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The Solar Array is successfully coupled with the Metop-B satellite.
To read more about the Metop-B satellite launch, please click here.
Copyright 2012 EUMETSAT.
Starting at the bottom left going clockwise: 325 mg aspirin (white), nighttime excedrin (blue), a mixture of fiber tablets and daytime excedrin, a bowl of red, white and blue mood stablizers, a li'l cup o money, some lidocain pads in the middle, a li'l cup of methadone, and a bowl of welfare tylenol.
Just this week, my drug banquet has expanded, thanks to the discovery of a hole in my heart. But Sara thinks I'm faking.
The Allen Telescope Array (ATA is a joint effort by the SETI Institute and the Radio Astronomy Laboratory (RAL) at the University of California, Berkeley to construct a radio interferometer that is dedicated to astronomical observations and a simultaneous search for extraterrestrial intelligence.
Source Allen Telescope Array
lt 047
…just finished my last DIY-Project – a new version OSS-Array, for Hi-Res-Audio based on a Jecklin-Disk-Concept.
A Jecklin Disk is a sound-absorbing disk placed between two microphones to create an acoustic "shadow" from one microphone to the other. The resulting two signals can possibly produce a pleasing stereo effect. A matching pair of small-diaphragm omnidirectional microphones is always used with a Jecklin disk.
…it sounds amazing!!!
© Manfred Schmidt Photography | All rights reserved.
Do not use, copy or edit any of my images without my written permission.
PictionID:54466672 - Catalog:Atlas 100F - Title:Array - Filename:Atlas 100F.jpg - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
The array of transistors soldered into place. I was hoping to get a more uniform height across all twenty-eight, but I'm happy with the results for this first board.
Crews install the panels for the solar reference array on the roof of the Shaw Theatre at NAIT's Main Campus in Edmonton.
PictionID:46537020 - Catalog:Array - Title:Array - Filename:AL-248C_144 USS Los Angeles Jun32.tif - Robert Reedy was a native of Amarillo Texas. He attended college in Wichita Kansas, studying aeronautical engineering. On graduation he was quickly snapped up by Stearman Aircraft. During his subsequent career he made stops at Lockheed, Thorp and back to Lockheed where he retired as a vice president of sales. Reedy was involved in the design of several Stearman, Vega and Thorp types, the Lockheed P2V, Little Dipper, Big Dipper, and L-1011.--Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
checking the communications array of my LEGO Ideas project, Planetary Outpost
ideas.lego.com/projects/b0827dea-3bd0-46b2-a733-e2e380fa1794
PV arrays for Stevens Institute of Technology at the U.S. Department of Energy Solar Decathlon 2015 at the Orange County Great Park, Irvine, California (Credit: Thomas Kelsey/U.S. Department of Energy Solar Decathlon)
Graphic Arrays
media: paper, aluminum dibond,
dimensions: 54 x 72 cm, 90 x 56 cm,
Aram Bartholl 2013
240x320, 240x400, 320x480, 480x640, 480x800, 540x960, 600x960, 600x1024, 640x960, 768x1024, 720x1280, 1366x768, 800x1280, 1080x1920, 1536x2048
640x480, 768x576, 800x600, 1024x600, 1024x768, 1152x720, 1280x720, 1280x768, 1280x800, 1152x864, 1280x960, 1280x1024, 1360x768, 1366x768, 1440x900, 1600x900, 1400x1050, 1680x1050, 1600x1200, 1920x1080, 2048x1152, 1920x1200, 1920x1440, 2560x1440, 2560x1600
PictionID:46540852 - Catalog:Array - Title:Array - Filename:AL-248F_010 Travel Air NC6417 Amarillo TX Sep29.tif - Robert Reedy was a native of Amarillo Texas. He attended college in Wichita Kansas, studying aeronautical engineering. On graduation he was quickly snapped up by Stearman Aircraft. During his subsequent career he made stops at Lockheed, Thorp and back to Lockheed where he retired as a vice president of sales. Reedy was involved in the design of several Stearman, Vega and Thorp types, the Lockheed P2V, Little Dipper, Big Dipper, and L-1011.--Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Fonte TDWP official webpage:
The Devil Wears Prada is the musical embodiment of a generational shift. Built on a diverse array of heavy, dark, melodic and genre-defying music; hardened and sharpened by putting in road work together since the days when they had to skip class to tour: The Devil Wears Prada is at the forefront of a movement that bridges the gap between Rockstar Mayhem and the Vans Warped Tour.
The passionately inspired band’s album for Roadrunner Records, cryptically titled 8:18, embodies an unflinching, uncompromising authenticity born from revelatory introspection and obsessive workmanship. The dichotomies are refreshing, invigorating and boundless. There’s an oppressive, suffocating darkness to their heavy music, counterbalanced by the hope within their collective faith. The most brutal of crowd-moving breakdowns ignite with friction, bristling against soaring melodies, progressive yet catchy riffing and keyboard soaked atmospheric esotericism. To put it simply: The Devil Wears Prada have developed the chops, the cred and the audience of a true-blue thinking person’s heavy metal band, while simultaneously welcoming fist-pumping hellraisers and youthful moshers alike. 8:18 continues the war against humanity’s dark urges, pointing the finger inward and outward through a medium that is itself both bleak and grand.
