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Sugoi Nic Salt by Sugoi Vapor - Sakura - 30ml
www.vapordna.com/Sugoi-Nic-Salt-by-Sugoi-Vapor-Sakura-30m...
Made in the USA
Sakura by Yami Vapor is a cool mixture of mango, peach, and pineapple flavored E-Liquid blended perfectly for a smooth inhale and a delicious exhale, now with SALT Nic! This product is specifically designed for use in pod based devices and other low output atomizers. View quick links for compatible devices.
Quick Links:
Limitless Mod Co Ply Rock Pulse
Suorin Air
Suorin Drop
Fuchai V3
Mi-Pod
Suorin iShare
Kado Stealth
Perl
Available in 35 and 50 milligrams of nicotine.
Warning: Do not use in Sub-Ohm style tanks and atomizers.
Our Daily Challenge: In the air
This was a tough one - the outside "air" is pretty dreary around here this week. This is the best indoor idea I could come up with. BTW - my basement (where I took this) now reeks of green tea scented room freshener - hopefully it won't make its' way up to the main living space LOL! ;D
Making this another two-fer: also submitted to weekly-202011 - colorful
All-Seeing Eye is simply an eye with light rays shining out from it, and nothing more...unnatural, or profane, man remains blind. He lives in darkness for he does not see what is in front of his face.Tears are emanations of the light of the Principle and are associated with the creative gaze.
That same eye now symbolizes the enlightenment of the eye, or I, or self. Theater's head symbolize the sort of existence lived by those who are completely blind to their Personal Legends.The Carnival Fountain, better known as the Tinguely Fountain, offers a spectacle with its figures ready for the stage. No wonder, as it stands exactly where the great tragedies, operas and ballets used to be brought into the limelight: On the stage of the old city theatre.
The Tinguely Fountain is alive. Wheels, glide bars, atomizers and nozzles of all kinds pump 55,000 litres of water through the hose veins of the ten figures day and night. It sizzles and sprays and spins where you just look. As the seasons change, so does the ensemble of the water spectacle: In summer, the figures from scrap iron prance around, crackle and dribble, sweetening the lunch between the noble Kunsthalle and the tram-rich Steinenberg for many Baselers. In winter, bizarre ice sculptures cling to the iron and the well master comes twice a day for inspection and knocks away the annoying parts.
No other work in Basel's public space needs such a high degree of maintenance work. But the effort pays off: The Tinguely fountain is one of Basel's most popular landmarks and is surrounded at all times by curious onlookers who take the idea of moving water sculptures to heart.
Forty years ago, performances were already enjoyed on the Steinenberg. But at that time they didn't come from wildly spraying machines made of waste material, but from actors, opera singers and ballet dancers. Exactly where the Tinguely Fountain stands today was located, namely the stage of the old city theatre, which was blown up in August 1975.
After the new theatre was built in 1974/75, the old one was no longer needed. One last time Verdi's "Don Carlos" was staged, a tragedy, also for lovers of the sophisticated neo-baroque baroque building, which was blown up two months later. What remained was a place that had to be replayed. The best thing to do was to find something to please the audience of the Kunsthalle, theatre enthusiasts, visitors of the Elisabethenkirche and the pedestrians of the Barfi.
Just at the same time, Migros turned 50 years old and wanted to give the city of Basel a carnival fountain on this occasion. After only three sessions, Jean Tinguely, who had already built water machines as a child and immediately set out to rescue the remains of the old theatre from the rubble of the demolition, was chosen. Some of the "rescued" parts of the old theatre were used by Tinguely as building blocks for his figures, which were created in various places, among others by his friend Bernhard Luginbühl.
The ancient art of alchemy has come down throughout the ages, and it seems as though its true level of antiquity is not well understood even by its modern day adherents. It is well recognized that the black land of Khem (Egypt) is where this black art was faithfully practiced, but did it all start there? We simply do not know, and for this reason alchemy remains the black art that it always was. One of its primary powers is mystery itself, or darkness. Darkness is synonymous with ignorance, and without a doubt most of us remain in the dark when it comes to the meaning and purpose of alchemy today.
The language of alchemy is symbolism. This means that its true meaning is hidden from anyone who is symbolically illiterate. Here we can see the Veil of Isis at work.
