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Olympus mju II 35mm f2.8 and Rolley RPX 100 film /

Bulgaria 2020

artist:DAX

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Olympus mju II 35mm f2.8 and Rolley RPX 100 film /

Bulgaria 2020

High Triangular

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Central Bank of Kuwait's new headquarters

 

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artist:DAX

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Copyright 2014 Lynette Jackson

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The Gong

 

A bell says shallo to new life in Aarhus. The Gong is a tubular bell that is part of the art decorations and it has an arm, which new parents can activate from the maternity ward at the Aarhus University Hospital at the other end of town when a child is born.

 

The bell has been cast in bronze and is 25 feet long, 2.5 feet wide and weighs close to 3 tons, which makes it the largest of its kind in the world. The work of art is located almost as a centerpiece in Dokk1 hanging above the media ramp, the large inner stairway connecting level 1 and 2.

 

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Der Gong

 

Det Gong läutet wenn ein neuer Bewohner in Aarhus geboren wird; er ist mit einem Klöppel versehen, den frisch gebackene Eltern von der Geburtsstation des Aarhuser Universitätskrankenhauses aus aktivieren können, wenn ihr Kind das Licht der Welt erblicht hat.

 

Das Kunstwerk "Gong" besteht aus einer Rohr-Glocke, die Teil der künstlerischen Ausgestaltung des Dokk1 ist. Die aus Bronze bestehende Glocke hat eine Länge von 7,5 m, einen Durchmesser von 80 cm und wiegt ca. 3 Tonnen. Damit ist sie die größte Glocke ihrer Art. Mit seiner Platzierung unmittelbar an der großen Treppe verbindet das Kunstwerk das Niveau 1 und 2 des Gebäudes und hat somit eine zentrale Position.

 

artist:DAX

PHOTOGRAPHOHOLIC

I born to capture |

 

(C) DAX ☆

All rights reserved!

Unauthorised use prohibited!

JOIN US! | OPENING RECEPTION

Saturday, July 26 6:30-8:30pm

  

Project4 is pleased to present "Everyware", a show dedicated to exploring handheld digital art by a group of three artists connected and sharing their work and ideas through social media.

The digital interface and the nature of ineluctable access to new creative possibilities is a way of activating a dialogue and developing a truly unique relationship of artistic production and technology. The inherent mutability and the potential for interactivity lend themselves to breaking beyond the constraints of space and time that inform many other art forms. Through applications such as Instagram, EyEm, and Snapwire, the artists engage and foster a new type of urbanism and digital geography posing questions of materiality and spatiotemporality in their work and practice.

 

Reflecting on contemporary conditions, the works of Aaron Cahill, William Deegan, and Lynette Jackson explore context with mobile technologies by repositioning the "mundane or overlooked" via image manipulation. Their conceptualizations are shared among hundreds and sometimes thousands of followers that are engaged in similar but unique activity of creating. The process of dialogue and critique is open ended and one of constant change. The speed of exchange, reflection, and response to such artwork is something that drives new conceptualizations and a continued renewal of viewpoints. Working as individuals, yet aware of each other's explorations, Aaron, Bill, and Lynette's work is connected by an extended moment of speculation.

  

Images (from left):

Lynette Jackson, Art-Chitecture;

Aaron Cahill, NGHBRS;

William Deegan, nextmodernfacilities

 

project4gallery.com/exhibitions/everyware/

  

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