"Much of the heavy music around us suffers from a total lack of emotion. It's sort of losing an audible sense of sincerity," observes vocalist Mike Hranica. "The guitars, the drums, the songs themselves create that sorrow that I want the lyrics to tell on 8:18. And I made sure that my vocals created emotions that I have heard in post-hardcore, but that I rarely hear in breakdown-heavy metal bands like us."
The overriding theme on 8:18 is misery, exploring that mental and emotional state through its various guises, manifestations and interpretations. Tracks like Gloom, War, Black & Blue and Home for Grave spring forth from that foundation, exploiting concepts like mediocrity, existential angst and life's bigger questions under an atmosphere of musical dread, hostility and darkness.
Mike Hranica is blessed with a commanding roar, but infuses the proceedings with a literary sensibility, a commitment to self-evaluation and a painstaking modesty that levels the playing field between performer and listener beneath the surface.
Rhythm guitarist Jeremy DePoyster contributes the hook-laden underbelly to Prada’s brutal musical beast, handling the “clean” singing with a fine-tuned abandon to rival the pop stars dominating the charts. He grew up listening to Rob Zombie and Korn, but his iPod these days is packed with just about everything one can name. His singing vocals shine particularly on 'Care More,' a heavily electronics infused song with a dark mood. "There's so much of this crappy auto-tuned singing thing happening right now. It's disappointing to me because I've been singing since I was a kid," DePoyster says. "We all know what auto-tune is and we all use it to get things to work a little better, but when I hear things that are using it just as a crutch, that is extremely disappointing to me. Mike does a lot of passionate, raw, vibey screaming on this record, too. It's great."
Andy Trick has a Minor Threat-inspired tattoo that exhibits his early inclinations toward hardcore punk, an ethos and a mindset that still courses through the bass player’s veins even as he takes the stage playing guitar-driven metal music around the world. His bass playing anchors the theatrics and fluid, tasteful beats of Daniel Williams. Prada’s drummer carries the class and finesse of the indie crowd, while pummeling the drums with the power of metal's finest. "Since the beginning, we have liked breakdowns, we have liked heavy sounds, we have liked melodic singing, we have liked heavy metal in general," notes Hranica. "Those are the most basic fundamentals of what this band has been about."
The overseeing hand of executive producer and Killswitch Engage axeman Adam Dutkiewicz (August Burns Red, Shadows Fall, Parkway Drive) and producer Matt Goldman (Underoath, The Chariot, As Cities Burn) resulted in a sonic time capsule representing not only this present moment for TDWP, but a crossroads for heavy music itself. Progressive strains of experimental trailblazers Converge, Botch and Underoath seep beneath The Devil Wears Prada’s unique reverse-engineering of modern metal. 8:18 convincingly detours into Nine Inch Nails-isms, then comes full circle with some killer throwbacks to TDWP's earliest work.
"We love a lot of the records Matt has made and obviously we love Adam and he's a great friend," DePoyster points out. "Adam was very involved in doing the vocal stuff with Mike and I and had given us ideas when we were making demos. Both of those guys were great with us and were able to make contributions and make us think about things in different ways without making us uncomfortable.
With 8:18, The Devil Wears Prada cement their status as a band who have not only weathered the pressures of early, youthful popularity, but grown into masters of their craft. From album packaging to merchandising, from video production to stage lighting, The Devil Wears Prada are hands-on and pay excruciating attention to detail to ensure they always deliver their best, that their overwhelming passion will endure. They push themselves to create a lasting work that inspires, empowers and challenges, in equal measure.
"We're not kids who just want to hit the road and see where this goes," adds DePoyster. "We're making a conscious choice to do this because we love it."
The Devil Wears Prada are unwavering in their commitment to each other, their fans, their art, their higher calling toward truth and to their desire to engage. The emotion remains sincere, the musicianship supreme.
Day 2 at the Brands Hatch MSVR Club Car Championships Feat GT Cup and it was time for all the Drivers to prepare for battle on the race track with a full day of Racing ahead. With many drivers close on points and some who could win the Championship the Intensity was heating up.
MSVR All Comers
The MSVR All comers Race featured an array of all of the different classes taking part during the event coming together for one big race.
From Caterham's to Radial SR3's to Mazda RX8'S every driver was pushing hard but in the end it was the Gun TS6 of Mike Jenvy who took Victory in the first and second Race of the day with a lap time of 1:30.724.
John Harrison in his Mallok MK21 took second Place in Race 2. Colin Watson was Second in His Caterham C400 and the pairing of T Barwell and J Barwell in their Radical SR3 took Third Place.
GT Cup
The GT Cup featured many different cars from many Modern manufacturers such as Aston Martin Lamborghini and even from Nissan and Mercedes with the most experienced drivers behind the wheel during the 3 Races.
