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For styling, details and info on this 7L find check here! fabfree.wordpress.com/2021/04/16/anand/

Except for the giant LCD screen and the lad with the cell phone, everything seems as it was there when the line was opened a century back.

Anand Govi Photography

Long exposure taken near Batu Ferringhi on Penang Island's north coast.

  

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CWC489. Dussehra, Kulasekharapatnam, TN, India.

Anand Govi Photography

Kumbakonam, TN, India

Anand Govi Photography

Kumbakonam, TN, India

Anand Govi Photography

Anand Govi Photography

Anand Govi Photography

Puri-Kalinga Utkal Express races past Anand Vihar at 94 km/ h, closing in on its next stop, Hazrat Nizamuddin, while reducing a 20-minute delay. In the distance, a Pink Line metro heads towards Shiv Vihar. Leading the charge is Visakhapatnam WAP7 #39290, built by PLW in 2023.

 

In frame: 18478 YNRK-PURI Kalinga Utkal Express | Loco: VSKP WAP7 #39290

Anand Govi Photography

Anand Karaj (Punjabi: ਅਨੰਦ ąØ•ąØ¾ąØ°ąØœ, anand kāraj) is the Sikh marriage ceremony, meaning "Blissful Union" or "Joyful Union", that was introduced by Guru Amar Das. The four Lavan (marriage hymns which take place during the marriage ceremony) were composed by his successor, Guru Ram Das.

Punjabi wedding traditions and ceremonies are traditionally conducted in Punjabi and are a strong reflection of Punjabi culture.

The actual religious marriage ceremony - among Sikhs, the weddings are conducted in Punjabi; among Muslims, in Urdu; and among Hindus, in Sanskrit. There are commonalities in ritual, song, dance, food, and dress. The Punjabi wedding has many rituals and ceremonies that have evolved since traditional times, including many famous Punjabi dances.

Anand Govi Photography

Anand Govi Photography

Anand Govi Photography

Anand Varma never set out to become a photographer. At least, not at first. He was training to be a scientist—field biology, to be exact—and spent his early twenties trekking through cloud forests in Panama, patiently tracking parasitic birds and amphibians that whispered the secrets of evolution in their skin and feathers. But somewhere along the way, he realized that telling the story of those creatures—their struggles, their intricate lives, their astonishing beauty—moved him more deeply than collecting their data.

 

He picked up a camera not as a tool of art, but of communication. It quickly became both.

 

Today, Varma is one of the most singular visual storytellers of the natural world. His images, many published through his long collaboration with National Geographic, are not just beautiful. They are transformative. They show us the unseen—the sliver of time between a bee’s pupal sleep and its emergence into the light; the inside of a hummingbird egg as life begins to stir; the complex, alien architecture of the brain of an octopus. Through Varma’s lens, nature is neither quaint nor remote. It is intimate, strange, and breathtakingly alive.

 

I photographed Anand at WonderLab in Berkeley, where he had transformed a portion of the space into a kind of living studio—a hybrid between a laboratory, an art studio, and a cabinet of curiosity. A National Geographic film crew was there, quietly orbiting him as he adjusted a microscopic rig or repositioned a translucent insect under a halo of LEDs. There was a feeling in the room—a kind of reverence. Anand works with the precision of a scientist, the patience of a monk, and the sensibility of an artist. It’s rare to see someone so wholly in their element.

 

His background in science is not ornamental—it’s foundational. He earned a degree in integrative biology from UC Berkeley, and that early scientific training informs not just what he chooses to photograph, but how. He builds many of his own tools: custom lighting rigs, time-lapse systems, and high-speed setups that allow him to peer into timeframes our eyes were never meant to access. A single Varma image might require weeks or months of preparation—cultivating insect colonies, calibrating microscopes, rehearsing the choreography of emergence. But the result is not sterile. It’s magic.

 

What makes Anand’s work so moving is not just that it’s technically brilliant—it’s that it’s full of feeling. There’s a deep curiosity, even love, in his images. He treats each life form—whether it’s a parasite, a jellyfish, or a pollinator—with the same quiet reverence. It’s the kind of gaze you’d expect from a poet or a philosopher. He invites us to see these creatures not as ā€œother,ā€ but as fellow travelers, each of them navigating the same strange universe we are.

 

And he’s more than just an image-maker. He’s a bridge—between the scientific and the aesthetic, the seen and the unseen. He speaks about complexity with clarity, about biology with wonder. His TED talks, his essays, his collaborations with other scientists and artists—they’re all part of a larger project: to reconnect people with the hidden beauty and interconnectedness of the world around them.

 

In person, Anand is thoughtful and self-effacing. He listens more than he talks. There’s a quiet intensity to him, but also a calmness, as if he’s always slightly tuned in to a slower rhythm than the rest of us. A rhythm more in sync with metamorphosis, decay, and bloom.

 

It’s hard not to feel changed after spending time with his work. It makes the invisible visible. It slows you down. It stirs awe.

 

And perhaps that’s the point. In an age when attention is fractured and nature is under siege, Anand Varma offers us a different kind of vision—not just to look more closely, but to feel more deeply. To remember that the world is full of wonders, if only we have the patience to see them.

Anand Govi Photography

Photographer/Concept: Anand Jadhav

Makeup/Hair: Rupali Wagh

 

Anand Govi Photography

Anand Govi Photography

Circular temple of various saints in india....

 

A house where Jawaharlal Nehru family lived and where Indira Gandhi was born.

 

Allahabad, India. Taken with an iPhone 3G.

Battista "Pinin" Farina, the famous Italian cachbuilder always dreamt of creating a car bearing his name. In March 2019, Automobili Pininfarina unveiled the Battista. The Battista will be an all-electric hyper GT car to clients from 2020. 90 years after Battista founded Carrozzria Pininfarina, the Battista will be launched as Italy's most powerful and fastest car. Paolo Pininfarina, Michael Perschke, CEO of Automobili Pininfarina and Mahindra & Mahindra Chairman, Anand Mahindra, confirm that the limited-edition hypercard Battista will be the fastest and most powerful car ever designed and produced in Italy. Power and torque equate to 1.900 hp and 2.300 Nm respectively, meaning the Battista has the potential to accelerate to 100 km/h in less than 2 seconds, faster than a Formula 1 car, and break the 250 mph top speed barrier - all with a potential zero emissions range of over 300 miles. No more than 150 Battistas will be available from late-2020.

 

Class XIV : Hyper Cars

 

Zoute Concours d'Elegance

The Royal Zoute Golf Club

 

Zoute Grand Prix 2019

Knokke - Zoute

Belgiƫ - Belgium

October 2019

Anand Govi Photography

Anand Govi Photography

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