4N1M3 4R7 (ANIME ART) =]
View allAll Photos Tagged arjuna
Arjuna-Welirang mountain
Still the same location as the previous picture ☞ flic.kr/p/2or6yVs, but now it's focusing on the mountain instead of the flower
JAVA LOCAL CULTURE
Sugih tanpo bondo
Digdoyo tanpo aji
Trimah mawi pasrah
Sepi pamrih tebih ajrih
Langgeng
Tanpo susah, tanpo seneng
Anteng mantheng
Sugeng jeneng
people who already feel rich even though they don't have material things. because he is satisfied with what is in him.
he is very powerful, but he never uses his spells to defeat his enemies
if we do everything sincerely,
there will never be fear in our hearts.
and we will live in peace forever
in sorrow and happiness
keep calm will live up to your name
La Descente du Gange (appelé aussi la pénitence d'Arjuna) est un bas-relief datant du VIIe siècle, probablement le plus grand au monde.
Les sculptures qui couvrent la totalité de la surface de deux énormes rochers, soit 27 mètres de long sur 9 mètres de haut, dépeignent le cours du Gange depuis les Cieux et l'Himalaya tel que décrit dans le Panchatantra.
___________________________
The Descent of the Ganges
The Descent of the Ganges (also called Arjuna's Penance) is a bas-relief dating from the seventh century, probably the largest in the world.
The sculptures that cover the entire surface of two huge rocks, 27 meters long (89 ft) and 9 meters (30 ft) high, depicts the course of the Ganges from heaven and the Himalayas as described in the Panchatantra.
___________________________
Mahabalipuram - Tamil Nadu
La Pénitence d'Arjuna ou la Descente du Gange, son autre désignation, est un monument situé à Mahabalipuram, près de la Côte de Coromandel sur le Golfe du Bengale. Le site fait partie du district de Kanchipuram de l'état du Tamil Nadu, en Inde.
Mesurant presque 30 m de long pour 13 m de haut, il s'agit d'un bas-relief géant à ciel ouvert sculpté sur deux blocs rocheux séparés par une faille.
Le monument fait partie du groupe des monuments de Mahabalipuram qui ont été inscrits sur la Liste du patrimoine mondial par l'UNESCO depuis 1984 et sous la responsabilité, en tant que monument protégé, de l'ASI Archaeological Survey of India.
La légende représentée par le bas-relief est interprétée de deux façons contradictoires :
la pénitence d'Arjuna
l'histoire de la descente du fleuve sacré, le Gange, vers la terre depuis les cieux sous la conduite de Bhagiratha, tel que décrit dans le Panchatantra.
L'attribution de ce relief à un épisode du Ramayana ou du Mahabaratha fait encore débat et est très souvent sujet à polémique dans les milieux universitaires. Le thème de la pénitence relié au Gange illustré dans ce rocher, pourrait en effet être une double narration simultanée des histoires d'Arjuna, de celle de Bhagiratha ou même une triple narration, ces personnages mythiques personnifiant en fin de compte le roi Narasimha Varman lui-même et le fleuve étant comparé à la dynastie Pallava, tous deux "descendant" de Vishnou.
In the Mahabharata, Arjuna's celestial chariot was called Kapi Dhwaja , which could conquer all directions. The chariot was donated to Arjuna by Agni, the fire-god and driven by Sarathi Lord Krishna.
wonosobo central java
built in 8th century ,this was a Hindu temple located in dieng platue approx 2000m height from the sea level.
did you see something inside there ?
Draupadi et Arjuna rathas sur le même upapitha (plate-forme secondaire) sur le site Five Rathas (Pancha Rathas) à Mahabalipuram dans l'état du Tamil Nadu en Inde.
