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Hoe best to get to know the people behind the eliquids you pay for then to read a hard hitting interview from a Spinfuel writer. Because our allegiance is to our readers and only our readers, these interviews get to the heart of brand owner. If you can’t trust the owner how can you trust the eliquid?
The Geek Vape NOVA 200W TC Box Mod incorporate elements of resin and aluminum-alloy for a beautiful vape device, featuring the highly advanced AS Chipset with 200W of maximum power and full temperature control suite.
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Ego twist and Ultrafogger Atomizer (Vapor X) Provari V2 and Ultrafogger Atomizer (Vapor X) Ego twist and ERA (Easy Rebuildable Atomizer) Provari V2 and ERA (…
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Looking for some replacement pods for your Mico online? VapeMeet, Canada's best vape shop carries replacement pods, atomizers, vape replacement coils, vape replacement glass, and whatever else you may need.
The SMOK MICO Replacement Pod Cartridges feature an ergonomically designed mouthpiece with a 1.7mL refillable juice capacity, cleverly designed with simple side-fill mechanism to accommodate a wide range of nicotine salts.
The SMOK Vape MICO atomizer core is integrated into the pod, utilizing a special cotton that is enclosed to provide optimal vapor production and flavor enhancement. It is offered in three options: 0.8ohm MICO Mesh Pod, 1.0ohm MICO Regular Pod, and 1.4ohm MICO Ceramic Pod.
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www.hsgmetal.com/products/ferro-vanadium/
Ferro vanadium is an iron alloy consisting of vanadium and iron, mainly used as an alloy additive in steelmaking. The main raw material of ferro vanadium production in China is vanadium titanomagnetite. After beneficiation and enrichment, vanadium-bearing pig iron is purified by blast furnace, and vanadium slag is extracted in atomizing furnace or converter blowing process. Vanadium slag is pulverized and sodium salt (soda ash, salt or anhydrous mirthenite) is added for roasting by sodium oxide to make vanadium into soluble sodium metavanadate (NaVO3). After leaching and purification, ammonium sulfate is added to precipitate ammonium polyvanadate [(NH4)2V6O16], which is then deaminated and melted to cast into sheet vanadium pentoxide.
Specification of Ferro Vanadium
BrandChemical Compositions (%)
VCSiPSAlMn
≤
FeV40-A38.0~45.00.620.080.061.5---
FeV40-B38.0~45.00.830.150.12---
FeV50-A48.0~55.00.420.060.041.5---
FeV50-B48.0~55.00.62.50.10.052---
FbV60-A58.0~65.00.420.060.041.5---
FeV60-B58.0~65.00.62.50.10.052---
FbV80-A78.0~82.00.151.50.050.041.50.5
FbV80-B78.0~82.00.21.50.060.0520.5
Size10-50mm
60-325mesh
80-270mesh & custom size
Application of Ferro Vanadium
Ferrovanadium is mainly used as an alloy additive in steelmaking. After adding iron vanadium to steel, the hardness, strength, wear resistance and ductility of steel can be significantly improved, and the cutting performance of steel can be improved. Iron vanadium is commonly used in carbon steel, low alloy steel strength steel, high alloy steel, tool steel and cast iron production.
Ferrovanadium is suitable for alloy steel smelting, alloying element additive and stainless steel electrode coating.
Production Process of Ferro Vanadium
Electro-silicothermic process
With 75% ferrosilicon and a small amount of aluminum as reducing agent, the flake vanadium pentoxide was purified in alkaline electric arc furnace through two stages of reduction and refining. During the reduction period, all the reducing agent of the first furnace and the sheet vanadium pentaoxide accounting for 60 ~ 70% of the total amount were loaded into the electric furnace, and silicon thermal reduction was carried out under the high calcium oxide slag. When the V2O5 in the slag is less than 0.35%, the slag is released (called poor slag, can be discarded or used as building materials), into the refining period. At this time, flake vanadium pentaoxide and lime are added to remove the excess silicon and aluminum in the alloy liquid. When the alloy composition meets the requirements, the iron alloy can be slag out. The slag released in the later stage of refining is called rich slag (containing V2O5 up to 8 ~ 12%), which is returned to use when the next furnace begins to feed. The alloy liquid is generally cast into cylindrical ingot, which is finished after cooling, demolding, crushing and slag removal. This method is generally used for smelting iron vanadium containing 40 ~ 60% vanadium. The recovery rate of vanadium is up to 98%. Refining consumes about 1600 kilowatt-hours per ton of iron vanadium.
