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a horse-drawn carriage with two horses harnessed to it and a driver seated on the carriage. London, England, 倫敦
Called "The Berm-house" this is an amazingly well designed Mid-Century Modern Home; a fantastic "A"-frame with clear Glazing at either ends, so there are few windows facing the street, whilst surrounded by many old growth trees.
Vizcayne (formerly known as "Everglades on the Bay") is an urban development in the City of Miami, Florida, United States. It is located in northeastern Downtown. It consists of two residential skyscrapers, North Tower and the South Tower as well as a retail center. The buildings were topped out (reached full height) in 2007, and were completed in early 2008. They are located on Biscayne Boulevard between Northeast 2nd and 3rd Streets. The complex consists of two twin towers and the Everglades Plaza. Both towers are 538 ft (164 m) tall, and each has 49 floors. The Everglades Plaza is a retail and community center at the base of both towers, connecting both and occupying the entire city block. The main entrance to the plaza is on Biscayne Boulevard. The towers provide retail on the street level and the rest of the floors are used for residential units. Specifically, floors 2-7 are flats and lofts, and floors 8-49 are condo units. The architect of these buildings is Fullerton-Diaz Architects, Inc. The developer is Cabi Developers, a division of GICSA. The complex is located at the site of the former Everglades Hotel, which was closed in 2003 and imploded on January 23, 2005 to make room for the new towers.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/Vizcayne
www.emporis.com/buildings/203912/everglades-on-the-bay-no...
Man designs the best buildings and facilities. He copies nature and animals -
Railways and planes take the shape of a shark, etc.
But man never achieves the precision and beauty of nature - what a miracle alone is the tree -
In my picture in the foreground, was created by man, the background painted nature,
Lens Leica M Summilux 1.4/35mm ---- (f5,6) BodyM10
The Summilux is one of the best lenses in the world - sharp to the corners and no distortion of the lines, and also very bright - but for me nature loves it even more.
Voir toute la série d'une quinzaine de photos, avec les villas voisines, du même architecte lorrain, Charles Hindenayer (quelquefois écrit Hindermeyer), inspiré par l'Art Nouveau allemand
fr.wikipedia.org/wiki/Plombi%C3%A8res-les-Bains#L.27H.C3....
CPA date non précisée, gens aux fenêtres "Hôtel Métropole"
autre CPA www.vosgescpa.fr/Plombieres-les-Bains/slides/Plombi%C3%A8...
A.V.A.N.C.E.E association créée dans l'urgence en août 2004 après que des particuliers aient tenté en vain d'établir le bien-fondé de la démolition controversée de l'ex-hôtel Métropole : avancee.free.fr/Principal.htm onglet "Hôtel du Parc" 2006
>>document 2005-2008: une sorte d'historique de leur action
>> leur blog : avancee.over-blog.com/article-22254077.html
>> www.poncon.com/dolo/plombier.htm 2005
article 2012 avec photos: stephane-gavoye.fr/2012/05/05/plombieres-les-bains-sinist...
article 2013 avec photos: www.enattendantmieux.org/lorraine/?p=6105
Photos de Plombières avvincentphotos.piwigo.com/index?/category/50-plombieres_...
2014: archieturbanisme.canalblog.com/archives/2014/02/12/291811... Pas vraiment de neuf sur le sujet mais fiche dans article précédent sur l'architecte: archieturbanisme.canalblog.com/archives/2014/10/19/291811...
PS: de nouveau en vente
economie.vosges.fr/cmsfiles/carte_vosges/local_entreprise...
Vizcayne (formerly known as "Everglades on the Bay") is an urban development in the City of Miami, Florida, United States. It is located in northeastern Downtown. It consists of two residential skyscrapers, North Tower and the South Tower as well as a retail center. The buildings were topped out (reached full height) in 2007, and were completed in early 2008. They are located on Biscayne Boulevard between Northeast 2nd and 3rd Streets. The complex consists of two twin towers and the Everglades Plaza. Both towers are 538 ft (164 m) tall, and each has 49 floors. The Everglades Plaza is a retail and community center at the base of both towers, connecting both and occupying the entire city block. The main entrance to the plaza is on Biscayne Boulevard. The towers provide retail on the street level and the rest of the floors are used for residential units. Specifically, floors 2-7 are flats and lofts, and floors 8-49 are condo units. The architect of these buildings is Fullerton-Diaz Architects, Inc. The developer is Cabi Developers, a division of GICSA. The complex is located at the site of the former Everglades Hotel, which was closed in 2003 and imploded on January 23, 2005 to make room for the new towers.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/Vizcayne
www.emporis.com/buildings/203912/everglades-on-the-bay-no...
© All Rights Reserved - you may not use this image in any form without my prior permission.
This skyscraper rises 492.83 feet and has 45 stories. It has 121 condos and 238 rooms in a Hyatt Centric hotel. Condo prices start in the $800,000s to over $2 million with sizes from 1,501 to 2,964 square feet.
