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Practice Day #9: Still from my assignment in PPSOP Food Photography course. This time we're allowed to use props and to set up a simple still-life. And I'm choosing a birthday party set-up as a theme. This week-2 assignment emphasizes on working out different angles, lenses, DOFs. This one is using 50mm/f1.8 lens.

My interpretation of Assignment.

Assignment 52: Represent your own brand of holiday madness during this busy & festive season.

So here is Po, no more pleased to be posing with Christmas tree lights than she was the first time around, despite the caption I chose for the cards. Call it irony if you wish -- can't every holiday use some? Po actually is quite a joyful dog, & always well-rewarded for posing! (And I'm joyful that I managed to get cards printed this year! Now to start mailing---)

AAW: Checkerboard Pattern

 

I took this candid of a boy along a strip mall. I thought it would be cool to create the effect of the checkered squares rising up as he climbed.

Assignment52-142014: Letters and Numbers: the obvious.

 

Inspired by: www.youtube.com/watch?v=HXO4KiO78nY

Flashback to a photo shoot with Nairobi (along with other models) back in her modeling days.

  

All dresses by ebay seller barbie.couture.

Just a quick update on my workspace.

 

The only difference would be the addition of the new speakers. Decided to go with the Harman Kardon Soundstick III. Got it for about 3weeks now. No regrets. :)

 

Weekend's coming! Have a great one my Flickr friends.

 

p/s: Not photographed: 15" MacBook Pro with Ironman decals. (Yes, couldn't be happier wit hthe decal) Check out my photostream for a photo of it. Cheers!

 

Photo taken with iPhone 5's pano mode.

© Barry Johnson - All Rights Reserved

Assignment: Murder, by Donald Hamilton

Dell First Edition A123, 1956

Cover art by Victor Kalin

 

Later printings by Gold Medal were retitled Assassins Have Starry Eyes

Active Assignment Weekly: All about Ernst Haas

This photo is about colour and slow shutter speed, blurring the movement of this dog playing in the Lake Ontario shallows. I usually use very fast shutter speeds, so this was a change for me and I think I got some nice captures that look different to what I normally take.

WIT: I have cropped the image and I brightened the image a bit.

Michael collects watches, thanks to his dad. He always talked about a Skeleton style pocket watch, so for his 26th birthday I found this from Things Remembered and got it engraved with his initials and an inscription on the back that reads: My Love for You Never Runs Out, Love Lexi. He absolute loves it!

For BeStill 52 - Week 28 Assignment - Vignettes.

 

LR Preset by Kim Klassen - kk_darkmood

 

Don't use this image on websites, blogs or other media without explicit permission. © Barbara Dickie. All rights reserved.

 

Assignment 52 - Light through glass: reflections, refractions

"listen to all that you ever wanted to"

 

Taken for active assignment weekly - Magazine Ads. This is my ad for radio debian :-)

The finished ad is here:

farm2.static.flickr.com/1346/1394561661_cb22bf4d66.jpg

 

What it took:

Multiple shots of the ibuds and laying them over.

 

Indoor & Outdoor Lighting of any subject matter.

Assignment Nuclear Nude, by Edward S. Aarons

Fawcett Gold Medal R2000, 1968 PBO

Cover art by Robert McGinnis

 

Cover art was not credited anywhere in this book; confirmed as McGinnis in The Paperback Covers of Robert McGinnis by Art Scott & Dr. Wallace Maynard.

 

#27 in the Sam Durell "Assignment" series

Camera settings:

Monochrome

Red Filter

High Sharpness

High Contrast

f 7.1

1/250

ISO 100

Auto White Balance

Spot metered

Lens 70-200 and shot at 200mm

Opened in DPP then sent to Photoshop (DPP converts the file to a TIFF) where a minor adjustment to levels and high pass filter were applied.

 

I love this camera setting!!!!!!!!!!!!!! Thanks cacheboyz!!!!! :-))

 

the detail view

   

Mission Statement: 0978:- Our most recent assignment brought us to the planet of Talus. -Log on Talus- Master, for we have no other name for him, claimed that our next target was to be found in the south-western hemepshere of the planet. -Coordinates 06:45:13- When we arrived it was to no suprise that are target was located in some old ruins. Through an extensive and wasteful search, we could not find our target. Through interrogation of the locals, as protocol, we learned it's location. 451 infiltrated the hide out of the tomb raiders who obtained it. All were disposed of and the target was taken.

-Result-

-Relic Obtained

-Witness' Terminated

-Outpost Destroyed

  

OLYMPUS DIGITAL CAMERA

This is my first attempt at a photo assignment. I am new to photography and thought this forum was a good one to push myself. I don't have any equipment; just a camera.

 

Active Assignment Weekly: Minimalism/K.I.S.S

 

This is my second and final photo submission for this assignment, but my fourth attempt at high speed water drop photography. I think this is my best so far! I think that the negative space and the singular subject qualifies it as "Minimalist".

