View allAll Photos Tagged as_archive
Reel-to-reel machine + Magnetic tape 7 ½ ips, 4-Track Stereo, Double album, K3002, Polydor, 1971.
Below is a quote from Wikipedia:
"...Back to the Roots is a 1971 double album by John Mayall released on Polydor. Recording sessions took place both in California and London where Mayall invited some former members of his band, notably guitarists Eric Clapton and Mick Taylor.
At the end of the 1980s Mayall remixed some tracks and issued them along with some of the older material as Archives to Eighties. An expanded two-CD version of Back to the Roots now includes both the original and later remixed versions of the tracks..."
Very old photo film Svema "Foto-65"
Pentax 67
Smc Macro Pentax 135/4
Autumn 2022
The Kogge is a reconstructed ship in Kampen. It was reconstructed from a wreck that was found not too far from Kampen in the Flevopolder. It dated from 1336. They used the information from this wreckage as well as archival research to reconstruct this ship as authentically as possible. This was completed in 1998. It is usually moored at the Kogge wharf in Kampen at the river Ijssel. (photo taken by my brother)
The National Archives Building, known informally as Archives I, is the original headquarters of the National Archives and Records Administration. It is located north of the National Mall at 700 Pennsylvania Avenue, Northwest, Washington, D.C.. The Rotunda entrance is on Constitution Avenue, while the research entrance is on Pennsylvania Avenue
This image captured at Grand Mesa Observatory over many nights in the fall of 2023 highlights a very faint area of H II region (region of interstellar atomic hydrogen that is ionized) in the constellation Cygnus. This object is commonly referred to as the Dragon Nebula or SH2-114 in the Sharpless Catalog of objects. For sure there is a resemblance of a dragon in the central part where one seems to be in flight, there is also what looks like a serpentine dragon just below the one in flight. There are a lot of interesting contours and features in this area, try zooming in to see the more delicate structures. This represents 20 hours and 50 minutes of Hydrogen Alpha data and 9 hours of RGB data.
H II Region info: en.wikipedia.org/wiki/H_II_region
This object was captured using system 1 at Grand Mesa Observatory which is available for subscriptions for data sets as well as archived data sets for purchase. More info about this can be found here:
grandmesaobservatory.com/equipment-rentals
Grand Mesa Observatory also has 3 available piers for rental, if you are interested check out more info here: grandmesaobservatory.com/telescope-hosting
Technical info:
Image captured and processed by Kim Quick and Tom Masterson
Location: Grand Mesa Observatory, Whitewater, CO. www.grandmesaobservatory.com
RGB: 9hrs
Ha: 20hrs 50min
Camera: QHY600m
Filters: Chroma RGB Ha
Optics: Takahashi FSQ 130 APO Refractor @ F5
EQ Mount: Paramount ME
Image Acquisition Software: N.I.N.A.
Image processing in PixInsight and Photoshop CC
Living off the memories of my favourite dress from last Wednesday. I suppose that classifies as archive material now…
Tokyo's Kabukicho district, December 29, 2005
Fuji Neopan Presto 400 film, shot at 1600, developed in Fuji Prodol, 11 minutes at 17 degrees Celcius.
Camera was a Nikon F with a 45mm F1:2.8P Nikkor lens.
Metering was with a Minolta handheld incident meter, or by guess.
These will be available as archival prints.
Tokyo's Kabukicho district, December 29, 2005
Fuji Neopan Presto 400 film, shot at 1600, developed in Fuji Prodol, 11 minutes at 17 degrees Celcius.
Camera was a Nikon F with a 45mm F1:2.8P Nikkor lens.
Metering was with a Minolta handheld incident meter, or by guess.
These will be available as archival prints.
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1XUP9DW
-------------
Fantasy I (国営ひたち海浜公園 2016.4.16撮影) #leica #summilux #ボケの極み乙女_部 #heart_imprint #TV_Living #igglobalmacro #team_jp_ #amazingphotohunter #shotwithlove_ #igersjp #ig_japan #foto_naturel #macroworld_tr #Airy_pics #はなまっぷ #ザ花部 #icu_japan #bokeh_kings #wp_flower #as_archive #東京カメラ部 #face_of_the_earth #exclusive_flower #simpley_perfection #tv_depthoffield #nature_special_ #写真好きな人と繋がりたい #ファインダー越しの私の世界
by @fs.kz on Instagram.
Swedish Cemetery northeast of the location of the former railway hamlet known as Archive.
Rural Municipality of Baildon.
Province of Saskatchewan in March 2023.
#mediumformat #kodakportra #kodakfilm #ishootkodakfilm #staybrokeshootfilm #shootfilmonmondays #thefilmcommunity #filmphotographic #filmfeed #istillshootfilm #analoguepeople #analogfeatures #sharefilm #filmhabits #repostfilms #letthekidsfilm #childhoodeveryday #childhoodreplayed #childhoodunplugged #documentyourdays #ourcandidlife #フィルムに恋してる #フィルム写真 #フィルム #film_jp #pics_jp #indies_gram #reco_ig #as_archive #rolleiflex #6x6 #120film #zeissplanar #planar80mm
Swedish Cemetery northeast of the location of the former railway hamlet known as Archive.
Rural Municipality of Baildon.
Province of Saskatchewan in March 2023.
