View allAll Photos Tagged alternativeprocesses
Empty house until the lights started to flash.
Happy Halloween folks!
Cyanotype on white card 220 gsm
Digital negative made from a Hipstamatic/Snapseed image.
Cyanotype on Stonehenge watercolor paper; toned in supermarket black/green blend.
Double exposure.
Traditional cyanotype
Water colour cold pressed 300gsm.
First exposure 30 minutes Second exposure 15 minutes under UV lamp.
Cyanotype N°153 - Tonifié au maté / yerba maté toned
Papier - Moulin du coq - le rouge
Prise de vue - mamiya c220 + 55mm - foma200
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #filmisnotdead #dreammagazine #reponsesphoto #shootfilmunder1000 #ishootfilm #filmphotography #countryside #countrylife #countrysidephotography
image on the left liquid emulsion print , sepia+selenium toned .image on right :liquid emulsion print. : original image negative scan
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Cyanotype N°460- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Rolleifleix wide + Ilford HP5+
Inter-négatif numérique
Lumen print on Kodak Ektacolor expired.
Exposure 1hr 30min.
Paper is green straight out the bag. Faded green after fixing.
Cyanotype N°71 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Yashica mat 124G + Fuji Pro400H (conversion NB)
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #country #countrylife #countryphotography #countryliving #yashicamat124g #yashica
handmade superposition, color, positive transparencies over black and white photos. Impossible Project color and black and white film.
Iron and Wine: youtu.be/viXMXo1aG-Q
Toned cyanotype
Bleached in sodium carbonate for 3 seconds, washed in an acetic acid bath, tea toned for 20 minutes
4x5 contact print
Alderdi Eder, Donostia.
Candy tin pinhole camera.
Exposure: 1 min.
Old ilford paper developer.
Scanner: epson v370.
Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200
Cyanotype N°141 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Leica M5 + 50mm canon + agfa apx400
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #filmisnotdead #dreammagazine #reponsesphoto #shootfilmunder1000 #bnwminimalismmag #incredible_minimal #leicafilm
Canon Canonet QL17 GIII / Fomapan 200
Developed in Caffenol.
Water 650 ml.
Coffee 12 full teaspoons.
Soda ash 3 full teaspoons.
52 min / ~25C
Massif du Sancy - Juillet 2024
Cyanotype N°461- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Minolta freedom Vista + Kodak trix400
Inter-négatif numérique
Camera. Ondu MK ll 6x6 Pinhole.
ILFORD FP4 125 PLUS
Home developed in Bellini Monobath.
Agfa Rondinax 60 daylight loading tank.
Cyanotype N°130 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Bristol Fabriano
Prise de vue - Mamiya Six K2 + HP5
Inter-négatif numérique
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Cyanotype N°138 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Olympus OM10 + zuiko 50mm - agfa apx400
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #vintagephotography #filmisnotdead #dreammagazine #reponsesphoto #oldschoolphotography #shootfilmunder1000 #kids #kidsphotography
Cámara estenopeica: lata de cerveza.
Exposición: 15-02-2018/21-05-2018, 95 días.
Papel brillante Ilford RC multigrado.
Epson V370 scanner.
Rectangular version of my earlier post. In the summer of 1971, I spent 3 long days in the town of Knolls, population 12, trying to get a broken VW bus to run. The town is gone now but I will always remember that they sold coldest 3.2 beer in Utah.
Palladium toned kallitype on Arches Platine.
Beer can pinhole camera.
Exposure: 5 min.
Ilford Rc grade 5 glossy paper + old Ilford paper developer 1+9.
Scanner: Epson V370.
Digital negative -- printed on Stonehenge watercolor paper. Bleached and toned with tannic acid.
Original image made with a Zero Image 612B pinhole camera.
A small creek passing through Albany Rural Cemetery.
Salt Print on Strathmore Mixed Media.
Burke and James 5x7.
Hp5+
Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200
Not quite George Davison... But reminiscent? Especially since there was no foreground interest when and where this was taken. Now that it is nearly August perhaps wildflowers will be growing in abundance, scattered amounst the tall grasses. Even a few would help. It's an hour and a half drive or so away though so maybe worth a return trip: if I find foreground! And speaking of George Davison, The Onion Field has to be an all time favorite. Top five at least. Do I have a top five? If I had to pick...
George Davison - The Onion Field,
Clarence White - Winter Landscape,
Alfred Stieglitz - Spring Showers and A wet Day On the Boulevard and The Terminal,
Edward Steichen - The Flatiron and Moonrise,
Robert Demachy - Toucques Valley.
OK, that's eight. Guess it will have to be top ten.... So who am I leaving out?
Perhaps House on the Hill or The Duck Pond by Alvin Langdon Coburn,
or any one of many from Constant Puyo. Maybe top 100 then? There is too many amazing works to really pick a few and most of mine are over one hundred years gone.
Which reminds me... The Big Clock On The Wall is ticking...We must move faster... But even still, time will leave us behind too. I wonder if it notices us at all?
The other day I was thinking (morning commutes are perfect for that since the car knows the way), whether I decide to visit the ocean or not, the waves still crash in.
Exposures and development:
15th July 2020
Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6
Iflord FP4+ 8x10 @ 64
rear tilt forward. 460mm bellows extension
2x 5” f/32 exposures, 1st with carrots and 2nd without
Stearman SP810, Pyrocat HD 2:2:100, 8’05”, 22ºC, N-development
Shadows placed on ZIII, carrots at ZVI (though should probably have placed darks on ZII or metered slightly more accurately, since I'm a bit bright)
Print:
16th July 2020
23ºC / 50% RH
14x11 Bergger Cot320
Paper dried 1hr40mins, no prehumidification
4:30pm, 8’30” daylight exposure in full sun with cloud
5mins wash in 1.5l distilled water with squeeze of lemon juice
5mins wash in 1.5l tap water
3mins fix in hypo
1hr final soak
Dried flat for 48hrs
Digitized with 2-frame stitch, D800E and 85mm tilt-shift