View allAll Photos Tagged attendance
I think this shot seems appropriate (an attendance medal) as Hans seemed to always be around the Macro Mondays group either posting, theme setting or moderating.
You will be missed Hans.
And as a tribute (as I’ve been pulled up on it many a time, I have correctly formatted my tags)
#AStarForHans
St John the Baptist, Markyate, Hertfordshire, is an 18th century Anglican chapel that grew in size with the village's population growth. Today, its minister is also in charge of St Leonard in the neighbouring village of Flamstead. There are two more churches in the village (Baptist and Methodist respectively). All of them try to find various ways of dealing with the sociological fact that church attendance (which is different from belonging to the Christian tradition) is currently very low. Helios 44M-7 at approx. F5.6.
Time again for Palpatine's yearly Spring Fling, for one week only. And as always attendance is mandatory. This is not a problem for Stormtrooper Bruce, as he is unable to resist a bake off, any bake off. And the guys are always there for support.
TK-432: I still can't believe the P is making all you Bake Off contestants wear those ridiculous bunny ears. Your cake looks amazing, by the way.
STB: Thanks. As for the bunny ears, It's supposed to be one of his silly morale boosters - which I'm still trying to figure out. Anyway, let's stick to the plan. As soon as we get in, I'll register my cake, meet the judges, yada, yada. Meanwhile, you two go mingle so everyone knows you showed up. After that, we should be able to slip away to get our Movie Night started!
TK-432: Sounds like a plan. I can't wait to see what you've got planned for tonight.
STB: Let's just say, we're not going to starve, and no Movie Night is complete without a movie marathon!
TK-1110: Dude, I just noticed the P has that photo with the EB going on again. What if we go grab a photo with him while you're signing in. That way we shouldn't have to mingle, and we can sneak out even quicker!
STB: Vader's Dogs! You're brilliant! Your photo proves you showed up, and of course my cake is my proof. I think it'll work. We'll be in and out 15 minutes, tops!
TK-432: You know, I think the P is going soft... just look at these decorations. We're Troopers, not toddlers!
STB: Well, it's my theory he does this to toughen us up. If we can endure this, we should be able to endure anything. A reverse psychology kind of thing.
TK-1110: Well, whatever it is, it's quite eye catching. Whoever did it probably earned some serious Brownie Points with the P!
_________________________________________
Viewing Large is always fun. Just click on the image.
HBW 08.19.09
I managed to capture no lines of people between these chain link dividers. Despite the economy, Disneyland attendance is actually up slightly compared to other theme parks.
I posted this in B/W as well because I couldn't decide which one I prefer.
morning attendance...!!!
shot taken with Canon 5D markII with Canon100-400IS zoom hand held shot...!!!
The community board meeting took place in order to discuss the proposed mosque to be built next to ground zero. While the project is usually referred to as the “mosque at ground zero”, the project’s official name is the Cordoba Initiative. The Imam and the developers were in attendance to present the project, and many politicians (or rather their representatives) were on hand, along with many of those in favor or opposed.
First spoke the elected officials, who—in the typical New York political elitist fashion— slandered and insulted their opposition. Councilwoman Margaret Chin spoke before a single opponent of the mosque ever came up to the microphone to state their position, but that didn’t stop her from accusing those against it of “bigotry”.
And while Margaret Chin chose to offend the opposition to the mosque (most of whom present were families of 9-11 victims and first responders) in person, other local figures sent their cronies. A representative of Scott Stringer, President of the Borough of Manhattan, handed out a letter to everyone prior to the meeting in which he refers to the mosque as a “multi-faith community and cultural center” and claims that this “center has been the subject of bigoted attacks that contain a strain of religious and racial hatred more extreme than anything we have seen in NYC for some time.” I guess an attempt to kill hundreds of New Yorkers and tourists at Times Square by an Islamist Faisal Shahzad less than a month prior was not extreme enough for Stringer and, instead of jihadism, Stringer seems to have identified the enemy as a TEA Party leader whom he rips apart throughout this unsolicited letter. While the TEA Party’s opposition is referred to as a “bigoted agenda”, the mosque itself is referred to as a “vibrant and world-class facility in NYC which will promote tolerance and pluralism”. Of course he fails to provide any example of mosques in NYC or in the world that have EVER promoted tolerance or pluralism, but perhaps he didn’t think that any attendee would dare question his superior judgment in the matter. Please be sure to read his disgusting letter
After the political cronies spoke, Feisal Abdul Rauf', the Imam in charge of this “community center” was given time to present his proposal. He started his speech with “for many years I’ve had a dream…” (I wonder what Dr. King would have thought of a ‘grand wizard’ proposing to build a “community center” at the site of the bombed 16th Street Baptist Church in Birmingham, Alabama). The Imam also claimed that this “community center” would promote multi-culturalism; he was so sure of it that his speech was sprinkled throughout with that deceiving phrase. But his presentation brought with it an unexpected turning point. Not because of anything he planned to share with us in his carefully prepared PC jargoned speech, but because of a question by one of the board members who wanted to know if the proposed “community center” would hold prayer. The Imam said “yes”, to which the board member replied, “then it is a house of worship, not a community center”.