Tokyo's Kabukicho district, December 29, 2005
Fuji Neopan Presto 400 film, shot at 1600, developed in Fuji Prodol, 11 minutes at 17 degrees Celcius.
Camera was a Nikon F with a 45mm F1:2.8P Nikkor lens.
Metering was with a Minolta handheld incident meter, or by guess.
These will be available as archival prints.
Taken with an iPhone in India last year. I am happy there is such thing as archives because this summer was a killer for photography. I mean photography killer. So darn hot...going out with the camera, other than to the museum, was not an option. Which is a good excuse to set free some of the old, trapped in the archives, shots. Like this one.
All my current shots are about six months old. Perhaps regarded as archive shots but I am always behind the times or I would never get away from flickr. I can't find a name on this rather fascinating craft that was moored in the Brisbane River between the Botanic Gardens on the city side and Kangaroo Point cliffs on the other. Whoever she is, there is a sleek mermaid on her bow and plenty of solar panels, so that's who she be to me! Solar Mermaid.
The backside of the Warner Mountains marks the beginning of the desert in the northeastern corner of California in Modoc County. A series of three alkali lakes dot the floor of Surprise Valley. Often dry by the end of summer, the earlier month will find them full of brackish water.
I had spent a day hiking in the Warners one summer when the sky was drab with haze from forest fires to the west. The light was mediocre at best. But as the sun sank, the sky went from gray to mauve to this pinkish purple. Windlines on the lake disturbed the reflective surface and the brilliant sky color was reflected in a ring around Upper Alkali lake that finally gave me something to take the camera back out and get excited about.
••••••••••••••••••••••
Prints of all my photos available as archival fine art pigment prints in multiple sizes at ZenFolio, or by contacting me at The LightRoom. Please visit the LightRoom for your own printing needs. Mention finding us on Flickr and take 10% off your first order!
••••••••••••••••••••••
Artist Augustus Saint-Gaudens
Date 1911
Dimensions Figure 240cm, pillar 900cm
Materials Figure: Bronze
Pillar: Ashlar granite
Commission Paid for by public
subscription
Sackville Street was also to be the location for one of the last sculptural
initiatives in the city before independence when, in 1899, the foundation stone
was laid for a monument dedicated to Charles Stewart Parnell (1846-1891).
On 3 January 1882 a resolution was passed by Dublin City Council to grant the
freedom of the city to Parnell. Later that year, on 15 August 1882 Parnell
arrived at the unveiling ceremony for the O’Connell Monument accompanying
the archbishop in his ceremonial carriage. A scene which would seem unlikely
as subsequent events in Parnell’s personal life unfolded.
The plan for the Parnell monument was instigated by John Redmond (who
succeeded Parnell as leader of the Irish Parliamentary Party) partly as a
symbolic gesture to honour the ‘uncrowned king of Ireland’ and to consolidate
his aspiration to reunite the constitutionalists under his own leadership. The
monument would be funded through the efforts of a voluntary body, the Parnell
Committee founded in 1898. The committee was chaired by Lord Mayor Daniel
Tallon, other members were Count Plunkett, Dr. J.E. Kenny, John Redmond,
MP, Thomas Baker (manager of the Irish Independent) and the Hon. Edward
Archive Consultants O’Connell Street Monument Report – Nov 2003 17
Blake, MP20. The address of the committee was 39 Upper Sackville Street
where the offices of the United Irish League were recorded. It was first
proposed to place the monument on the site of the Thomas Moore statue,
which they offered to remove elsewhere at their own expense.21 The City
Council refused to grant this site however and directed that the monument be
erected on a site near the Rotunda Hospital,22 where it now stands in answer
the O’Connell statue at the south end and terminates the parade of nationalist
statues on the primary thoroughfare of the capital.
Owing to the split in the party over the O’Shea case, the ceremony for the
laying of the foundation stone on 8 October 189923, was marred by a
conspicuous absence of most of the I.P.P., city and county magistrates, as
well as Roman Catholic bishops and clergy, proceedings were also marred by
heckling from extreme nationalists against Redmond’s weak plea for unity24.
Financial support was going to be hard come by in Ireland and Redmond was
forced to tour America with a representative of the Parnell monument
committee to raise funds.
Augustus Saint-Gaudens25, an Irish-born sculptor and the most eminent in the
art of public monuments in the United States, accepted the commission. It was
however to prove a protracted project. The demand for Saint-Gaudens’ work in
America was such that completion of the Parnell project would be fraught with
delays. At around the same time he was working on the equestrian statue of
General Sherman (1903, New York).
Archive Consultants O’Connell Street Monument Report – Nov 2003 18
For the Parnell monument, he made a scale replica of the buildings and
square in Dublin and also a full scale model of the monument in wood in a field
near his studio26. In 1904 there was a disastrous fire in his studio and only the
head of the statue was saved. He appears to have been bitten by the
nationalist zeal and is quoted as saying ‘More than all the rest of my losses in
the fire I regret, as an Irishman, the loss of the Parnell statue.’27 SaintGaudens planned a monument which would integrate sculpture and
architecture. The original concept of a bronze figure of about 8 feet high placed
by a bronze table was to be set against a 30 foot pyramid. As this form was
already utilised in the Wellington monument obelisk, Saint-Gaudens and the
architect Henry Bacon proposed a triangular shaft almost double the height of
the original. Saint-Gaudens developed a detailed picture of Parnell from
photographs, cartoons and accounts of his habits, the clothes he wore and his
demeanour. He indicated to Redmond that the entire monument should be ‘as
simple, impressive and austere as possible, in keeping with the character of
the Irish cause as well as of Parnell.’