In the Ancient Mystery tradition, symbolism is the language of Nature. The goddess Isis is Nature herself, and she is also known as the Mother of the Mysteries. The Natural Man understands the language of his own Mother (naturally). The unnatural, or profane, man remains blind. He lives in darkness for he does not see what is in front of his face. To summarize,
• Symbolism = the language used by both nature and alchemy (alchemy emulates nature). • Isis = Nature herself. She speaks in symbols. • Natural Man = the Son of Nature. He has eyes to see the meaning of symbols. He also has ears to hear and listens to his mother. Bacchus/Dionysus, and Osiris represent the Natural Man in mythology. • profane man = An unnatural creature living in ignorance of his own nature. He can see a symbol, but cannot understand its meaning. He lives in darkness, unable to see without the light. He has the Veil of Isis obscuring his vision.
Symbols have the power to both reveal and conceal truth. This is how the truth of alchemy remains unseen.
The art of alchemy emulates nature. This is why it uses the natural language of symbols. Alchemy is the attempt to first study nature, and then to improve upon it. It is about creating an art-i-ficial world that rises up from the base that is the natural world. This is the Great Work of the Natural Man. To rise above natural limitations with the art of alchemy.
Levels of Understanding
The profound meaning of alchemy is hidden on many different levels, for there is not one simple interpretation of its mystery. Symbols themselves have many different meanings that range from the obvious (exoteric) to the arcane (esoteric). Somewhere between these two extremes lie the occult, or hidden meanings of symbols.
To simplify, let's use 3 levels of understanding (this is not the only way to illustrate the point, but it will work well here) 1. exoteric = the literal interpretation of a symbol/ character. An All-Seeing Eye is simply an eye with light rays shining out from it, and nothing more.
occult = the hidden meaning/meanings of symbols. That same eye now symbolizes the enlightenment of the eye, or I, or self.
esoteric = the deepest meaning, that combines many occult aspects of a symbol to bring it back to the practical world. This is the power of the true alchemist. I am enlightened, and therefore have the duty to build the future, for I already see it.
Now, let us consider one of the most important symbolic phrases of alchemy which is,
to turn the base metals into gold
1. At the exoteric level this phrase is about literally turning a rusty old lead pipe into a bar of shining gold bullion. This is extremely enticing because it represents the ultimate get rich quick scheme. The profane man is easily motivated by this prospect, but when he finds out that he cannot make gold out of lead he becomes angry. Without understanding the deep meaning of symbols, he simply gives up. The exoteric, literal, materialist meaning is given out to the public to keep them estimating everything in life at face value. Because there is no literal method of turning the base metals into gold, the art of alchemy becomes reduced to a curious relic from the ancient world. It is seen as the foolish work of magicians who lived in ignorance of actual scientific laws. Because most people stick with exoteric understandings the occult remains hidden.
2. The occult meaning of turning the base metals into gold has to do with self-realization, and improvement. It is all about becoming a better, more enlightened person. Base metals, lead, or the Prima Materia of alchemy symbolize a man in his primal state, living in ignorance. By actually recognizing his own faults, and by making the choice to improve upon them, he is slowly raised up to new life. The gold is the light of the sun imbued into the consciousness of the alchemist. A flood of hidden knowledge is revealed, and the world becomes a far different place. Constant change is part of the occult process of alchemy. Throughout life, one dies and is reborn over and over again. So the occult meaning of alchemy is simply self reflection, actualization, and enlightenment. The process itself is catalyzed by symbols. It is through an understanding of ancient symbolism that the alchemist sees the world in a new light.
3. The esoteric interpretation of alchemy is actually a subtle intertwining of both literal and allegorical aspects of symbols. It uses symbolism to describe heavenly ideas/ ideals. These ideas are considered divine inspiration. They represent the blueprint by which the natural world should be remade. By intensely studying nature (with science), and understanding its mysterious processes, the natural progress of evolution can be sped up. Nature takes a very long time to change. With the art of alchemy the process is expedited. An artificial world is created in this way. Life itself is the product of nature, and the true Natural Man seeks to change it according to his own interpretation of ancient symbols. To turn the base metals into gold could be interpreted as altering the base metals, which symbolically represent base (profane) men, by turning them into gold. Because the profane man is forever ignorant, it is the assumed duty of the alchemist to help him along. By turning otherwise useless metals (human beings) into gold (wealth) the alchemical process is put into high gear. Eventually, this Method gives birth to a whole new world.
So what is the real truth?
