View allAll Photos Tagged animation,
This is one of 2 final animations for my latest ISTD project which has been sent off for examination- yay!
This is basically just typographically expressing the lyrics in the song: Papa's Got a Brand New Bag by James Brown.
(Just got the results... I got the ISTD award for both animations!)
See original shot here www.flickr.com/photos/lordv/31361227144/sizes/o/ for animation.
I've only just found out how to shoot a short sequence at 60 fps with my little Nikon 1 camera. The jumping is my more poor alignment/cropping technique. It managed 12 frames before filling the buffer
American postcard by Disney Enterprises / Pixar Animation Studios, 2005. Image: Pixar Animation Studios. Concept art by Ralph Eggleston for Toy Story (John Lasseter, 1995). From 'The Art of Pixar: 100 Collectible Postcards, published by Chronicle Books.
In Pixar's groundbreaking Toy Story (John Lasseter, 1995), a cowboy doll is profoundly threatened and jealous when a new spaceman figure supplants him as the top toy in a boy's room. Toy Story was the first successful CGI full-length movie.
Toy Story (1995) was produced by Pixar Animation Studios and released by Walt Disney Pictures. It was the first entirely computer-animated feature film, as well as the first feature film from Pixar. Pixar's short film Tin Toy (1988) referenced already Lasseter's love of classic toys. It won the 1989 Academy Award for Best Animated Short Film, the first computer-generated film to do so. After that, Pixar was approached by Disney to produce a computer-animated feature film told from a small toy's perspective. The protagonist of Tin Toy, a tin drummer called Tinny, was originally going to star in Toy Story. However, he turned out to be too immobile for a major film, so his appearance was changed to that of a space character. In Toy Story (1995), a little boy named Andy loves to be in his room, playing with his toys, especially his cowboy doll named "Woody". But, what do the toys do when Andy is not with them? They come to life. Woody believes that his life as a toy is good. However, he must worry about Andy's family moving, and what Woody does not know is about Andy's birthday party. Woody does not realise that Andy's mother gave him an action figure known as Buzz Lightyear, who does not believe that he is a toy and quickly becomes Andy's new favourite toy. Woody, who is now consumed with jealousy, tries to get rid of Buzz. Then, both Woody and Buzz are lost. They must find a way to get back to Andy before he moves without them, but they will have to pass through a ruthless toy killer, Sid Phillips...
Toy Story was a revelation in 1995 and a big hit. The film grossed $354 million worldwide against a budget of $30 million. Hal Erickson at AllMovie: "Toy Story was the first feature-length film animated entirely by computer. If this seems to be a sterile, mechanical means of moviemaking, be assured that the film is as chock-full of heart and warmth as any Disney cartoon feature." Toy Story was directed by John Lasseter and was written by Joss Whedon, Andrew Stanton, Joel Cohen, and Alec Sokolow from a story by Lasseter, Stanton, Pete Docter, and Joe Ranft. The computer-animated film won several awards. It was nominated for the Oscar for Best Writing, Screenplay Written Directly for the Screen, and a Special Achievement Award (for the creation of a feature-length computer-animated film). It was also nominated for the BAFTA for Best Special Visual Effects, and the Golden Globe for Best Motion Picture - Comedy/Musical. And then there was the Oscar and Golden Globe-nominated theme song 'You've Got a Friend' by Randy Newman and Lyle Lovett and Oscar nominated music by Randy Newman. Three sequels would follow, Toy Story 2 (John Lasseter, Lee Unkrich, Ash Brannon, 1999), Toy Story 3 (Lee Unkrich, 2010), and Toy Story 4 (Josh Cooley, 2019), all enormously successful and equally as enjoyable.
Sources: Hal Erickson (AllMovie), Wikipedia (Dutch and English), and IMDb.
December will be Pixar month st EFSP! In the coming weeks, Bob, Truus & Jan Too! will share our collection of Pixar postcards with you at Flickr.
I make the animation for 1 scene of the movie.
動画の1シーン用のアニメを作る。
今回自分で作るシーン多すぎて萎えるなーorz
あまり得意な作業ではないがー
とりあえずがんばろうー。
Click the link to start the animation:
www.flickr.com/photos/michael_karrer/52894757218/sizes/o/
Prominences can be seen not only in H-alpha light, but also in calcium light. But they are much fainter and it needs a very clear sky.
HA: 50mm Lunt, CA: 50mm TMB refractor
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
Une animation faite à partir de 22 photos prises le 2 mai entre 21h34 et 21h39. / An animation made with 22 shots of the 2th May between 21:34 and 21:39.
!!! CHECK THE FIRST COMMENT BELOW !!!
One shot SOOC.
Want more? See my new set, "Drawing with Light – III:"
www.flickr.com/photos/motorpsiclist/sets/72157633369556456/
.
and my previous kinetic sets, "Drawing with Light:"
www.flickr.com/photos/motorpsiclist/sets/72157630589237982/
and "Drawing with Light – II:"
www.flickr.com/photos/motorpsiclist/sets/72157632798486060/
.
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
To read more about Kinetic Photography click the Wikipedia link below:
en.wikipedia.org/wiki/Kinetic_photography
.
Albeit supremely risky this is one of my favorite ways to produce abstract photographs.
.
Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.
Do not rip these photos off; they do not belong to you!
ANY use without my permission in writing is forbidden by law, including use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.
.
.
~
.
.
ººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººº
Is a realistic singing animation created by Plastic Girls. This animation was inspired from TikTok challenge. Repeat this challenge and make this video as beautiful and touching as you can!)