In the Mahabharata story, Karna is known as Arjuna's main enemy. Both compete to always be the best. In the arts of archery and soldiering, they are said to have comparable abilities. But, I dare say, Karna is one level above his rival. It is not easy to defeat Karna in a battle. In Baratayudha, for example, Basudewa Krisna needed to use many tricks so that his beloved disciple Begawan Parashurama could be defeated by Arjuna. Karna was successfully killed. He was killed when he was unarmed, when all his knowledge suddenly disappeared from him. At the end of his death, just as Arjuna's Gandhiwa arrow was about to be released, Karna remembered a curse that his teacher, Parashurama, had uttered. "There will come a time when all your knowledge will be lost, when the most decisive moment in your life will be on the verge of death." The curse helped Arjuna win in a most decisive battle. The war in Kurusetra, which was originally held to uphold dharma (virtue) and eradicate evil, was instead covered in the stain of dishonesty. Betrayal after betrayal was designed to prevent Karna's victory. Something that great warrior characters like Krishna and Arjuna should not do. However, in the war that was already underway, all the tactics and tricks were usually used to achieve victory. Karna's archery skills, equipped with a shield attached to his body since birth, make his opponents afraid. Not a single weapon could injure his body. He was also gifted with Pashopati, a magical weapon given by God Indra. Just by saying one name, the magic weapon can complete its purpose. Any knight as much as possible avoids open war with Karna.
However great Karna was, during his life, he never received public recognition just because of the Putrasuta (charioteer's son), the lowest caste in the Vedic era. The caste system and values in society at that time had made Vrusali's husband defeated by a narrow view of life. Where the knowledge and abilities of someone other than a Brahmin or Kshatriya are considered errors. In this era where sand is crumbling like sand, social status has become the most powerful measuring tool to determine a person's honor. Display obscures capabilities. Form trumps content. The skin submerges the core. And finally someone will be respected, looked up to, liked, approached, even loved because of their origin, lineage and social status. Not because of knowledge and ability.
Tramonto autunnale sulle colline (rivisitato) - Autumn Sunset on the Hills (Rivisited).
The Hills of Monferrato was declared a UNESCO World Heritage site.
THANKS A LOT FOR YOUR VISIT AND COMMENTS.
Tutti i diritti riservati © Utilizzare la foto senza autorizzazione del proprietario è illegale.
© Please do not use without my explicit permission. Ask me !
© All Rights Reserved
Manu Arjuna 2012
RIPRODUZIONE RISERVATA
--------------------------------------
Thanks to "+70 preferite/favorite" group for the warm welcome.
Ritenuta la struttura più grande del mondo nel suo genere, inscritta su due massi monolitici, il sito Patrimonio dell'Umanità dell'UNESCO della Penitenza di Arjuna (tapas) è un bassorilievo, che misura 43 piedi di altezza e 100 piedi di lunghezza. Ha oltre 100 sculture di dei, uccelli, bestie e santi. La reliquia raffigura una scena dell'epico Mahabharata, in cui Arjuna sta pregando intensamente e compiendo penitenza a Lord Shiva per chiedergli il suo arco potente e divino. Si dice che Arjuna avesse bisogno di questo arco nella battaglia di Mahabharata per sconfiggere i Kaurava. Un'altra leggenda attribuisce al sito il nome della discesa del Gange, poiché si crede che sia il luogo in cui il re Bhagiratha eseguì la penitenza e pregò il Signore Shiva, in piedi su una gamba sola, di lasciare che il fiume Gange scendesse dal cielo in modo da poter ottenere la salvezza per suoi antenati.
Believed to be the world's largest structure of its kind, inscribed on two monolithic boulders, the UNESCO World Heritage Site of Arjuna's Penance (tapas) is a bas-relief, measuring to 43 ft height and 100 ft length. It has over 100 sculptures of gods, birds, beasts and saints. The relic depicts a scene from the epic Mahabharata, where Arjuna is praying hard and performing penance to Lord Shiva to ask him for his powerful and divine bow. It is said that Arjuna needed this bow in the battle of Mahabharata to defeat the Kauravas. Another legend gives the site the name of descent of the Ganges, as it is believed to be the spot where king Bhagiratha performed penance and prayed to Lord Shiva, standing on one leg, to let River Ganges descend from heaven so he could gain salvation for his ancestors.
