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Leica M6, 35mm Summicron f/2 ASPH, Kodak Portra 160

Don´t redistribute - don´t use on webpages, blogs or any other media without my explicit written permission.

© Andy Brandl (2015) // PhotonMix Photography

--> Andy Brandl @ Robert Harding

--> Andy Brandl @ Getty Images

HDR from five bracketed exposures (1EV steps), handheld.

 

HDR generado de un horquillado de cinco exposiciones (pasos de 1EV), a mano.

 

View On Black

;-)

Walt Disney Concert Hall

Los Angeles, California

March 21, 2009

better on black

Nikon D5100 (+55-200mm)

This is part of a zigzag pattern of glass windows in the building at Landmark Square in Long Beach. From the street this looks rather uniformly blue, due to the sky reflecting off of the glass, but by using a polarizing filter, and boosting the contrast and saturation I was able to bring out the subtle colors in the individual rows of glass.

Scottish Parliment at Holyrood, Edinburgh. 14th Oct 2014. FED 50 with K2 Yellow filter with Ilford XP2. Lab C41 processed and scanned.

LC-A+

Kodak Elitechrome ED 200

 

what's not to love about Louvre?

An alternative portrait composition of one of my favourite buildings in Paintworks, Bristol. Love the simplicity, boldness, colours and angles in this architectural design.

Baleal

Peniche, Portugal

Spike Point, Hotwells, Bristol.

From the archives, August 2012.

@ Horto Florestal - Campos do Jordão - São Paulo - Brasil

 

Wide-angle lens @11mm, shot using polarizer. The first shot in the comments below was made with a lens @18mm, with no polarizer.

 

Tenho estado ausente há um bom tempo. Na verdade não parei de fotografar; pelo contrário, cada dia me apaixono mais por fotografia, só não me sobra muito tempo para editá-las e compartilhar. Mas vou me esforçar para postar pelo menos uma foto por semana, tenho certeza que isso irá me ajudar a aprender mais. E desculpe por não ter visitado as galerias de vocês meus amigos, não é por falta de consideração, só questão de tempo mesmo.

 

I've been away for a long time. Actually I did not stop shooting, instead, every day I'm more in love with photography, just do not spare much time to edit them and share. But I will try to post at least one picture a week, I'm sure this will help me learn more. And sorry for not having visited the galleries of you my friends, is not for lack of consideration, only a matter of time though.

Old Kona Airport State Recreation Area, Kailua-Kona, Hawaii

As I was working on this I had the group 2Cellos playing.

 

I really liked this one:

 

www.youtube.com/watch?v=gHbwAd5gkMM&index=14&list...

 

Any way I really seem to always see my images as what music might look like if it had colors.

 

I really think this is the best image I made this last week. Im really liking the wide format look of the images now. I would not think it came from things flying in the front of my camera. Then mixed in photoshop to make what I see here. All the best to you all thanks for dropping in on our images. I hope you all injoy the ride here.

 

Mike

 

Father and son collaboration

 

Our photographic art is a kinetic motion study, from the results of interacting with my son A.J and his toys.

 

He was born severely handicapped much like a quadriplegic. On December 17,1998. Our family’s goal has always been to help A.J. use his mind, even though he has minimal use of his body.

 

A.J. likes to watch lights and movement. One of the few things he can do for himself is to operate a switch that sets in motion lights and various shiny, colorful streamers and toys that swirl above his bed.

 

One day I took a picture of A.J. with his toys flying out from the big mobile near his bed like swings on a carnival ride. I liked the way the swirling objects and colors looked in the photo.

 

I wanted to study the motion more and photograph the whirling objects in an artful way, I wanted my son A.J. to be a part of it. After all, he’s the one who inspires me. When A.J. and I work together on our motion artwork, A.J. starts his streamers and objects twirling, I take the photographs.

 

Activating a tiny switch might not seem like much to some, but it’s all A.J. can do. He controls the direction the mobile will spin, as well as when it starts and stops. The shutter speeds are long, and sometimes, I move the camera and other times I hold it still.

 

I begin our creation with a Nikon digital camera. Then I use my computer with Photoshop to alter the images into what I feel might be an artistic way. Working with Photoshop, I find the best parts from several images and combine them into the final composite photograph. I consider the finished work to be fine art. The computer is just the vehicle that helps my expressions grow.

 

I take the photographs and A.J. adds the magic. It’s something this father and son do together. After I’ve taken a few shots, I show him the photos in the back of the camera. When the images are completed, I show him from a laptop. He just looks. He can’t tell me whether or not he likes the images, but he’s always ready to work with me again.

 

It offers me my only glance into A.J.’s secret world. We’ve built a large collection of images and I hope the motion and color move you as much as they do me.

 

A.J. inspires me to work harder to understand my life in the areas of art, photography, people, spirituality, and so much more. He truly sets my mind in motion and helps me find the beauty in everyday things.

 

Mike

 

Abstract Art set:

www.flickr.com/photos/patnode-rainbowman/sets/72157602269...

 

AJ Patnode - A Journey of Hope (documentary):

www.youtube.com/watch?v=OR7m8QFcmRM

 

This shows how I do the Camera work:

www.youtube.com/watch?v=fmjVVGraUVw

 

AJ'S blog:

www.ajpatnode.com

 

Millbay, Plymouth, Devon

This is the outside of a very modern building in La Cartiuja in Seville.

Takumar 1:3.5 135mm.

I'll take the white one.

a lot of kids were having fun at this park playing on the dock, but the Moms weren't so sure about the whole thing. haha

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