festgehalten.
Mein Motto: "Authentizität ist das Schlüsselwort, das hinter meiner Fotografie steht. Ich ziehe es vor, mehr die menschliche Note zu zeigen und weniger die Retusche."
Die meisten der Exponate sind in der queeren Community entstanden.
berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...
____________________________________________________
My first solo photo exhibition presented at Café Berio, Berlin
Opening July 31, 2018 | Closing September 22, 2018
In my first solo photo exhibition, I showed my Berlin portraits and some of my bird photographs; hence the title of the exhibition. In my photo project, I wanted to get away from the usual deliberately chosen locations for a photo shoot. There is usually something very impersonal about a studio or a selected location for people. I wanted to go where it is most authentic; to the places where the protagonists (mostly artists) are at home and in their element: on stage, backstage and before, during and after a performance or event. I want to show the viewer images that they don't necessarily see during an event and capture outsiders as if they had witnessed it live.
I presented over 70 works in the exhibition, including portraits of Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper and many others.
Birds live on every continent. They are elusive, shy animals. In my photographs, however, they allow an improbable closeness. I have captured what is actually alien and invisible in nature in my bird portraits.
My motto: "Authenticity is the keyword that lies behind my photography. I prefer to show more the human touch and less the retouch."
Most of the exhibits were created in the queer community.
berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...
Nike Air Flight Lite High, Men’s Size 9, White, Metallic Silver, 329984-100, UPC 00884751357231, high-top silhouette, Leather Uppers, Panelled Construction, Metallic Panels, Perforated Detailing, Built Up Air Cushioned Midsole, Translucent Outsole, Air-Sole unit, padded collar, rubber outsole with herringbone pattern, Wesley Snipes character Sidney Deane, 90s classic White Men Can’t jump, retro basketball sneaker, 777, reddealsonline, eBay shoes, Authenticate, Authenticity Guarantee
Converse Chuck Taylor All Star High, Menâs Size 13, Camouflage, Military Olive, AX891, Unisex lifestyle Hi-top shoe, canvas upper, Flame graphic on sides, Archival flame prints, Cushioned sole for comfort, Converse All Star heel patch, metal eyelets, original rubber toe box, toe guard, tonal sidewall trim Smooth, textile lining, Round cap toe, rubber sole, Tonal laces, OrthoLite insole, Converse insole, Lace-up closure, reddealsonline, sneakerhead, eBay shoes, Authenticate, Authenticity Guarantee, Red Deals Online
For every piece of WWII Shell Casing Art that is ordered, we include a Certificate of Authenticity. The certificate not only serves as a verification of the origin and composition of our product but also gives a brief history of the jewelry as well.
Seluruh kegiatan Samsons bersama Marcell dan Atika Dora di Jambi, dalam event AUTHENTICITY, 13 - 14 Mei 2016.
uno documento compilo celebrating 8 years of indie authenticity featuring Skies Of Ember, Archaster, Down Boy Down, Elemento @ Bela Bar P. Guevarra San Juan
Ringo Starr came to Capitol today for a media event to help promote the release (today) of The Beatles HELP! remastered on DVD. We created an 18-foot by 12-foot flag that will fly above Capitol for 10 days and will the be auctioned off for charity. To bid on the whole package go to www.ebay.com/beatles.
© 2007 Capitol Records, Inc. All Rights Reserved.
DO NOT DUPLICATE WITHOUT PERMISSION.