The project at 100 E. Las Olas Blvd. will also have 8,500 square feet of restaurants and retail on the ground floor, plus separate pool decks for the condo residents and hotel guests.
“We are seeing great demand for condos at this coveted urban address,” said Bob Vail, president of Kolter Urban. "Downtown Fort Lauderdale has emerged into a strongly desired destination offering a full array of lifestyle, economic and cultural diversity, employment, fine dining, world-class shopping and incredible performing arts venues. There is no doubt that 100 Las Olas will redefine the city’s skyline as well as redefine urban living in Fort Lauderdale.”
Kast Construction is the general contractor. It should finish 100 Las Olas in fall 2019.
Pinar Harris and Stefano Falbo of SB Architects designed the project, with interiors by Simeone Deary Design Group and Bob Martin of Decorators Unlimited.
“The project is hot because it is perfectly located in the heart of the city’s resurging arts and entertainment district," said Peggy Fucci, CEO of OneWorld Properties, the project’s condo broker. “Buyers are attracted not only to the beautiful residences and amenities but also to the fact they’ll be able to walk to Las Olas boutiques, restaurants, galleries, museum, events, and New River docks."
The developer acquired the 38,325-square-foot site in 2015 for $17.25 million.
By Brian Bandell – Senior Reporter, South Florida Business Journal
Mar 28, 2017, 6:02am EDT Updated Mar 29, 2017, 2:15pm
Credit for the data above is given to the following websites:
www.emporis.com/buildings/1302644/100-las-olas-fort-laude...
www.bizjournals.com/southflorida/news/2017/03/28/fort-lau...
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1qRkDQr
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snapchat /add/ nextarch | by @hoodass #cinema4d #render | #nextarch #next_top_architects
by @next_top_architects on Instagram.
Architect: James Miller
James Miller FRSE FRIBA FRIAS RSA (1860–1947) was a Scottish architect, recognised for his commercial architecture in Glasgow and for his Scottish railway stations. Quoted from Wikipedia
Architect: William Krisel (1960)
Sorry for the bad shot. I took it through the glass.
Conceived as an experiment in modern living, it was the personal residence of Bob and Helene Alexander (the developer who was responsible for building most of Palm Springs' mid-century modern tract homes). It was featured in a spread in Look magazine in 1962. The Alexanders were killed in a plane crash in 1965. Elvis rented this house for himself as a quiet place to get away, and had plans to hold his wedding here until word got out and the press turned it into a circus, so they ran off to Vegas, instead. But it is famous as the home where Elvis and Priscilla Presley spent their honeymoon.
Architect: Rafael Viñoly and SLCE Architects, LLP
Location: 432 Park Avenue, New York City
Height: 1,396ft (432m)
Floors: 88
Type: Residential
Total cost: $1.3 bln
Projected sales: $3.1 bln
Topped out, this is currently the tallest building (roof) in New York City and the tallest residential tower in the World soon to be surpassed by One Central Park tower.
You can download Architect 023 in your computer by clicking resolution image in Download by size:. Don't forget to rate and comment if you interest with this wallpaper.
60L$ Happy Weekend sale is available only @Mainstores of the participating Designers, May 14-15
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Architect:
Built in: 1898
Client: CA Richter
Ribersborg open-air bath (Ribersborgs kallbadhus in Swedish) is an open-air public bath on the Ribersborg beach in Malmö, Sweden. The bath was inaugurated in June 1898 and was an initiative by manufacturer C.A. Richter. The bath has been reconstructed several times over the years and parts of the building have recently been restored by architect Bengt Jacobson to the appearance of the year 1902. The lightweight open wood structure with horizontal panel has been given a design that is significant of Swedish spa architecture.
The bathhouse is open for a skinny dip all around the year with separate areas for men and women. The Ribersborg open-air bath is owned by the city of Malmö since 1966 and became a listed building in 1995.
Designed by schmidt hammer lassen architects in 1999
The Royal Library is with its clean-cut lines and glittering polished surfaces one of the most significant architectural landmarks on the Copenhagen waterfront. Clad in black granite, the extension to the Royal Library is known as The Black Diamond.
Situated in the historic heart of Copenhagen, the extension marks a radical shift from traditional library structure and accommodates a range of cultural facilities. Open and essentially democratic, the building includes scientific and literary institutions, exhibition rooms, a bookshop, a café and a restaurant, as well as a roof terrace and a hall with 600 seats for concerts, theatrical performances and conferences. The extension has doubled the library’s overall size. The open shelves can accommodate more than 200,000 books compared to the previous capacity of 45,000 books. There are six reading rooms with a total of 486 seats.
The new library has seven storeys plus a basement. The solid black cube is divided in two by a vast glazed atrium housing the majority of public functions. This central space, affording panoramic views over the waterfront, also serves as a significant source of daylight which is dispersed throughout the building.
