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Entirely unique on this planet, the pronghorn's scientific name, Antilocapra americana, means "American antelope goat." But the deer-like pronghorn is neither antelope nor goat -- it is the sole surviving member of an ancient family dating back 20 million years.
The pronghorn is the only animal in the world with branched horns (not antlers) and the only animal in the world to shed its horns, as if they were antlers. The pronghorn, like sheep and goats, has a gall bladder, and like giraffes, lacks dewclaws. If that weren't enough, the pronghorn is the fastest animal in the western hemisphere, running in 20-foot bounds at up to 60 miles per hour. Unlike the cheetah, speedburner of the African plains, the pronghorn can run for hours at quite a fast pace.
These pictures all represent the journey taken to purchase a new hat (the trilby). Naturally, I needed to dress up for this occasion, including one of my already-burgeoning collection (the homburg).
All were taken upon arrival home, since we were running a bit late and the store was soon to be closing.
Note: I know the shirt's sleeves are too long, although I didn't realise how much (or at least how distracting it was) until the pictures. And no, I'm not wearing a belt - a suit I'd bought arrived with buttons for braces today, and I was rebelling against the notion of trousers without them. Also, I forgot.
n, *Array
1. an arrangement of aerials spaced to give desired directional characteristics
2. an impressive display
3. an orderly arrangement
Array of rental boats, Chateau de Fontainebleau, France. (2002 Archives)
PixQuote:
You become things, you become an atmosphere, and if you become it, which means you incorporate it within you, you can also give it back. You can put this feeling into a picture. A painter can do it. And a musician can do it and I think a photographer can do that too and that I would call the dreaming with open eyes.
-Ernst Haas
Color version is available here!
Array of battle-ready Terracotta Warriors, Xian, China. The fallen fragments of soldiers resulted from pillaging for the real weapons the clay soldiers were holding, and the later collapse of the wooden beam and berm roofs.
Photo captured on NF-302 near the Shedroof Divide Trail # 512 and Pass Creek Pass, elevation 5,360 feet, via Minolta MD W.Rokkor-X 28mm F/2.8 Lens and the bracketing method of photography. Salmo-Priest Wilderness. Colville National Forest. Selkirk Mountains Range. Northern Rockies Region. Pend Oreille County, Washington. Early July 2015.
Exposure Time: 1/250 sec. * ISO Speed: ISO-400 * Aperture: F/11 * Bracketing: + 1 / -1
...in the southwest Arizona desert sky
December 1st, 2008
at sundown.
The Moon, Venus, and Jupiter...
just hanging out together
waiting patiently for nightfall to arrive to dance the night away...
totally oblivious
to the myriads of twinkling holiday lights
decorating planet Earth below.
It took my breath away.
"Astronomy compels the soul to look upwards
and
leads us from this world to another."
~Plato
More blogged here:
Made in 1915 by British born, German trained, Melbourne stained glass artist William Montgomery, it is the second window by him, to be installed in the north nave, the others being St. Mark (1913) and William Major Olive Memorial (1916).
Saint Stephen, is traditionally venerated as the first martyr of Christianity. He was, according to the Acts of the Apostles, a deacon in the early church at Jerusalem who aroused the enmity of members of various synagogues by his teachings. Accused of blasphemy, at his trial, he made a long speech denouncing the Jewish authorities who were sitting in judgment on him and was then stoned to death. His martyrdom was witnessed by Saul of Tarsus, a Pharisee who would later become a follower of Jesus and known as Paul the Apostle. The window depicts Saint Stephen beautifully arrayed in a red orarion, the distinguishing vestment of a deacon. In his right hand he holds the frond of a palm, symbolising his martyrdom. In the crook of his left arm he holds a Gospel Book, weighed down by several stones, symbolising how he was killed.
If that were not enough to elude to his untimely demise, the vignette at the bottom of the window shows the angry crowd clutching large stones around his praying figure.
Built amid workers' cottages and terrace houses of shopkeepers, St. Mark the Evangelist Church of England sits atop an undulating rise in the inner Melbourne suburb of Fitzroy. Nestled behind a thick bank of agapanthus beyond its original cast-iron palisade fence, it would not look out of place in an English country village with its neat buttresses, bluestone masonry and simple, unadorned belfry.