Without any objection to that by the Imam or speakers that followed, the term “community center” began to very gradually disappear. But don’t think that anyone’s opinion actually changed as a result. The supporters of the project “formerly” known as a “community center” still believed that it was somehow related to diversity and that it would in no way be an insult to those who died due to Islamist ideology, nor would it serve as a monument of jihadist victory.
But neither the councilwoman nor the Imam were the most offensive or distasteful of the proponents of the mosque. Daisy Khan of the American Society for Muslim Advancement, who also happens to be Imam’s wife, blew their insults and lies out of the water. (I don’t recall her being introduced as Rauf’s wife at the meeting, but I can’t be sure.) She lectured and she yelled – yes, yelled – at the families of victims, the first responders, and her fellow New Yorkers. She yelled that she is “tired of bearing the cross [and will do so] no longer” because apparently she and the Muslim community were the real victims of the 9-11 attacks—not the families who lost their loved ones, not the cities that lost their monuments, and not the country that lost its feeling of security.
Without a single mosque destroyed and with very few anti-Muslim incidents, hearing from this woman about her supposed victimization in that auditorium was absolutely sickening. It didn’t help when for weeks after (and prior) she dominated the time on television appearing calm and together and claiming among other nonsense – I kid you not – that the reason they chose the ground zero site to build a mosque is to provide a “blow to the extremists”. I’m sure radical Muslims would just hate it if New York built a mosque on the ground where American buildings were destroyed and thousands of Americans were murdered by jihadists … right? READ HER RIDICULOUS QUOTE AGAIN. Now listen to it for yourself from the horse’s mouth because I wouldn’t have believed it either. (starts at 1:10) www.youtube.com/watch?v=q7WbTv_gsx4&playnext_from=TL&...
Other supporters of the mosque included two priests and a rabbi (no, it isn’t a start to a joke – although I wish it was) of the leftist “co-exist” variety all of whom supported the mosque. And while there were some clergy present that (judging by applause and reactions) opposed the mosque, they did not come up to the microphone. The supporting clergy seemed to have gone to the same rhetoric school as the Imam, using terms like “multi-culturalism”, “tolerance”, “community relations and understanding”, and other jargon that had no actual relevance to the topic.
There was also a Caucasian woman with a baby who introduced herself as someone who had converted to Islam … in 2006, if I’m not mistaken. She lied about how difficult it is to find information and resources on Islam in NY. I say she lied not only because there are hundreds of mosques in the 5 boroughs, but also because as a recent convert she is a prime example of someone who was able to find and act on this information. Of course, she didn’t specify why ground zero is a better location than any other for this apparently “valuable to the city” information about the religion all 911 hijackers belonged to.
Now that I have gone on and on about the supporters of the mosque (aka “community center”) and the temple’s money changers, let me talk about the opponents of a mosque being build at ground zero ... Not a single one of them opposed a mosque being built; the prevailing request was simply “build it somewhere else”.
First opponent to speak was the celebrated publisher, editor, and columnist Pamela Geller. She was the one to point out what Cordoba means to the Muslim world. Cordoba is a city in Spain that was the first major city to fall to Muslim conquerors and become an Islamic caliphate and a symbol of Islamic conquest of the West. She also called the mosque “a shrine to the very ideology that inspired 9-11”. Sure seems a lot more plausible than Daisy’s explanation for why the mosque has to overlook ground zero.
A gentleman who lost his brother in WTC and represents the largest ‘families of victims of 9-11’ groups introduced some of those present who lost loved ones at ground zero. He protested the lectures and the labels that were bestowed on these families for their “legitimate, legal opposition to this Muslim ‘multi-cultural center’”. He pointed out that while there is proposed building of this mosque at ground zero, the committees have refused to allow monuments to the tragedy of 9-11, including the WTC sphere which was heavily damaged during the terrorist attack and has become an iconic symbol of the tragedy. At this time the sphere is temporarily housed at Battery Park. “If we should honor multi-culturalism and diversity at ground zero, we should honor and remember victims of 9-11,” he concluded.
Tim Brown, a former NYC firefighter who lost dozens of his friends and colleagues, fellow first responders, to the jihadist terrorist attack, has been a tireless voice for memories of victims and their loved ones. He questioned where the money for the mosque was coming from. He had received “5 different answers on 5 different occasions from them”, which included my favorite “we don’t have to tell you, talk to our lawyers”, as well as “three different organizations, but [the Imam] refused to name them” and “from American taxpayers”. Mr. Brown also pointed out that Cordoba Initiative has been very deceiving in other ways, such as removing the word “mosque” from their web site despite the fact that they explicitly wrote initially that there will be a mosque at the top of the building (overlooking ground zero).
Questions were also raised about the Imam Rauf, his public statements, and his pro-Sharia stance as described in his publications and interviews. His travels to countries that openly support terrorism and forced Islamization of the West were also questioned and may indicate where funding from the mosque could be coming from.
Follow up note: Listening to the Imam Rauf speak to various news organizations in the days following the meeting, he offered even more non-specific answers to where the money comes from, such as it comes from people who “want to see peace between Muslims and non-Muslims”. Again, nice politically savvy keywords… but no actual answer to a rather direct question he obviously knows the answer to. Trying to hide something, Faisal Abdul?