 

What it took: WELL, the setup is a ziploc bag of water clipped onto my background stand, dripping down onto a piece of glass which is on top of a pan to catch the water. I have a blue piece of paper behind that, and my external flash is pointed toward the background paper. The flash is set on 1/64 power, and the camera is set at shutter speed 1/200 and f/13.

 

Title: Assignment Helene.

Author: Edward S. Aarons.

Publisher: Gold Medal Books.

Date: 1963.

Artist: Barye Phillips.

Active Assignment Weekly: April 15-22, 2024, Simplicity. To me, simplicity means no distractions. I decided to use two of the many different techniques available to achieve this - fill the frame ("After the Rain") and negative space ("Beach Time"). Both photos were taken at Point Pelee National Park, Ontario. You'll be seeing a lot of pictures from this park, as I am here for two months (it is a bird migration hotspot).

PhotographyBB forum assignment

Swarali Photo Assignment (November, 2015)

Title:

People:

Place:Redmond

Date:2015:11:15 11:41:49

File:DSC_7071.jpg

 

Title: Assignment Zoraya.

Author: Edward S. Aarons.

Publisher: Gold Medal Books.

Date: 1960.

Artist: Charles Binger.

 

Title: Assignment Lowlands.

Author: Edward S Aarons.

Publisher: Gold Medal Books.

Date: Undated.

Artist: Charles Binger.

"into the light"

baby girl Lyra, 10 mos old

Depth of Field/Focus Assignment

 

I'm playing catch up on flickr tonight so I hope this works for the dof assignment for Studio 26, it's been a crazy 2 weeks and I sincerely apologize for not participating in the discussions this assignment.

ƒ/2.8 145.0mm 1/125 ISO 400

-Mission Statement: 0978:- Our most recent assignment brought us to the planet of Talus. -Log on Talus-

Master, for we have no other name for him, claimed that our next target was to be found in the south-western hemepshere of the planet. -Coordinates 06:45:13-

When we arrived it was to no suprise that are target was located in some old ruins. Through an extensive and wasteful search, we could not find our target. Through interrogation of the locals, as protocol, we learned it's location. 451 infiltrated the hide out of the tomb raiders who obtained it. All were disposed of and the target was taken.

 

-Result-

-Relic Obtained

-Witness' Terminated

-Outpost Destroyed

 

Gallery Coming soon...

Assignment - Budapest, by Edward S. Aarons

Fawcett Gold Medal T2479, early '70s reprint

Cover art by Robert McGinnis

 

#5 in the Sam Durell "Assignment" series

 

For the final assignment for my film photography class.

 

Concept:

 

This is the antithesis of the Ansel Adams type, quintessential landscape photo.

 

Instead of being perfect and crisp and accurate... instead of using extremely precise exposure with well-defined accuracy using the zone system and other techniques... this photo is everything that those things are not.

 

This photograph was shot on 35mm in a 120N Holga. However, while that type of photography yields imperfections and "happy accidents", there is still an amount of precision and technique that goes into shooting this way. Because, of course, while you're playing a sort of guessing game, you certainly can't just go into it blindly - it won't work that way. You have to make extremely educated decisions on exposure, perhaps moreso than you do with the zone system and such techniques, because you are, in essence, shooting in the dark.

 

This is something that I have been working on a lot during the past month or so - and I feel it is developing into somewhat of a personal language. This lo-fi, imperfect, accidental experimentation with photography is wonderful - I have fallen very much in love with it. I gave up my other idea - to revisit the self-portrait - for this. Alternative landscape, at its best. :o)

  

Process (thought I would add this in case anyone was curious):

 

35mm Kodak 125PX black and white film in a 120N Holga. It's really easy, and doesn't really require any extra manipulation to the Holga.... you just have to tape up the window really well, using a few pieces of cardboard and loads of tape. Tape alone will not work - you'll get light leaks.

 

You should wind about 28-30 clicks between frames - you can do less or more depending. It will yield you about 16 shots. Once you're done with the roll, you have to leave it in the Holga and take it out in a darkroom. In the darkroom, you can unwind it from the spool that was in the Holga and wind it back into the cannister, and then process it yourself, or take it somewhere.

 

To print this, you need a glass plate in the enlarger, in place of a negative carrier. Using a negative carrier won't show the sprocket holes. When you print it, it will always be just a little shorter than your paper, if you print for the entire length.

 

For these images, I printed on glossy fiber paper, and then sepia toned them. You need bleach and sepia toner to do this. This also brings out the numbers, I found. In black and white, it was somewhat difficult to see the numbers.

assignment for a commercial photography class im in.

 

1 sb800 behind ball

1 sb800 camera left

 

triggered with Nikon SU-800 wireless speedlight commander unit

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