To most of us, alchemy remains a total mystery. Alchemy is the art of multiplication, and appropriately enough the perplexing mysteries of this world continue to multiply on a daily basis. This causes confusion. People are now mentally, emotionally, and physically breaking down due to this confusion. This represents the dissolution phase of the alchemical process. Those who understand the esoteric truth of the Method are using alchemy as a tool to reshape the world. They require a confused, disenchanted, and malleable population of base metals that may be easily melted down and poured into a new mold. The true practitioners of the Black Art use it in this way. They know how to manifest change.
Understanding the occult aspects of alchemy can actually be a good thing. This is what inspires groups such as the Freemasons to practice their Royal Art. They do so to make a better world. They aren't evil. However, they won't come out openly and tell you the simple, albeit hidden truth of their Work either. You must be wise enough to read symbols. This keeps the esoteric workings of the art far removed from the consciousness of the average person. To take this same point further, it seems as though the esoteric remains hidden to most of those who remain content using the occult practice of alchemy to better themselves. We are all ignorant to an extent, so who can actually tell us what is going on here?
In studying arcane subjects, one becomes familiar with the occult meaning of alchemy. You cannot accurately decode symbols without having this occur. The immense boost in understanding that is gained from such a process is enough to convince anyone of the power of the Ancient Mysteries. As seekers of truth, what we need to be wary of is our final destination. Upon reflection do we decide to make the alchemical process our own? Seeing as how the Method belongs to no one person, and that it is ancient, then what happens if we decide to use alchemy? Is there somewhere we could go to find real answers?
Honestly, the best way to become a true alchemist is to join a secret society of some kind. This is the plain truth. Almost all books on alchemy will point you in this direction. Alchemy is the method by which secret societies operate, and their intent is always good. At least, it seems that way on paper. If anyone is going to talk about using alchemy, then they need to explain the fact that it is the Method used by secret societies. It's just that simple. Openly admitting the fact that you belong to a secret society does not work, and you can't really even begin talking about alchemy until you explain who you are up front. So the exploration of the topic of alchemy can become bit of a catch 22, for the true insiders must remain hidden.
As an alternative researcher I must admit to the fact that I am on the outside looking inside. I'm not stupid enough to deny the power of alchemy, and by the same token I am not foolish enough to think that I know everything about it. My task is to simply understand what is going on in this world. This I will do to the best of my ability.
This symbol, rarely mentioned today and almost forgotten, is nevertheless essential to the Mastery. They sometimes appear on certain Master's lodge boards or Master's aprons, or on black shrouds covering the sarcophagus in which the future Master lies, the symbol of Hiram who is to be resurrected in a new body of light. Many symbols disappear in this way, either because they are no longer understood or because the temples have been desecrated.
This is not an emotional evocation of grief at a loss, but an element that comes to us, as it often does, from ancient Egypt. There are two levels, clearly indicated in the following sentence from the embalming ritual: "You will receive the tears of Isis, the cries of Nephthys and the tears of Ra upon you will be the light that embellishes your days".
First there are the golden tears of the Creator, the divine sun, the Great Architect. Heliopolitan theology indicates that the gods were created by his sweat, and men by the tears of his eyes. Man was said to be 'rmt' and tears 'rmyt'. This means that man was born this way from the Creator, who weeps because of his behaviour. He is what makes the Divine weep. He is gifted with treachery and can never share the clear divine vision; everything he sees, thinks and does is imperfect. In a way, this is the notion of the Christian fall.
The initiatory path offers an escape from this state of affairs, thanks to the tears of the Widow that open the way to Mastery. She sheds tears of silver, lunar rays, from which the brothers can draw the raw material to make gold. In correspondence with the moon, she changes the nature of the stone, fertilising it with her tears and introducing divine gold into its heart. This gold is the Mastery of those who live in the unity of Wisdom, the Initiates who have passed into the Eternal East.
The Principle of Creation, for its part, is neither gold nor silver, but it gives both when it thinks of itself, through its feminine aspect, white, silver, and its masculine aspect, gold. In fact, these two metals do not have sexual characteristics and they also include their complement within them. Silver, the queen of peace, has within it the fixed male nature, and gold is all silver, although animated by masculine fire.
Tears are emanations of the light of the Principle and are associated with the creative gaze.
They are both of the nature of fertilising water and of fire. On the one hand, they are tongues of fire, symbols of the transmission of the Spirit received by the Master when he rose from the dead. But the alchemists also called them dew or water of life. It is the principal water, both earthly and celestial, mercurial water, the primordial material of the alchemical work.
