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Close up of model and deconstructed leather jacket. Design, construction, and styling done by Anel Pinon
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/
Michael Sandle's work is a critique of the media, taking the logo of a well-known film company as its starting point. The strong-armed man hitting the gong in the logo is replaced by a helmeted androgynous figure swinging an axe to smash a television.
The church is 101 feet high [30.8m approx] (to the top of the lantern) while the cross rises a further 18 feet [5.5m approx]. The Cross on top of the lantern is the work of artist/metalsmith Alan Evans of Stroud in Gloucestershire and was placed in position during a special service on Good Friday 29 March 1991 that was attended by over one thousand people - Source: The Church of Christ the Cornerstone website.
The Cross weighs approximately 1.7 tonnes and if you use this link you'll see pictures of it around the time of installation (there's a brilliant one of workmen putting it in place). www.alanrobertevans.co.uk/mkthumbs.htm
City Church Cross, 1991. This simple cross can be viewed from 360º and consists of 8 blades wrapped together with steel. The artist reflects the ecumenical nature of the church - ‘the coming together of different denominations, the binding together of the elements whilst still retaining their individual identity. - Source: MK Arts Guide 2012.
Original Instagram post:
www.instagram.com/p/BW04KfAHQvG/?taken-by=around_and_abou...
Our annual Fall Arts Guide, hand-sewn with felt, fabric and googly eyes by the infamous Al Hoff and myself.
On April 8th, Nicholas Vincent, specialist in American Decorative Arts guided a small group in a private gallery tour of the American Period Rooms. Luncheon was followed on the stage in the Grace Rainey Rogers Auditorium.
On April 8th, Nicholas Vincent, specialist in American Decorative Arts guided a small group in a private gallery tour of the American Period Rooms. Luncheon was followed on the stage in the Grace Rainey Rogers Auditorium.
On April 8th, Nicholas Vincent, specialist in American Decorative Arts guided a small group in a private gallery tour of the American Period Rooms. Luncheon was followed on the stage in the Grace Rainey Rogers Auditorium.
On April 8th, Nicholas Vincent, specialist in American Decorative Arts guided a small group in a private gallery tour of the American Period Rooms. Luncheon was followed on the stage in the Grace Rainey Rogers Auditorium.
One of a series of bronzes focusing on the theme of flight. The artist, Philomena Davis, describes: 'they depict man's fantasy with flight and escapism, in particular, the sorts of escapist dreams that come to us in childhood and adolescence.'
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/
One of a series of bronzes focusing on the theme of flight. The artist, Philomena Davis, describes: 'they depict man's fantasy with flight and escapism, in particular, the sorts of escapist dreams that come to us in childhood and adolescence.'
They were sponsored by Look Magazine, a local arts guide.
I shot it from all sides so that it would be documented.
© John Sturdy Photographer 2009 - DO NOT DUPLICATE
www.chicagoreader.com/chicago/fall-arts-guide-2009-people...
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