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Massif du Sancy - juillet 2024

Cyanotype N°464

Tonifié au maté, café et acide tannique / yerba maté, cofee and acid tannic tonned

Papier - Canson Montval

Prise de vue - Empire junior 6x6 (Holga like) + Bergger pancro400

Inter-négatif numérique

Cámara estenopeica: Bote cilíndrico Ø100 x F=40 mm de distancia focal, f160. Øestenopo=0.25 mm

Exposición: 1 min.

Papel lford Rc brillante grado 5.

Escáner Epson V370.

 

Cámara: lata de Cafés Aitona.

Exposición:30 seg. aprox.

Papel Ilford FB grado 3.

Revelador Tetenal Eukobrom.

Escáner Epson V370.

Cyanotype on Hahnemühle Platinum Rag.

 

Tea toned.

Medium Format.

Bountiful ferns surround a stand of Redwood trees in Muir Woods.

Gum Bichromate made with india ink.

4x5 HP5 negative.

Cyanotype

 

White card 220gsm.

Tea Toned

Medium Format

Cyanotype on Stonehenge water color. Digital negative made from a Hipstamatic-Snapseed hybrid.

Canonet QL17 GIII / Fomapan 200.

 

Developed in Caffenol.

 

Water 650 ml

Coffee 12 full teaspoons

Soda ash 3 full teaspoons

 

52 min / ~25C

Christmas Cyanotypes for the brother in law. Framed them individually and without the rough edges.

Over the last two weeks I've got round to making a new digital negative curve for cyanotype (and Argyotype: will post that one separately).

 

Here is pre-exposure, and print in final wash.

UV 27mins; digital neg printed on Pictorico Pro OHP, with Canon Pro-300 and adjusted Black&White print tone (as far as Canon allows) - essentially shifted to yellow: these negs look really quite close to my large-format film negs developed in Pyrocat HD staining developer - which is the point.

 

I'm happy to say that my way of doing this has refined the curve I took from Anderson's Cyanotype book (which is represented here in the print on the left of sets of three); mine (the middle set of two here), made entirely independently of hers, looks pretty similar but is darker and more contrasty, as refined for my specific paper, water, chemistry, etc. The one on the right is a curve I made during the refining process.

 

The negs here are digitised and inverted versions of 120 and 5x4 film negatives, for printing at larger size (e.g. 12.5x10 inches).

 

There's not much point posting my final curve, since it likely as not won't work for anyone else as well; but I may well post mine for Argyrotype since that process is far less well known and I haven't seen any other curves that people use for that.

Cyanotype

 

Shot in the last light of the day.

 

Tea toned

Watercolour 300 gsm.Hot pressed smooth

Polaroid 600 film

Exposed film pack

Double exposure.

Traditional cyanotype

 

Water colour cold pressed 300gsm.

First exposure 30 minutes Second exposure 15 minutes under UV lamp.

Ilford Art 300 in Moersch Easy Lith.

Martha's Vineyard.

Burke and James 5x7.

Love the Art 300 paper!

Empty house until the lights started to flash.

 

Happy Halloween folks!

 

Cyanotype on white card 220 gsm

Cyanotype N°460- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned

Papier - Canson Montval

Prise de vue - Rolleifleix wide + Ilford HP5+

Inter-négatif numérique

Digital negative made from a Hipstamatic/Snapseed image.

 

Cyanotype on Stonehenge watercolor paper; toned in supermarket black/green blend.

Watercolor over van Dyke.

Shot on the Graflex, 4x5, x-ray film.

yellow dandelions

catch my eye and now I see

summer fireworks

 

Lockdown Art, April 2020

Traditional Cyanotype

Twenty minute exposure under UV lamp

Water colour cold pressed 300gsm

Cyanotype.

 

A collection of shadows taken with instant film.

Cyanotype N°153 - Tonifié au maté / yerba maté toned

Papier - Moulin du coq - le rouge

Prise de vue - mamiya c220 + 55mm - foma200

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #filmisnotdead #dreammagazine #reponsesphoto #shootfilmunder1000 #ishootfilm #filmphotography #countryside #countrylife #countrysidephotography

Kallitype

 

Sodiumacetat, Gold toned

image on the left liquid emulsion print , sepia+selenium toned .image on right :liquid emulsion print. : original image negative scan

 

facebook /webpage/behance/model mayhem/blog/museum/twitter/instagram/vimeo /google+

 

pls keep the comments clean.

no banners & awards pls!

© All rights reserved. Use without permission is illegal.

8 x 10 Gum Bichromate over Cyanotype contact printed on Canson Montval 140 lb CP

Cyanotype N°71 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Yashica mat 124G + Fuji Pro400H (conversion NB)

Inter-négatif numérique

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Camera. Ondu MK ll 6x6 Pinhole.

 

ILFORD FP4 125 PLUS

 

Home developed in Bellini Monobath.

 

Agfa Rondinax 60 daylight loading tank.

Cyanotype N°93 - Tonification au maté + café / yerba maté and cofee toned

Papier - Moulin du coq - Le rouge

Prise de vue - fuji ga645w + infrared400

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Lumen print on Kodak Ektacolor expired.

 

Exposure 1hr 30min.

 

Paper is green straight out the bag. Faded green after fixing.

handmade superposition, color, positive transparencies over black and white photos. Impossible Project color and black and white film.

 

Iron and Wine: youtu.be/viXMXo1aG-Q

Canon Canonet QL17 GIII / Fomapan 200

 

Developed in Caffenol.

 

Water 650 ml.

Coffee 12 full teaspoons.

Soda ash 3 full teaspoons.

52 min / ~25C

Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200

Alderdi Eder, Donostia.

Candy tin pinhole camera.

Exposure: 1 min.

Old ilford paper developer.

Scanner: epson v370.

Toned cyanotype

 

Bleached in sodium carbonate for 3 seconds, washed in an acetic acid bath, tea toned for 20 minutes

 

4x5 contact print

Cyanotype N°141 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Leica M5 + 50mm canon + agfa apx400

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #filmisnotdead #dreammagazine #reponsesphoto #shootfilmunder1000 #bnwminimalismmag #incredible_minimal #leicafilm

Cyanotype N°130 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Bristol Fabriano

Prise de vue - Mamiya Six K2 + HP5

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #tonedcyanotype #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #blueprints #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #handmadeprint #mamiya #squarephotography #mediumformat #mediumformatfilm #creuse

Massif du Sancy - Juillet 2024

Cyanotype N°461- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned

Papier - Canson Montval

Prise de vue - Minolta freedom Vista + Kodak trix400

Inter-négatif numérique

silver gelatine print with mixed media made from 120 negative

Cyanotype N°138 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Olympus OM10 + zuiko 50mm - agfa apx400

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #vintagephotography #filmisnotdead #dreammagazine #reponsesphoto #oldschoolphotography #shootfilmunder1000 #kids #kidsphotography

Born in the Holga on 2-1/4" Tri-X film, scanned and inverted (posted to Flickr 2013), adjusted and printed as a digital negative (transparency) for VanDyke Brown process. The digital negative was then contact printed as a Lumen with a 7 hour exposure in the bright June sun. The lumen print was then scanned prior to fixing and the image was finally inverted in Adobe Photoshop. I was both surprised and pleased with the resulting image.

 

The original Holga is here, www.flickr.com/photos/dr_ozda/10451904805/in/album-721576....

Cámara estenopeica: lata de cerveza.

Exposición: 15-02-2018/21-05-2018, 95 días.

Papel brillante Ilford RC multigrado.

Epson V370 scanner.

 

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