Nothing can be done without these tears, which are found in the original stone. They are joyful in the sense of being open to life, because they allow rebirth. If the Widow mourns Hiram's death, the end of the Golden Age that will give rise to a new form of creation, her tears purify and regenerate the Master's body. They fertilise it, impregnate it so that it is in harmony with universal consciousness; they reveal the powers of life. The Master thus obtains the power to see and therefore to create. The transmutation that takes place in the athanor that is the sarcophagus totally changes the nature of the being. He becomes spiritualised. From individual consciousness, he becomes universal consciousness.
This delicate vintage perfume bottle is jaw-droppingly beautiful! It features cut glass the color of the Caribbean Sea, brass-colored hardware and a flower atop the bottle with glass petals.
The original foil stamp is still on the bottom; some of the writing has worn off, but I can make out that it says "I.W. Rice & Co, Inc. An Irice Product."
According to santafepost.com, I. W. Rice & Co. was founded in 1905 as an importer of perfume bottles and other vanity items. Irving W. Rice served as president, importing items from all over the world and selling them under the name of “Irice imports.” The company specialized in Czechoslovakian crystal in the 1930s, and switched to American manufacturers such as Imperial Glass during WWII.
Demon Killer Special Wire Rolls features an intuitive way to experiment with exotic coil configurations, featuring distinctive heating elements in different sizes and structures. It is packed in a spool of 15 Feet along with available cotton, designed to bring a unique building experience. It comes in a plethora of options, ranging from twisted, fused, and flat, all machine twisted for a precise weave and high consistency throughout each spool. The Demon Killer Special Wire Rolls are perfect for rebuilding atomizers.
Available in Alien Wire Roll & Fused Clapton Wire Roll
$25.00
The TC-37 Spider is one of the largest GARC racers, only just inside the size limits. The pilot and the navigator were the top racers on Earth just before the Galactic Asteroid Rally Circuit (GARC) championship started. In the front mandibles are disrupter field generators that will atomize any asteroid in its way. To still be legal, it will not effect any other craft flying near it. With its crazy green and red color scheme and big number 3 on the sides its hard to miss in the race holos at home. The Spider is a favorite of many race fans across the galaxy.
The SMOK Alien 220W TC Starter Kit is truly out of this world, integrating a unique statement piece with ultra-performance chipset with 220W of maximum power and full temperature regulation alongside the widely popular TFV8 Baby Beast Tank. The Alien 220W Box Mod measures 85mm by 44mm by 30mm, featuring an elegant soft contour along the zinc alloy chassis, integrating stunning colorful inlays for a stellar showcase piece. The epicenter of functionality lies within the new enlarged OLED display, providing extensive information within an easy-to-read operational interface. Along with unique placement of adjustment buttons and stealth firing mechanism, the Alien 220W is built for superb ergonomic form factor. The chipset is notably intelligent, providing a wattage range of 6 to 220W, minimum atomizer resistance of 0.06ohm, and full temperature control suite with support for Ni200, Titanium, and Stainless Steel heating elements. Integrated within the internal onboard is a plethora of safety features, including battery series connection. The SMOKTech TFV8 Baby Beast Tank is the compact evolution of the the unrivaled TFV8 Cloud Beast Tank, featuring a well-balanced dynamic range with 3mL juice reservoir, precision airflow control, signature hinged top-fill system, and introducing the new Baby Turbo Engines coil structure.
SMOKTech Alien 220W TC Box Mod Features:
Dual High-Amp 18650 Battery - Not Included
Dimensions: 85mm by 44mm by 30mm
Wattage Output Range: 6-220W
Min Atomizer Resistance: 0.06ohm
Temperature Range: 200-600F
Supports Ni200 Nickel, Titanium, and Stainless Steel Heating Elements
Premium Zinc Alloy Construction
Detail-Orientated OLED Display
Series Connection
Dual Battery Life Indicator
Stealth Firing Mechanism
Ergonomically Placed Adjustment Buttons
Hinged Battery Cap
MicroUSB Port - Firmware Upgrades
Alien V1.2.2 Firmware Upgrade Available here.
