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Larrabea es algo más que un campo de juego de golf. Es un club donde la palabra ocio es la principal protagonista. Los colores otoñales son preciosos. Una maravilla.
Su recorrido de 18 hoyos ha sido diseñado y construido respetando y aprovechando los encantos naturales del lugar, de manera que se extiende entre bosques, rÃos y praderas, sumergiendo al jugador en un entorno de naturaleza en el que puede contemplar paisajes de ensueño.
Ascensión en verano, desde el aparcamiento de Pagomakurre (la ruta más clásica para coronar esta cima) y bajo un sol de justicia, a Gorbeia (1.482 m). Esta cumbre, fronteriza entre Bizkaia y Araba y coronada por una histórica cruz metálica, es la más elevada, mÃtica y concurrida del parque natural al que da nombre y de los dos territorios en que se encuentra, a la vez que es todo un sÃmbolo de la montaña vasca.
www.youtube.com/watch?v=Wb1Hwz_UIPU / www.youtube.com/watch?v=_YcNAK5K0jM / www.youtube.com/watch?v=zyhpVuy4z04 / www.youtube.com/watch?v=PqhooShWtYA / www.youtube.com/watch?v=_cZF5dePEQg
Ascensión en verano, desde el aparcamiento de Pagomakurre (la ruta más clásica para coronar esta cima) y bajo un sol de justicia, a Gorbeia (1.482 m). Esta cumbre, fronteriza entre Bizkaia y Araba y coronada por una histórica cruz metálica, es la más elevada, mÃtica y concurrida del parque natural al que da nombre y de los dos territorios en que se encuentra, a la vez que es todo un sÃmbolo de la montaña vasca.
www.youtube.com/watch?v=Wb1Hwz_UIPU / www.youtube.com/watch?v=_YcNAK5K0jM / www.youtube.com/watch?v=zyhpVuy4z04 / www.youtube.com/watch?v=PqhooShWtYA / www.youtube.com/watch?v=_cZF5dePEQg
El Explore se lo dedico a Daniel Rivas, fue quien me enseñó el lugar,que a pesar de estar el árbol bien despejado,nunca lo habÃa visto :)
Maestu (oficialment Maeztu/*Maestu) és un consell i la capital del municipi de Arraya-Maestu, a la provÃncia d'Àlaba.
El consell es troba 25 km al sud-est de la ciutat de Vitòria, en la part central de la provÃncia d'Àlaba.
El consell forma part de la vall de Arraya, del qual ha estat tradicionalment la vila de capçalera.
L'església parroquial de la Invención de la Santa Cruz, construïda en la segona meitat del segle XV i ampliada posteriorment en el segle XVII. Posseeix a la seva torre un curiós rellotge amb una figura animada tallada anomenada "Papamoscas", aquesta figura mou la seva mà portadora d'una batuta donant les hores en punt i en les mitges. En les hores en punt mou el braç en sentit vertical tantes vegades com sigui l'hora, en les mitges només ho mou una vegada acompanyat de senyal acústic.
Esta foto participó en el juego En un lugar de Flickr
L' imponente Fortezza della Mota spicca all'interno della struttura urbana di origine araba di Alcalá la Real. Per più di 150 anni questo castello segnò la frontiera tra i regni di Granada e della Castiglia. Il complesso, che possedeva le mura di cinta più estese di tutta al-Andalus, riproduce il modello classico di città musulmana, con diverse cinte murarie con funzione difensiva, residenziale o religiosa..
The imposing Fortress of the Mota stands out within the urban structure of Arab origin of Alcalá la Real. For more than 150 years this castle marked the border between the kingdoms of Granada and Castile. The complex, which had the most extensive city walls in the whole of Andalus, reproduces the classical model of a Muslim city, with different defensive walls, residential or religious.
Petra Jordan NEF NX Studio Tiff 4 All logo dndf Rmv 1048 JPEG 7.96 MB.
The Roman Amphitheater appears (Upper Right).
The Treasury (Al-Khazna). A vast structure and magnificent architecture are Petra's main site attractions.
Established possibly as early as 312 BC as the capital of the Nabataeans, it is a symbol of Jordan and the country's most-visited tourist attraction. It lies on the slope of Jebel al-Madhbah (identified by some as the biblical Mount Hor in a basin among the mountains that form the eastern flank of the Arabah (Wadi Araba), the large valley running from the Dead Sea to the Gulf of Aqaba. It is believed that Petra was home to roughly 30,000 people and was abandoned in the year 106 AD. The site has been a UNESCO World Heritage site since 1985.
But if something characterizes the nineteenth-century period, it is the appearance of a new urban concept, based on hygienist theories. One of the main contributions will be the water supply, with the construction of laundries and public fountains. In 1845, the architect MartÃn Saracibar was entrusted with the construction of the new fountain of San Juan, with a budget of 14,618 reales de vellón, invested in the construction of a stone work that was never carried out.
Work was also carried out in the hospital. In 1848 its reform was undertaken by the master carpenters Cristóbal Murua, Quirico Junguitu and Andrés Garay. Although the work was not specifically adjusted to the plan, we know that it involved a total transformation of the east façade and some of the interior rooms.
As for the corn exchange, it was raised from a new plant in 1847, next to the Portal del Rey, following the plans and plans of Cristóbal Murua. It was a Heredia ashlar construction, distributed over three heights, with a trapezoidal plan, covered with a gabled roof, thick walls and thin partitions, without intermediate pillars that impeded the passage, and which had three main doors.
The 20th century began by continuing the concern of the preceding century to provide the Villa with comforts, decisive for its entry into urban modernity. In 1905 the City Council ordered the construction of the fountains in the Plaza de San Juan, the Plaza de Santa MarÃa and the Plazuela de los Caños. This stands out for its decorative character: on a stone base, on which the date 1905 can still be read today, it is a richly decorated double-spout fountain. Iron, the material champion of modernity, becomes the constructive and decorative protagonist, where tritons and fauns with satirical grimaces are intermingled with four snakes coiled around the crown.