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Participants capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Sumit Paul-Choudhury, Editor-in-Chief, New Scientist, United Kingdom capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Participants capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Secretary of the Army Dr. Mark T. joined Army Futures Commanding General Mike Murray, Pennsylvania Sen. Bob Casey, and Carnegie Mellon University President Dr. Farnam Jahanian at the Artificial Intelligence Task Force Activation Ceremony at Carnegie Mellon University, Pittsburgh, Penn., Feb. 1, 2019. Esper also conducted PT with 3 Rivers ROTC Battalion, toured the Advanced Robotics for Manufacturing and National Robotics Engineering Center at the Campus, rode in an autonomous vehicle, and held a joint press conference. He additionally met with Pittsburg Chamber of Commerce President Matt Smith and Pittsburgh Board of Education Assistant-Superintendent of Student Support Services Ms. Melissa Friez to discuss partnerships and opportunities for U.S. Army recruiters and future Soldiers in Pittsburg. (U.S. Army photo by Staff Sgt. Nicole Mejia)
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Pascale Fung, Professor, Department of Electronic and Computer Engineering, Hong Kong University of Science and Technology, Hong Kong SAR capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Participants capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Jeffrey Wong, Global Chief Innovation Officer, EY, USA at the World Economic Forum - Annual Meeting of the New Champions in Tianjin, People's Republic of China 2016. Copyright by World Economic Forum / Jakob Polacsek
www.planetart.nl/kunstvlaai10.htm
Kunstvlaai is de tegenhanger van de commerciele KunstRAI / Art Amsterdam, hieraan nemen de meeste Nederlandse kunstenaarsinitiateven deel. PLANETART was winnaar van de Kunstvlaai award 2010.
www.planetart.nl/kunstvlaai10/kunstvlaai-NRC.pdf
location: Westergasfabriek - Gashouder
PLANETART participants: Adri Schokker - Hsien-Yu Cheng - Sonja-Vanessa Schmitz - Virtual Worlds Pixelporn ( mannen denken altijd direct aan hele grote Pixels) - Danja Vasiliev - Via Oral - Paul Klotz - Jaap Mutter- Neverporn Community – Saygin Soher - Avik Kumar Maitra – Pasquale Direse - Arno Coenen: Eurotrash Beer / GOGBOT logo 2010 - Gottfried Haider - David Scheidler – Pyewacket - more pixelporn art via Second Life flickrshow.
PLANETART presents artistic research related to the concept of the Technological Singularity. This concept concerns the exponential growth of technology today and predicts an explosion of artificial intelligence within decades. The increasing impact of genetics, robotics and nano-technology will contribute to this development and will soon cause a breaking point in human history. PLANETART presents these artistic results in screenings and exhibitions in PLANETART Medialab Artspace in the former Volkskrantbuilding + Kunstvlaai/Artpie and finalizing in the GOGBOT festival Enschede Sept. 9-12 2010
October 27, 2018 at 12:00pmuntil November 11, 2018 at 5:00pm at GENERATOR Projects
The exhibition, “Flesh and Finitude”, has borrowed its title from Cary Wolfe’s book, What is Posthumanism (2010). It explores the boundaries of human life and body. What is the end of the human and where does something else begin? This year’s NEoN festival’s theme is ‘Lifespans’ and our exhibition’s aim is to investigate the ‘posthuman condition’, the lifespan of ‘human’ as we know it.
Five artists were invited to provide different points of enquiry into what it means to be human in relation to other species, Nature, objects, technology, and humanity itself.
“Not all of us can say, with any degree of certainty, that we have always been human, or that we are only that.” (Rosi Braidotti, The Posthuman (2013) p.1) Today, when artificial intelligence, 3D printed organs and genetic engineering are a reality, what it means to be human is extended and redesigned. At the same time, technological advancement also reflects on our relationship (and most importantly similarities) with the Other.
Digital and sculptural works reflect on different aspects of human and its boundaries, its uncanny symbiotic relationship with others, held together by a melancholic sense of uncertainty.
Curated by Zsofia Jakab
Artists:
Caitlin Dick (UK) – Caitlin Dick recently graduated from her Master’s in Contemporary Art from Edinburgh College of Art and previously studied a BA (Hons) in Contemporary Art Practice at Gray’s School of Art, Aberdeen. Caitlin’s most recent work The Problem Begins When…, shown in Embassy Gallery Edinburgh, has focussed on the fusion of the technological and the human, creating an uncomfortable hybrid through digital and kinetic sculpture.