Available in Silver, Gunmetal, Champaigne Gold, Orange. Blue, Red, Purple, Green, White Red, Superman
510 Connection
SMOK TFV8 Baby Beast Tank Features:
22mm Diameter
3mL Juice Capacity
Superior Stainless Steel Construction
High-Grade Glass Reinforcement
Convenient Top-Fill Design with Hinge Lock
Dual Adjustable Airflow Control at Base
Black Delrin Ultra-Wide Drip Tip
Patented Baby Turbo Engines Coil Structure
0.2ohm V8 Baby-Q2 Dual Coil - rated for 30-80W | recommended 55-65W
0.15ohm V8 Baby-X4 Quad Coil - rated for 30-70W | recommended 45-60W
0.15ohm V8 Baby-T8 Octuple Coil - rated for 50-100W | recommended 60-80W
V8 Baby RBA - Two-Post Deck
510 Connection
Product Package Includes:
1 Alien 220 Mod
1 TFV8 Baby Beast Tank
1 0.4ohm V8 Baby-Q2 Coil Head
1 0.15ohm V8 Baby-T8 Coil Head
1 MicroUSB Cable
1 Replacement Glass Tube
Instructional Manual
Spare Parts
Available in Black, Red & Gold
$100.00 (Rprice does not include batteries)
Summaries:100% All new as well as High quality.Material: Silicone Dimension: 2.2 x 1.2 centimeters Shade: Random Delivery10pcs Colorful Non-Slip Silicone Ring for Vapor Mechanical Mods and also E-cigarette Atomizers. Make your gadget distinct and also lovely. Maintain it from damaging and also scraping. With printing
Kirk-Stieff was in business in Baltimore for many years. In 1999, Brown-Forman Corporation, its parent company ended production at the Kirk-Stieff plant in Baltimore.
Sugoi Nic Salt by Sugoi Vapor - Sakura - 30ml
www.vapordna.com/Sugoi-Nic-Salt-by-Sugoi-Vapor-Sakura-30m...
Made in the USA
Sakura by Yami Vapor is a cool mixture of mango, peach, and pineapple flavored E-Liquid blended perfectly for a smooth inhale and a delicious exhale, now with SALT Nic! This product is specifically designed for use in pod based devices and other low output atomizers. View quick links for compatible devices.
Available in 35 and 50 milligrams of nicotine.
Warning: Do not use in Sub-Ohm style tanks and atomizers.
For my Hallowe'en costume this year, I've added a smoke effect to a Mattel "Matty Collector" Ghost Trap Prop Replica. It's a fun little piece of kit, and arguably the most entertaining of the products that Mattel has released based on the original Ghostbusters franchise. The effects after the "capture" are my favourite, hands-down.
Some of the wiring here could be tidied up and more in-theme / better-concealed; more on that later.
Hardware
The smoke is driven by two "E-cig"-style vaporizer units, referred to as "clearomisers", whose "atomizers" (heating coil elements) are powered by a rechargeable 2000-mAh 3.7v Lithium-ion battery. There is one on each side.
For airflow, I've used a small 6V aquarium-style air pump motor. After comparing vs. a smaller 3V, I went with the larger option and ran it at 1.2V off a single rechargeable 2800 mAh, Nimh AA; the larger motor puts out more air, yet is also more quiet.
Wireless Smoke?
I had wired up a small latch-type RF receiver and a wireless remote for switching the smoke effect, but I had trouble getting a small relay to successfully close the atomizer circuit. Perhaps a MOSFET would have been a wiser choice.
Push-Button Smoke
I ended up using a physical switch to power the smoke. When doing a demo, it's convenient to disconnect the foot switch cable and also push the smoke switch at the same time in a fluid motion, so observers don't even notice - it just looks like the trap starts smoking, all of a sudden.
Internal vs. External
I hoped to keep as much of this hardware on the inside as possible, but I realized it wasn't feasible. The trap is effectively a large box full of "stuff", and drilling holes or cutting into the innards was out of the question.
To work properly, the clearomisers also needed to be vertical most of the time so the "fog juice" was saturating the material around the atomizer - so I couldn't put them underneath, or sideways etc.
So, I ended up making some visits to a local hardware store and purchasing some transparent plastic cable organizers to hold the clearomisers, and mounting them onto the sides of the trap. If you squint a bit and if all the wiring was all wrapped or painted black, the cable organizers and clearomisers almost fit the theme of the trap.
There's a bit of connector tubing that joins two bits together, which I have yet to wrap in electrical tape. That's just an oversight. ;)
Overall, I'm quite happy with this mod. I'm not a professional nor terribly experienced with electronics and/or DIY, but this has been quite reliable when demoing to friends and co-workers. It's a hit at parties.