Thermite process
Smelting with aluminum as reducing agent is carried out by lower ignition in a barrel lined with alkaline furnace. First, a small part of the mixed charge is loaded into the reactor, that is, ignition. After the beginning of the reaction and then add the rest of the charge. Is typically used for smelting Gao Fantie (containing vanadium 60 ~ 80%), the recovery rate was slightly lower than electrical silicon thermal method, about 90-95%.
Features of Ferro Vanadium
01.
Ferrovanadium is an important alloy additive in iron and steel industry. Vanadium improves the strength, toughness, ductility and heat resistance of steel.
02.
High strength low alloy steel (HSLA) containing vanadium is widely used in the production and construction of oil/gas pipelines, buildings, Bridges, rails, pressure vessels, carriage frames and so on because of its high strength.
03.
The application range of various vanadium steel is more and more wide, and the related talents are more and more important.
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Top 5 Features of Ripple Atomizer:
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::EDIT::nnWell evidently i'm an idiot it's called the MAGNO , not the MANGO. Again my apologies, It's honestly a pretty easy mistake to make right? :) nnThe Eshotsph.com website is somewhat wonky to navigate, so here is the link to the productnnhttp://eshotsph.com/eshots-accessories-atomizers.htmlnnLike I said in the video, It says that silicawicks.com/ is also carrying them, although I could not find them on the site. nnNow then. As a dripper this is a very nice and reasonably priced re build able , in "TANK MODE" it leaves a little to be desired. It works well sometimes, and awful sometimes. The o-rings on the tanks portions are either too slide-y or too tight. I was using a 50/50 pg/vg blend with the mango. Maybe an all PG or 70% PG juice would work better in the Tank Mode. nnVery few issues with leaking, Like I said in the video occasionally I would get drip happy and fill the bottom cup to full with juice. But as long as your wicks are pushed down in there. You should be able to vape all the juice that you drip. nnTight-ish but smooth draw in both modes, remember to always line up the air flow hole with the coils to get the best performance. nnThanks so much for watching everyone! nhttp://eshotsph.com/eshots-accessories-atomizers.htmlnnhttp://www.grimmgreen.com ift.tt/O7bIqx
2016
Aluminum and steel tank, ultrasonic atomizers, water, computer, custom-made electronics and software
Courtesy of the artist and bitforms gallery
This fountain acts as an interactive poetry machine from which emerge, fragment by fragment, poems by the celebrated Mexican writer Octavio Paz (1914-1998(, who was also the artist's uncle. The poems quoted all involve language: the way we see the world through words, and the way words reflect our own image back to us. Our experience of language is always deeply felt, the poems seem to say, implying the visible as much as the tactile and audible, as well as the passage of time. The work suggests that words materialize in the air, carried by the breath of those who speak them, then dissolve or remain mysteriously lodged there and are physically incorporated by those who hear or read them. These metaphors also appear in other works in the exhibition, such as Airborne Newscast, 2013, Vicious Circular Breathing, 2013, Babbage Nanopamphlets, 2015, and Volute 1: Vicous.
Au clair de la lune, 2016.
A Draft of Shadows (excerpt)
(Translated by Eliot Weinberger)
To see the world is to spell it.
Mirror of words: where was I?
My world watch me from the puddle
of my memory. Syllables of water
shine in a grove of reflections
stranded clouds, bubbles above a bottom
that changes from gold to rust.
Rippling shadows, flashes, echoes,
the writing not of signs, but of murmurs.
My eyes are thirsty. The puddle is Stoic:
the water is for reading, not drinking.
In the sun of the high plains the puddles evaporate.
Only some faithless dust remains,
and a few intestate relics.
Where was I?