One of the many victim’s families present was a woman with a photo of her son who was murdered by the Islamic terrorists. She didn’t yell like Daisy, the Imam’s wife, and she did not dish out insults like Congresswoman Chin. Her voice trembled as she mentioned her son’s name and held his photo towards the committee, “this is my son”, she said, “this is firefighter George Kane.” She held back tears as she spoke. She said that “the location [of the mosque] is insensitive to families. It is also insensitive to the voiceless victims the possibility that anyone who supports Islamic extremism could walk on graves of the victims … [it is] an outrage.”
Another woman spoke with a similar shaking voice about her 23-year-old son who “was murdered on September 11th”. She also wasn’t a bigot, but wanted to know “why are you suggesting that it be two blocks from ground zero?”
Mrs. Kane and the others who spoke through tears and with photos of their murdered children in their trembling hands, made me think of what they were being asked to do. Nine years later, they were being asked to “move on” or “heal”, as mosque supporters were suggesting. I can’t even begin to imagine what that ignorant request could do to an eternally grieving mother.
A sweet elderly couple’s last conversation with their son was via cell phone while he was on a hijacked plane… just before he was murdered. They mentioned that there were 20 mosques that located around the area where they lived, and that they would be ok with another one being built close to them, but they also asked for “understanding and sensitivity” when it comes to building one near ground zero.
Yet from the comments of NYC politicians and supporters of the mosque, we know that understanding and sensitivity will not be shown to the victims’ families nor reflect the wishes of voting New Yorkers. They will instead be shown to others who are apparently deemed more – not even equally but more – crucial to the future of NYC and the memories of those who perished in the terrorist attacks.
Here are a few youtube links on regarding this meeting:
Pamela Geller's full 2 minute speech from the meeting
a firefighter and first responder Tim Brown speaks A MUST SEE
The 5th and final round of the Mullingar Road League 2012 was held on 30th May 2012 at 8PM on a wonderful warm early Summer's evening at Belvedere House and Gardens, Mullingar, Co. Westmeath, Ireland. There was a huge attendance at the race. This was race number 5 in the series and brought the curtain coming down on the most successful race series to date. The success of the league of races is due in no small part to the huge effort put in by a large body of volunteers from Mullingar Harriers AC, Westmeath Sports, Civil Defence, etc. The evening ended with a lovely after race get-together in the Visitor Center at Belevedere where the prize giving for the League was held. Tonight showed everything that was good about local, club-based athletics in Ireland. The Road League has grown from strength to strength from humble beginings. Such is the success of the Road League that there is talk of having to cap numbers to 1000 participants.
What is the Mullingar Road League
The Mullingar Harriers athletic club organise this league of races every May for the promotion of participation in sport and physical activity and to honour the memory of Pat Finnerty, a former Chairman of the Harriers who gave enormous service to Mullingar Harriers and athletics over many years. The Road League caters for runners, joggers and walkers of all ages and abilities.
The Road League is run on traffic free roads and trails in Belvedere House and Gardens and Park just outside Mullingar on the Tullamore Road. Belvedere House is situated in 160 acres of lakeside parkland on the shores of Lough Ennell.
This is a collection of photographs taken by Peter Mooney and family.
How can I get a full resolution copy of one of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. Our only "cost" is that if you are using these images: (1) on social media sites such as Facebook, LinkedIn, Google+ etc or (2) other websites or promotional material that you provide a link back to our Flickr page to attribute us [if you do not know how this should be done - please email us and we will be happy to help suggest how to link to us]. Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc.
If you want to contribute something for these images?
We do not charge for these images. We take these photographs as our contribution to the running community in Ireland. However, if you would like to contribute something towards them - we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible.
Some Useful Links:
Mullingar Harriers Website: www.mullingarharriers.com/index.html
Mullingar Harriers on Facebook: www.facebook.com/groups/158535740855708/
Belvedere House Gardens and Parks Website: www.belvedere-house.ie/
Our Flickr Collection from Mullingar Road League 2012 (Round 1) www.flickr.com/photos/peterm7/sets/72157629585102226/
Our Flickr Collection from Mullingar Road League 2012 (Round 2) www.flickr.com/photos/peterm7/sets/72157629656055864/
Our Flickr Collection from Mullingar Road League 2012 (Round 3) www.flickr.com/photos/peterm7/sets/72157629760890058/
Our Flickr Collection from Mullingar Road League 2012 (Round 4)http://www.flickr.com/photos/peterm7/sets/72157629867628432/
Our Flickr Collection from Mullingar Road League 2011 www.flickr.com/photos/peterm7/collections/72157626524444213/
Our Flickr Collection from Mullingar Road League 2010 www.flickr.com/photos/peterm7/collections/72157624051668808/
Our Flickr Collection from Mullingar Road League 2009 www.flickr.com/photos/peterm7/collections/72157617814884076/
Our Flickr Collection from Mullingar Road League 2008 www.flickr.com/photos/peterm7/collections/72157605062152203/
Google Streetview of Entrance to Belvedere: maps.google.com/maps?q=belvedere+house+and+gardens+westme...