He finally presented Parnell in what he considered a noble and calm manner,
depicted in an open frock coat, with one hand resting on a table and the other
extended dramatically as if making a point at a parliamentary debate. In an
incongruous gesture to the neo-classical programme of decoration on the
nearby Rotunda, the base of the monument is decorated in swags and
bucrania, resulting in an odd proximity of ox-sculls to Parnell’s feet.
The shaft of the monument is constructed in undecorated ashlar granite. The
stone was described in an article in The Irish Architect and Craftsman as
Archive Consultants O’Connell Street Monument Report – Nov 2003 19
Shantalla granite from Galway with an “inlaid trefoil of Barna granite embracing
the base and pedestal”.28 The names of the thirty-two counties and provinces
on bronze plaques around the base were part of an earlier scheme for the
four-sided pyramid, representing the four provinces and were retained for the
revised triangular shaft.
There is a stark contrast between the presentation of Parnell and O’Connell,
the former does not symbolically rise above political structures, but tries to find
a new form of expression, accessible to the people in the location of the figure.
Redmond chose a passage from one of the more extreme Parnell speeches
for the inscription, ‘…no man has the right to say to his country, “thus far shalt
thou go and no further” and we have never attempted to fix the ne plus ultra to
the progress of Ireland’s nationhood, and we never shall’.
On 1 October 191129, the monument was unveiled to large crowds, many of
whom had been absent from the foundation stone ceremony, but there were
also strikes and marches indicating the unrest to follow.
In June 1913, John Redmond, as Secretary to the Parnell Monument
Committee, wrote to the City Council requesting the council to take the
Monument into their charge, ‘….on behalf of the Citizens of Dublin….’30 The
Council agreed to this request and since then, the Parnell Monument has been
in the care of the Corporation of Dublin.
Archive Consultants O’Connell Street Monument Report – Nov 2003 20
The inscription on the monument reads:
To Charles Stewart Parnell
No Man has a right to fix the
Boundary to the march of a nation
No man has a right
To say to his country
Thus far shat thou
Go and no further
We have never
Attempted to fix
The ne-plus-ultra
To the progress of
Ireland’s nationhood
And we never shall
At the base of the statue the Irish inscription reads:
Go roimhigid Dia
Éire da Clainn
In the backgroiund is St George's Church, Charlotte Square, Edinburgh, built 1814 (now West Register House)
St George's Church, on the west side of Charlotte Square, was begun in 1811, with Robert Reid adapting Adam's design from 1791. The original estimate of £18,000 rose to over £23,600 by the time the church was opened in 1814. Severe structural defects, caused by the use of wood and stone underneath the dome, led to its closure in the 1960s when it was taken over by the Ministry of Public Building and Works and converted for use as archives (now part of the National Records of Scotland).
Artist Augustus Saint-Gaudens
Date 1911
Dimensions Figure 240cm, pillar 900cm
Materials Figure: Bronze
Pillar: Ashlar granite
Commission Paid for by public
subscription
Sackville Street was also to be the location for one of the last sculptural
initiatives in the city before independence when, in 1899, the foundation stone
was laid for a monument dedicated to Charles Stewart Parnell (1846-1891).
On 3 January 1882 a resolution was passed by Dublin City Council to grant the
freedom of the city to Parnell. Later that year, on 15 August 1882 Parnell
arrived at the unveiling ceremony for the O’Connell Monument accompanying
the archbishop in his ceremonial carriage. A scene which would seem unlikely
as subsequent events in Parnell’s personal life unfolded.
The plan for the Parnell monument was instigated by John Redmond (who
succeeded Parnell as leader of the Irish Parliamentary Party) partly as a
symbolic gesture to honour the ‘uncrowned king of Ireland’ and to consolidate
his aspiration to reunite the constitutionalists under his own leadership. The
monument would be funded through the efforts of a voluntary body, the Parnell
Committee founded in 1898. The committee was chaired by Lord Mayor Daniel
Tallon, other members were Count Plunkett, Dr. J.E. Kenny, John Redmond,
MP, Thomas Baker (manager of the Irish Independent) and the Hon. Edward
Archive Consultants O’Connell Street Monument Report – Nov 2003 17
Blake, MP20. The address of the committee was 39 Upper Sackville Street
where the offices of the United Irish League were recorded. It was first
proposed to place the monument on the site of the Thomas Moore statue,
which they offered to remove elsewhere at their own expense.21 The City
Council refused to grant this site however and directed that the monument be
erected on a site near the Rotunda Hospital,22 where it now stands in answer
the O’Connell statue at the south end and terminates the parade of nationalist
statues on the primary thoroughfare of the capital.
Owing to the split in the party over the O’Shea case, the ceremony for the
laying of the foundation stone on 8 October 189923, was marred by a
conspicuous absence of most of the I.P.P., city and county magistrates, as
well as Roman Catholic bishops and clergy, proceedings were also marred by
heckling from extreme nationalists against Redmond’s weak plea for unity24.
Financial support was going to be hard come by in Ireland and Redmond was
forced to tour America with a representative of the Parnell monument
committee to raise funds.