Here
Translated by Charles Tomlinson
My steps along this street
resound
in another street
in which
I hear my steps
passing along this street
in which
Only the mist is real
Writing
Translated by Eliot Weinberger
I draw these letters
as the day draws its images
and blows over them
and does not return
2016
Aluminum and steel tank, ultrasonic atomizers, water, computer, custom-made electronics and software
Courtesy of the artist and bitforms gallery
This fountain acts as an interactive poetry machine from which emerge, fragment by fragment, poems by the celebrated Mexican writer Octavio Paz (1914-1998(, who was also the artist's uncle. The poems quoted all involve language: the way we see the world through words, and the way words reflect our own image back to us. Our experience of language is always deeply felt, the poems seem to say, implying the visible as much as the tactile and audible, as well as the passage of time. The work suggests that words materialize in the air, carried by the breath of those who speak them, then dissolve or remain mysteriously lodged there and are physically incorporated by those who hear or read them. These metaphors also appear in other works in the exhibition, such as Airborne Newscast, 2013, Vicious Circular Breathing, 2013, Babbage Nanopamphlets, 2015, and Volute 1: Vicous.
Au clair de la lune, 2016.
A Draft of Shadows (excerpt)
(Translated by Eliot Weinberger)
To see the world is to spell it.
Mirror of words: where was I?
My world watch me from the puddle
of my memory. Syllables of water
shine in a grove of reflections
stranded clouds, bubbles above a bottom
that changes from gold to rust.
Rippling shadows, flashes, echoes,
the writing not of signs, but of murmurs.
My eyes are thirsty. The puddle is Stoic:
the water is for reading, not drinking.
In the sun of the high plains the puddles evaporate.
Only some faithless dust remains,
and a few intestate relics.
Where was I?
Here
Translated by Charles Tomlinson
My steps along this street
resound
in another street
in which
I hear my steps
passing along this street
in which
Only the mist is real
Writing
Translated by Eliot Weinberger
I draw these letters
as the day draws its images
and blows over them
and does not return
Interactive Art // Live Recording
Everything we see is atomized. Our boundaries, the skin that separates objects and people is gone.
Notice to Vimeo users, to see the particles you might need to watch this in its original resolution (4k) or at least 2k.
From Concept to Realization: bashiba.com
3D data: Microsoft Kinect
Spatial Sound + sonic events + Real-Time Rendering: Bashiba
Programming: vvvv.org #bashiba #noir
Vape coils, atomizers, coils, and atomizer heads are the different names for the same thing. These Coils are one of the essential components of a #vape. In the article below, we would discuss various aspects of this vital vape component. So, want to learn more about #VapeCoils? Continue reading below as we tell you all about them!
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2016
Aluminum and steel tank, ultrasonic atomizers, water, computer, custom-made electronics and software
Courtesy of the artist and bitforms gallery
This fountain acts as an interactive poetry machine from which emerge, fragment by fragment, poems by the celebrated Mexican writer Octavio Paz (1914-1998(, who was also the artist's uncle. The poems quoted all involve language: the way we see the world through words, and the way words reflect our own image back to us. Our experience of language is always deeply felt, the poems seem to say, implying the visible as much as the tactile and audible, as well as the passage of time. The work suggests that words materialize in the air, carried by the breath of those who speak them, then dissolve or remain mysteriously lodged there and are physically incorporated by those who hear or read them. These metaphors also appear in other works in the exhibition, such as Airborne Newscast, 2013, Vicious Circular Breathing, 2013, Babbage Nanopamphlets, 2015, and Volute 1: Vicous.
Au clair de la lune, 2016.
A Draft of Shadows (excerpt)
(Translated by Eliot Weinberger)
To see the world is to spell it.
Mirror of words: where was I?
My world watch me from the puddle
of my memory. Syllables of water
shine in a grove of reflections
stranded clouds, bubbles above a bottom
that changes from gold to rust.
Rippling shadows, flashes, echoes,
the writing not of signs, but of murmurs.
My eyes are thirsty. The puddle is Stoic:
the water is for reading, not drinking.
In the sun of the high plains the puddles evaporate.
Only some faithless dust remains,
and a few intestate relics.
Where was I?
Here
Translated by Charles Tomlinson
My steps along this street
resound
in another street
in which
I hear my steps
passing along this street
in which
Only the mist is real
Writing
Translated by Eliot Weinberger
I draw these letters
as the day draws its images
and blows over them
and does not return
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