Maritime networking in Liverpool brings people related to the maritime industry and students from all over the globe. It's a happy event.
The 2nd round of the Mullingar Road League 2012. This 5km race was held on 9th May 2012 at 8PM. There was a huge attendance at the race on a windy and rainy May evening.
The Mullingar Harriers athletic club organise this league of races every May for the promotion of participation in sport and physical activity and to honour the memory of Pat Finnerty, a former Chairman of the Harriers who gave enormous service to Mullingar Harriers and athletics over many years. The Road League caters for runners, joggers and walkers of all ages and abilities.
The Road League is run on traffic free roads and trails in Belvedere House and Gardens and Park just outside Mullingar on the Tullamore Road. Belvedere House is situated in 160 acres of lakeside parkland on the shores of Lough Ennell.
This is a collection of photographs taken by Peter Mooney and family. Unfortunately poor lighting conditions and some camera issues mean that we have a little less photographs than normal.
How can I get a full resolution copy of one of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. Our only "cost" is that if you are using these images: (1) on social media sites such as Facebook, LinkedIn, Google+ etc or (2) other websites or promotional material that you provide a link back to our Flickr page to attribute us. Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of.
Don't like your photograph here?
If for any reason you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible.
Some Useful Links:
Mullingar Harriers Website: www.mullingarharriers.com/index.html
Mullingar Harriers on Facebook: www.facebook.com/groups/158535740855708/
Belvedere House Gardens and Parks Website: www.belvedere-house.ie/
Our Flickr Collection from Mullingar Road League 2012 (Round 1) www.flickr.com/photos/peterm7/sets/72157629585102226/
Our Flickr Collection from Mullingar Road League 2011 www.flickr.com/photos/peterm7/collections/72157626524444213/
Our Flickr Collection from Mullingar Road League 2010 www.flickr.com/photos/peterm7/collections/72157624051668808/
Our Flickr Collection from Mullingar Road League 2009 www.flickr.com/photos/peterm7/collections/72157617814884076/
Our Flickr Collection from Mullingar Road League 2008 www.flickr.com/photos/peterm7/collections/72157605062152203/
Google Streetview of Entrance to Belvedere: maps.google.com/maps?q=belvedere+house+and+gardens+westme...
In attendance Pink-edged Sulphurs (Colias interior) and Clouded Sulphurs (Colias philodice) in Tucker County, West Virginia
A small ID hint... look for the circle on his (yes, they are males) hindwing... if the large circle has a small satellite spot, it is a Clouded Sulphur and if the butterfly has only one circle, it is a Pink-edged Sulphur. This is an important ID marker when the butterfly is worn and the pink edges are no longer so very obvious.
Sometimes habitat gives a hint, because the Pink-edged is present in bogs and heaths and brushy areas with wild blueberries, but in this location the two Sulphur species are flying together. One, a habitat specialist, the other a generalist.
In this puddle party, the Pink-edged is the single one to the left and the Cloudeds are the two to the right. The one flying and the one with open wings also seems to be Pink-edged. The one on the bottom left is a Clouded Sulphur.
Students check in when they come in the morning. They have a number pocket and insert a card stating if they are buying, ordering, buying and ordering or there is a star sticker if they are just bringing.
HS2 event at Tunstead celebrating 10 million tonnes delivered by rail with GBRf, DB, FL & DCR locos in attendance.
DB Class 66 No.66004 'Climate Hero', GBRf 66 No.66796 'The Green Progressor', Freightliner Class 66508 & DC Rail Class 60 No.60028 are seen lined up at Tunstead Dogs Home.
News article from the event: mediacentre.hs2.org.uk/news/hs2-announces-carbon-cutting-...
Taken on the 11th May 2023.
At the launch of the Tridents for route 12 on the 1st March 2004, this AEC Regent 111 was also in attendance, so I took some all round views.
1984
Attendance at an exhibition in memory of the "Orwell - 1984", 40 years later, forcing myself to dream about the fate of people in times of war. What pictures to I could paint.?
Participation à une exposition à la mémoire du "Orwell - 1984", 40 ans plus tard, me forçant à rêver sur le sort des personnes en temps de guerre. Quelles images pourrait-je peindre sur ce sujet?
Die Beteiligung bei einer Ausstellung zum Gedächtnis an das "Orwell - Jahr 1984", 40 Jahre später, zwang mich zu Träumen über das Schicksal von Menschen in Kriegszeiten. Welche Bilder dazu könnte ich malen.?
FJ69ASU Leicestershire Fire & Rescue Service pump Western Station Emergency One In Attendance at large Animal rescue River Sour Everards Meadow Leicester
Thanks for viewing my photos on Flickr. I can also be found on Twitter and You Tube new videos uploaded Wednesday and Sunday please subscribe to see the latest videos
Lately, my attendance on Flickr has slipped, but it wasn`t due to me losing interest! From the 2nd to the 9th, I was taking part in a Canadian Youth Track competition, and had neither Flickr access nor my camera. After this, I was off to Europe! My family and I spent two weeks touring Amsterdam, Rome, and Paris! It was outstanding. This photo is of the Canal next to where we stopped for lunch.
