View allAll Photos Tagged artandspace
the entrance is always important, especially in a museum, it's often about "dominating the airspace" ... and this specification is right here, also emphasized by the deep staggering ... and an arch is always something powerful ... the colorful accents are provided by double-decker cars of the Swiss railroad ;-) ...
Raum ...
das Entré ist immer wichtig, gerade in einem Museum, es geht oft über die "Herrschaft im Luftraum" ... und diese Vorgabe stimmt hier, auch betont durch die Tiefenstaffellung ... und ein Bogen ist immer etwas Mächtiges ... für die farblichen Akzente sorgen Doppelstockwagen der Schweizer Eisenbahn ;-) ...
...Plateform10 Kopie3_pt2
art or nature or both ...
or just one of it ...
reality ...
fantasy ...
????? ...
;-) ...
ƒ/6.3 50.0 mm 1/100 360
_NYC7158_pt
the colors weren’t on the wall, not really. they were only visiting—just long enough to confuse memory with presence. silence held everything still, except the shadows, which spoke in diagonal lines. someone had planned this, but the light made it feel like chance.
A gentle curve of architectural elegance defines this photo of the grand staircase at The Phillips Collection in Washington, D.C. The soft arching forms and golden-toned railings create a visual harmony that feels both modern and timeless. Photographed in warm ambient light, the scene captures the intersection of architecture, art, and atmosphere.
The staircase flows upward like a ribbon, inviting visitors into the museum’s upper gallery spaces. Its cream-colored balustrade contrasts subtly with the brass handrails and the charcoal-toned carpeted steps. There's a quiet grace to the ascent—each element has been designed not just for function, but to contribute to the viewer’s sense of spatial rhythm. The warm wood borders of the steps peek out from beneath the runner, adding a grounding detail to the otherwise airy palette.
Light gently illuminates the curved wall, creating a soft gradient that mimics the arc of the staircase itself. At every step, the architecture seems to whisper instead of shout—offering a moment of calm before you turn the corner into the next artistic experience. The subtle lighting also emphasizes the smooth plaster texture of the walls, revealing the care and craftsmanship that went into their creation.
Just beneath the sweep of the upper curve, part of a vivid, abstract painting emerges—an echo of the color and creativity housed throughout The Phillips Collection. The composition of this photograph is deliberate: the stairway leads the eye naturally into the world of art, both literal and figurative. The railing becomes a line of inquiry, the steps a metaphor for progression—an ascent into discovery.
Though clearly modern in execution, the staircase hints at Art Deco and Streamline Moderne influences in its curvature and elegance. The pairing of painted surfaces with rich brass and wood detailing is a nod to luxury without excess—refined and tasteful in a way that suits the museum’s broader sensibility.
As with many parts of The Phillips Collection, this staircase was designed with the visitor in mind. Its comfortable treads and sweeping form prioritize accessibility while still delivering a visually powerful experience. It's no wonder that this spot is a favorite among photographers, architecture enthusiasts, and museum-goers alike. Whether ascending to a new exhibit or simply admiring the lines and light, one can’t help but pause and take in the serenity of this beautifully crafted structure.
More than just a passageway, this staircase is a sculptural moment within the museum’s architecture—a physical bridge between eras, styles, and stories. With every footstep, you’re part of the museum’s evolving narrative.
A burst of bold geometry and color defines this intriguing image captured at The Phillips Collection in Washington, D.C. The photograph frames a dramatic transition between gallery spaces: a doorway perfectly centered in the composition opens onto a brilliant red stairwell, bisected by sharp diagonal lines and a steel-gray handrail. Above the doorway, a glowing red “EXIT” sign adds a theatrical touch, echoing the dominant color beyond.
The contrast between the spaces is striking. The foreground is subdued, with warm wood flooring and neutral-toned gallery walls that host classical artworks in ornate gilded frames. The lighting is soft, designed to enhance the texture and tones of traditional oil paintings. The left edge of the image hints at one such painting, reinforcing the quiet dignity of this gallery zone.
In contrast, the world just beyond the doorway is louder—visually, if not literally. Red dominates the stairwell walls, creating a vibrant and almost surreal transition space. The staircase itself zigzags diagonally across the background, injecting energy and motion into the otherwise still image. It's not just an architectural element—it’s a visual protagonist.
The design of this photograph plays with perspective, boundaries, and themes of transition. The doorway acts like a frame within a frame, emphasizing movement from one conceptual space to another: from classic to contemporary, from enclosed to open, from hushed to bold. It's a meditation on the museum experience itself, where visitors are constantly moving not just through space, but through time, ideas, and artistic eras.
Subtle cues add to the atmosphere. A fire alarm rests quietly on the right wall, and safety handrails on either side of the doorway signal an ADA-compliant and thoughtfully designed environment. The visible portion of the stairwell includes a mid-century modern railing design, with slim vertical bars and a gentle curve on the stair landing—an elegant blend of form and function.
What makes this image particularly resonant is its quiet symbolism. Museums often house polarities: tradition and innovation, stillness and movement, permanence and impermanence. This photograph embodies all those dualities through simple, precise framing. The open doorway doesn't just suggest physical movement, but intellectual passage and emotional transition.
It’s also an invitation. The stairwell draws you in, offering a literal path forward into the museum’s more modern or experimental spaces. The brightness of the red walls compared to the ambient gallery lighting calls to the viewer like a siren, challenging the calm predictability of the museum routine.
Taken as a whole, the photo is less about the physical structure and more about how space, color, and line interact to tell a layered story. It's about the unspoken narratives that architecture can provide—where even an exit becomes a moment of drama, direction, and design intent.