Augustus Saint-Gaudens25, an Irish-born sculptor and the most eminent in the
art of public monuments in the United States, accepted the commission. It was
however to prove a protracted project. The demand for Saint-Gaudens’ work in
America was such that completion of the Parnell project would be fraught with
delays. At around the same time he was working on the equestrian statue of
General Sherman (1903, New York).
Archive Consultants O’Connell Street Monument Report – Nov 2003 18
For the Parnell monument, he made a scale replica of the buildings and
square in Dublin and also a full scale model of the monument in wood in a field
near his studio26. In 1904 there was a disastrous fire in his studio and only the
head of the statue was saved. He appears to have been bitten by the
nationalist zeal and is quoted as saying ‘More than all the rest of my losses in
the fire I regret, as an Irishman, the loss of the Parnell statue.’27 SaintGaudens planned a monument which would integrate sculpture and
architecture. The original concept of a bronze figure of about 8 feet high placed
by a bronze table was to be set against a 30 foot pyramid. As this form was
already utilised in the Wellington monument obelisk, Saint-Gaudens and the
architect Henry Bacon proposed a triangular shaft almost double the height of
the original. Saint-Gaudens developed a detailed picture of Parnell from
photographs, cartoons and accounts of his habits, the clothes he wore and his
demeanour. He indicated to Redmond that the entire monument should be ‘as
simple, impressive and austere as possible, in keeping with the character of
the Irish cause as well as of Parnell.’
He finally presented Parnell in what he considered a noble and calm manner,
depicted in an open frock coat, with one hand resting on a table and the other
extended dramatically as if making a point at a parliamentary debate. In an
incongruous gesture to the neo-classical programme of decoration on the
nearby Rotunda, the base of the monument is decorated in swags and
bucrania, resulting in an odd proximity of ox-sculls to Parnell’s feet.
The shaft of the monument is constructed in undecorated ashlar granite. The
stone was described in an article in The Irish Architect and Craftsman as
Archive Consultants O’Connell Street Monument Report – Nov 2003 19
Shantalla granite from Galway with an “inlaid trefoil of Barna granite embracing
the base and pedestal”.28 The names of the thirty-two counties and provinces
on bronze plaques around the base were part of an earlier scheme for the
four-sided pyramid, representing the four provinces and were retained for the
revised triangular shaft.
There is a stark contrast between the presentation of Parnell and O’Connell,
the former does not symbolically rise above political structures, but tries to find
a new form of expression, accessible to the people in the location of the figure.
Redmond chose a passage from one of the more extreme Parnell speeches
for the inscription, ‘…no man has the right to say to his country, “thus far shalt
thou go and no further” and we have never attempted to fix the ne plus ultra to
the progress of Ireland’s nationhood, and we never shall’.
On 1 October 191129, the monument was unveiled to large crowds, many of
whom had been absent from the foundation stone ceremony, but there were
also strikes and marches indicating the unrest to follow.
In June 1913, John Redmond, as Secretary to the Parnell Monument
Committee, wrote to the City Council requesting the council to take the
Monument into their charge, ‘….on behalf of the Citizens of Dublin….’30 The
Council agreed to this request and since then, the Parnell Monument has been
in the care of the Corporation of Dublin.
Archive Consultants O’Connell Street Monument Report – Nov 2003 20
The inscription on the monument reads:
To Charles Stewart Parnell
No Man has a right to fix the
Boundary to the march of a nation
No man has a right
To say to his country
Thus far shat thou
Go and no further
We have never
Attempted to fix
The ne-plus-ultra
To the progress of
Ireland’s nationhood
And we never shall
At the base of the statue the Irish inscription reads:
Go roimhigid Dia
Éire da Clainn
The Joseph F. Smith Family Living Center was completed in 1957, the largest building on BYU’s campus at the time at 94,000 square feet and with 244 rooms. The Living Center was built to help BYU become a “leader in the field of family relations.” In the groundbreaking ceremony, architect Fred Markham said, “No other college or structure of this kind is known in a university today. Its concept lies in the LDS philosophy which recognizes the home and family as the heart of our earth life experience.”
=====Description Information=====
Postcard title: Joseph F. Smith Family Living Center, 1957, BYU, Utah.
Publisher: Colourpicture Publishers, Inc., was a greeting card and postcard printer and distributor in Boston, Massachusetts, on Newbury Street with a factory at 76a Atherton Street. The firm was in business between 1938 and 1969 and produced linen view cards (a linen postcard was made of textured paper of high rag content rather than actual cloth). The company used a trademark, Plastichrome, in the 1950s.
Date published: Circa 1957.
Printed text: Joseph F. Smith Family Living Center. Brigham Young University, Provo, Utah. Named in honor of the sixth president of the [LDS] Church. The building was designed for the promotion of wise and gracious family life as fostered by the church and for professional training in home sciences. It will house the department of sociology, psychology, the entire school of nursing, and the entire college of family living with its six departments.
P74317
Color by Larry Rutherford.
Distributed by Geo. Mc Co., Box 7146, Murray, Utah 84107.
Plastichrome by Colourpicture, Boston, Mass 02130.
Postcard period: Photochrome, 1945-Present.
Location found: Online-Ebay.
Date found: December 20, 2020.
Price paid: $0.12.
Dimension: 3 1/2 x 5 /12 in.
Notes: All scans are uploaded as archival quality at 600 dpi with lossless file type, .tiff.
