View allAll Photos Tagged artnet
A photo a day for 15 years / 6000 images
It seems obscene to be talking about photography during a war but here goes anyway :
A couple of years before beeple sold his ‘the first 5000 days’ NFT via Christie’s I posted this image
It may not be worth $69 million
But it’s content is not the concerns of the late 2000s hipster irony- bro culture of cartoons, porno and the intersection of cartoons and porno
interesting how Christies edited out the racism, misogyny, homophobia, and schoolboy political analysis in its publicity
Are we morally bankrupt in both politics and art ?
Fedot Vasilevich Sychkov (1870-1958) - Réjouissances paysannes dans la neige
www.artnet.fr/artistes/fedot-vasilievich-sychkov/r%C3%A9j...
GRUPPI:
0 to 9 Faves (Post 1, Comment AND Fave 2) (READ THE RULES!)
10 AWARDS
10 AWARDS Level 2
10 Awards Top Level 3
10+ Favorites
AATV L04 - The Fabulous 4000s (P1 C3 Sweeper Active)
AATV L05 - The Fantastic 5000s (P1 C3 Sweeper Active)
AATV L06 - The Sexy 6000s (P1 C3 Sweeper Active)
AATV L07 - The Spectacular 7000s (P1 C3 Sweeper Active)
AATV L08 - The Egotistical 8000s (P1 C3 Sweeper Active)
AATV L09 - The Naughty 9000s (P1 C3 Sweeper Active)
AATV L10 - 10000 Plus (P1 C3 Sweeper Active)
AATV Bonus L 01 - 15000 Plus Views (P1 - C3)
AATV Bonus L 02 - 20000 Plus Views (P1 C3)
Administration Exquisite ( Level 1 )
Administration Exquisite ( Level 2 )
Administration Exquisite ( Level 3 )
Administration Exquisite ( Level 4 )
AFOTANDO Post 1 / Award 3
'Amazing Moments in Photography
Amazing Nature NOTHING MAN MADE IN ANY IMAGE
*Artist of the Year*~L2 ~ P1/-A5 ~ Invite Only
*Artist of the Year*~L3 Platinum Hall of Fame ~Invite Only
*Artist of the Year*~L4 Double Platinum~P1/A5
*Artist of the Year*~L5 The Diamond Award ~Invite Only
*Artist of the Year*~L6 Double Diamond ~Invite Only
*Artist of the Year*~L7 The Greatest Hits!! ~Invite Only
ArtNet@flickrworld-invited only
A Touch of Magic - P1 / C3
AWESOME CREATIVE 18 +
BEAUTIFUL LANDSCAPES Level #1 *Award 5* ..THANK YOU!! GRAZIE!
BEAUTIFUL LANDSCAPES Level #2 *Award 3* INVITE ONLY
"BEST PEOPLE'S CHOICE"POST1/AWARD 6 SWEEPER ACTIVE
Better Than Good - Level 1 (p1/a5)
Better Than Good - Level 2 (p1/a5)
Better Than Good - Level 3 (p1/a5)
Better Than Good - Level 4 (p1/a5)
Better Than Good - Level 5 (p1/a5)
BLACK - Level No. 6 (Post 1, Award 4)
Blinkagain P1 A3 (no children) challenge butterflies & moths
BLUE - Level No. 4 (Post 1, Award 4)
BROWN - Level No. 7 (Post 1, Award 4)
Build your rainbow L1 TRANSPARENT p1/a5
Build your rainbow L2 RED post 1 - award 5
Build your rainbow L3 ORANGE post 1 - award 5
Build your rainbow L4 YELLOW post 1 - award 5
Build your rainbow L5 GREEN post 1, award 5
Build your rainbow L6 LIGHT BLUE post 1 - award 5
Build your rainbow L7 DARK BLUE post 1 award 5
Creative Impulse L1 ~ P 1-A 4 SWEEPER ACTIVE - NEW Contest is op
CS BEAUTIFUL GROUP - P2/C4
...d'amore, di morte e di altre sciocchezze!
Digital Shooters Com 3 - SWEEPER
"Double Dragon Awards" Post 1 Comment 3 SWEEPER!!