Welcome to the San Francisco Museum of Modern Art (SFMOMA), an iconic destination for contemporary art lovers. This image captures a visitor standing in a spacious gallery, intently observing a large, minimalist painting. The artwork, predominantly blue, commands attention with its bold simplicity. The gallery’s white walls and light wooden floors create a clean, modern backdrop that enhances the visual impact of the art.
Two additional minimalist pieces are visible on the side walls, each featuring subtle grid patterns. The gallery space is thoughtfully designed to encourage quiet reflection and appreciation of the art. In the center of the room, a round, cushioned bench invites visitors to sit and contemplate the artworks at leisure.
The visitor's presence adds a human touch to the scene, emphasizing the personal connection and experience of viewing art. The serene and contemplative atmosphere of the museum offers a perfect escape from the hustle and bustle of the city, allowing art enthusiasts to immerse themselves in the beauty and thought-provoking nature of contemporary art.
SFMOMA is renowned for its extensive collection of modern and contemporary artworks, showcasing pieces from prominent artists around the world. This gallery, with its minimalist aesthetic, highlights the museum’s commitment to providing a space where art can be appreciated in a calm and serene environment.
Whether you're a seasoned art aficionado or a casual visitor, SFMOMA offers a unique and enriching cultural experience. The museum’s thoughtful design and diverse collection make it a must-visit destination for anyone interested in the transformative power of art.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Exhibition Review - Lesley Foxcroft: 'Angles' Annely Juda Fine Art, London till 19th Dec 2015.
Lesley grips me by the edges. - Drenched Co
Comment: "The elegantly poised works of Lesley Foxcroft are a study of borders and limits and to me they hold a certain palpable tension, prepared for action, braced for something, the balance in poise having just passed the point of equilibrium. Ms Foxcroft is working in the springy walls of finity, empowered by sight, infected by light, defines reality and makes for good neighbours with our dreams and imagination. " - FaSa.
See www.annelyjudafineart.co.uk/exhibitions/angles-lesley-fox...
See also www.woundsthatbind.com/2015/12/exhibition-review-lesley-f...
See also www.soaked.space/2015/12/exhibition-review-lesley-foxcrof...
Caption: Image above: Lesley Foxcroft Installation View Annely Juda Fine Art, London 2015
Image courtesy of the artist and Annely Juda Fine Art, London.
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
#cutsoverart #drenchedco #soakedspace #AnnelyJuda #AnnelyJudafineart #LesleyFoxcroft #angles #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #artexhibition #artinstallation #installationart #boundaryart #MDF #sculpture #sitespecific #architecture #artandspace #finity #robertfrost #elegantlypoised
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Steve and Barbara Leaning. This is the first selection from this year's personal project: Art and Space
To see more of Steve and Barbara's work, book a pottery class or commission pieces visit The End Room.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Steve and Barbara Leaning. This is the first selection from this year's personal project: Art and Space
To see more of Steve and Barbara's work, book a pottery class or commission pieces visit The End Room.
Images from the workshop of Liz Pearson. This is the second selection from this year's personal project: Art and Space
To see more of Liz's work, book a glass work class or commission pieces visit Liz Pearson Glass.
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Steve and Barbara Leaning. This is the first selection from this year's personal project: Art and Space
To see more of Steve and Barbara's work, book a pottery class or commission pieces visit The End Room.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Steve and Barbara Leaning. This is the first selection from this year's personal project: Art and Space
To see more of Steve and Barbara's work, book a pottery class or commission pieces visit The End Room.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Liz Pearson. This is the second selection from this year's personal project: Art and Space
To see more of Liz's work, book a glass work class or commission pieces visit Liz Pearson Glass.
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the Boston Operatic Society's rehearsal of The Mikado. This is the fourth selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Steve and Barbara Leaning. This is the first selection from this year's personal project: Art and Space
To see more of Steve and Barbara's work, book a pottery class or commission pieces visit The End Room.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Liz Pearson. This is the second selection from this year's personal project: Art and Space
To see more of Liz's work, book a glass work class or commission pieces visit Liz Pearson Glass.
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Liz Pearson. This is the second selection from this year's personal project: Art and Space
To see more of Liz's work, book a glass work class or commission pieces visit Liz Pearson Glass.
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the Boston Operatic Society's rehearsal of The Mikado. This is the fourth selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Derek Commander is an Iconographer and stained glass maker using traditional methods to create Orthodox Christian icons. His studio is located in The Terrace artists quarter in Lincoln and he can be reached for commissions via his website .
Han Edwards Photography | Facebook
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Steve and Barbara Leaning. This is the first selection from this year's personal project: Art and Space
To see more of Steve and Barbara's work, book a pottery class or commission pieces visit The End Room.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Liz Pearson. This is the second selection from this year's personal project: Art and Space
To see more of Liz's work, book a glass work class or commission pieces visit Liz Pearson Glass.
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Steve and Barbara Leaning (The piece to the left is by their son, Joseph Leaning). This is the first selection from this year's personal project: Art and Space
To see more of Steve and Barbara's work, book a pottery class or commission pieces visit The End Room.
Images from the workshop of Liz Pearson. This is the second selection from this year's personal project: Art and Space
To see more of Liz's work, book a glass work class or commission pieces visit Liz Pearson Glass.
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Lyn Jenkins. This is the third selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the Boston Operatic Society's rehearsal of The Mikado. This is the fourth selection from this year's personal project: Art and Space
Copyright © Hannah Edwards 2011. All rights reserved.
Images from the workshop of Liz Pearson. This is the second selection from this year's personal project: Art and Space
To see more of Liz's work, book a glass work class or commission pieces visit Liz Pearson Glass.
Copyright © Hannah Edwards 2011. All rights reserved.