Set Esoteric - Ezoteryka www.flickr.com/photos/arjuna/sets/72057594082135474/
Kālacakra (Kālacakra Laghutantra; Sanskrit, von Zeit (Kāla) und Rad (Cakra), meist mit Das Rad der Zeit übersetzt) ist ein spezielles Praxissystem aus der Gruppe der Annuttarayogatantras (unübertreffliches Yogatantra) des tibetischen Buddhismus. Der Name Kalacakra bezeichnet zugleich die tantrische Gottheit, als auch das der Praxis dieser Gottheit zugrundeliegende Wurzeltantra
de.wikipedia.org/wiki/Kalacakra
Kālacakra(Sanskrit: कालचक्र; IAST: Kālacakra; Telugu : కాలచక్ర Tibetan: དུས་ཀྱི་འཁོར་ལོ།; Wylie: dus-kyi 'khor-lo) is a Sanskrit term used in Tantric Buddhism that means "time-wheel" or "time-cycles". It refers both to a Tantric deity (Tib. yidam) of Vajrayana Buddhism and to the philosophies and meditation practices contained within the Kalachakra Tantra and its many commentaries. The Kalachakra Tantra is more properly called the Kalachakra Laghutantra, and is said to be an abridged form of an original text, the Kalachakra Mulatantra which is no longer extant. Some Buddhist masters assert that Kalachakra is the most advanced form of Vajrayana practice; it certainly is one of the most complex systems within tantric Buddhism.
The Kalachakra tradition revolves around the concept of time (kāla) and cycles (chakra): from the cycles of the planets, to the cycles of human breathing, it teaches the practice of working with the most subtle energies within one's body on the path to enlightenment.
The Kalachakra deity represents a Buddha and thus omniscience. Since Kalachakra is time and everything is under the influence of time, Kalachakra knows all. Whereas Kalachakri or Kalichakra, his spiritual consort and complement, is aware of everything that is timeless, untimebound or out of the realm of time. In Yab-yum, they are temporality and atemporality conjoined. Similarly, the wheel is without beginning or end.[1]
OM HANG KSZIA MA LA ŁA RA JA SOHA - potężnych 10 sylab, mantra Kalaczakry
Jeden z najbardziej popularnych symboli ochronnych w Tybecie
Arjuna Temple, Semar Temple, Srikandi Temple and Puntadewa Temple @ Arjuna Temple Complex Dieng on Banjarnegara regency, province of Central Java, Indonesia.
"Thank you very much for all your faves and stay healthy" 😃
Baden bei Wien Album 1. Fotogalerie www.flickr.com/photos/arjuna/sets/72057594130777924/
en.wikipedia.org/wiki/Baden_bei_Wien
de.wikipedia.org/wiki/Baden_bei_Wien
pl.wikipedia.org/wiki/Baden_bei_Wien
www.baden.at/redirect.asp?nav=screen/nav_tour_frei.shtml&...
Die Stadt Baden liegt ca. 26 km südlich von der Bundeshauptstadt Wien an der Thermenlinie. Vom Westen kommen die Ausläufer der Kalkalpen, vom Osten das Wiener Becken bis in die Stadt.
15 Schwefelthermen machen Baden zu einem bekannten Heilbad und Kurort. Aber auch als Weinbaugebiet - bedingt durch die Lage im pannonischen Klimaraum - ist Baden anerkannt und beliebt.
Die Besiedlung von Baden läßt sich bis in die Steinzeit zurückverfolgen. Ein Abschnitt davon wird sogar als "Badener Kultur" bezeichnet. Von den Römern werden bereits die Thermalquellen von Baden genützt. Der Name "Padun" wird zum ersten Mal auf einer Urkunde aus dem Jahr 869 gefunden.
1480 erhebt Kaiser Friedrich III. Baden zur Stadt und gibt ihr ein Wappen - ein nackter Mann und eine nackte Frau in einem Badeschaff.
Stadtwappen von Baden
Trotz der Zerstörung in 2 Türkenkriegen (1529 und 1683), zweier großer Brände im 18. und 19. Jahrhundert und dem mehrmaligen Auftreten der Pest wird Baden immer wieder aufgebaut und gewinnt neues Leben. Grund dafür ist sicherlich die günstige Lage.