Animation available on SL Marketplace:
marketplace.secondlife.com/p/Twerk-Dance-Animation/21004745
ººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººº
Follow me on:
▫️ Instagram:
www.instagram.com/girls_in_the_simcity/?igshid=oefuw9syp0zk
▫️ Tiktok
▫️YouTube:
www.youtube.com/channel/UCpTeNk8gyksrioTDysXZ6Hg
ººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººººº
Follow Me on Medium For articles on various topics:
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
www.google.com/search?q=brecht+corbeel
Support me on:
Free images:
Follow me on:
www.instagram.com/brechtcorbeel/
www.artstation.com/brechtcorbeel
www.flickr.com/photos/brechtcorbeel/
www.facebook.com/brecht.corbeel
animations
«Analyse this»
Grafische Interpretation zu historischen Planungskarten des Landes Rheinland-Pfalz
Gestaltungsgrundlagen 2. Semester
Prof. Anna-Lisa Schönecker
Studierende der Hochschule Mainz
Kommunikationsdesign
Soner Aktas
Kanih Demir
Pia Hoberg
Caroline Martin
Mikolaj BoguszMera
Daria Nonn
Cilia Palotas
Mirella Priolo
Lukas Röber
Claudio Roig
Paul Schmidt
Lucas Schneider
Franziska Schoebel
Simon Schüßler
Malte Schwenker
Tatsiana Trynkun
Simon Weckbach
Sophia Weider
Lisa Wolf
Corinna Wurth
Sura Yildiz
Quelle:
Rheinland-Pfalz - Grundlagen der Raumplanung
Landesplanung Johann Wiegand
Mainz 1954
Titelanimation
Soner Aktas
Mit Dank an Katja Davar und Volker Pape
© Hochschule Mainz 2016
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
In this animation project I have attempted to encapsulate a moment of existential crisis through distortion of the environment and the body language of the character.
Alice happily shared her Alice Day pupcakes.
(See first comment below - it might take a moment to load the animation if you have a slow connection)
Click the link to start the animation:
www.flickr.com/photos/michael_karrer/52315954197/sizes/o/
Strong flare activity within minutes.
Baader Triband SCT 9.25
Irrefutably the best part of my animation is the first 2 seconds. The intention was to communicate a feeling of exhaustion in the character, which I think I conveyed effectively using an exaggerated physical sigh. The character is slouched at the end, which is the key image of the action, looking down with arms hanging and shoulders slumped low, with his knees slightly bent. He eases into the action with a slow build up from the torso, straightening up before quickly moving into the slouched position. This works as I made good use of the anticipation technique form the 12 Principles. The framing of the shot helps in conveying the emotion of the character as well, I have him framed by a doorway within the shot which creates a veritable constraint on the character, giving a sense of him being trapped. The character feels like he is balanced well, his centre of gravity running down the middle of the character's mass. The following scene has the character sliding into the kitchen, which is framed dynamically at an angle, although the motion itself is not very well executed. The intent was to create a joyful feel to the motion, as the character is heading into the kitchen to make tea, but the movement requires more exaggeration to effectively communicate the emotion. The timing of the action is also off, this could have been corrected with a build-up to the slide, possibly a running jump and ending the movement with a skid with a dynamic pose, such as supporting his weight on one leg whilst balancing himself with splayed arms.
The following shots required the character to interact with props and the set which proved to be difficult. When the character places the first mug down on the table it looks markedly better than the following shot when he sits down in a chair. This could be due to the simplicity of the arc of the characters hand in this motion, as it was a simple point-A-to-point-B movement, whereas sitting in the chair required the cup to counter the movement of the characters shoulder and elbow rotation, and root movement. The sitting itself works well, although the character supporting his weight on one arm is slightly disguised by the angle of the shot, and the hand does not feel solid in it's contact with the chair. This could be corrected with use of inverse kinematic controls on the hands, as could the issue with the cups not moving completely in sync with the characters hands. The final shot does not effectively communicate the desired emotion of solace, the intention being that the character would look contempt in his chair, relaxed and taking the weight off. The character does slouch down in his seat, but this could have been exaggerated more to effectively communicate the desired emotion. The movement also feels too precise. The addition of the character slowly slumping further into his chair after the initial motion of sitting down could have created this sense of comfort, but is unfortunately missing from the final shot.
I have wanted to have a go at animating for a while now, and decided to do so these holidays, and I intend to spend the rest of our time off working on getting better. I made this this morning, using the suns light. Once I get better at animating, I will purchase a lamp, and possibly a better camera too. Brickfilming is something I really want to get in to, so I would really appreciate advice. For a first attempt, I didn't think I did too bad, but I should have spent more time focusing the camera.
Wizards (1977) - Ralph Bakshi
Ian Miller Scortch Background.
Uploaded by www.RalphBakshi.com
All Rights Reserved
Animation backgrounds, commissioned by Carburadores, used in a short animated film for SNA/Codesser.
Studio Nuvu - Video & Animation 129 Regent St Chippendale Sydney NSW 2008 (02) 9699 6203 (via Twitter twitter.com/StudioNuvu1/status/743815463952494593)
Fearless optimist Anna meets rugged—and snow-covered—mountain man Kristoff for the first time in Walt Disney Animation Studio’s “Frozen,” which hits theaters nationwide Nov. 27, 2013. ©2013 Disney. All Rights Reserved.
Inside the animation film that Caloi is producing, there will be a sequence called "Claustropolis". I did some colouring for the linework of architect Luis Lleonart here.
My new design, a cute origami face, with a 3D animation to show how to fold it: www.youtube.com/watch?v=IxN-6LawBm0
Note: this origami rabbit is very different from the most common traditional origami rabbit face model which has a completely different structure, but after designing it and making this animation I saw a Miffy origami model (with no mention of the creator) which has different proportions but almost the same fold structure.