Give in to that Easy Living expands upon this previous work, attempting to explore these matters in a playfully cynical way, experimentally introducing an object-based installation which highlights our relationship with the bizarre, posthuman form that technology has created. Mobility assistance devices, kinetic sculpture and film create a sad scene of near total technological integration. Technology has become an extension of ourselves, no longer a separate entity; we feel lost or uneasy without it. The expectation of connection to anything and anyone at any time and for it then to be reciprocated immediately is an assumed part of capitalist consumer culture. Not only do we need to be accessible 24/7, we also believe that it is essential to be constantly active as part of our techno-ego. Our technological addiction has melted into everyday life, becoming monotonously accepted as part of normality. Website
Caitlyn Main (UK) – Caitlyn Mains practice operates from a state of uncertainty: through sustained linguistic unravelling and temporal installation, she presents works that speak of intimacy, agitation and balance. She accommodates, and indeed, propagates conditions encouraging fragility: every piece has the potential to collapse in on itself, and contains obvious indications of temporality. The work is a physical manifestation of precariousness – the use of dangling, leaning, bound and suspended elements serves to underline the flimsiness of matter.
Mains compositions reverberate between a situation of familiarity and abstraction. As firm edges become dissolved, or ignored, the parameters of her work seem to become floppy, saggy, and fluid – seeping outward to be absolved into the daily mass of visual information that surrounds us. The flesh of her assemblages is that of the world – the bones and tendons extrapolated from the domestic and the detrital, from our illuminated back lit phone screens and the phrases uttered to one another. Her frantic constellations continually oscillate between contradictory states: they are simultaneously saturated and empty, humorous, pathetic, sexual, exquisite and insignificant. Website
Rodrigo Arteaga (CHILE) – Rodrigo’s work aims to redefine some notions and ideas around nature and culture, considering what sort of division can exist between them. He has used material culture that comes from science and its varied systematic methods in the form of books, maps, diagrams, furniture and tools. There is some inherent contradiction in this effort to bring together order and disorder, the useful and the useless, unearthing the coded enigmas of our relationship to the environment. He has responded to scientific culture in an attempt to embrace its limits, maybe turn it back onto itself, finding a crack, subjectivizing something meant to be objective. Website
Alicia Fidler (UK) – Alicia’s practice expands how aesthetics of an object can be used to allude to the presence of action and a premise for performance. Functionality and Agency are contexts, which she employs to transcend an object’s still state. Adopting motifs such as handles, hooks, hinges, nets, harnesses and hoops, she dips into our preexisting relationships with objects and actions. Using Function as a guide for how the body enters the work. ‘Where the handle meets the hand to produce the thing’.
The work’s interaction is the crux, the genesis. She is fascinated by the anticipation and desire for engagement with sculpture. Changing and twisting the nature of the body and the object, into a moment caught in time. She makes works, which in every sense give instructions and demand usage but are so still. Wrapped up in potentiality. Stalling the moment of activity, producing an object that screams its performative past and future out. Recently working with visual suggestion, she has begun to use photographs of past performances. Distorting them with pattern and abstraction. Absorbing images directly onto materials. Re-digesting the echoes of action, presenting a twisted instruction. Through self-referencing, function and performance my work has become anthropomorphic. The sculptures embody their own Agency through visual clues.
They play out their own situations and actions extending beyond the tools, objects and apparatus they resemble. She moves from the realms of interaction, into works that represent a single moment; Bodilyobjects. Website
Callum Johnstone (UK) Callum Johnstone’s practice explores environmental collapse and the implications it will have on humanity. Knowing that our environment is changing at an accelerated pace due to climate change, humanity must quickly adapt by re-imagining and re-designing the structures in which we live. Johnstone aims to show that it is not the physical structures alone which must change, by also the underlying structures of our society which need to be rethought.
Though his work is primarily understood as sculpture, it often verges on the boundaries of architecture and design. His structures often incorporate repeating modular elements which allow the potential for a continuation, acting simply as a beginning component to a much larger superstructure. These ideas can then extend to the actions of the individual which as a collective become a greater movement and have the potential to alter society as we know it. Johnstone sees himself not only as a commentator and illustrator of current events but also as a module of the superstructure we call society. As a catalyst of ideas, the artist intends to inspire a conversation on ways in which humanity may adapt to imminent environmental threats.