Double Ring of Excellence - Invite Only (P1/A5)
DSLR Autofocus Level 1
DSLR Autofocus Level 2
DSLR Autofocus Level 3
DSLR Autofocus Level 4
DSLR Autofocus Level 5
DSLR Autofocus Level 6
DSLR Autofocus Level 7
DSLR Autofocus Hall of Fame
DSLR Autofocus Ultimate Achievement 10+ Awards
dreams I'll dream.. Admin invite only ~ P1/C3
Elite Ring of Excellence - Invite Only (P1/A5)
Excellent Shots Group - P1 & A3
Fine Gold
FIVE GOLD STARS Level 1 (P1-A4) ~~ Voting now: MINIMALISM
FLICKR Estrellas Postea 1 Premia 6·::Barredor (Pool Sweeper
Frame It! ~Level 01~ (P1/A5)
Frame It! ~Level 02~ (P1/A5)
Frame It! ~Level 03~ (P1/A5)
Frame It! ~Level 04~ (P1/A5)
Frame It! ~Level 05~ (P1/A5)
Frame It! ~Level 06~ (P1/A5)
Frame It! ~Level 07~ (P1/A5)
Frame It! ~Level 08~ (P1/A5)
Frame It! ~Level 09~ (P1/A5)
Give Me 5 - Award The Next 5 Pictures Immediately!
GREEN - Level No. 3 (Post 1, Award 4)
Groupe Charlie L1
Groupe Charlie L2
Groupe Charlie L3
Groupe Charlie L4
Groupe Charlie L5
Groupe Charlie L6
Groupe Charlie L7
Groupe Charlie L8
Groupe Charlie L9
Groupe Charlie L10
Groupe Charlie L11
Groupe Charlie 12 (Final Level) (No Group Limit)
Groupe Charlie Titanium (No Group Limit)
Second Chance Groupe Charlie Titanium (No Group Limit)
Groupe Charlie Titanium Gallery of Honor 15+ (No Group Limit)
H2O wonders - Admin Invited photos only
YELLOW - Level No. 2 (Post 1, Award 4)
L. 01 Remember That Moment ☆ Bronze (P1~A5)
L. 02 Remember That Moment ☆ Silver (P1~A5)
L. 03 Remember That Moment ☆ Gold (P1~A5)
L. 04 Remember That Moment ☆ Platinum (P1~A5)
L. 05 Remember That Moment ☆ Earth (P1~A5)
*LEVEL-1:Peace Awards* P1 / A 5 : QUALITY IMAGES ONLY
*LEVEL-2 :Platinum Peace Award* P 1 / A 5
*LEVEL-3 : WORLD Peace*HallofFame P 1 / A 5
*LEVEL-4 :GALLERY THE VERY BEST* P 1 / A 5
*LEVEL -5 :PEACEKEEPERS* P 1 / A 5
*LEVEL - 6 : PEACEMAKERS* P 1 / A 5
*LEVEL - 7 : GIVE "PEACE" A CHANCE* P 1 / A 5
*LEVEL - 8 : PEACE CHOICE : FINAL DESTINATION - P1/A3
Level 1-Photography for Recreation-No Human Photo-P1/A5
Level 2 Photography for Recreation Silver Award P1/A5
Level 3- Photography for Recreation - Gold - P1/A5
Level 4- Photography for Recreation - Emerald - P1/A5
Level 5-Photography for Recreation - Sapphire - P1/A5
Level 6- Photography for Recreation- Diamond - P1/A5
My Gear and Me #1 - (Post 1 - Award 5)
My Gear and Me #2 - Premium (P1A5 Only Invited Photos!)
My Gear and Me #3 - Bronze Selection (P1A5 Only Invited Photos!)
My Gear and Me #4 - Silver Selection (P1A5 Only Invited Photos!)
My Gear and Me #5 - Gold Selection (P1A5 Only Invited Photos!)
My Gear And Me #6 - Platinum Exclusive Selection (P1A5 Invited!)
My Gear And Me #7 - Diamond Elite Selection (Only Invited!)