Sources:
Patterson, Allie. "The Joseph F. Smith Family Living Center." Intermountain Histories, www.intermountainhistories.org/items/show/374. Accessed January 7, 2021.
Oaks, Dumbarton. "Colourpicture Publishers, Inc." www.doaks.org/research/library-archives/dumbarton-oaks-ar.... Accessed January 5, 2021..
British Airways continues to transition itself with fleets of new planes entering service with 747's and 767's bowing out of traffic, however its time for some changes to take place on this photostream from here on in...
Because of changing interests, commercial and general aviation will be the main fixture on here from now on, its not to say I won't be leaving buses and trains, but they won't be featured as much anymore... They will still appear (such as archives, latest news, some odd workings if notable) but not as much as they use to, taking a backseat. A bold move but hopefully better in the long-term.
So, buses and trains are not going to be featured as much anymore, if not at all...
Boeing 777-236ER G-YMMP on finals at London Heathrow (LHR) on BA168 from Shanghai-Pudong (PVG).
Photo taken July 2016 and uploaded to Flickr September 2016.
Submitting as 'Archived' for Weekly Theme Challenge: High Contrast Black and White
Digital image taken with a Lumix GX1 - found and admired at Busch Stadium, St. Louis, Missouri, USA
Alright, i’ll explain how I ended up here, not that any of you asked, i just need to fill up space.
Anyways, my main intention for today was to get that park and ride enviro, which i did. Once I got that i then got the bus, which, being my stupid self, I didn’t check the route number. I was going to get off at station for another shot of the enviro.
The driver then went down Carr lane and then onto anlaby road, which i then released it was the 57......
And then there’s me not knowing where to get off, but i eventually released about the mural, so hessle road was my stop. I got a few usable shots, which i’ll probably upload as archives.
Anyways, after this was took I then took the bus to station, then the depot which was well... useless, as all the photos i got where buses i’ve already got, and flickr spam isn’t good for both the author and the reader.
Anyways, that’s my day I guess. The 20 to Priory park, in march due to covid, was cut from every 15 minutes to every hour. Due to this, throughout lockdown only a sole E200 MMC was required to do its runs for key workers. And here we are in August, still every hour. God, there must be low/no demand for it except for the workers at Priory park. Isn’t the 20 no longer council funded now? As always, if you have information to add on, please comment below.
"Researchers are looking for that hidden gem, that precious nugget of information. More than 50 individual photographs were overlaid to create this image of the Richard Burton Archives as a treasure trove filled with gems of ideas and information to be mined, polished and presented to the world.
The image challenges stereotypes of archives as dusty, inaccessible places. Our state of the art facilities, preserving unique collections, are highlighted with jewel coloured illumination; just as archives throw light on the past.
Archive staff map out the collections through catalogues, helping in the hunt for research riches. This could be about mining accidents in the South Wales Coalfield, copper smelting for global trade, or the purchase of diamonds in ‘The Richard Burton Diaries’. Our collections have multi-disciplinary potential and we work with researchers to ensure that these priceless items can add to the wealth of knowledge."
_______________
"Mae ymchwilwyr yn chwilio am drysor cudd, y darn bach gwerthfawr hwnnw o wybodaeth. Cafodd dros 50 o ffotograffau unigol eu troslunio i greu’r ddelwedd hon o Archifau Richard Burton fel trysorfa sy’n llawn perlau o syniadau a gwybodaeth i bori drwyddynt, eu gwarchod, eu gloywi a’u cyflwyno i’r byd.
Mae’r ddelwedd yn herio’r stereoteip o archifau fel lleoedd llychlyd ac anhygyrch. Mae ein cyfleusterau o’r radd flaenaf sy’n diogelu casgliadau unigryw, wedi eu goleuo gan olau lliw gemau; yn union fel y mae archifau yn taflu golau ar y gorffennol.
Mae staff yr archif yn mapio’r casgliadau drwy gatalogau, gan helpu yn yr helfa am drysor ymchwil. Gallai hyn ymwneud â damweiniau mwyngloddio ym Maes Glo De Cymru, smeltio copr ar gyfer masnach fyd-eang neu brynu diemwntau yn ‘Nyddiaduron Richard Burton’. Mae gan ein casgliadau botensial amlddisgyblaethol ac rydym yn cydweithio ag ymchwilwyr i sicrhau bod yr eitemau amhrisiadwy hyn yn gallu cyfrannu at y cyfoeth o wybodaeth."
This is a LEGO model of the entrance to the Kings Valley tomb 35 or KV35 which was discovered by Victor Loret in 1898. The tomb contained the mummy of 18th Dynasty pharaoh Amenhotep II still in his original sarcophagus and a cache of more than 12 other mummies that had been placed there by ancient Egyptian priests after their own tombs had been robbed.
Beneath this entrance is a model of the complete tomb, passageways, well shaft, burial chamber and all.
Its a bit of a change from my usual buildings of Detroit stuff but I needed a break. I made up a somewhat dramatized version of the tomb discovery story in comics style and posted it on www.mocpages.com/moc.php/149039 in case you want to take a look.
EDIT: mocpages is gone (except as archived by the wayback maching - web.archive.org/)
=====Description Information=====
Postcard title: Old Heritage Halls, BYU, Utah-Back.
Publisher: Geo Mc Co., Murray, Utah, USA.
Date published: Circa 1960.