St. Mark the Evangelist was the first church to be built outside of the original Melbourne grid as Fitzroy developed into the city's first suburb. A working-class suburb, the majority of its residents were Church of England and from 1849 a Mission Church and school served as a centre for religious, educational and recreational facilities. The school was one of a number of denominational schools established by the Church of England and was partly funded by the Denominational School Board.
St. Mark the Evangelist Church of England was designed by architect James Blackburn and built in Early English Gothic style. Richard Grice, Victorian pastoralist and philanthropist, generously contributed almost all the cost of its construction. Work commenced in 1853 to accommodate the growing Church of England congregation of Fitzroy. On July 1st, 1853, the first stone of St. Mark the Evangelist was laid by the first Bishop of Melbourne, The Right Rev. Charles Perry.
Unfortunately, Blackburn did not live to see its completion, dying the following year in 1854 of typhoid. This left St. Mark the Evangelist without an architect to oversee the project, and a series of other notable Melbourne architects helped finish the church including Lloyd Tayler, Leonard Terry and Charles Webb. Even then when St. Mark the Evangelist opened its doors on Sunday, January 21st, 1855, the church was never fully completed with an east tower and spire never realised. The exterior of the church is very plain, constructed of largely unadorned bluestone, with simple buttresses marking structural bays and tall lancet windows. The church's belfry is similarly unadorned, yet features beautiful masonry work. It has a square tower and broach spire.
Inside St. Mark the Evangelist Church of England it is peaceful and serves as a quiet sanctuary from the noisy world outside. I visited it on a hot day, and its enveloping coolness was a welcome relief. Walking across the old, highly polished hardwood floors you cannot help but note the gentle scent of the incense used during mass. The church has an ornately carved timber Gothic narthex screen which you walk through to enter the nave. Once there you can see the unusual two storey arcaded gallery designed by Leonard Terry that runs the entire length of the east side of building. Often spoken of as “The Architect’s Folly” Terry's gallery was a divisive point in the Fritzroy congregation. Some thought it added much beauty to the interior with its massive square pillars and seven arches supporting the principals of the roof. Yet it was generally agreed that the gallery was of little effective use, and came with a costly price tag of £3,000.00! To this day, it has never been fully utlised by the church. St. Mark the Evangelist has been fortunate to have a series of organs installed over its history; in 1854 a modest organ of unknown origin: in 1855 an 1853 Foster and Andrews, Hull, organ which was taken from the Athenaeum Theatre in Melbourne's Collins Street: in 1877 an organ built by Melbourne organ maker William Anderson: and finally in 1999 as part of major renovation works a 1938 Harrison and Harrison, Durham, organ taken from St. Luke's Church of England in Cowley, Oxfordshire. The church has gone through many renovations over the ensuing years, yet the original marble font and pews have survived these changes and remain in situ to this day. Blackwood reredos in the chancel, dating from 1939, feature a mosaic of the last supper by stained glass and church outfitters Brooks, Robinson and Company. A similar one can be found at St. Matthew's Church of England in High Street in Prahran. The fine lancet stained glass windows on the west side of St. Mark the Evangelist feature the work of the stained glass firms Brooks, Robinson and Company. and William Montgomery. Many of the windows were installed in the late Nineteenth Century.
The St. Mark the Evangelist Parish Hall and verger's cottage were added in 1889 to designs by architects Hyndman and Bates. The hall is arranged as a nave with clerestorey windows and side aisles with buttresses. In 1891 the same architects designed the Choir Vestry and Infants Sunday School on Hodgson Street, to replace the earlier school of 1849 which had been located in the forecourt of the church.
The present St. Mark the Evangelist's vicarage, a two-storey brick structure with cast-iron lacework verandahs, was erected in 1910.
I am very grateful to the staff of Anglicare who run the busy adjoining St. Mark's Community Centre for allowing me to have free range of the inside of St. Mark the Evangelist for a few hours to photograph it so extensively.