The Royal Library has become an icon for Copenhagen – a prominent, accessible and public focal point for the life in the city. The aim of the design was to create an informal meeting place for citizens in Copenhagen, students, tourists and restaurant guests. The dynamic rooms are crowded with people and filled with movement and life, and in a sophisticated way, the building connects the public and private areas. The purpose of the public space around the building is to create a natural meeting point for everyone in Copenhagen.
herlev hospital, 1960-1976, copenhagen, denmark.
architects gehrdt bornebusch (1925-2011), max brüel (1927-1995) & jørgen selchau (1923-1997)
a childhood favourite
Architect: C.F. Møller
Built in: Phase 1: 2008-2011, phase 2: 2011-
Client: Annehem Fastigheter AB
Point Hyllie will be an important part of the new urban space around Hyllie station square. The development consists of four tower blocks rising up from a column-supported base.
The tallest building will be approximately 95 m high, the next-tallest 49 m, and the final two between 29 and 23 m high. The two tallest buildings, the twin towers, will according to the architect symbolize a gateway to Sweden.
The project will encompass 300 homes as well as offices and shops, and will form a distinctive landmark in the area.
Port House Antwerp, Belgium by Zaha Hadid Architects.
The Port House combines a new beam-shaped structure and a former fire brigade building into a new headquarter building for the Port Authority. The project is strategically located between city and harbour, with magnificent views over both the centre and the port from behind the articulate glass walls – some transparent, others reflective – in reference to the Antwerp diamond trade.
In early September 2012 Zaha Hadid gave the official order to begin construction work on Port House, the new headquarters for Antwerp Port Authority on the Kattendijk dock. The new Antwerp Port Authority headquarters will house approximately 500 staff in a single new location that comprises both a former fire station and a new extension. Together, these two entities form an impressive new landmark as the headquarters of the Antwerp Port Authority, overlooking both the city and the harbour. Staff and visitors arrive in the central atrium from where public counters, offices and meeting rooms in the existing building are directly accessible. The offices, meeting rooms, auditorium and panoramic restaurant in the new extension are accessible via panoramic lifts just off the central courtyard. Two underground levels of car and bicycle parking, the restoration and renovation of the existing building and the exterior landscaping of the site also form an integral part of the design. The new extension is positioned asymmetrically over the central courtyard, allowing light to enter the heart of the building. Leaving the existing structure untouched, it is supported by two sculpted concrete pillars that house stairs and lifts as well as a series of carefully placed steel columns that land in the courtyard. The new volume is enclosed by articulated surfaces of triangular glass panels which are slightly rotated with respect to one another to achieve ever-changing reflections that enhance its diamond shaped geometry. From the new building visitors will have a truly impressive view over the city as well as the port, so further strengthening the dialogue between the people of Antwerp and their port.
Total Floor Area: 12,800m2 (Gross); 114m Length; 24m Width; 46m Height (4 Extra Floors) Site Area: 16,400 m2 Date: 2008-2016.
Sluishuis housing Amsterdam
At the place where urban, rural areas and water meet in Amsterdam IJburg, Sluishuis has been realised: the iconic housing project designed by Bjarke Ingels Group (BIG) and Barcode Architects. Sluishuis forms a welcoming entrance to Amsterdam IJburg. The volume is elevated on one side to allow the water into the courtyard and stepped down on the other side to make an inviting gesture towards IJburg with friendly green terraces. From every angle, you experience the Sluishuis volume differently. Whether you are standing on the dyke, motorway or bridge, walking across the jetties or public route over the roof, or even viewing the building from the air: Sluishuis knows how to surprise you from all sides. The residential programme consists of 442 apartments. Rental and owner-occupied homes alternate throughout the building and provide space for various target groups, income levels and age categories. All apartments are accessible via the central courtyard. There, the cantilever and the water welcome you to the building. Each home has optimal views and daylight thanks to the special shape of Sluishuis with its double-cut volume.
Sluishuis has a rich diversity of housing typologies, such as compact urban studios and water sports apartments. On the top two floors are duplex penthouses with both a relationship with the courtyard and a view over the IJmeer. Premium flats with luxurious and sunny wooden roof terraces with views over IJburg are located on the stepped part. Extra special are the apartments at the bottom of the cantilever, with stunning views over the IJ and directly on the water. What makes these apartments so unique is that they hang over the water and in the part of the floor that runs along with the sloping façade, there is a large window through which you can see the boats sail right underneath you. The plinth will accommodate a varied programme including a sailing school, water sports centre and restaurant with a spacious terrace in the sun. Residents and visitors enter through the courtyard. The walkway to the roof of Sluishuis offers visitors and residents a spectacular view of the water and the neighbourhood. There is also a jetty promenade with 34 houseboats around the building. The jetty landscape stimulates contact with the water with various mooring places, sitting decks, and floating gardens. The carefully designed landscape also stimulates flora and fauna with local plant species and a bird island. In this way, the plinth and the surrounding landscape form a high-quality addition to the environment.