Most Amazing Photos *¨¨* POST 1 AWARD 5 *¨¨* SWEEPER ON
*Music To My Eyes*~L1 w/7 Levels ~Active Sweeper ! ~ P1 A5 ~
Nature's Pot-of-Gold: Level 1 (p1/a3)
Nice As It Gets~Level 1* Post 1 Award 5 or BANNED
Nice As It Gets~Level 2 (Post 1 Award 5
Nice As It Gets~Level 3 (Post 1 Award 5
Nice As It Gets~Level 4 (Post 1 Award 5
Nice As It Gets~Level 5 (Post 1 Award 5
Nice As It Gets~Level 6 ( Post 1 Award 5
Nice As It Gets~Level 7 (Post 1 Award 5
Nice As It Gets~Level 8 All Stars (Post 1 Award 5
Paisajes de todo el Mundo
Ring of Excellence (Post 1/Award 5) - SWEEPER ACTIVE
RED - Level No. 1 (Post 1, Award 4)
Serendipity Photography Hamlet Level 1 (P1 A3)
Serendipity Photography Macbeth Level 2 (P1 A3)
Serendipity Photography Falstaff Level 3 (P1 A3)
Serendipity Photography Prince Hal Level 4 (P1 A3)
Serendipity Hall of Fame Final Level (P1 A3)
Silver - Level No. 8 (Post 1, Award 4)
*SOLIDARITY TO CHILE NOW* P1 C 3 comment is mandatory
Super~Six ☆ Stage #1 ☆ Bronze. Post 1, Award 5. (Sweeper)
Super~Six ☆ Stage #2 ☆ Silver. Post 1, Award 5. Invite Only
Super~Six ☆ Stage #3 ☆ Gold. Post 1, Award 5. Invite Only
Super~Six ☆ Stage #4 ☆ Art. Invite Only (P1/A5)
Super~Six ☆ Stage #5 ☆ Elite. Invite Only (P1/A5)
Super~Six ☆ Stage #6 ☆ Andromeda "50." Invite Only (P1/A5)
The Best Shot - Post1/Award5 (Not commenting = Ban)
►the best shots◄ Level 1 (Post 1 - Award 5)
►the best shots◄ Level 2 (P1 - A5)
►the best shots◄ Level 3 (P1 - A5)
THE LOOK level 1 RED
THE LOOK level 2 YELLOW
THE LOOK level 3 ORANGE
THE LOOK level 4 PURPLE
THE LOOK level 5 GREEN
THE LOOK level 6 BLUE
THE LOOK level 7 WHITE
THE LOOK level 8 GOLD
Timeless Moments Level 1/ Post 1 Award 5
Timeless Moments Level 2/ Post 1 Award 5
Timeless Moments Level 3/ Post 1 Award 5
Triple Ring of Excellence - Invite Only (P1/A5)
Viva la Vida! L1 (P1-A5) Contest Open.
Vivere con sclerosi multipla (SM) (P1/A2)
VPU L01 (P1 / A3)
VPU L02 (P1, A3)
VPU L03 (P1, A3)
VPU L04 (P1, A3)
VPU L06 (P1, A3)
VPU L07 (P1, A3)
VPU L08 (P1, A3)
VPU L09 (P1, A3)
WINNERS GALLERY Viva la Vida! (P1-A5) Only Invited Photos!