James Blackburn (1803 - 1854) was an English civil engineer, surveyor and architect. Born in Upton, West Ham, Essex, James was the third of four sons and one daughter born to his parents. His father was a scalemaker, a trade all his brothers took. At the age of 23, James was employed by the Commissioners of Sewers for Holborn and Finsbury and later became an inspector of sewers. However, his life took a dramatic turn in 1833, when suffering economic hardship, he forged a cheque. He was caught and his penalty was transportation to Van Diemen’s Land (modern day Tasmania). As a convicted prisoner, yet also listed as a civil engineer, James was assigned to the Roads Department under the management of Roderic O’Connor, a wealthy Irishman who was the Inspector of Roads and Bridges at the time. On 3 May 1841 James was pardoned, whereupon he entered private practice with James Thomson, another a former convict. In April 1849, James sailed from Tasmania aboard the "Shamrock" with his wife and ten children to start a new life in Melbourne. Once there he formed a company to sell filtered and purified water to the public, and carried out some minor architectural commissions including St. Mark the Evangelist in Fitzroy. On 24 October he was appointed city surveyor, and between 1850 and 1851 he produced his greatest non-architectural work, the basic design and fundamental conception of the Melbourne water supply from the Yan Yean reservoir via the Plenty River. He was injured in a fall from a horse in January 1852 and died on 3 March 1854 at Brunswick Street, Collingwood, of typhoid. He was buried as a member of St. Mark The Evangelist Church of England. James is best known in Tasmania for his ecclesiastical architectural work including; St Mark's Church of England, Pontville, Tasmania (1839-1841), Holy Trinity Church, Hobart, Tasmania (1841-1848): St. George's Church of England, Battery Point, Tasmania, (1841-1847).
Leonard Terry (1825 - 1884) was an architect born at Scarborough, Yorkshire, England. Son of Leonard Terry, a timber merchant, and his wife Margaret, he arrived in Melbourne in 1853 and after six months was employed by architect C. Laing. By the end of 1856 he had his own practice in Collins Street West (Terry and Oakden). After Mr. Laing's death next year Leonard succeeded him as the principal designer of banks in Victoria and of buildings for the Anglican Church, of which he was appointed diocesan architect in 1860. In addition to the many banks and churches that he designed, Leonard is also known for his design of The Melbourne Club on Collins Street (1858 - 1859) "Braemar" in East Melbourne (1865), "Greenwich House" Toorak (1869) and the Campbell residence on the corner of Collins and Spring Streets (1877). Leonard was first married, at 30, on 26 June 1855 to Theodosia Mary Welch (d.1861), by whom he had six children including Marmaduke, who trained as a surveyor and entered his father's firm in 1880. Terry's second marriage, at 41, on 29 December 1866 was to Esther Hardwick Aspinall, who bore him three children and survived him when on 23 June 1884, at the age of 59, he died of a thoracic tumor in his last home, Campbellfield Lodge, Alexandra Parade, in Collingwood.
Lloyd Tayler (1830 - 1900) was an architect born on 26 October 1830 in London, youngest son of tailor William Tayler, and his wife Priscilla. Educated at Mill Hill Grammar School, Hendon, and King's College, London, he is said to have been a student at the Sorbonne. In June 1851 he left England to join his brother on the land near Albury, New South Wales. He ended up on the Mount Alexander goldfields before setting up an architectural practice with Lewis Vieusseux, a civil engineer in 1854. By 1856 he had his own architectural practice where he designed premises for the Colonial Bank of Australasia. In the 1860s and 1870s he was lauded for his designs for the National Bank of Australasia, including those in the Melbourne suburbs of Richmond and North Fitzroy, and further afield in country Victoria at Warrnambool and Coleraine. His major design for the bank was the Melbourne head office in 1867. With Edmund Wright in 1874 William won the competition for the design of the South Australian Houses of Parliament, which began construction in 1881. The pair also designed the Bank of Australia in Adelaide in 1875. He also designed the Australian Club in Melbourne's William Street and the Melbourne Exchange in Collins Street in 1878. Lloyd's examples of domestic architecture include the mansion "Kamesburgh", Brighton, commissioned by W. K. Thomson in 1872. Other houses include: "Thyra", Brighton (1883): "Leighswood", Toorak, for C. E. Bright: "Roxcraddock", Caulfield: "Cherry Chase", Brighton: and "Blair Athol", Brighton. In addition to his work on St. Mark the Evangelist in Fitzroy, Lloyd also designed St. Mary's Church of England, Hotham (1860); St Philip's, Collingwood, and the Presbyterian Church, Punt Road, South Yarra (1865); and Trinity Church, Bacchus Marsh (1869). The high point of Lloyd's career was the design for the Melbourne head office of the Commercial Bank of Australia. His last important design was the Metropolitan Fire Brigade Headquarters Station, Eastern Hill in 1892. Lloyd was also a judge in 1900 of the competition plans for the new Flinders Street railway station. Lloyd was married to Sarah Toller, daughter of a Congregational minister. They established a comfortable residence, Pen-y-Bryn, in Brighton, and it was from here that he died of cancer of the liver on the 17th of August 1900 survived by his wife, four daughters and a son.
