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Massif du Sancy - juillet 2024
Cyanotype N°464
Tonifié au maté, café et acide tannique / yerba maté, cofee and acid tannic tonned
Papier - Canson Montval
Prise de vue - Empire junior 6x6 (Holga like) + Bergger pancro400
Inter-négatif numérique
Cámara estenopeica: Bote cilíndrico Ø100 x F=40 mm de distancia focal, f160. Øestenopo=0.25 mm
Exposición: 1 min.
Papel lford Rc brillante grado 5.
Escáner Epson V370.
Cámara: lata de Cafés Aitona.
Exposición:30 seg. aprox.
Papel Ilford FB grado 3.
Revelador Tetenal Eukobrom.
Escáner Epson V370.
Bountiful ferns surround a stand of Redwood trees in Muir Woods.
Gum Bichromate made with india ink.
4x5 HP5 negative.
Canonet QL17 GIII / Fomapan 200.
Developed in Caffenol.
Water 650 ml
Coffee 12 full teaspoons
Soda ash 3 full teaspoons
52 min / ~25C
Over the last two weeks I've got round to making a new digital negative curve for cyanotype (and Argyotype: will post that one separately).
Here is pre-exposure, and print in final wash.
UV 27mins; digital neg printed on Pictorico Pro OHP, with Canon Pro-300 and adjusted Black&White print tone (as far as Canon allows) - essentially shifted to yellow: these negs look really quite close to my large-format film negs developed in Pyrocat HD staining developer - which is the point.
I'm happy to say that my way of doing this has refined the curve I took from Anderson's Cyanotype book (which is represented here in the print on the left of sets of three); mine (the middle set of two here), made entirely independently of hers, looks pretty similar but is darker and more contrasty, as refined for my specific paper, water, chemistry, etc. The one on the right is a curve I made during the refining process.
The negs here are digitised and inverted versions of 120 and 5x4 film negatives, for printing at larger size (e.g. 12.5x10 inches).
There's not much point posting my final curve, since it likely as not won't work for anyone else as well; but I may well post mine for Argyrotype since that process is far less well known and I haven't seen any other curves that people use for that.
Double exposure.
Traditional cyanotype
Water colour cold pressed 300gsm.
First exposure 30 minutes Second exposure 15 minutes under UV lamp.
Empty house until the lights started to flash.
Happy Halloween folks!
Cyanotype on white card 220 gsm
Cyanotype N°460- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Rolleifleix wide + Ilford HP5+
Inter-négatif numérique
Digital negative made from a Hipstamatic/Snapseed image.
Cyanotype on Stonehenge watercolor paper; toned in supermarket black/green blend.
Cyanotype N°153 - Tonifié au maté / yerba maté toned
Papier - Moulin du coq - le rouge
Prise de vue - mamiya c220 + 55mm - foma200
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #filmisnotdead #dreammagazine #reponsesphoto #shootfilmunder1000 #ishootfilm #filmphotography #countryside #countrylife #countrysidephotography
image on the left liquid emulsion print , sepia+selenium toned .image on right :liquid emulsion print. : original image negative scan
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Cyanotype N°71 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Yashica mat 124G + Fuji Pro400H (conversion NB)
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #country #countrylife #countryphotography #countryliving #yashicamat124g #yashica
Camera. Ondu MK ll 6x6 Pinhole.
ILFORD FP4 125 PLUS
Home developed in Bellini Monobath.
Agfa Rondinax 60 daylight loading tank.
Cyanotype N°93 - Tonification au maté + café / yerba maté and cofee toned
Papier - Moulin du coq - Le rouge
Prise de vue - fuji ga645w + infrared400
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #mediumformat #porsche #vintagecar #vintagecars
Lumen print on Kodak Ektacolor expired.
Exposure 1hr 30min.
Paper is green straight out the bag. Faded green after fixing.
handmade superposition, color, positive transparencies over black and white photos. Impossible Project color and black and white film.
Iron and Wine: youtu.be/viXMXo1aG-Q
Canon Canonet QL17 GIII / Fomapan 200
Developed in Caffenol.
Water 650 ml.
Coffee 12 full teaspoons.
Soda ash 3 full teaspoons.
52 min / ~25C
Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200
Alderdi Eder, Donostia.
Candy tin pinhole camera.
Exposure: 1 min.
Old ilford paper developer.
Scanner: epson v370.
Toned cyanotype
Bleached in sodium carbonate for 3 seconds, washed in an acetic acid bath, tea toned for 20 minutes
4x5 contact print
Cyanotype N°141 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Leica M5 + 50mm canon + agfa apx400
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #filmisnotdead #dreammagazine #reponsesphoto #shootfilmunder1000 #bnwminimalismmag #incredible_minimal #leicafilm
Cyanotype N°130 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Bristol Fabriano
Prise de vue - Mamiya Six K2 + HP5
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #tonedcyanotype #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #blueprints #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #handmadeprint #mamiya #squarephotography #mediumformat #mediumformatfilm #creuse
Massif du Sancy - Juillet 2024
Cyanotype N°461- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Minolta freedom Vista + Kodak trix400
Inter-négatif numérique
Cyanotype N°138 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Olympus OM10 + zuiko 50mm - agfa apx400
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #vintagephotography #filmisnotdead #dreammagazine #reponsesphoto #oldschoolphotography #shootfilmunder1000 #kids #kidsphotography
Born in the Holga on 2-1/4" Tri-X film, scanned and inverted (posted to Flickr 2013), adjusted and printed as a digital negative (transparency) for VanDyke Brown process. The digital negative was then contact printed as a Lumen with a 7 hour exposure in the bright June sun. The lumen print was then scanned prior to fixing and the image was finally inverted in Adobe Photoshop. I was both surprised and pleased with the resulting image.
The original Holga is here, www.flickr.com/photos/dr_ozda/10451904805/in/album-721576....