Printed text: Heritage Halls, Brigham Young University, Provo, Utah. The memories of 16 prominent LDS women were perpetuated when BYU named the Heritage Halls. They will house nearly 1000 women students.
The buildings are unique in that they each have 10 apartments in which the girls live as a family of companions rather than with single roommates.
Published by Geo. Mc Co., Box 7146, Murray Utah.
Color by Larry Rutherford
5447-C
Dexter Press Inc. founder Thomas A. Dexter began printing postcards in 1934 in New York and New Jersey. The collection, donated by Tommie Dexter Reardon, daughter of the founder of the company, includes job printing files; black and white, linen finish, and chrome postcards; and a box of black and white photographs used to make the black and white postcards. A later addition includes photographs and negatives, postcard samples, framed photographs, 3-D postcards, and other assorted postcards. Rounding out the collection are photographs of the interior and exterior of the Dexter Press offices, and a scrapbook with articles, photographs, and brochures from the 1920s to the 1990s.
The business records of Dexter Press are held at The Newberry Library as part of the Curt Teich Postcard Archives Collection, Chicago, Ill, USA.
Postmarked: unpostmarked.
Stamp: unused.
Postcard period: Photochrome, 1945-Present.
Location found: Online-Ebay.
Date found: December 20, 2020.
Price paid: $0.12.
Dimension: 3 1/2 x 5 /12 in.
Notes: All scans are uploaded as archival quality at 600 dpi with lossless file type, .tiff.
Sources:
"Dexter Press Inc. Records, 1934-Approximately 1992." The Newberry, Identifier: Modern.MS.Dexter, mms.newberry.org/xml/xml_files/Dexter.xml. Accessed January 5, 2021.
Coates, Katherine. "Lat Building in Old BYU's Heritage Halls Demolished." The Daily Universe, 2 Feb, 2014, universe.byu.edu/2014/02/02/construction-moves-forward-at.... Accessed January 7, 2021.
Franzen, Josh. "Heritage Halls." Intermountain Histories, 23 Aug, 2019,
www.intermountainhistories.org/items/show/148. Accessed January 7, 2021.
Dipping into the Archives.
Not all that far back but significant enough to be classed as **archivical** If that is even a word! *lol*.
.. If not, Then it is Now... .Ha!.
Don't you just adore the feeling of sitting cross legged on a barstool dressed in really nice attractive clothing in a nice upbeat respectable place?
The credibility factor goes into high gear in my head at that point and when I realize that I am ok I feel the good vibes all the way down to my toes... .
Oh and by the way. If you are someone who loves to wear form fitting dresses and sexy shoes and go out and do your thing then think about this. , Blondes don't have any more fun than anyone else because for me it's more about the clothes, like Stockings, Slips and Panties and of course the always essential sexy shoes. **Wink**.
Thanks for stopping by and if you liked this piccy a lot then please say so. It's not that difficult to come up with something to say and takes almost no time at all to write those thoughts down below the picture.
Thanks for following me, I really appreciate it and to hear from someone of the same mindset is always a thrill too.
Come see the show at the best of the Old Vegas Strip! Lido De Paris gives its best show of a lifetime, only at the Stardust Hotel and Golf Club.
====Description Information=====
Postcard title: Lido de Paris, Stardust Hotel, Las Vegas, NV.
Publisher: Colourpicture Publishers, Inc., was a greeting card and postcard printer and distributor in Boston, Massachusetts, on Newbury Street with a factory at 76a Atherton Street. The firm was in business between 1938 and 1969 and produced linen view cards (a linen postcard was made of textured paper of high rag content rather than actual cloth). The company used a trademark, Plastichrome, in the 1950s.
Date published: Circa 1965.
Postcard period: Photochrom, 1945-Present.
Location found: Online-Ebay.
Date found: December 20, 2020.
Price paid: $0.12
Dimension: 3 1/2 x 5 1/2 in.
Notes: All scans are uploaded as archival quality at 600 dpi with lossless file type, .tiff.
Sources:
Oaks, Dumbarton. "Colourpicture Publishers, Inc." www.doaks.org/research/library-archives/dumbarton-oaks-ar.... Accessed January 5, 2021.
"Stardust Resort and Casino." Wikipedia, en.wikipedia.org/wiki/Stardust_Resort_and_Casino. Access January 5, 2021.
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=====Description Information=====
Postcard title: East Broadway, Butte, Montana.
Publisher: Published by Ellis Post Card Co., Arlington, Washington.
Date published: Circa 1950.
Postcard period: Photochrom, 1945-Present.
Location found: Online-Ebay.
Date found: December 20, 2020.
Price paid: $0.12
Dimension: 3 1/2 x 5 1/2
Notes: All scans are uploaded as archival quality at 600 dpi with lossless file type, .tiff.
Monroe, GA (Walton County). Copyright 2007 D. Nelson
Walton Monroe Mills, Inc. was founded in 1895 by George Felker whose family had been established in Monroe County since 1820. Although he had to borrow most of the funds at high interest rates, the mill succeeded. In the early days, Felker employed only as many staff as absolutely necessary and ran the administrative office pretty much by himself. He wrote his letters in long hand and copied them (no such thing as cut-and-paste!) into the company books that served as archives. He inspected, weighed, classified, and purchased all the cotton for production and was his company's only salesman.
