1/2 plate Aluminotype

All Images Copyright Steve Wilson Photography 2007

KENTMERE VC SELECT 5x7

Exposure about 9 hours

Cyanotype experiments with deadfall and salt crystals. 15 mins under UV light.

Beer can pinhole camera.

Exposure: 5 min.

Ilford Rc grade 5 glossy paper + old Ilford paper developer 1+9.

Scanner: Epson V370.

Gumprint, gomdruk

Paper: Canson Montval.

Pigments:

Paynes gray.

Italian red earth

Size: 40,5X26,5 cm

Cyanotype N°92 - Tonification au maté + café / yerba maté and cofee toned

Papier - Moulin du coq - Le rouge

Prise de vue - Leica M5 elmarit28mm - trix@800

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Fallen Acer Leaf

Kodak Velox paper WSG.2S

Expired 1952

Fixed in a solution of Bellini fixer and food grade hydrogen peroxide.

Vandyke Print 10" x 8" from digital negative

(Original negative 35mm Delta 100 Canon Rebel)

1/2 plate Ambrotype

All Images Copyright Steve Wilson Photography 2007

Digital negative -- printed on Stonehenge watercolor paper. Bleached and toned with tannic acid.

Original image made with a Zero Image 612B pinhole camera.

Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200

A small creek passing through Albany Rural Cemetery.

Salt Print on Strathmore Mixed Media.

Burke and James 5x7.

Hp5+

Exposures and development:

15th July 2020

Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6

Iflord FP4+ 8x10 @ 64

rear tilt forward. 460mm bellows extension

2x 5” f/32 exposures, 1st with carrots and 2nd without

Stearman SP810, Pyrocat HD 2:2:100, 8’05”, 22ºC, N-development

Shadows placed on ZIII, carrots at ZVI (though should probably have placed darks on ZII or metered slightly more accurately, since I'm a bit bright)

Print:

16th July 2020

23ºC / 50% RH

14x11 Bergger Cot320

Paper dried 1hr40mins, no prehumidification

4:30pm, 8’30” daylight exposure in full sun with cloud

5mins wash in 1.5l distilled water with squeeze of lemon juice

5mins wash in 1.5l tap water

3mins fix in hypo

1hr final soak

Dried flat for 48hrs

Digitized with 2-frame stitch, D800E and 85mm tilt-shift

Not quite George Davison... But reminiscent? Especially since there was no foreground interest when and where this was taken. Now that it is nearly August perhaps wildflowers will be growing in abundance, scattered amounst the tall grasses. Even a few would help. It's an hour and a half drive or so away though so maybe worth a return trip: if I find foreground! And speaking of George Davison, The Onion Field has to be an all time favorite. Top five at least. Do I have a top five? If I had to pick...

George Davison - The Onion Field,

Clarence White - Winter Landscape,

Alfred Stieglitz - Spring Showers and A wet Day On the Boulevard and The Terminal,

Edward Steichen - The Flatiron and Moonrise,

Robert Demachy - Toucques Valley.

OK, that's eight. Guess it will have to be top ten.... So who am I leaving out?

Perhaps House on the Hill or The Duck Pond by Alvin Langdon Coburn,

or any one of many from Constant Puyo. Maybe top 100 then? There is too many amazing works to really pick a few and most of mine are over one hundred years gone.

Which reminds me... The Big Clock On The Wall is ticking...We must move faster... But even still, time will leave us behind too. I wonder if it notices us at all?

The other day I was thinking (morning commutes are perfect for that since the car knows the way), whether I decide to visit the ocean or not, the waves still crash in.

Cyanotype

Lockdown Art, April 2020

Solarplate Intaglio

Silver gelatin print from 4x5' film

Sandwich between two film, the portrait and a texture.

www.instagram.com/stefano.bernardoni/

Belyashi (Беляши) is a dish of Bashkir and Tatar cuisine. It is an oil-fried pie made of unleavened or yeast dough with minced meat or finely chopped meat.

Canon Canonet QL17 GIII / Expired Svema A2Sh

Developed in Caffenol

Water 650 ml

Coffee 12 full teaspoons

Soda ash 3 full teaspoons

52 minutes/ ~25C

Cyanotype N°81 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + Portra 400 (conversion NB)

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2016-12-23/2017-06-10, 169 egun

Cyanotype N°69 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - Olympus OM10 + 28mm - Agfavista400 (conversion NB)

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Cyanotype N°152 - Tonifié au maté / yerba maté toned

Papier - Moulin du coq - le rouge

Prise de vue - Rollei 35T + fuji c200 (conversion NB)

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Cyanotype N°149- Tonifié au maté + café/ yerba maté + cofee toned

Papier - bristol fabriano

Prise de vue - ?? + APX400

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Cyanotype N°57 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - Pentax P30T + sigma 28mm - tmax400

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Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.

Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200

Cyanotype

Water colour hot pressed smooth 300gsm,

Olympus Trip 35

Kentmere Pan 400

Cyanotype N°115 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Bronica EC + 150mm + Portra 400 (conversion NB)

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Contact print in platinum-palladium

Cyanotype experiments

Hydrangea

KENTMERE VC SELECT 5x7

Tree by creek bed.

Likely on the way to Buttermere in Cumbria UK.

Cyanotype on Arches Aquarelle Hot Pressed 140 lb from a HP5 negative.

A wee bit too much tea in the toner!

Cyanotype N°134 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Bristol Fabriano

Prise de vue - Bessa R3A + 40mm rokkor - Trix

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Camera. Ondu MK ll 6x6 Pinhole.

ILFORD FP4 125 PLUS

Home developed in Bellini Monobath.

Agfa Rondinax 60 daylight loading tank.

Solarigrafía del Faro del Cabo de Gata. Tiempo de exposición: 06/07/2017 a 22/03/2018. Cámara estenopeica de fabricación casera cargada con papel fotosensible ILFORD. proyección cilíndrica en posición de trabajo horizontal y orientada a SE.

www.solarigrafia.com.

www.instagram.com/solarigrafia

Bromoil practice print 4.

Lost the highlights and it's a bit too brown-red but persevere we shall.

David W. Lewis paper.

Hanco's Dark Brown and 1796 Black litho from Graphic Chemical and Ink.

Kallitype on Hahnemühle Platinum, Sodiumacetat Developer

Cyanotype N°48 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - Le rouge

Prise de vue - Bronica EC + 50mm - Foma 200@400

Inter-négatif numérique calibration méthode EDN

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Gold Toned Kallitype onto Hahnemühle Platinum Rag, Sodiumacetat Developer

Cyanotype N°67 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + portra160 (convertie en NB)

Inter-négatif numérique

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Poliotype (Poliotipo) is a new alternative photography process, similar to kallitype but using another iron salt instead ferric oxalate. The name is from the Greek term πολιός (poliós), that means "grey" www.vincenzocaniparoli.com

Cyanotype N°128 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - pentax MZ5 + zénitar 16mm - foma100

Inter-négatif numérique

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Cyanotype N°65 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + portra160 (convertie en NB)

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #arles #streetphotography #streetphotographer #streetphotographyinternational #yashica

Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200

20х20 см

Este puente forma parte del recorrido del trentxiki entre Andoain y Leitza (vía verde del Plazaola). Ahora de hormigón, tuvo antaño como tablero una vistosa celosía metálica.

Cámara estenopeica: lata de cerveza, mirando hacia el oeste.

Exposición: 29-01-2018/06-06-2018, 128 días.

Papel brillante Ilford RC multigrado.

Epson V370 scanner.

Exposición: 2017-03-08, 2017-06-20, 104 días