In its materiality, the building seeks contrast but also a connection with its surroundings. In the material palette, natural materials have been chosen so that the building will have a rich and natural appearance over the years. The abstract, untreated aluminium of the façade reflects the water and gives the volume a different appearance at any time of day. In contrast, the stepped roof terraces and the jetty promenade are made of wood, which gives a tactile appearance. Sluishuis is one of the most sustainable buildings recently completed (2022). It has an energy performance coefficient (EPC) of -0.02. The building's heating requirements have been minimised by combining excellent insulation techniques, triple glazing and heat recovery from the ventilation systems and showers. The building is heated by a combination of energy-efficient district heating and heat pumps for hot water and cooling. The building's energy consumption for heating, heat pumps, ventilation and LED lighting is fully provided by approximately 2,200 m2 of solar panels. In addition to these technical aspects, a great deal of attention was paid to the greenery and water collection in the development of Sluishuis. At the front, sides and in the courtyard are gardens with local plant species. The greenery runs across the roof terraces upwards in built-in planters. On the roof, this creates a pleasant green atmosphere.
Client // Contractor
BESIX RED, VORM // Building consortium BESIX Nederland/VORM
Collaborators
BIG - Bjarke Ingels Group, BIG Landscape architecture, Van Rossum (structural engineer), Buro Bouwfysica (building physics), Klimaatgarant (sustainability), DWA
Year
2016 - 2022
Size
49.000m²
"Neo-Baroque tenement house from 1905-1906. Architect Otakar Bureš.
The Old Town of Prague (Czech: Staré Město pražské, German: Prager Altstadt) is a medieval settlement of Prague, Czech Republic. It was separated from the outside by a semi-circular moat and wall, connected to the Vltava river at both of its ends. The moat is now covered up by the streets (from north to south-west) Revoluční, Na Příkopě, and Národní—which remain the official boundary of the cadastral community of Old Town. It is now part of Prague 1.
Notable places in the Old Town include Old Town Square and Astronomical Clock. The Old Town is surrounded by the New Town of Prague. Across the river Vltava connected by the Charles Bridge is the Lesser Town of Prague (Czech: Malá Strana). The former Jewish Town (Josefov) is located in the northwest corner of Old Town heading towards the Vltava.
Prague (/ˈprɑːɡ/ PRAHG; Czech: Praha [ˈpraɦa]; German: Prag [pʁaːk]; Latin: Praga) is the capital and largest city of the Czech Republic and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters.
Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378) and Rudolf II (r. 1575–1611).
It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era.
Prague is home to a number of well-known cultural attractions, many of which survived the violence and destruction of 20th-century Europe. Main attractions include Prague Castle, Charles Bridge, Old Town Square with the Prague astronomical clock, the Jewish Quarter, Petřín hill and Vyšehrad. Since 1992, the historic center of Prague has been included in the UNESCO list of World Heritage Sites.
The city has more than ten major museums, along with numerous theatres, galleries, cinemas, and other historical exhibits. An extensive modern public transportation system connects the city. It is home to a wide range of public and private schools, including Charles University in Prague, the oldest university in Central Europe.
Prague is classified as a "Alpha-" global city according to GaWC studies. In 2019, the city was ranked as 69th most livable city in the world by Mercer. In the same year, the PICSA Index ranked the city as 13th most livable city in the world. Its rich history makes it a popular tourist destination and as of 2017, the city receives more than 8.5 million international visitors annually. In 2017, Prague was listed as the fifth most visited European city after London, Paris, Rome, and Istanbul.
Bohemia (Latin Bohemia, German Böhmen, Polish Czechy) is a region in the west of the Czech Republic. Previously, as a kingdom, they were the center of the Czech Crown. The root of the word Czech probably corresponds to the meaning of man. The Latin equivalent of Bohemia, originally Boiohaemum (literally "land of Battles"), which over time also influenced the names in other languages, is derived from the Celtic tribe of the Boios, who lived in this area from the 4th to the 1st century BC Bohemia on it borders Germany in the west, Austria in the south, Moravia in the east and Poland in the north. Geographically, they are bounded from the north, west and south by a chain of mountains, the highest of which are the Krkonoše Mountains, in which the highest mountain of Bohemia, Sněžka, is also located. The most important rivers are the Elbe and the Vltava, with the fertile Polabean Plain extending around the Elbe. The capital and largest city of Bohemia is Prague, other important cities include, for example, Pilsen, Karlovy Vary, Kladno, Ústí nad Labem, Liberec, Hradec Králové, Pardubice and České Budějovice, Jihlava also lies partly on the historical territory of Bohemia." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
(further information and pictures are available by clicking on the link at the end of section and of page!)