Image Credit: Kathryn Rattray Photography
Wendell Wallach, Scholar, Interdisciplinary Center for Bioethics, Yale University, USA capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Participants during the session World in Transformation: Artificial Intelligence and Robotics at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
I am exploring the boundaries of Midjourney V6’s artificial intelligence. Interestingly, while the system inherently rejects words like ‘lingerie,’ I’ve discovered clever workarounds to prompt it to generate rather sensual photos
FOSSASIA Summit 2017, Singapore, Science Centre, Open Source, Open Hardware, Free Software, Open Science, Citizen Science, Artificial Intelligence, Open AI, SUSI.AI
Participants capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Participants during the session World in Transformation: Artificial Intelligence and Robotics at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
O NIC.br por meio do Centro Regional de Estudos para o Desenvolvimento da Sociedade da Informação (Cetic.br), sediou nos dias 9 e 10 de março de 2020 o Workshop Artificial Intelligence and Children, promovido pelo Unicef.
(Foto: Ricardo Matsukawa/Divulgação NIC.br)
Workstudio at the World Economic Forum on the Middle East and North Africa 2017. Copyright by World Economic Forum / Faruk Pinjo
Participants capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Participants capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Secretary of the Army Dr. Mark T. joined Army Futures Commanding General Mike Murray, Pennsylvania Sen. Bob Casey, and Carnegie Mellon University President Dr. Farnam Jahanian at the Artificial Intelligence Task Force Activation Ceremony at Carnegie Mellon University, Pittsburgh, Penn., Feb. 1, 2019. Esper also conducted PT with 3 Rivers ROTC Battalion, toured the Advanced Robotics for Manufacturing and National Robotics Engineering Center at the Campus, rode in an autonomous vehicle, and held a joint press conference. He additionally met with Pittsburg Chamber of Commerce President Matt Smith and Pittsburgh Board of Education Assistant-Superintendent of Student Support Services Ms. Melissa Friez to discuss partnerships and opportunities for U.S. Army recruiters and future Soldiers in Pittsburg. (U.S. Army photo by Staff Sgt. Nicole Mejia)
Variation of a text-prompt generation in AI Deep Dream. The text contained the words CITY, RUINS and GIGER.
The option of Text Prompt is a new feature on Deep Dream.
The image prompt is photoshop modified earlier version of 'City in Ruins', the text prompt and modifiers were simplified to make it more like Giger.
Participants during the session World in Transformation: Artificial Intelligence and Robotics at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
Participants during the session "Human-Centred High-Tech: Artificial Intelligence" at the World Economic Forum - AMNC 17, Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Ciaran McCrickard
Wendell Wallach, Scholar, Interdisciplinary Center for Bioethics, Yale University, USA, during the session "Human-Centred High-Tech: Artificial Intelligence" at the World Economic Forum - AMNC 17, Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Ciaran McCrickard
Secretary of the Army Dr. Mark T. joined Army Futures Commanding General Mike Murray, Pennsylvania Sen. Bob Casey, and Carnegie Mellon University President Dr. Farnam Jahanian at the Artificial Intelligence Task Force Activation Ceremony at Carnegie Mellon University, Pittsburgh, Penn., Feb. 1, 2019. Esper also conducted PT with 3 Rivers ROTC Battalion, toured the Advanced Robotics for Manufacturing and National Robotics Engineering Center at the Campus, rode in an autonomous vehicle, and held a joint press conference. He additionally met with Pittsburg Chamber of Commerce President Matt Smith and Pittsburgh Board of Education Assistant-Superintendent of Student Support Services Ms. Melissa Friez to discuss partnerships and opportunities for U.S. Army recruiters and future Soldiers in Pittsburg. (U.S. Army photo by Staff Sgt. Nicole Mejia)
In the realm of artificial intelligence's visual experiments, some creations transcend mere strangeness and enter the domain of pure, unapologetic absurdity. Picture, if you will, a digital hallucination: dark, indistinct baggage scattered haphazardly across a wooden floor, rendered with such algorithmic incompetence that reality itself seems to warp and distort.
The Photographic Aberration
The image defies logical comprehension. Shadows blend unnaturally, luggage shapes morph into unrecognizable forms, and the wooden floor beneath looks less like genuine timber and more like a pixelated fever dream. Each AI-generated element screams of its synthetic origin - edges too sharp, textures too uniform, perspective slightly... off.
Technical Grotesquerie
Where a human photographer might capture nuanced light and authentic texture, this AI creation presents a nightmarish approximation. Suitcases appear simultaneously solid and translucent, their boundaries bleeding into surrounding shadows like watercolors gone mad. The wooden floor's grain patterns repeat with mathematical precision, lacking the organic imperfections of real wood.
Such images represent the uncanny valley of machine-generated visual art - close enough to reality to be unsettling, yet fundamentally wrong in ways that provoke both fascination and mild existential discomfort.
Note: I'm posting this AI generated text even though it's kinda nonsense. The AI doesn't know what the photo really looks like, but I think it's cool. #nonsense #ai #photooftheday