Polaroid injection

Polaroid One 1984

Polaroid 600 film expired

Cámara: lata de Cafés Aitona.

Exposición:30 seg. aprox.

Papel Ilford FB grado 3.

Revelador Tetenal Eukobrom.

Escáner Epson V370.

Kodak Ektacolor paper Plus F expired.

Poppies

Lumen print on Photospeed RCVC Oyster.

Exposure 24 hours

Ilford Art 300 in Moersch Easy Lith.

Martha's Vineyard.

Burke and James 5x7.

Love the Art 300 paper!

Precipitation (24 hours in the rain).

Unwashed Cyanotype on Hahnemühle Platinum Rag

Cyanotype

White card 220gsm.

Tea Toned

Medium Format

Cyanotype on Stonehenge water color. Digital negative made from a Hipstamatic-Snapseed hybrid.

Over the last two weeks I've got round to making a new digital negative curve for cyanotype (and Argyotype: will post that one separately).

Here is pre-exposure, and print in final wash.

UV 27mins; digital neg printed on Pictorico Pro OHP, with Canon Pro-300 and adjusted Black&White print tone (as far as Canon allows) - essentially shifted to yellow: these negs look really quite close to my large-format film negs developed in Pyrocat HD staining developer - which is the point.

I'm happy to say that my way of doing this has refined the curve I took from Anderson's Cyanotype book (which is represented here in the print on the left of sets of three); mine (the middle set of two here), made entirely independently of hers, looks pretty similar but is darker and more contrasty, as refined for my specific paper, water, chemistry, etc. The one on the right is a curve I made during the refining process.

The negs here are digitised and inverted versions of 120 and 5x4 film negatives, for printing at larger size (e.g. 12.5x10 inches).

There's not much point posting my final curve, since it likely as not won't work for anyone else as well; but I may well post mine for Argyrotype since that process is far less well known and I haven't seen any other curves that people use for that.

Cyanotype

White Card 220 gsm

Toned in white tea.

Wood Pigeons enjoying the late winter sun

Gumprint, 6 layers.

Double exposure.

Traditional cyanotype

Water colour cold pressed 300gsm.

First exposure 30 minutes Second exposure 15 minutes under UV lamp.

8 x 10 Gum Bichromate over Cyanotype contact printed on Canson Montval 140 lb CP

Canonet QL17 GIII / Fomapan 200.

Developed in Caffenol.

Water 650 ml

Coffee 12 full teaspoons

Soda ash 3 full teaspoons

52 min / ~25C

Polaroid injection

Polaroid One 1984

Polaroid 600 film expired

My first experiment of shooting on photo paper.

Old Soviet large format camera “FOTOKOR-1» (1936).

B&w Photographic paper FOMASPEED Variant 312 Multigrade Matt.

9x12.

Ex. 3 ISO.

Developer D-76.

Scanner HP Scanjet G3110.

Inversion in ColorCamera.

Cyanotype N°153 - Tonifié au maté / yerba maté toned

Papier - Moulin du coq - le rouge

Prise de vue - mamiya c220 + 55mm - foma200

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Bamboo and Leaves

Cyanolumen on expired Ilford warm tone paper 5x7".

Exposure 1 hour.

Cyanotype.

A collection of shadows taken with instant film.

Traditional Cyanotype

Twenty minute exposure under UV lamp

Water colour cold pressed 300gsm

image on the left liquid emulsion print , sepia+selenium toned .image on right :liquid emulsion print. : original image negative scan

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Cyanotype on Hahnemühle Platinum Rag.

Tea toned.

Medium Format.

Kallitype

Sodiumacetat, Gold toned

Cyanotype N°71 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + Fuji Pro400H (conversion NB)

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Cyanotype

Shot in the last light of the day.

Tea toned

Watercolour 300 gsm.Hot pressed smooth

Cyanotype N°93 - Tonification au maté + café / yerba maté and cofee toned

Papier - Moulin du coq - Le rouge

Prise de vue - fuji ga645w + infrared400

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Toned cyanotype

Bleached in sodium carbonate for 3 seconds, washed in an acetic acid bath, tea toned for 20 minutes

4x5 contact print

Alderdi Eder, Donostia.

Candy tin pinhole camera.

Exposure: 1 min.

Old ilford paper developer.

Scanner: epson v370.

Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200

Empty house until the lights started to flash.

Happy Halloween folks!

Cyanotype on white card 220 gsm

Watercolor over van Dyke.

Shot on the Graflex, 4x5, x-ray film.

Agfa - Gevaert Brovira BN 119

Exposure 5 hours cloudy day.

Polaroid 600 film

Exposed film pack

handmade superposition, color, positive transparencies over black and white photos. Impossible Project color and black and white film.

Iron and Wine: youtu.be/viXMXo1aG-Q

1/2 plate Ambrotype

All Images Copyright Steve Wilson Photography 2007

Gumprint, gomdruk

Paper: Canson Montval.

Pigments:

Paynes gray.

Italian red earth

Size: 40,5X26,5 cm

Cyanotype N°460- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned

Papier - Canson Montval

Prise de vue - Rolleifleix wide + Ilford HP5+

Inter-négatif numérique

Cyanotype N°130 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Bristol Fabriano

Prise de vue - Mamiya Six K2 + HP5

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Cámara estenopeica: lata de cerveza.

Exposición: 15-02-2018/21-05-2018, 95 días.

Papel brillante Ilford RC multigrado.

Epson V370 scanner.

Rectangular version of my earlier post. In the summer of 1971, I spent 3 long days in the town of Knolls, population 12, trying to get a broken VW bus to run. The town is gone now but I will always remember that they sold coldest 3.2 beer in Utah.

Palladium toned kallitype on Arches Platine.

1/2 plate Aluminotype

All Images Copyright Steve Wilson Photography 2007

Cyanotype N°141 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Leica M5 + 50mm canon + agfa apx400

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KENTMERE VC SELECT 5x7

Exposure about 9 hours

Cyanotype N°138 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Olympus OM10 + zuiko 50mm - agfa apx400

Inter-négatif numérique

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Fallen Orchid flowers.

Kodak Velox expired

Exposure 7 hours in front of kitchen window.

Canon Canonet QL17 GIII / Fomapan 200

Developed in Caffenol.

Water 650 ml.

Coffee 12 full teaspoons.

Soda ash 3 full teaspoons.

52 min / ~25C