Synagogue St. Pölten
Exterior of the former St. Pölten Synagogue
The St. Pölten Synagogue was up to the November pogroms in 1938 the main synagogue of the Jewish Community of St. Pölten. The In the years 1912 to 1913 by the architects Theodor Schreier and Viktor Postelberg built Art Nouveau synagogue is located in the Dr. Karl Renner Promenade in St. Pölten and is now the headquarters of the Institute for Jewish History in Austria.
History
The old synagogue, which was demolished in favor of the new one
The first prayer rooms of in 1863 founded Jewish Community of St. Pölten were located in the premises of the former Kattunmanufaktur (cotton manufactory), the later Gasser factory at school ring. A building of this factory was adapted between 1885 and 1890 as a synagogue. This adaptation was associated with considerable effort, which is why the members of the Jewish community already since 1888 endeavoured to get a new building, until 1903 but this was rejected by the township. At this time, a redesign of the promenade was planned, which was only possible by demolition of the in the street course standing synagogue. After lengthy preparations, a preparatory committee was elected in April 1907, which in addition to building site and plans the necessary financing should provide.
1911, a building committee was chosen and agreed with the community a real estate exchange. At the architectural competition, which was tendered in the same year, participated among others Jacob Modern, Jacob Gartner, Ignaz Reiser and Theodor Schreier. The latter was together with his partner Viktor Postelberg by the Committee commissioned another project for a temple with room for 220 men and 150 women to submitt, which was then realized. The conditions for the planning work developed Rudolf Frass. The necessary funds were raised through collections and appeals for donations throughout the country, so that could be started with the construction in June 1912. The gilding works were carried out by Ferdinand Andri. After little more than a year of construction and 141 390 crowns total investment, the synagoge on 17 August 1913 was solemnly consecrated.
Destruction
On the night of 9th to the 10th November 1938 invaded several SS and SA members the rooms of the synagogue, smashed windows and set fire. The that night caused damage was limited, as the fire could be extinguished relatively quickly. On the following morning 300 to 400 people gathered, some in civilian clothes, in front of the building. They moved with the singing of political songs in the sacred spaces and destroyed them completely. The windows were broken, Torah scrolls, Torah shrine, benches and images burned. Even water pipes and door posts were torn from the walls. The books of the extensive library were largely thrown on the road and burned. Some people climbed the dome and tore the Star of David of the roof .
Almost all of the movable property of the Jewish community was destroyed or stolen . A limited set of books were placed in the city archives, the City Museum there's still a donation box and a painting of Emperor Franz Josef, which hung in the entrance area. A single prayer book is since 1998 owned again by the Jewish Community.
In the following years the side rooms of the building of the SA were used as an office, the interior was used among other things as furniture warehouse. 1942, the synagogue became the property of the city of St. Pölten, which used it as a detention center for Russian forced laborers. In last fightings and bombings in 1945 the building was further damaged.
1945
The Red Army used the former synagogue as a grain storage until it was in 1947 returned to the city. The application of restitution was recognized in 1952 by the city council, which then returned the synagogue to the Jewish Community Vienna. In the following years, the former house of God continued to decay as after the Holocaust no Jewish community in St. Pölten could establish. The domed roof showed severe damage, individual components were threatening to collapse completely and through the boarded windows came rain and snow into the by dovecotes populated house.
In 1975, the Jewish Community Vienna (IKG - Israelitische Kultusgemeinde Wien) offered the city of St. Pölten to purchase the synagogue, which did not accept the offer due to lack of uses. Then the Jewish Community Vienna wanted to initiate the demolition, but this was prevented by the fact that the Federal Monuments Office the building put under monument protection. Then it was renovated from 1980 to 1984. Here, for example, many wall paintings were recovered, on the other hand, some structural changes were made (especially removal of water basins for the ritual washing of the hands), since it was clear from the beginning that the building would not be used as a synagogue, but as an event center.
Since 1988 in the premises of the former synagogue the Institute for Jewish History of Austria is located, further regular events are realized. The original function the synagoge never could fulfill again, as too few Jews returned after the Holocaust to St. Pölten.
On the occasion of the 100th anniversary of the synagogue the City Museum in St. Pölten 2013/14 the building dedicates its own special exhibition. In doing so there is also shown a recently found photo of the interior before the destruction. It is also pointed out that the synagogue due to lack of funding already again is abandoned to a certain decay.
The St. Pölten rabbi
Interior of the synagogue with part of the dome ceiling, in the center of the former shrine
Name Period of office
Moritz Tintner 1863-1869
Adolf Kurrein 1873-1876
Samuel Marcus 1876-1878
Adolf Hahn 1878-1882
Jacob Reiss 1882-1889
Bernhard Zimmels 1889-1891
Leopold Weinsberg 1891-1897
Adolf Schächter 1897-1934
Arnold Frankfurt 1934-1936
Manfred Papo 1936-1938
Building description
Outside
The dominant element of the synagogue is the octagonal, completed by a large dome main building, to which the eastern and western side wings are attached. Connected to the synagogue is the former school building in Lederergasse 12.