WHITE - Level No. 5 (Post 1, Award 4)
WOOF YOU-Lvl 1
*WOW*(P1, A3) Level 1 (SWEEPER ACTIVE)
*WOW*(P1, A3) Level 2 (Admin Invite Only)
*WOW*(P1, A3) Level 2 (Admin Invite Only)
Contrebalançant cet ensemble de traits sensuels - plutôt ouvertement sexuels -, le visage souriant de la jeune fille qui "s'offre", de la même façon que "s'offrent" au premier plan des mets (vin, fruits...) en harmonie avec le paysage : une anse sillonnée par deux voiles latines et leurs reflets respectifs. Le tableau - une huile sur carton -, dont la marine en arrière plan relève d'une technique pointilliste que Dalí emploiera fréquemment entre 1921 et 1922, avait probablement été conçu comme une parodie des archétypes féminins chers au Noucentisme. C'est du moins ce que donnent à penser le visage vulgaire de la jeune fille, les seins dressés, les jambes écartées, autant de traits qui, plus qu'une citation en forme d'hommage à Giorgione, évoquent une distorsion sarcastique de ses figures idéalisées. Il y a donc lieu de croire que, plutôt que la Vénus de Giorgione, le modèle de ce nu était la figure inclinée que Joaquim Sunyer avait placée au centre de sa Pastorale, une oeuvre des années 1910-11 que l'on tient généralement pour l'une des premières affirmations de l'esthétique noucentista. Du reste, la ressemblance entre les deux figures féminines - celle de Dalí et celle de Sunyer - est frappante. Si cétait le cas, la glose ironique sur l'esthétique et la pensée noucentista s'en trouverait encore renforcée.
www.salvador-dali.org/fr/oeuvre/la-collection/165/la-venu...
En complément, voir par exemple la tableau de Sunyer "Desnudo durmiendo con mar al fondo" sur la page :
www.artnet.fr/artistes/joaquin-sunyer-y-mir%C3%B3/desnudo...
Museo Internacional de Arte Contemporáneo-MIAC
Castillo de San José-Lanzarote-Canary Islands
Nikon D3+Nikkor 24mm ƒ/2.8 AI
© Ivan Herrador
www.artnet.com/artists/francisco-baron/past-auction-results
"César Manrique convenció a las autoridades de la isla de que debían transformar la antigua fortaleza en una galería de arte inaugurándose, en 1976, el Museo Internacional de Arte Contemporáneo. El artista lanzaroteño puso en marcha el I Certamen Internacional de Artes Plásticas con obras de Picasso, Tàpies, Miró, Mompó, Millares, Zóbel, entre otros, que fueron el germen de una de las mayores colecciones de arte abstracto de la segunda mitad del siglo XX existentes en Canarias."
Fuente:
www.cactlanzarote.com/en/cact/museo-internacional-arte-co...
...La seconde branche (l'ainée), quant à elle, marqua elle aussi la politique et la société balloise puisque au fur et à mesure des années, elle fournit de nombreux experts dans plusieurs domaines utiles à la société...
Sources : Wiki du bâtiment (Basel DE) && Wiki de la famille (Basel DE) && Site de la famille && Site informatique concernant la famille && Photo du bâtiment depuis le Rhin && Environ même vue, mais vue d'artiste && Généalogie pour veulent s'y retrouver dans les sources
At the Venice Biennial, Boursier-Mougenot represents France with a spellbinding presentation in the Giardini that has received too little notice in the press. Organized by curator Emma Lavigne, director of the Centre Pompidou-Metz, the work echoes at once with the mythical and with a strain of modern science.
A large Scotch pine tree dominates the central room of the neoclassical French pavilion. It rests atop a hulking ball of dirt and roots, and, equipped with motors, it moves idly around the room, its movements resulting from a reading of electrical signals in the plants. A gentle electronic hum sounds in the space, its frequencies derived from the same signals. Two similar trees occupy the grounds, harmonizing with those that line the walkways between the national pavilions.
Boursier-Mougenot has a weakness for overly clever titles. Admittedly, maybe something is lost in translation, but this project is called rêvolutions, which combines the French word for dream, rêve, with révolutions to suggest, clunkily to my ear, a dream-revolution. (He dubbed from here to ear a work that turns an exhibition space into an aviary, as a flock of colorful finches perch on the amplified electric guitars and basses displayed so that their necks are horizontal, like tree branches.)
The artist had the glass removed from the pavilion’s skylights, rendering the interior open to the elements. When I arrived last weekend, it was just after a downpour, and the sun had re-emerged, so that the tree shimmered with the light on the rainwater as a few attendants mopped the floor.