Die Glanzzeit von Baden beginnt im 18. Jahrhundert. Dazu trägt Kaiser Franz I. stark bei, der sich oft in Baden aufhält und es gleichsam zu seiner "Sommerresidenz" macht. In seinem Gefolge treffen einander nicht nur der Hof und die Aristokratie, sondern auch Künstler im Badener Kurpark. Kein anderer späterer Kaiser widmet jedoch Baden die gleiche Aufmerksamkeit wie Franz I.
Doch Baden versteht es, sich trotzdem bekannt zu erhalten. 1841 erreicht die Südbahn die Stadt und eröffnet so durch die nun größere Wien-Nähe den Aufstieg zum Nobelkurort. Auch einige Erzherzöge wenden sich wieder Baden zu und verlegen ihre Sommerresidenzen hierher. Der Tagesfremdenverkehr wird durch den Anschluß an die Südbahn merklich vermehrt.
In der Gründerzeit (Ende des 19. Jahrhunderts) siedeln sich Vertreter des Wiener Großbürgertums in Baden an und beginnen das Villenviertel aufzubauen.
Durch Probleme mit dem Anschluß an die Bahn - die Südbahn läßt Baden etwas im Stich - setzt sich der Ausbau der Badener Tramwaygesellschaft durch. Zunächst als Pferdebahn nach Rauhenstein, später elektrifiziert, ausgebaut mit Linien nach Bad Vöslau, einer Ring-Rund-Linie und schließlich mit durchgehendem Verkehr vom Badener Josefsplatz bis zur Wiener Oper wird die Stadt verkehrsmäßig erschlossen.
Die Infrastruktur für den Fremdenverkehr wird laufend erweitert. Gebaut werden die Schwimmanstalt, Dampf- und Wannenbäder, die hölzerne Trinkhalle, die Sommerarena, es wird aber auch der Kurpark erweitert. Privat entstehen Hotels wie der "Grüne Baum", das "Sacher", "Central", "Legenstein", "Esplanade", "Bellevue", die Kuranstalt "Gutenbrunn" und der "Herzoghof". Schließlich wird von der Stadt auch das Kurhaus als Gesellschaftszentrum errichtet. Das neue Stadttheater und die Trabrennbahn runden das Angebot für die Gäste ab.
Die Einwohnerzahl von Baden steigt von ca. 5.100 im Jahr 1850 auf ca. 20.000 im Jahr 1931, die Anzahl der Kurgäste von ca. 6.500 auf ca. 50.000 im gleichen Zeitraum. Aus der verträumten Sommerfrische des Biedermeiers ist ein Nobelkurort geworden.
In der Zwischenkriegszeit wird weiter gebaut, erweitert und renoviert. Alle diese Aktivitäten verleihen der Stadt eine große Attraktivität für Gäste aus Österreich aber auch aus den Nachfolgestaaten der Monarchie.
Set Mira - Wasserfälle - Muggendorf Niederösterreich
www.flickr.com/photos/arjuna/sets/72157594282862528/
The Myrafälle, a natural monument. Gutensteiner Alpen
The Myra stems from the fabled Myralucke at the feet of the sub-Berg. It is headed by a subterranean lake fed. At the moment it is Karnerwirt the way through a small dam closed. Then it crashes through close Fellschluchten countless cataracts in depth. In the valley is water in the lower corners again gathered dust. Previously Myratal rattle in many water wheels. Mills and sawmills were so driven. Until a few years generated by the turbines in an electrical storage power. Migrates to the many bridges and footbridges through the narrow valley, romantic, you can even today, especially when the snow melt, not the fascination with power and energy of the untamed Myra escape.
The Austrian Tourist Club (Oetker) maintains the plant for over a hundred years
(22 wooden bridges must be supervised, monitored and maintained in order).
Wiecej informacji - More information - More information
Die Myrafälle, ein Naturdenkmal.