Main tract
The main tract houses the former sanctuary. The facade is divided into a low ground floor, high upper floor and the dome. At the facade facing the street can be found in the two storeys each three windows, that are executed on the ground floor as low segmental arch windows with above running continuously cordon cornice. The windows on the upper floor, however, are high, rectangular windows, the space between them is divided by pilasters. The original stained glass windows were destroyed from 1938, today, clear glass can be found in the windows. Directly under the dome there is a large segment gable with representations of the Tablets of the Law, set in floral vines. Beneath it is written in Hebrew the text of Psalm 118, verse 19.
" פתחו לי שערי צדק אבא בם אודה יה "
"Open to me the gates of righteousness: I will enter and give thanks to God".
- Inscription under the law boards.
On the short, lateral oblique walls of the main building on the ground floor there are side entrances, in the transition to the dome there are embedded large oval windows.
Side wings
To the eastern side wing, which in comparison to the western tract is designed very narrowly, connects the former school building and was once home to the shrine. At the by segment gable and barrel roof completed tract can be found on the northern front in the upper floor a tall, rectangular window of the same type as that of the main wing. At the eastern side a round window is embedded, in the ground floor begins a connecting room to the school building.
The western side wing is identical to the east in the basic form, but it is significantly wider. In addition, in front of it there are entrance buildings. Both at the road side and on the opposite side between the main wing and the western annex are wide projecting semi-circular staircases, next to it can be found till half the height of the first upper floor each a buttress with two low windows. Road side, this buttress is preceded by a walk-in porch, which on three sides is open round-arched. The with triangular gable completed building ends in a concave enclosure, where a commemorative plaque is attached today. The west facade repeats the design of the main building, it can be found on the ground floor low segmental arch windows with above running continuously, jagged cordon cornice. On the first floor the windows are, however, significantly lower than in the main wing.
Former school building
The former school building has its main facade towards Lederergasse and there has the number 12. The road-side main facade of the two-storey building is divided into four axes. The window on the ground floor are round-arched disigned, the ones on the upper floor rectangularly. Between side wing of the synagogue and the main wing of the school building there is a tower-like, curved stairwell risalit up to the attic.
de.wikipedia.org/wiki/Synagoge_St._P%C3%B6lten
(further information is available by clicking on the link at the end of page!)
History of the City St. Pölten
In order to present concise history of the Lower Austrian capital is in the shop of the city museum a richly illustrated full version on CD-ROM.
Tip
On the occasion of the commemoration of the pogroms of November 1938, the Institute for Jewish History of Austria its virtual Memorbuch (Memory book) for the destroyed St. Pölten Jewish community since 10th November 2012 is putting online.
Prehistory
The time from which there is no written record is named after the main materials used for tools and weapons: Stone Age, Bronze Age, Iron Age. Using the latest technologies, archaeologists from archaeological finds and aerial photographs can trace a fairly detailed picture of life at that time. Especially for the time from the settling down of the People (New Stone Age), now practicing agriculture and animal husbandry, in the territory of St. Pölten lively settlement activity can be proved. In particular, cemeteries are important for the research, because the dead were laid in the grave everyday objects and jewelry, the forms of burial changing over time - which in turn gives the archeology valuable clues for the temporal determination. At the same time, prehistory of Sankt Pölten would not be half as good documented without the construction of the expressway S33 and other large buildings, where millions of cubic meters of earth were moved - under the watchful eyes of the Federal Monuments Office!
A final primeval chapter characterized the Celts, who settled about 450 BC our area and in addition to a new culture and religion also brought with them the potter's wheel. The kingdom of Noricum influenced till the penetration of the Romans the development in our area.
Roman period, migrations
The Romans conquered in 15 BC the Celtic Empire and established hereinafter the Roman province of Noricum. Borders were protected by military camp (forts), in the hinterland emerged civilian cities, almost all systematically laid out according to the same plan. The civil and commercial city Aelium Cetium, as St. Pölten was called (city law 121/122), consisted in the 4th Century already of heated stone houses, trade and craft originated thriving urban life, before the Romans in the first third of the 5th Century retreated to Italy.
The subsequent period went down as the Migration Period in official historiography, for which the settlement of the Sankt Pöltner downtown can not be proved. Cemeteries witness the residence of the Lombards in our area, later it was the Avars, extending their empire to the Enns.
The recent archaeological excavations on the Cathedral Square 2010/2011, in fact, the previous knowledge of St.Pölten colonization not have turned upside down but enriched by many details, whose full analysis and publication are expected in the near future.