The trees’ transformation recalls in reverse the myth of Apollo and Daphne. When the nymph Daphne appeals to her father, a god, to protect her from Apollo’s amorous advances, he turns her into a laurel tree. Lavigne further cites Francesco Colonna novel The Dream of Poliphilus and Primo Levi’s short story Dysphylaxis as literary parallels for the metamorphosis of trees. And for the artist, the trees’ movement in the space between the national pavilions symbolizes people’s free travel among countries, and has resonance with the movement of refugees.
(Artnet.com)
Please press L (or simply click the image) to view on black.
.
As we drove into the sunset, I noticed that the reflection, in the hood of our car, of the scene ahead of us was bathed in the warm, amber light of the dying sun.
Have a lovely day and thanks for visiting.
Martin Verstappen (1773-1853) - A View of the Waterfalls at Tivoli with Figures in the Foreground
www.artnet.com/artists/martin-verstappen/a-view-of-the-wa...
This work of Art, hung in the lobby of the MET along with a companion piece, is the work of an Canadian First Nations artist of Cree ancestry, Kent Monkman (kentmonkman.com). The painting references other works of Art contained in the MET's collection (news.artnet.com/exhibitions/kent-monkman-metropolitan-mus...)
...for Daddio!
Home to Alfred Hitchcock's "The Birds"
"Bodega Bay"
by Michael J Ryon after Jim Ryon.
pg & as apps for the iPhone.
Sports Car design ... !!*
*created with Photoshop
Holiday 2025 has started so fewer placements in groups ☺☺!
Invites always welcome ☺☺!
ENJOY this summer and stay healthy ♫♪
Gr. Clay
Edward Young (1823-1882) - A Festive Wedding Procession
www.artnet.com/artists/edward-young/a-festive-wedding-pro...
25cms x 25cms.
Oil on canvas. Ernest Walter Smith (b.1928), "Untitled".
Undated and framed by the artist.
This painting in our personal collection is as much an enigma as the artist who created it. The astute art historian will see immediately the reference to the work of Giorgio de Chirico (1888-1978). Especially that fugitive figure running away on the right hand side of the painting. A common de Chirico trope - as is the statuesque woman being observed by the disembodied eyeball (pure surrealist symbolism) and the man in a dark suit. The lamp above the fugitive in the painting might also be seen as some sort of flying saucer, or more particularly the "All-seeing-eye-of-God", but it appears in many of Smith's paintings. (I've tagged it because it is difficult to see). en.wikipedia.org/wiki/Giorgio_de_Chirico
The artist is now relatively unknown in Australian art circles, but for a time he was connected with the very interesting group of Australian Surrealists that emerged in the post-war years. Art historian Betty Churcher gives a nice short introduction to this group here. dl.nfsa.gov.au/module/827/
The last, most complex and important member of this group was James Gleeson (1915-2008), whose work in many ways extended some of the themes in Salvador Dali and displayed as much technical brilliance. I have featured his work previously:
www.flickr.com/photos/183221334@N02/50577558062/in/album-...
But Ernest Walter Smith's work was mainly linked to earlier forms of the genre. His exceptional stylised portraits, whilst drawing parallels with Russel Drysdale (1912-1981) and William Dobell (1899-1970), still retain a surrealistic context. www.artnet.com/artists/ernest-walter-smith/
Australians as a whole are not very good at valuing their artists, and this was especially true in the 1950s and 60s when a whole host of creative talents left the country for Britain, Europe and the USA. Even the greatest of all Australian Modernists, Sidney Nolan, ended his career working in England. It was this reason that took Ernest Walter Smith overseas.
Born in Melbourne in 1928, Smith studied art in Melbourne and Sydney, and then in Italy and the USA. For a time he lectured in art history in the USA. On return to Australia he secured a position as art critic for Adelaide’s “Sunday Mail”. His work has been represented in the National Gallery of Victoria, and in 1990 he was appointed Director of the Swan Hill Regional Gallery of Contemporary Art, Swan Hill, Victoria.
Sadly, because he worked in the pre-internet era, very little more public information is known about this intriguing artist, and after his retirement he has all but disappeared from the public domain and consciousness. But unlike sportsmen, that is quite common in Australia.