Die Myra entspringt aus der sagenumwobenen Myralucke am Füße des Unterbergs. Sie wird von einem unterirdischen See gespeist. Beim Karnerwirt wird ihr vorerst der Weg durch eine kleine Staumauer versperrt. Danach stürzt sie durch enge Fellschluchten über unzählige Katarakte in die Tiefe. Im Tal wird ihr Wasser im unteren Staubecken wieder gesammelt. Früher klapperten im Myratal viele Wasserräder. Mühlen und Sägewerke wurden damit angetrieben. Bis von einigen Jahren erzeugten die Turbinen in einem Speicherkraftwerk elektrischen Strom. Wandert man die vielen Brücken und Stege durch das enge romantische Tal hinauf, kann man sich auch heute, vor allem bei der Schneeschmelze, nicht der Faszination an Kraft und Energie der ungebändigten Myra entziehen.
Der Österreichische Touristenklub (ÖTK) pflegt die Anlage seit über hundert Jahren
(22 Holzbrücken müssen betreut, überprüft und instandgehalten werden).
www.gdecooman.fr - Photographe à Lille - portfolio, stages photo, mariages, naissance / bébé, évènements
Midjourney Ai creation prompt: Lord Krishna as charioteer, riding a divine golden chariot with four galloping white horses, battlefield of Kurukshetra in the background, Krishna with serene face, peacock feather crown, holding reins, Arjuna behind him with bow, epic war clouds, ancient armor, dramatic lighting, divine aura, dust and chaos around --ar 3:2 --v 7
Arjuna ascended in his heavenly chariot, driven by white horses that flew faster than the wind. He turned his gaze upward, where Ashwatthama, the son of Drona, in his flying vehicle, split the sky like a fiery meteor.
(The celestial battle between Arjuna and Ashwatthama, including the use of the Brahmastra, comes from the Indian epic the Mahabharata, one of the oldest and most important works of Indian culture)
This magnificent relief, carved in the mid-seventh century, measures approximately 30m long by 15m high. The subject is either Arjuna's Penance or the Descent of the Ganges, or possibly both. Arjuna's Penance is a story from the Mahabharata of how Arjuna, one of the Pandava brothers, performed severe austerities in order to obtain Shiva's weapon. The Ganges story is of the same kind, in which the sage Bhagiratha performs austerities in order to bring the Ganges down to earth. Shiva had to consent to break her fall in his hair, because otherwise its force would be too great for the earth to contain. The symbolism of the relief supports both stories.
Dans cet épisode célébre du Mahabaratha, Arjuna se livre à une pénitence pour obtenir l'arme Pashupata du dieu Shiva. Il est dérangé par un sanglier et entreprend de le chasser.
Shiva prend alors lui-même l'aspect d'un chasseur et prend Arjuna à partie. Ayant reconnu sa valeur, il lui donne finalement l'arme désirée.
La scène sculptée montre Arjuna en pénitence et Shiva tenant l'arme dans sa main droite. Shiva est entouré de nains.
___________________________
Mahabalipuram - Arjuna's Penance
In this famous episode of the Mahabharata, Arjuna is engaged in penance in order to obtain the Pashupata weapon from the god Shiva. He is bothered by a boar and starts to chase it.
Shiva gives himself the appearance of a hunter and takes Arjuna to task. Having recognized his value, he finally gives the desired weapon.
The carved scene shows Arjuna penance and Shiva holding the weapon in his right hand. Shiva is surrounded by dwarfs.
___________________________
La descente du Gange / The Descent of the Ganges - Mahabalipuram - Tamil Nadu
de.wikipedia.org/wiki/Arjuna_(Mythologie)
Arjuna or Arjun(Sanskrit: अर्जुन, arjuna) is one of the heroes of the Hindu epic Mahābhārata, whose name means 'bright', 'shining', 'white' or 'silver' (cf. Latin argentum). Arjuna was such a peerless archer that he is often referred to as Jishnu - the undefeatable. The third of the five Pandava brothers, Arjuna was one of the children borne by Kunti, the first wife of Pandu. Arjuna is considered to be an incarnation of Nara, the younger brother of Narayana.[1] [2] He is sometimes referred to as the 'fourth Krishna' of the Mahabharata.[3]
Album Esoteric - Ezoteryka www.flickr.com/photos/arjuna/sets/72057594082135474/