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Febbraio 2022
Asti.
YASHICA FX-3 Super 2000
YASHICA LENS 50 mm
Pellicola: FOMAPAN 100 - @200
Sviluppo: Ilford ID 11 - 1+1 - 20° - 15'-00''
Scanner EPSON V600 - 2400 dpi
Corks from my favorite sparkling wine, that wooden open box is from one of the nicest Sushi bars in Newport Beach, the Ikea cork board has travelled as much as I have-it's a decade old
And those berries are going to be trashed. :)
29-12-2021 - Asti, Piazza San Secondo.
it.wikipedia.org/wiki/Palazzo_di_Citt%C3%A0_(Asti)
YASHICA FX-3 SUPER 2000
YASHICA LENS - 50 MM - 1:1,9
FOMAPAN 400
ID 11 ULFORD - 1+1 - 12':30''
TETENAL SUPERFIX 1+4 5':00''28-12-2021
From the last quarter of the seventeenth century, Count Giovanni Battista began the work of merging the medieval buildings of the block of Corso Alfieri and the construction of new buildings.
In the years 1751-1752, architect Benedetto Alfieri designed the construction of the eastern wing and the reconstruction of the facade. An undisputed residence of prestige, the palace hosted personalities such as James Stuart (1717), the King of Sardinia Carlo Emanuele III (1727) and Napoleon I (1805) over the centuries.
Source: visit.asti.it/en/art-culture/palaces/palazzo-mazzetti/
From the last quarter of the seventeenth century, Count Giovanni Battista began the work of merging the medieval buildings of the block of Corso Alfieri and the construction of new buildings.
In the years 1751-1752, architect Benedetto Alfieri designed the construction of the eastern wing and the reconstruction of the facade. An undisputed residence of prestige, the palace hosted personalities such as James Stuart (1717), the King of Sardinia Carlo Emanuele III (1727) and Napoleon I (1805) over the centuries.
Source: visit.asti.it/en/art-culture/palaces/palazzo-mazzetti/
From the last quarter of the seventeenth century, Count Giovanni Battista began the work of merging the medieval buildings of the block of Corso Alfieri and the construction of new buildings.
In the years 1751-1752, architect Benedetto Alfieri designed the construction of the eastern wing and the reconstruction of the facade. An undisputed residence of prestige, the palace hosted personalities such as James Stuart (1717), the King of Sardinia Carlo Emanuele III (1727) and Napoleon I (1805) over the centuries.
Source: visit.asti.it/en/art-culture/palaces/palazzo-mazzetti/
Questa ALe.801 è protagonista dell'invio che viene effettuato verso la tarda mattinata da Asti ad Acqui Terme, immortalato nei pressi di Mombaruzzo.
Jean-Baptiste Camille Corot (Paris, 16 July 1796 - Paris, 22 February 1875) - A beach in Normandy (1872-74) - exhibition “Monet and the Impressionists in Normandy. Masterpieces from the Peindre en Normandie Collection "- Palazzo Mazzetti (Asti)
“Monet e gli impressionisti in Normandia" La mostra ripercorre, a partire dai primi decenni dell’Ottocento, i momenti più importanti di questa corrente artistica.
L’impressionismo è un movimento pittorico nato a Parigi nella seconda metà dell’800. Nasce ufficialmente il 15 aprile 1874 in occasione della mostra tenuta nello studio del fotografo Nadar da un gruppo di artisti respinti dal Salon di Parigi, il tempio della pittura ufficiale. La mostra ha un esito disastroso e provoca feroci polemiche. Ispirandosi al titolo del dipinto Impression, soleil levant di Claude Monet, il critico d’arte Louis Leroy defisce ironicamente questi pittori impressionisti. Gli impressionisti lasciano gli atelier per lavorare all’aperto nelle campagne, nelle periferie, nelle piazze. Utilizzano cavalletti portatili e colori a olio in tubetti, fabbricati per la prima volta in questi anni. Lo scopo è cogliere l’impressione visiva della realtà; da qui la necessità di un’esecuzione rapida, senza disegno preliminare, senza ritocchi e sfumature. Il fondamento della tecnica impressionista è lo studio della luce e del colore; per conferire la massima luminosità ai dipinti gli impressionisti accostano direttamente sulla tela i colori puri; aboliscono l’uso del nero per realizzare le ombre, che vengono rese combinando diversi colori. Spesso gli impressionisti rappresentano il medesimo soggetto in diversi momenti del giorno per mostrare come la luce, nel suo continuo divenire, trasformi cose e colori.
"Monet and the Impressionists in Normandy" The exhibition traces the most important moments of this artistic movement starting from the first decades of the nineteenth century.
Impressionism is a pictorial movement born in Paris in the second half of the 19th century. It was officially born on April 15, 1874 on the occasion of the exhibition held in the studio of the photographer Nadar by a group of artists rejected by the Paris Salon, the temple of official painting. The exhibition has a disastrous outcome and causes fierce controversy. Inspired by the title of the painting Impression, soleil levant by Claude Monet, the art critic Louis Leroy ironically defines these impressionist painters. The Impressionists leave the ateliers to work outdoors in the countryside, in the suburbs, in the squares. They use portable easels and oil paints in tubes, manufactured for the first time in these years. The aim is to capture the visual impression of reality; hence the need for rapid execution, without preliminary drawing, without retouching and nuances. The foundation of the Impressionist technique is the study of light and color; to give maximum brightness to the paintings, the Impressionists put pure colors directly on the canvas; they abolish the use of black to create shadows, which are made by combining different colors. Often the Impressionists represent the same subject at different times of the day to show how light, in its continuous evolution, transforms things and colors.
Asti, 2019
Palazzo Mazzetti
it.wikipedia.org/wiki/Palazzo_Mazzetti
Olympus OM-2 n - 50 mm
Pellicola: KODAK Color Plus 200 ASA
Scanner EPSON V600 - 2400 dpi