Middle Ages
With the submission of the Avars by Charlemagne around 800 AD Christianity was gaining a foothold, the Bavarian Benedictine monastery of Tegernsee establishing a daughter house here - as founder are mentioned the brothers Adalbert and Ottokar - equipped with the relics of St. Hippolytus. The name St. Ypolit over the centuries should turn into Sankt Pölten. After the Hungarian wars and the resettlement of the monastery as Canons Regular of St. Augustine under the influence of Passau St. Pölten received mid-11th Century market rights.
In the second half of the 20th century historians stated that records in which the rights of citizens were held were to be qualified as Town Charters. Vienna is indeed already in 1137 as a city ("civitas") mentioned in a document, but the oldest Viennese city charter dates only from the year 1221, while the Bishop of Passau, Konrad, already in 1159 the St. Pöltnern secured:
A St. Pöltner citizen who has to answer to the court, has the right to make use of an "advocate".
He must not be forced to rid himself of the accusation by a judgment of God.
A St. Pöltner citizen may be convicted only by statements of fellow citizens, not by strangers.
From the 13th Century exercised a city judge appointed by the lord of the city the high and low jurisdiction as chairman of the council meetings and the Municipal Court, Inner and Outer Council supported him during the finding of justice. Venue for the public verdict was the in the 13th Century created new marketplace, the "Broad Market", now the town hall square. Originally square-shaped, it was only later to a rectangle reduced. Around it arose the market district, which together with the monastery district, the wood district and the Ledererviertel (quarter of the leather goods manufacturer) was protected by a double city wall.
The dependence of St. Pölten of the bishop of Passau is shown in the municipal coat of arms and the city seal. Based on the emblem of the heraldic animal of the Lord of the city, so the Bishop of Passau, it shows an upright standing wolf holding a crosier in its paw.
Modern Times
In the course of the armed conflict between the Emperor Frederick III . and King Matthias of Hungary pledged the Bishop of Passau the town on the Hungarian king. From 1485 stood Lower Austria as a whole under Hungarian rule. The most important document of this period is the awarding of the city coat of arms by King Matthias Corvinus in the year 1487. After the death of the opponents 1490 and 1493 could Frederick's son Maximilian reconquer Lower Austria. He considered St. Pölten as spoils of war and had no intention of returning it to the diocese of Passau. The city government has often been leased subsequently, for instance, to the family Wellenstein, and later to the families Trautson and Auersperg.
That St. Pölten now was a princely city, found its expression in the coat of arms letter of the King Ferdinand I. from 1538: From now on, the wolf had no crosier anymore, and the from the viewer's point of view left half showed the reverse Austrian shield, so silver-red-silver.
To the 16th Century also goes back the construction of St. Pöltner City Hall. The 1503 by judge and council acquired house was subsequently expanded, rebuilt, extended and provided with a tower.
A for the urban history research important picture, painted in 1623, has captured scenes of the peasant uprising of 1597, but also allows a view to the city and lets the viewer read some of the details of the then state of construction. The economic inconveniences of that time were only exacerbated by the Thirty Years War, at the end of which a fifth of the houses were uninhabited and the citizenry was impoverished.
Baroque
After the successful defense against the Turks in 1683, the economy started to recover and a significant building boom began. Lower Austria turned into the land of the baroque abbeys and monasteries, as it is familiar to us today.
In St. Pölten, the change of the cityscape is closely connected to the Baroque architect Jakob Prandtauer. In addition to the Baroquisation of the interior of the cathedral, a number of buildings in St. Pölten go to his account, so the reconstruction of the castle Ochsenburg, the erection of the Schwaighof and of the core building of the Institute of the Blessed Virgin Mary (Englische Fräuleins - English Maidens) - from 1706 the seat of the first school order of St.Pölten - as well as of several bourgeois houses.
Joseph Munggenast, nephew and co-worker of Prandtauer, completed the Baroquisation of the cathedral, he baroquised the facade of the town hall (1727) and numerous bourgeois houses and designed a bridge over the Traisen which existed until 1907. In the decoration of the church buildings were throughout Tyroleans collaborating, which Jakob Prandtauer had brought along from his homeland (Tyrol) to St. Pölten, for example, Paul Troger and Peter Widerin.
Maria Theresa and her son Joseph II: Their reforms in the city of the 18th Century also left a significant mark. School foundings as a result of compulsory education, the dissolution of the monasteries and hereinafter - from 1785 - the new role of St. Pölten as a bishop's seat are consequences of their policies.
1785 was also the year of a fundamental alteration of the old Council Constitution: The city judge was replaced by one magistrate consisting of five persons, at the head was a mayor. For the first mayor the painter Josef Hackl was chosen.
The 19th century
Despite the Napoleonic Wars - St. Pölten in 1805 and 1809 was occupied by the French - and despite the state bankruptcy of 1811, increased the number of businesses constantly, although the economic importance of the city for the time being did not go beyond the near vicinity.