The need for a National Gallery
With a vision of becoming a global city for the arts, Singapore has carefully nurtured its arts and culture scene over the past two decades. The island city has witnessed increasing attendance and participation in key events and festivals such as the Singapore Biennale, Singapore Arts Festival and Singapore Art Show. These events have helped propel Singapore onto the international scene, highlighting her prominence as an international arts hub – a place where the global arts community can come together for exchange and collaboration.
At his National Day Rally speech on 21 August 2005, Prime Minister Lee Hsien Loong mentioned the government's plan to convert the former Supreme Court building and City Hall into a new national gallery. On 2 September 2006, Dr. Lee Boon Yang, Minister for Information, Communications and the Arts officially announced the setting up of the National Gallery Singapore during the Singapore Biennale 2006 at the National Museum of Singapore.
The then Ministry of Information, Communications and the Arts (MICA) proceeded to implement a process designed to enable stakeholders and interested parties to contribute their expertise and their views to the project. A steering committee, initially chaired by Dr. Balaji Sadasivan, Senior Minister of State for the Ministry of Foreign Affairs and MICA, oversaw the art gallery's implementation plan. The steering committee was supported by an executive committee and four advisory groups. The advisory groups provided advice on museology, architectural conservation, finance and communications.
Design competition
On 23 February 2007, MICA, together with the Singapore Institute of Architects, launched a two-stage architectural design competition to identify the most suitable architect and design for the National Gallery. The first stage of the competition called for design and concept proposals, and began on 19 March with a site tour of the two buildings for competing architects to get design concepts and ideas.[9] It drew 111 entries from 29 countries worldwide, with five proposals shortlisted in May 2007. Members of the jury consisted of a panel of eminent local and international professionals headed by Tommy Koh, Singapore's Ambassador-at-Large and chairman of the National Heritage Board, and included officials from the Urban Redevelopment Authority, Musée national des Arts asiatiques-Guimet in France and the Asian Civilisations Museum.
For the second stage, the shortlisted candidates had to develop their designs, from which the winning proposal would be selected by the jury. Due to the status of the former Supreme Court Building and City Hall as national monuments, certain aspects of the buildings could not be altered, such as the façade, the Surrender Chamber, the office of Singapore's founding Prime Minister and the panelling in four rooms of the Supreme Court. However, this still left many design options open such as the addition of roof and basement floors. The participants also had to submit entries within a budget of S$320 million.
On 29 August 2007, the seven-member international jury panel named the top three designs out of the five shortlisted.[11] The three firms – Studio Milou Architecture from France, Ho + Hou Architects from Taiwan, and Chan Sau Yan Associates from Singapore – each received $150,000. The jury made their decision after appraising models and digital mock-ups, as well as engaging the five finalists in a presentation and question-and-answer session. The other two firms that were shortlisted in the first stage were DP Architects and Australia's Smart Design Studio.
An exhibition of the five finalists' proposals was held at City Hall in October 2007, and the public were invited to give feedback on the designs, programmes and events. The jury's decision was presented to MICA, which then decided on who to commission to design and build the art gallery. An announcement on the final design was made in the first quarter of 2008.
Competition winner and appointed contractor
In May 2008, Studio Milou Singapore, in partnership with CPG Consultants (Singapore), was appointed to design and build the Gallery.
Studio Milou Architecture is a French architectural firm, with branches in Paris and Singapore that specialise in the design of museums and cultural spaces. Led by principal architect and lead partner Jean-Francois Milou, the firm has a reputation for working with adaptive reuse of historical buildings, seeking imaginative solutions while respecting the building's historical fabric, meaning and surroundings.
CPG Consultants, a subsidiary of CPG Corporation, is a multi-disciplinary design consultancy firm. Headquartered in Singapore, CPG Consultants has extensive expertise in conservation and preservation of buildings. To date, the company has completed over 20 such projects in Singapore, most of which are gazetted monuments.
Studio Milou Architecture’s design consisted of a linear draped canopy supported by tree-like columns to link the former Supreme Court Building and City Hall at the roof level. The design incorporated an extended staircase linking the basement to the upper levels, making use of solar energy to provide electricity. Fine metal mesh had been proposed to cover most of City Hall. Panel members agreed it had "the most delightful design and appeal", and was ranked first among the top three designs.
On 21 December 2010, the Gallery appointed Takenaka-Singapore Piling Joint Venture as the main construction contractor for the new Gallery. The construction works on the buildings began in January 2011 and is predicted to be completed in about 44 months.
The buildings
City Hall[19] and the former Supreme Court buildings are national monuments and have played a significant role in Singapore's history. The buildings face an open field known as the Padang, which is a Malay word meaning "flat field". Through link bridges and a new basement level, the design for the new Gallery integrates the City Hall and former Supreme Court buildings, combining both old and new architecture.
Former Supreme Court
The Former Supreme Court building was built on the site of the former Grand Hotel de l'Europe, one of the most palatial hotels in Southeast Asia that was demolished in 1936. Designed by Frank Dorrington Ward, Chief Architect of the Public Works Department, the former Supreme Court building was built to house Supreme Court offices and courtrooms and was declared open on 3 August 1939.
This building is the former courthouse of the Supreme Court of Singapore, before it moved out and commenced operations in the new building on 20 June 2005.