Leonardo da Vinci
Portrait of the Lady with ermine [~ 1490]
The Czartoryscy's Collection, National Museum in Kraków, Poland
Caption top left: LA BELE FERONIERE. LEONARD DAWINCI.
commissioned by Ludovico Sforza, Milan
Sitter: Cecilia Gallerani
More information about this painting:
Secrets of Da Vinci’s Lady with an Ermine Finally Revealed
news.artnet.com/art-world/secrets-of-da-vincis-lady-with-...
Léon-Jean-Basile Perrault (1832-1908) - A Young Beauty
www.artnet.com/artists/leon-jean-basile-perrault/a-young-...
Charles-Louis Clerisseau (1721-1820) - Caprice de ruines antiques
www.artnet.com/artists/charles-louis-cl%C3%A9risseau/capr...
From River Walk on the Detroit River, Detroit MI USA - a sunset over the Douglas MacArthur Bridge which connects the City of Detroit with Belle Isle (located in the Detroit River). Belle Isle is a 982 acre park and the largest island city park in the United States. Windsor, Ontario Province, Canada lies on the opposite shore of the Detroit River.
SOOC
Aimée Brune-Pagès (1803-1866) - Le Sommeil (1830)
www.artnet.com/artists/aim%C3%A9e-pag%C3%A8s/le-sommeil-1...
Several months ago I made the point that even a crane on a building site had a certain aesthetic appeal (if not beauty).
This stack of apple crates deserves a similar treatment. I can remember seeing an exhibition in Sydney of "found-object art" by the Canberra artist Rosalie Gascoigne (1917-1999). Rosalie, who was the first female artist to represent Australia at the Venice Biennale in 1982, would take found objects like old road signs and packing crates and make collages of them. It was truly beautiful work.
www.artnet.com/artists/rosalie-gascoigne/
This is my photographic homage to a great Australian artist.
18/26
Proyecto 26 Obras de Arte
Sos un extraño
un huésped
que no busca no quiere
más que una cama
a veces.
Qué puedo hacer
cedértela
pero yo vivo sola.
Un Huésped
Idea Vilariño
Esta Fotografía esta basada en el trabajo fotográfico de Nan Goldin
Spring dreams....what about dreams this raven...?
HAVE A WONDERFUL WEEK !!!
THANKS TO ALL FOR YOUR VISITS,COMMENTS AND INVITES !!!
Daniel Ridgway Knight (1839-1924) - A Halt
www.artnet.com/artists/daniel-ridgway-knight/a-halt-fcS0J...
Erik Henningsen (1841-1911) - Christmas Time, Copenhagen (1890)
www.artnet.com/artists/erik-ludwig-henningsen/christmas-t...
Antonio Barzaghi-Cattaneo (1834-1922) - The letter of farewell (1872)
www.artnet.com/artists/antonio-barzaghi-cattaneo/the-lett...
Luigi Bisi (1814-1886) - Veduta del fianco settentrionale del Duomo di Milano; ritorno dal Te Deum la mattina del 9 giugno 1859
www.artnet.com/artists/luigi-bisi/veduta-del-fianco-sette...
For MacroMonday week theme: "hobby and hobbies"
For those who want to know what kind of things I make:
Drawing with structures...
Included in the gallery: Frattali e mandala: www.flickr.com/photos/33711991@N04/galleries/721576276793...
ad for the latest exhibit at the swiss architecture museum, basel. i just realized i should be cataloging these things, since i'll undoubtedly lose the flyers posters, etc, for every great exhibit here in basel... of which there are too many to count.
i think this one is especially well done, with the text size expanding in line with the perspective, and the jagged line separating the "natural" from the "urban" allowing the two to be (almost) read as a unified field... and then to pair "arch" with the alps and "scapes" with the city is a nice way to imply the cross-over and merging that i imagine will be this show's primary focus....
too bad i've already lost the last poster from the kunsthalle, a close shot of oscar niemeyer's housing in sao paulo (forget the name for the moment), which became just a series of abstract curves... or the poster from the Andreas Gursky exhibit at the kunstmuseum, which showed the naked white sand islands of the under-construction "world" in Dubai... (here it is...)