When his son, George Felker III, took over the company in 1962, the textile industry was undergoing major changes brought on by fierce foreign competition, tighter profit margins, and runaway technology. In 1964, a "Textile World" article warned mill owners to heed advancing trends or go out of business. George Felker III took the advice, streamlined his mill and carried it through the 1960s and 1970s.
In 1980, the third generation of Felkers took over the mills. G. Stephen Felker whose passion was with literature, Hemingway and Joyce in particular, unexpectedly became president of Walton Monroe. At first, sales began to drop, and Felker decided to take out a huge loan and upgrade his mill with state-of-the art equipment that not only addressed the current but also any future needs. This aggressive approach enabled the company to double its sales as well as weather the challenges several trade agreements (GATT, MFA, NAFTA) would bring. In 1984, Walton Monroe bought North Carolina's Dakotah Mills, and in 1986, Alabama's Avondale. The latter had been declining and was revived when Felker spent $ 40 million revamping it.
In 1993, Walton Monroe Mills Inc. employed 5,000 workers and averaged $ 500 million in sales per year. In January 2005, a train wreck near the Avondale Mill in Graniteville, SC killed eight people, six of whom were employed at Walton Monroe, and a $ 215 million settlement followed. Unable to recover from this setback, the company closed its Monroe headquarters and was sold off in 2006, leaving 4000 workers unemployed. At the time, it was run by the 4th generation, Stephen Felker Jr.
Today, the old mill district is in the process of being restored. The building on the left has already received new windows. The entire district encompasses 1200 acres and 236 buildings and has been added to the National Register of Historic Places in 1983.
Behind this structure runs Madison Street with its row of old mill houses, most of them in pretty good shape. To the left is a Paintball operation, strangely out of place and surely doomed as renovation concludes.
#mediumformat #staybrokeshootfilm #shootfilmonmondays #thefilmcommunity #filmphotographic #filmfeed #istillshootfilm #analoguepeople #analogfeatures #sharefilm #120film #filmhabits #repostfilms #6x45 #フィルムに恋してる #フィルム写真 #フィルム #film_jp #pics_jp #indies_gram #reco_ig #as_archive #fuji160ns #zeissplanar #planar80mm #portrait_mood #analoguevibes #theanalogclub
Riksarkivets egen fotograf, Odd Amundsen, har gravd i egen fortid for å hente frem ett av sine favorittbilder fra arkivet etter Ragge Strand/Per Alfsen Reklamefotografer A/S. Odd var selv med på å lage bildet.
"Jeg jobbet som assistent hos Ragge og Per etter skolen fra sommeren 1980 til våren 1982, og jeg tok svennebrevet mitt der høsten 1981.
Dette bildet ble laget for Rederiforbundet i 1981. Opplysningene er hentet fra en noe rusten hukommelse, så helt sikker er jeg ikke. Det som derimot er sikkert, er at bildet er laget på bestilling og i samarbeid med Lars Ellingsen fra reklamebyrået Jenssen og Borkenhagen. Lars kom med idéen og delbildene, som ble fotografert på nytt og kopiert i riktig størrelse i forhold til hverandre. Så ble bildene sendt videre til noen dyktige illustratører som satt dem sammen til en collage. Denne collagen ble gjort på en tid hvor Photoshops mirakler knapt var påtenkt. Så vi var vel fornøyd med resultatet, noe også oppdragsgiver var da bildet senere ble brukt i flere helsides avisannonser."
Bildet er fra arkivet Ragge Strand /Per Alfsen Reklamefotografer A/S
The National Archive’s own photographer, Odd Amundsen, has dug into his own past to find one of his favorite photos from the Ragge Strand/Per Alfsen Reklamefotografer AS’ archive. Odd himself contributed to the making of the photo.
”I worked as an assistant for Ragge and Per after school from the summer of 1980 until the spring of 1982, and I got my diploma there in the autumn of 1981.
This photo was made for the Norwegian Ship-owners’ Association in 1981. My memory is a little rusty, so I cannot be quite sure, but I do know for certain that the photo was made on request and in collaboration with Lars Ellingsen from the advertising agency ”Jenssen og Borkenhagen”. Lars came up with the idea and the frames, which were photographed once more and copied in the right size in relation to each other. Then the photos were sent to some good illustrators who put hem together in a collage. This collage was made at a time when the miracles of Photoshop were not even imagined. So we were very happy with the result, as were the clients, who used the photo in several full page ads.”
The Masonic Lodge was built at a cost of £1,300 in 1928
by Brother P.T. Penglase, a Lodge Member.
It was officially opened on the 11th September, 1929 and was used by the Melrose Freemasons. The building is now used as archives by the Melrose District History Society Inc.
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digital painting; all work shown here is available as archival ink giclee prints. Message me for more information.
#mediumformat #staybrokeshootfilm #shootfilmonmondays #thefilmcommunity #filmphotographic #filmfeed #istillshootfilm #analoguepeople #analogfeatures #sharefilm #120film #filmhabits #repostfilms #6x45 #フィルムに恋してる #フィルム写真 #フィルム #film_jp #pics_jp #indies_gram #reco_ig #as_archive #portra400 #kodakfilm #zeissplanar #planar80mm #portrait_mood #analoguevibes #theanalogclub
#mediumformat #staybrokeshootfilm #shootfilmonmondays #thefilmcommunity #filmphotographic #filmfeed #istillshootfilm #analoguepeople #analogfeatures #sharefilm #120film #filmhabits #repostfilms #6x45 #フィルムに恋してる #フィルム写真 #フィルム #film_jp #pics_jp #indies_gram #reco_ig #as_archive #portra400 #kodakfilm #zeissplanar #planar80mm #portrait_mood #analoguevibes #theanalogclub
The National Archives Building, known informally as Archives I, is the headquarters of the United States National Archives and Records Administration. It is located north of the National Mall at 700 Pennsylvania Avenue, N.W. in Washington, D.C. The rotunda entrance is on Constitution Avenue, and the research entrance is on Pennsylvania Avenue. A second larger facility, Archives II, also known as A2, is located in College Park, Maryland.