The architecture of the former Supreme Court building is in harmony with that of its neighbour, City Hall. The general layout of the building exemplifies British colonial architecture, comprising four blocks of offices and courtrooms surrounding a central rotunda with a dome that was originally used to house a circular law library. It was to be the last classical building to be built in Singapore. United Engineers Ltd was the building contractor.
The Corinthian and Ionic columns, sculptures and relief panels were the works of Italian artist, Cavaliere Rudolfo Nolli.
City Hall
The City Hall building was built between 1926 and 1929 and was originally known as the Municipal Building. Designed by the British Municipal architects A. Gordon and S. D. Meadows, it was used to house the offices of the Municipal Council, which was responsible for the provision of water, electricity, gas, roads, bridges and street lighting.[19] From 1963 to 1991, City Hall came to house offices of several government departments and courtrooms. The building was vacated in 2006.
City Hall has been the focal point of many important events in the history of Singapore. It was in the City Hall building that Admiral Lord Louis Mountbatten, on behalf of the Allied forces, accepted the surrender of the Japanese forces on 12 September 1945.[23] The building also housed the office of Mr. Lee Kuan Yew, the first prime minister of Singapore. Mr. Lee and members of his Cabinet took their Oaths of Allegiance and Oaths of Office on 5 June 1959 in the City Hall Chamber. It was gazetted on 14 February 1992 as a national monument. The original layout of City Hall is a typical example of neoclassical British architecture. The building's interior is modestly proportioned, but its front façade is distinguished by 18 three-storey-high Corinthian columns facing the Padang.
The Galleries
Consisting of modern and contemporary art, National Gallery Singapore focuses on displaying Singapore and Southeast Asian art from the 19th century to present day. It will be home to two permanent galleries: the DBS Singapore Gallery and the UOB Southeast Asia Gallery. Through its collection, the Gallery will present the development of Singaporean and regional cultures – telling the story of their social, economic and political histories.
The Gallery mainly draws from Singapore’s National Collection, the world's largest public collection of modern and contemporary Southeast Asian art. The National Collection started with an original bequest of 93 works made to the National Museum in 1976, by the well-known cinema magnate and art patron, Dato Loke Wan Tho. Through careful nurturing over the years, this collection has grown significantly to approximately 8,000 pieces in 2010. The National Heritage Board is presently the custodian of this collection. National Gallery Singapore will feature works by major Singaporean artists such as Georgette Chen, Chen Chong Swee, Chen Wen Hsi, Cheong Soo Pieng and Liu Kang. The collection now spans from early-20th-century naturalistic paintings to contemporary video installations. The collection also holds pieces from Southeast Asian artists of international standing, such as Affandi (Indonesia), Latiff Mohidin (Malaysia), Le Pho (Vietnam), Montien Boonma (Thailand) and Fernando Cueto Amorsolo (Philippines).
DBS Singapore Gallery
The DBS Singapore Gallery will be an important platform for studying and presenting the cultural and aesthetic identity of Singapore from the colonial period to present day.
Starting from the 19th century, the narrative traces how local and regional contexts, international influences and individual creativity have shaped and transformed the development of Singapore art. The display will highlight the multiple facets of Singapore art, derived from the interweaving of diverse cultural values and expressions, fluid exchange of new ideas, and continuous experimentation by local artists.
UOB Southeast Asia Gallery
Housed in the former Supreme Court building, the UOB Southeast Asia Gallery will present the history of Southeast Asian art through artistic impulses shared across the region. Starting in the 19th century, the history of Southeast Asian art is characterised by negotiations between the region’s traditions and modernity. Art was conceived as an expanded field whereby Southeast Asian artists sought to incorporate and reinvent local expressions and aesthetic traditions as they approached the age of modern art.
The UOB Southeast Asia Gallery will share a compelling story of human culture, as seen through a region that has been the meeting point of major civilisations, religions, colonial powers, and the focus of struggles towards national independence and modernisation.
Special set of Research Galleries
These galleries will complement the core galleries, providing space for curators and researchers to experiment with ways of presenting materials from the Gallery's permanent collection, and to encourage greater dialogue between Singapore's national collection and those of other regional institutions.
Changing gallery spaces
The gallery has approximately 6,000 square metres (65,000 sq ft) of spaces to host international travelling exhibitions.
Facilities and programmes
Facilities
By day, the Gallery will offer learning and education opportunities for all, through its exhibition displays, artist talks, children's programmes and other related activities. By night, the Gallery will transform into a venue, with restaurants and cafés, as well as outdoor programmes, events, film screenings and concerts. The Gallery will provide venues for hire for conferences, seminars, film screenings, performances and private functions. It will house a 200-seat auditorium, function and seminar room spaces for various types of events and corporate functions.
Schools and families
National Gallery Singapore will offer learning programmes for students, ranging from pre-school to tertiary education level, to develop their observational and interpretative skills and appreciation for visual arts. Learning opportunities from the Gallery are also available for Educators, with a focus on professional development or planning a museum-based experience for their students. A Teachers’ Club will be established for educators in order to foster a culture of sharing and appreciation of art. The Gallery, in partnership with art practitioners from various disciplines, will hold a wide variety of programmes for families and children. Such activities include a monthly Family Weekend and School Holiday Specials.