Charles Webb (1821 - 1898) was an architect. Born on 26 November 1821 at Sudbury, Suffolk, England, he was the youngest of nine children of builder William Webb and his wife Elizabeth. He attended Sudbury Academy and was later apprenticed to a London architect. His brother James had migrated to Van Diemen's Land in 1830, married in 1833, gone to Melbourne in 1839 where he set up as a builder in and in 1848 he bought Brighton Park, Brighton. Charles decided to join James and lived with James at Brighton. They went into partnership as architects and surveyors. The commission that established them was in 1850 for St Paul's Church, Swanston Street. It was here that Charles married Emma Bridges, daughter of the chief cashier at the Bank of England. Charles and James built many warehouses, shops and private homes and even a synagogue in the city. After his borther's return to England, Charles designed St. Andrew's Church, Brighton, and receiving an important commission for Melbourne Church of England Grammar School in 1855. In 1857 he added a tower and a slender spire to Scots Church, which James had built in 1841. He designed Wesley College in 1864, the Alfred Hospital and the Royal Arcade in 1869, the South Melbourne Town Hall and the Melbourne Orphan Asylum in 1878 and the Grand Hotel (now the Windsor) in 1884. In 1865 he had designed his own home, "Farleigh", in Park Street, Brighton, where he died on 23 January 1898 of heat exhaustion. Predeceased by Emma in 1893 and survived by five sons and three daughters, he was buried in Brighton cemetery.
William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.
Mileece (www.mileece.net) has this great instrument at her exceedingly cool flat in london...it's like a huge oversized finger piano..i was transfixed while Mileece crept about her new pad, snapping...
Click the image or hit 'L' to see it larger.
Copyright Terry Eve Photography 2014.
High resolution file available on request.
Terry Eve Photography (Including Moira) now available for Weddings, Graduations, Special Occasions, Commercial, and Pet pictures Aberdeen and NE Scotland UK. .
Also Print Sales.
email:
terryeve71@yahoo.com
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See my most recent pictures here: www.flickriver.com/photos/terryeve-draughting-ltd/
-In Explore
Photo taken during the festival called "Thrikkarthika" where people decorate their homes with array of lights. Some use candles and some use such oil lighted lamps.
Thank you !!!
In its fully expanded state, the observatory's array baseline stretches to 22.3 miles across - that's one big antenna! I had a thoroughly enjoyable time wandering around the locale with my camera and tripod; being excited to explore a spot that I have read of in encyclopaedias since childhood.
Deb's newly restored Herse mixte joined forces with Sam's two Herse's to greet those of us who arrived on Friday for FFD.
PictionID:46542054 - Catalog:Array - Title:Array - Filename:AL-248H_088 Lockheed Big Dipper.tif - Robert Reedy was a native of Amarillo Texas. He attended college in Wichita Kansas, studying aeronautical engineering. On graduation he was quickly snapped up by Stearman Aircraft. During his subsequent career he made stops at Lockheed, Thorp and back to Lockheed where he retired as a vice president of sales. Reedy was involved in the design of several Stearman, Vega and Thorp types, the Lockheed P2V, Little Dipper, Big Dipper, and L-1011.--Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
"And we always say, it would be good to go away someday.
But if there's nothing there to make things change
if it's the same for you I'll just hang..."
- Hang, Matchbox20
I just got a Lytro camera. Here I extracted the JPEGs from the LFP file and focus stacked the images, then I extracted the sensor RAW data from the other LFP file and converted it to a TIFF and overlaid the color from the focus stacked image onto the grayscale sensor RAW image. This way you can see how the Lytro actually views the scene with the micro lens array over the sensor. You can even see individual hot pixels. The interactive image is up at: pictures.lytro.com/corbyz/pictures/52572
Shown here is the Atacama Large Millimeter/submillimeter Array (ALMA), located high on the Chajnantor Plateau in the Chilean Andes, 5000 metres above sea level.
The rocky edge visible in the foreground of the image is a mountain that looms above ALMA. It is here that the 1-metre pathfinder telescope, called MiniTAO, is situated. MiniTAO is part of the University of Tokyo Atacama Observatory (TAO) project which will later see the construction of a larger 6.5-metre infrared optimised telescope on the site.