Shamus Jennings and Greg Caton in their Porsche 911 GT3 R took Victory in Race 1 with a lap time of 1:28.902. Second was the Ferrari 448 Challenge of John Dhillon/Phil Quaife and Third was the Lamborghini Hurricane of Jim Geddie and Glynn Geddie for Race 1.
Race 2 saw John Dhillon/Phil Quaife score Victory with Shamus Second and Jim Geddie Third.
Race 3 saw the Nissan Nismo GTR GT3 of Graham Tilley and Will Tregutha Stormed the Field to take a well deserving Victory with a lap time of 1:29.256, despite having an incident the previous day where a wheel fell off the car while Qualifying for Sunday. Finally
Race 4 Once again saw Graham Tilley and Will Tregutha take another Victory with an insanely Fast Nissan GTR GT 3 Lap around the Brands Hatch GP Circuit. John Dhillon was Second while Alan Purbrick was Third in his Saker Rapex to Round out the Day for GT Cup.
Radical Challenge
Featuring High Speed Aerodynamic Track day Machines The Radical Challenge provided Race Day with some Spectacular overtaking and close wheel to wheel Racing all over the Track.
Race 1 saw the Radical SR3 RSX of Mark Richards Claim Victory with a lap time of 1:26.167 with Second Place finish going the way of Jason Rishover in another Radical SR3 RSX. Third Place was Ashton/Gudmundsson in their Radical SR3 RSX.
Race 2 Once Again saw Mark Richards take Victory with a very fast and Dominate Performance. Elliot Goodman was Second with John Macleod Third.
Race 3 is where the Lead Changed and saw a new Winner in the form of Shane Stoney with a lap time of 1:27.536. Mark Richards was Second with Peter Tyler in Third to Wind Down an amazing Day of Radical Racing.
MSVT Track Day Championship
Track day Challenge sees many cars that you would commonly find on a typical track day at Brands Hatch but this time they are Racing Each other for Victory its a good way to start out any Racing Career as it gives the Novice and the Professional Drivers the time to Bond and Help each other out.
Luke Read was the Race Victor in the only Race during the Sunday in his BMW 130i with a lap time of 1:44.450. Chris Payne was Second in his Caterham Super Seven with Third Place going the way of Chris and Jim McDougall in their Caterham Super sport to Finish an amazing Day of Track day Racing.
Sports 2000 Championship
Sports 2000 showcased some of the most impressive and Classic looking machinery of the day from the Likes of Lola Tiga and Gunn the grid was packed with very different looking cars for two Races that would decide the Champion of Sports 2000.
Race 1 went the way of Michael Gibbins in his MCR S2 with a lap speed of 1:28.717 Second Place was Joshua Law in his MCR S2 with Third Place going to Tom Stoten in his Gunn TS11 Sports 2000 Machine.
Race 2 saw Michael Gibbins take Victory for the Second time with Second Place now going to Tom Stoten and Third Place to Josh Law to Round off Another Fantastic Day from the Days Events.
Radical SR1 Cup
Radical SR1's are considered the Fastest Track Day cars in their Respective class and the Racing witnessed definitely provided that to everybody.
Race 1 saw James Pickerton take the First Victory of the day in his Radical SR1 Gen 2 car with a lap time of 1:31.773 Second Place went the way of Mackenzie Walker in his Radical SR1 Gen 2 with Third Place Will Hunt rounding out the leader board.
Race 2 Saw Will Hunt strike back and take the Victory from James in an Epic Battle thought the Race. Mackenzie Walker finished Second while James Pinkerton had to settle for Third Finishing the day off with another Awesome Race to Remember.
Toyota Tyres 7 Racing Series
Toyota Tyres 7 is a Racing series for Caterham Race Cars with the Focus being around The Caterham Race car and there were plenty on Show during the Race with constant battles between all the Drivers taking place.
Race 1 saw Phil Jenkins take Victory in his Caterham 420R with a lap time of 1:37.347 Second Place saw John Mitchell with Third Place being Alexander Koeberle.
Race 2 saw Phil Jenkins once again storm to Victory with a dominant Performance in Second Place was John Mitchell and Third was Alexander Koeberle to Finish off an amazing day of Racing at Brands Hatch.
Congratulations to all of the Race Winners and see you all again Next Year where a New Champion May Rise from the Ashes.
I appreciate all your comments, favs, notes and expos, long or short!
Thank you very much to all!
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Posadas - Misiones - Argentina
More Info: - Wikipedia -.-
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© Pablo Reinsch Photography
Please don't use this image without my permission.
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The Combined Array for Research in Millimeter-wave Astronomy (CARMA) was an astronomical instrument comprising 23 radio telescopes. These telescopes formed an astronomical interferometer where all the signals are combined in a purpose-built computer (a correlator) to produce high-resolution astronomical images. The telescopes ceased operation in April 2015 and were relocated to the Owens Valley Radio Observatory for storage.
Solar array on rooftop of Asian Pacific Health Care offices with Hollywood Hills in background, Los Angeles, California, USA