Adult learning and community
Opportunities for adults to explore and learn about the arts will be provided by the Gallery through programmes inspired by its collections and resources. These include regular film screenings featuring Southeast Asian stories, theatrical and dance performances, guided tours in both English and Mandarin, art workshops and lectures. From a broader perspective, the Gallery’s Communities and Access initiatives will offer programmes to make art accessible for all audiences through community outreach, workshops and festivals.
Docents
One of the public programmes offered by the Gallery is the Docent Programme, a training workshop for individuals who have a passion in art, history and culture and wish to share this with visitors to the Gallery. The programme seeks to cultivate a pool of volunteer guides to act as the Gallery’s “ambassadors”. They are trained in public speaking and have extensive knowledge of Singaporean and Southeast Asian art, and the architecture and history of the Gallery buildings. Docents will serve as art educators by leading scheduled public tours, and will play a vital role in providing a personal Gallery experience by showing visitors the link between the rich history and collections of the Gallery.
Keppel Centre for Art Education
The Keppel Centre for Art Education [24] is a learning facility for families and schools. The Centre will provide an artistic environment that stimulates imagination, encourages active play and supports independent learning. Children and younger students will experience and interact with original artworks that are specially created to develop observation skills and tactile exploration.
The Centre will be located on the ground level of the Gallery's City Hall wing and occupy a total floor area of 910 square metres. It will comprise four distinct art spaces including a Children's Museum and an interactive Art Playscape. The theme for 2015 and 2016 is Homes: Present and Future. Invited artists will share their creative ideas and personal stories in response to the theme, creating new original artworks that encourage open interpretation and dialogue amongst visitors. A spectrum of art activities developed by the Gallery’s educators will provide learning experiences to support different learners and different age groups.
The Keppel Centre for Art Education will also offer programmes including a regular series of Studio-based workshops, artist talks, curator’s presentations, as well as complimentary Drop-in programmes conducted by artists, curators and museum educators.
Attendance on a Line and Light photography experience day brought exclusive access to the interiors of Elvaston Castle, near Derby. The Stanhope home fell into decline and became a teacher training college during World War Two. The college left in 1947 and since then it has been bearly used. The surrounding park became the UK's first country park managed by Derbyshire County Council. Some of the ground floor of the house is used for a cafe and weddings, the upper floors being derelict. More information here: www.futureelvaston.co.uk
The Vanity Club Events Committee decided to change the venue of the group's fall Soirée from Atlanta to the Darcy Hotel in Washington, DC for this year! ...And the attendance was the largest ever for a Soirée! We all had a marvelous time too! I had the opportunity to meet many of our new sisters, party and chat with other dear friends!
I have to thank Cassandra Storm for taking our group picture using my camera! She's a great photographer!
I also have to give a huge Thank You to the hotel staff who were, each & every one, so welcoming and accepting of our presence! They were Absolutely Fabulous!
My ensemble for the final night dinner is based on my custom made blue "Moon Glow" wet look lycra spandex ruffle hem wiggle dress from coquetryclothing.com, with Platino Caresse Clean Cut 15 denier pantyhose from shapings.com worn over Hanes Alive Barely There support hose from onehanesplace.com and my black leather ankle strap open toe platform pumps with the 5" heels from venus.com
To see more pix of me in other tight, sexy and revealing outfits click this link:www.flickr.com/photos/kaceycdpix/sets/72157623668202157/
To see more pix of me in clothes from Coquetry Clothing click this link: www.flickr.com/photos/kaceycdpix/sets/72157626739774869/
To see more pix of me out & about click this link: www.flickr.com/photos/kaceycdpix/sets/72157632318953102/
To see more pix of me with friends and acquaintances click this link: www.flickr.com/photos/kaceycdpix/sets/72157622620508143/
To see more pix of me showing off my legs click this link: www.flickr.com/photos/kaceycdpix/sets/72157623668202157/
To see more pix of me wearing blue & green ensembles click this link: www.flickr.com/photos/kaceycdpix/sets/72157662531123100
To see more pix of me wearing Platino hosiery click this link: www.flickr.com/photos/kaceycdpix/sets/72157633156315924
DSC_8140-32
The Olympiastadion is a sports stadium at Olympiapark Berlin in Berlin, Germany. It was originally built by Werner March for the 1936 Summer Olympics. During the Olympics, the record attendance was thought to be over 100,000. Today the stadium is part of the Olympiapark Berlin.
Since renovations in 2004, the Olympiastadion has a permanent capacity of 74,475 seats and is the largest stadium in Germany for international football matches. The Olympiastadion is a UEFA category four stadium and one of the world's most prestigious venues for sporting and entertainment events.
Besides its use as an athletics stadium, the arena has built a footballing tradition. Since 1963, it has been the home of the Hertha BSC. It hosted three matches in the 1974 FIFA World Cup. It was renovated for the 2006 FIFA World Cup, when it hosted six matches, including the final. The DFB-Pokal final match is held each year at the venue. The Olympiastadion Berlin served as a host for the 2011 FIFA Women's World Cup as well as the 2015 UEFA Champions League Final.