In December 2023, the National Archives Building was designated a National Historic Landmark. It was added to the National Register of Historic Places in 1971, and is a contributing property to the Pennsylvania Avenue National Historic Site.
Built: 1933–1935
ArchitectJohn Russell Pope
Architectural styleClassical Revival
Part of the Pennsylvania Avenue National Historic Site
NRHP reference No.71001004
Riffing from D'Arcy's idea and cleaner sketch, I tried mapping out the blog history of cogdogblog.com
April 19, 2003: CogDogBlog 1.0 launched on maricopa server jade.mcli.dist.maricopa.edu/alan using MovableType
April 26, 2005 Migrated blog to WordPress (1.5) leaving old one as archive and moving new one to jade.mcli.dist.maricopa.edu/cdb - Content was exported from MovableType (comments were not preserved) and imported into the new WordPress site. It sat for a while with a basic Kubrick Theme with a dog header ;-) The archive site (/alan) was re-templated to remove comments and to provide a redirect to the new WP version of same entry.
Jul 20, 2005 - with idea from Steve Dembo, registered cogdogblog.com domain, for now, forwarding to the maricopa server
Nov 11, 2005 - recast design using the current style, modified from the Headspace theme
Jan 5, 2006 - moved both blog and old archive from Maricopa server to one donated by Audree at audsplace.com. I had tons of image references and links to the old jade.mcli.dist.maricopa.edu site, and while I could set up redirects on the jade server, to make it cleaner, I did a database dump, search and replaced the old URLs with the current, and rebuilt the database.
Dec 14, 2006 Too much traffic killed the favor, moved everything again to current host at DreamHost
Behind the fountain that forms part of the United States Navy Memorial is the National Archives Building, known informally as Archives I. It is one of many buildings of imperial grandeur that comprise the Federal Triangle around Pennsylvania Avenue, Washington DC. The Classical Revival building was designed by John Russell Pope and was completed in 1935.
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1XUP9Um
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Snow Fields #leica #summilux #ボケの極み乙女_部 #heart_imprint #TV_Living #igglobalmacro #team_jp_ #amazingphotohunter #shotwithlove_ #igersjp #ig_japan #foto_naturel #macroworld_tr #Airy_pics #はなまっぷ #ザ花部 #icu_japan #bokeh_kings #wp_flower #as_archive #東京カメラ部 #face_of_the_earth #exclusive_flower #simpley_perfection #tv_depthoffield #nature_special_ #写真好きな人と繋がりたい #ファインダー越しの私の世界
by @fs.kz on Instagram.
=====Description Information=====
Postcard title: Main Street at Night.
Publisher: Bonneville News Co. (The Church of Jesus Christ of Latter-day Saints).
Date published: Circa 1965.
Postcard period: Photochrom, 1945-Present.
Location found: Online-Ebay.
Date found: February 1, 2019.
Price paid: $2.00
Dimension: 5, 1/2 in. x 3, 1/2 in.
Notes: All scans are uploaded as archival quality at 600 dpi with lossless file type, .tiff.
Source: bonneville.com/
=====Description Information=====
Postcard title: Joseph F. Smith Family Living Center, 1957, BYU, Utah-Back.
Publisher: Colourpicture Publishers, Inc., was a greeting card and postcard printer and distributor in Boston, Massachusetts, on Newbury Street with a factory at 76a Atherton Street. The firm was in business between 1938 and 1969 and produced linen view cards (a linen postcard was made of textured paper of high rag content rather than actual cloth). The company used a trademark, Plastichrome, in the 1950s.
Date published: Circa 1957.
Printed text: Joseph F. Smith Family Living Center. Brigham Young University, Provo, Utah. Named in honor of the sixth president of the [LDS] Church. The building was designed for the promotion of wise and gracious family life as fostered by the church and for professional training in home sciences. It will house the department of sociology, psychology, the entire school of nursing, and the entire college of family living with its six departments.
P74317
Color by Larry Rutherford.
Distributed by Geo. Mc Co., Box 7146, Murray, Utah 84107.
Plastichrome by Colourpicture, Boston, Mass 02130.
Postmarked: unpostmarked.
Stamp: unused.
Postcard period: Photochrome, 1945-Present.
Location found: Online-Ebay.
Date found: December 20, 2020.
Price paid: $0.12.
Dimension: 3 1/2 x 5 /12 in.
Notes: All scans are uploaded as archival quality at 600 dpi with lossless file type, .tiff.
Sources:
Patterson, Allie. "The Joseph F. Smith Family Living Center." Intermountain Histories, www.intermountainhistories.org/items/show/374. Accessed January 7, 2021.
Oaks, Dumbarton. "Colourpicture Publishers, Inc." www.doaks.org/research/library-archives/dumbarton-oaks-ar.... Accessed January 5, 2021..