Against the background of monitoring by the state secret police, which prevented any political commitment between the Congress of Vienna and the 1848 revolution, the citizens withdrew into private life. Sense of family, fostering of domestic music, prominent salon societies in which even a Franz Schubert socialized, or the construction of the city theater were visible signs of this attitude.
The economic upswing of the city did not begin until after the revolution of the year 1848. A prerequisite for this was the construction of the Empress Elisabeth Western Railway, moving Vienna, Linz, soon Salzburg, too, in a reachable distance. The city walls were pulled down, St. Pölten could unfold. The convenient traffic situation favored factory start-ups, and so arose a lace factory, a revolver factory, a soap factory or, for example, as a precursor of a future large-scale enterprise, the braid, ribbon and Strickgarnerzeugung (knitting yarn production) of Matthias Salcher in Harland.
In other areas, too, the Gründerzeit (years of rapid industrial expansion in Germany - and Austria) in Sankt Pölten was honouring its name: The city got schools, a hospital, gas lanterns, canalization, hot springs and summer bath.
The 20th century
At the beginning of the 20th Century the city experienced another burst of development, initiated by the construction of the power station in 1903, because electricity was the prerequisite for the settlement of large companies. In particular, the companies Voith and Glanzstoff and the main workshop of the Federal Railways attracted many workers. New Traisen bridge, tram, Mariazell Railway and other infrastructure buildings were erected; St. Pölten obtained a synagogue. The Art Nouveau made it repeatedly into the urban architecture - just think of the Olbrich House - and inspired also the painting, as exponents worth to be mentioned are Ernst Stöhr or Ferdinand Andri.
What the outbreak of the First World War in broad outlines meant for the monarchy, on a smaller scale also St. Pölten has felt. The city was heavily impacted by the deployment of army units, a POW camp, a military hospital and a sick bay. Industrial enterprises were partly converted into war production, partly closed. Unemployment, housing emergency and food shortages long after the war still were felt painfully.
The 1919 to mayor elected Social Democrat Hubert Schnofl after the war tried to raise the standard of living of the people by improving the social welfare and health care. The founding of a housing cooperative (Wohnungsgenossenschaft), the construction of the water line and the establishment of new factories were further attempts to stimulate the stiffening economy whose descent could not be stopped until 1932.
After the National Socialist regime had stirred false hopes and plunged the world into war, St. Pölten was no longer the city as it has been before. Not only the ten devastating bombings of the last year of the war had left its marks, also the restrictive persecution of Jews and political dissidents had torn holes in the structure of the population. Ten years of Russian occupation subsequently did the rest to traumatize the population, but at this time arose from the ruins a more modern St. Pölten, with the new Traisen bridge, district heating, schools.
This trend continued, an era of recovery and modernization made the economic miracle palpable. Already in 1972 was - even if largely as a result of incorporations - exceeded the 50.000-inhabitant-limit.
Elevation to capital status (capital of Lower Austria), 10 July 1986: No other event in this dimension could have become the booster detonation of an up to now ongoing development thrust. Since then in a big way new residential and commercial areas were opened up, built infrastructure constructions, schools and universities brought into being to enrich the educational landscape. East of the Old Town arose the governmental and cultural district, and the list of architects wears sonorous names such as Ernst Hoffmann (NÖ (Lower Austria) Landhaus; Klangturm), Klaus Kada (Festspielhaus), Hans Hollein (Shedhalle and Lower Austrian Provincial Museum), Karin Bily, Paul Katzberger and Michael Loudon ( NÖ State Library and NÖ State Archive).
European Diploma, European flag, badge of honor, Europe Price: Between 1996 and 2001, received St. Pölten numerous appreciations of its EU commitment - as a sort of recognition of the Council of Europe for the dissemination of the EU-idea through international town twinnings, a major Europe exhibition or, for example, the establishment and chair of the "Network of European medium-sized cities".
On the way into the 21st century
Just now happened and already history: What the St. Pöltnern as just experienced sticks in their minds, travelers and newcomers within a short time should be told. The theater and the hospital handing over to the province of Lower Austria, a new mayor always on the go, who was able to earn since 2004 already numerous laurels (Tags: polytechnic, downtown enhancement, building lease scheme, bus concept) - all the recent changes are just now condensed into spoken and written language in order to make, from now on, the history of the young provincial capital in the 3rd millennium nachlesbar (checkable).
www.st-poelten.gv.at/Content.Node/freizeit-kultur/kultur/...
Written by Tom Alphin and published by no starch press, 2015.
This just arrived in the mail today, with an unexpected engraved brick as a bonus!
I had the pleasure of hanging out with Tom earlier in the year along with the opportunity to contribute an image to his absolutely wonderful book. It's beautifully designed and thoroughly researched, with fantastic real world and LEGO examples of various architectural styles, plus diagrams that really get at the essence of each. I can't recommend it highly enough, and I promise I don't get any cut of the profits to say so.