During the 1912 Summer Olympics, the city of Berlin was designated by the International Olympic Committee (IOC) to host the 1916 Summer Olympics. Germany's proposed stadium for this event was to be located in Charlottenburg, in the Grunewald Forest, to the west of Berlin—thus the stadium was also known as Grunewaldstadion. A horse racing-course already existed there which belonged to the Berliner Rennverein, and even today the old ticket booths survive on Jesse-Owens-Allee. The government of Germany decided not to build in the nearby Grunewald forest, or to renovate buildings that already existed. Because of this desire, they hired the same architect who originally had built the "Rennverein", Otto March.
March decided to bury the stadium in the ground ("Erdstadion", in German). However, the 1916 Olympic Games were cancelled due to World War I. In the 1920s the first buildings of a school, the "Deutsches Sportforum" (German Sport Forum), dedicated to the teaching of professors of physical education and the study of sport science were built northeast of the stadium site. From 1926 to 1929, Otto March's sons (Werner and Walter) were assigned to build an annex for these institutions, though the finalization was delayed until 1936.
In 1931, the International Olympic Committee selected Berlin to host the 11th Summer Olympics. Originally, the German government decided merely to restore the earlier Olympiastadion (Olympic Stadium) of 1916, with Werner March again retained to do this.
When the Nazis came to power in Germany (1933), they decided to use the Olympic Games in 1936 for propaganda purposes. With these plans in mind, Adolf Hitler ordered the construction of a great sports complex in Grunewald named the "Reichssportfeld" with a totally new Olympiastadion. Architect Werner March remained in charge of the project, assisted by his brother Walter.
Construction took place from 1934 to 1936. When the Reichssportfeld was finished, it was 132 hectares (330 acres). It consisted of (east to west): the Olympiastadion, the Maifeld (Mayfield, capacity of 50,000) and the Waldbühne amphitheater (capacity of 25,000), in addition to various places, buildings and facilities for different sports (such as football, swimming, equestrian events, and field hockey) in the northern part.
Werner March built the new Olympiastadion on the foundation of the original Deutsches Stadion, once again with the lower half of the structure recessed 12 metres (39.4 feet) below ground level.
The capacity of the Olympiastadion reached 110,000 spectators. It also possessed a special stand for Adolf Hitler and his political associates. At its end, aligned with the symmetrically-designed layout of the buildings of the Olympischer Platz and toward the Maifeld, was the Marathon Gate with a big receptacle for the Olympic Flame.
After the war, the former Reichssportfeld became the headquarters of the British military occupation forces. The administration settled in the northeastern buildings designed by the March brothers in the 1920s, which the Third Reich had used for official sport organisations such as the Reich Academy of Physical Training and extended by 1936, adding the "Haus des deutschen Sports" (House of German Sports) and other buildings (which belong since 1994 to the Olympiapark Berlin, a central sporting facility of the City of Berlin). Soon, the British forces renovated war-damaged buildings but also converted interiors to their specific needs (one gymnasium was converted into a dining hall, another into a garage). From 1951 to 2005, the Olympischer Platz had a giant antenna transmitting for all the portable radios in Berlin.
From then until 1994 and their departure, British forces held an annual celebration of the Queen's Official Birthday in the Maifeld with thousands of spectators from Berlin present. During the 1960s, American military and high school football teams introduced hundreds of thousands of Berliners to American football at the stadium in exhibition games.
During those years, Bundesliga football matches were played in the Olympiastadion, with Hertha BSC as local team. In the Maifeld, several competitions of football, rugby and polo were staged too. In the summers, the Waldbühne resumed its classical music concerts, and playing movies. The theatre was also used as an improvised ring for boxing matches.
In 1998, Berliners debated the destiny of the Olympiastadion in light of the legacy it represented for Germany. Some wanted to tear the stadium down and build a new one from scratch, while others favoured letting it slowly crumble "like the Colosseum in Rome". Finally, it was decided to renovate the Olympiastadion.
FIFA chose it as one of the venues of the 2006 FIFA World Cup. The State of Berlin hired a consortium composed of Walter Bau AG and DYWIDAG that won the €45 million franchise. The consortium took charge of the operation of the facilities together with Hertha BSC and the Government of Berlin after the remodelling. On 3 July 2000, the renovation began with a ceremony presided over by the Chancellor Gerhard Schröder, accompanied by Eberhard Diepgen (Mayor of Berlin), Franz Beckenbauer and Prof. Dr. Ignaz Walter.
The re-inauguration celebrations of the new Olympic Stadium were carried out on 31 July 2004, and 1 August 2004. On that day, Saturday, the party began with performances from Pink, Nena and Daniel Barenboim. It culminated at night with the opening ceremony. On day two, friendly matches were played between different categories of the club Hertha BSC and visiting teams. On 8 September 2004, Brazil played Germany.
Chiranjiv Singh inaugurates the Attendance Award 24 ceremony at Alliance Francaise, Bengaluru.
"
Sri Chiranjiv Singh, former Ambassador of India to
UNESCO in Paris, joined the Indian Administrative
Service in 1969. He retired in 2005 as Development
Commissioner of Karnataka and Additional Chief
Secretary to Govt. of Karnataka."