NAOJ, ESO and the other partners involved in ALMA selected this site because it is one of the highest and driest astronomical observatory sites on Earth.
ALMA is comprised of 66 high-precision antennas spread over a distance of up to 16 kilometres. The antennas use a technique known as interferometry to combine their signals, enabling them to act as a single giant antenna.
Signals from each of the antennas need to be combined with perfect synchronicity — a precision of one millionth of a millionth of a second. They are collected at the ALMA correlator (just out of view in the image), ALMA’s central computer, where the accuracy of the path followed from each antenna must be known to within the diameter of a human hair.
In 2013, ALMA was inaugurated at an official ceremony, which marked the completion of all the major systems of the array and the formal transition from a construction project to a fully-fledged observatory. The array explores the enigmatic cold Universe at millimetre and submillimetre wavelengths, a largely unmapped part of the electromagnetic spectrum.
More information: www.eso.org/public/images/potw1520a/
Credit:
S. Komugi (NAOJ)/ESO
Microscopy images taken during my fall quarter rotation in Stephen Smith's lab at Stanford. The technique is array tomography, which produces for these crisp, 3D, high resolution, large scale, many-channel fluorescence images.
smithlab.stanford.edu
Legend:
White: DAPI (cell nuclei)
Green: YFP (Subpopulation of layer V pyramidal neurons)
Purple: Tubulin
Blue/Red: Neurofilament
Orange: Myelin Basic Protein
Elaborate iron gate on a Laburnum Street entrance to Hoxton Docks, featuring cuboctahedral linkages between the bars, with roughly decorated panels in between
Graphic Arrays
media: paper, aluminum dibond,
dimensions: 54 x 72 cm, 90 x 56 cm,
Aram Bartholl 2013
240x320, 240x400, 320x480, 480x640, 480x800, 540x960, 600x960, 600x1024, 640x960, 768x1024, 720x1280, 1366x768, 800x1280, 1080x1920, 1536x2048
640x480, 768x576, 800x600, 1024x600, 1024x768, 1152x720, 1280x720, 1280x768, 1280x800, 1152x864, 1280x960, 1280x1024, 1360x768, 1366x768, 1440x900, 1600x900, 1400x1050, 1680x1050, 1600x1200, 1920x1080, 2048x1152, 1920x1200, 1920x1440, 2560x1440, 2560x1600
Luke 12:22-40
22 And he said unto his disciples, Therefore I say unto you, Take no thought for your life, what ye shall eat; neither for the body, what ye shall put on. 23 The life is more than meat, and the body is more than raiment. 24 Consider the ravens: for they neither sow nor reap; which neither have storehouse nor barn; and God feedeth them: how much more are ye better than the fowls? 25 And which of you with taking thought can add to his stature one cubit? 26 If ye then be not able to do that thing which is least, why take ye thought for the rest? 27 Consider the lilies how they grow: they toil not, they spin not; and yet I say unto you, that Solomon in all his glory was not arrayed like one of these. 28 If then God so clothe the grass, which is to day in the field, and to morrow is cast into the oven; how much more will he clothe you, O ye of little faith? 29 And seek not ye what ye shall eat, or what ye shall drink, neither be ye of doubtful mind. 30 For all these things do the nations of the world seek after: and your Father knoweth that ye have need of these things. 31 But rather seek ye the kingdom of God; and all these things shall be added unto you. 32 Fear not, little flock; for it is your Father's good pleasure to give you the kingdom. 33 Sell that ye have, and give alms; provide yourselves bags which wax not old, a treasure in the heavens that faileth not, where no thief approacheth, neither moth corrupteth. 34 For where your treasure is, there will your heart be also. 35 Let your loins be girded about, and your lights burning; 36 And ye yourselves like unto men that wait for their lord, when he will return from the wedding; that when he cometh and knocketh, they may open unto him immediately. 37 Blessed are those servants, whom the lord when he cometh shall find watching: verily I say unto you, that he shall gird himself, and make them to sit down to meat, and will come forth and serve them. 38 And if he shall come in the second watch, or come in the third watch, and find them so, blessed are those servants. 39 And this know, that if the goodman of the house had known what hour the thief would come, he would have watched, and not have suffered his house to be broken through. 40 Be ye therefore ready also: for the Son of man cometh at an hour when ye think not.
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