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42nd Street, New York City
Manhattanhenge is an occurrence that happens twice a year when the setting sun perfectly aligns with the east-west streets of the Manhattan grid. If Manhattan's street grid wasn't rotated 30 degrees east from geographic north, Manhattanhenge would always coincide with the equinoxes.
Venus,Mars and Jupiter all lined up. After a week of waiting for cloudy skies to clear it was a great sight just as the sun began to rise.
Günter Müller / Hans Joachim Irmler / A23H
There are two more unreleased live recording special mixes of Taste Tribes, one at Faust-Studio and one by Günter Müller in the archives.
Subterranean Collectives: Taste Tribes and the Entelechy of Sound:
If 7k Oaks openly aligned itself with Joseph Beuys’ “social sculpture,” Taste Tribes may be seen as its more subterranean counterpart—less oriented to ecological symbolism and civic space, more attuned to the cryptic energies of the urban periphery, where graffiti marks the wall and sound marks the ear as parallel inscriptions of collective life. Both ensembles were founded by Alfred 23 Harth in 2007: 7k Oaks in Rome with Massimo Pupillo, Luca Venitucci, and Fabrizio Spera, and Taste Tribes with Hans-Joachim Irmler (Faust) and the Swiss electronic improviser Günter Müller, later joined by Wolfgang Seidel (Eruption). Their emergence corresponded to a moment when Harth, after years in Asia and collaborations in Japan, returned to re-situate himself within European avant-garde traditions—yet not simply to return but to reimagine them through dialogue across generations and geographies.
The very name Taste Tribes emphasizes plurality, nomadism, and the refusal of hierarchy. “Tribes” designates both solidarity and fragmentation—temporary affiliations forged in ritual rather than fixed institutions. Their covers, emblazoned with four graffiti-like figures across both the 2008 and 2023 releases, act as surrogate signatures. Not portraits in any conventional sense, these glyphs instead function as visual analogues of alter-egos, painted marks that echo the very logic of improvised sound: provisional identities traced against a mutable background. Just as graffiti asserts a presence in anonymous public space, the Taste Tribes inscriptions claim the space of sound as a site of ephemeral authorship—collective, corrosive, and resistant to commodification.
Where 7k Oaks invokes Beuys explicitly—through its name, its ecologically charged dedications, and even track titles like Soziale Plastik—Taste Tribes embodies a more veiled articulation of the Goethean–Steinerian–Beuysian lineage. Goethe’s concept of entelechy described the inner formative principle by which the plant “makes itself out of itself”—an organic self-unfolding irreducible to mechanical repetition. Steiner, taking Goethe as the “Copernicus and Kepler of the organic world,” emphasized that Goethe had discovered the hidden laws of living form, just as astronomers had charted the laws of the cosmos. Beuys, inheriting this current of thought, transposed it into the social domain: art, like life, was no longer an object but a vital process; every human action could become sculpture, a force within the living organism of society.
It is precisely at this nexus that Taste Tribes situates itself, though in sound rather than in visual or ecological form. Their improvisations are not “pieces” but processes of emergence, sonic entelechies that unfold from within rather than being imposed from without. Noise-fields, electronic scatterings, the guttural breath of Harth’s reeds, the drone and churn of Irmler’s organ, the digitized flicker of Müller’s electronics—each gesture seems to contain the seed of its own self-determination. Improvisation here is not chaos but a morphology, akin to Goethe’s archetypal leaf, in which variation is the manifestation of a deeper, lawful principle.
In this light, the graffiti-figures that adorn their albums are more than decoration. They may be understood as glyphs of entelechy—graphic correlates to the music’s organic unfolding. Just as Beuys’ “7000 Oaks” made visible the slow work of transformation in the city’s ecological and social landscape, Taste Tribes inscribes transformation sonically: an acoustical “urban forest” grown from noise, feedback, and communal breath. If 7k Oaks plants the tree, Taste Tribes tags the wall—both reimagining art’s place in lived space, one through ecological grafting, the other through acoustic insurgency.
Ultimately, Taste Tribes challenges the listener to hear improvisation not as arbitrary play but as a social and organic law of becoming. Their soundworld exemplifies how the avant-garde, in the wake of Goethe, Steiner, and Beuys, continues to insist on creativity as an irreducible vitality: anarchic yet ordered, ephemeral yet archetypal. By foregrounding ritual over authorship, graffiti-mark over signature, process over object, Taste Tribes demonstrates that in the realm of sound as in life, the most radical art is not constructed—it grows.
At present there are 77 stones of heavily weathered local oolitic limestone, which were poetically described by William Stukeley as being “corroded like worm eaten wood, by the harsh Jaws of Time”, which made “a very noble, rustic, sight, and strike an odd terror upon the spectators, and admiration at the design of ‘em”.
Aubrey Burl has, in a more down to earth way, called the Rollrights “seventy-seven stones, stumps and lumps of leprous limestone”. This number seems to have altered considerably over the years - drawings from the tail-end of the 19th century, just before the Stones were scheduled under the 1882 Ancient Monuments Protection Act along with Stonehenge and Avebury, show about 25 stones in the Circle. “In the year 1882 the proprietor of Little Rollright replaced all the fallen stones in their original foundation.”
The Rollright Stone Circle is the southerly cousin of the Cumbrian circles such as Swinside and Long Meg and her Daughters in the English Lake District. Family traits include similar size, shape, close-set stones (it is believed that there originally some 105 stones standing shoulder to shoulder), astronomically-aligned entrance and a pair of outlying portals where gates were hung to stop the sheep from straying into the road.
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.. love the sailboats, all lined up for the HS sailing team to take them out when the snow goes and the temps get warmer
I aligned the photo somewhat so that the tower of the castel is now more or less upright
Besides that I croped a 16:9 format from the original.
Normally I won't post almost the same photo twice but I think it's worth it this time.
Many thanks for the great positive response for the first version!
When banks align in still waters
gravity declines and takes a breather
and so does mind
scanned B&W negative - all photos handheld and unaltered - click for larger - taken upside down and rotated - Sugar Land Run Stream in Herndon, Va.
Got the telescope out last night. Had it many years and this is my first real attempt using it for a deep sky photo.
6 frames, manually aligned in photoshop with smart stack mode median.
More info: edrosack.com/2021/01/24/the-telescope/
Equipo Principal: ZWO ASI 1600 mm-pro + SW Explorer 200p + SW Coma Corrector 0.9x + EQ6-R-Pro + Long Perng 2" Dual Speed Low Profile Crayford Focuser + ZWO EAF + ZWO 7x2" EFW
Equipo guía: guidescope 60/240 mm, ZWO ASI 120mm mini
*Gain 100, -25 º C, R-CCD 2" Svbony, 120x15"
*Gain 100, -25 º C, G-CCD 2" Svbony, 120x15"
*Gain 100, -25 º C, B-CCD 2" Svbony, 120x15"
*Gain 139, -25 º C, Ha 7nm 2" Optolong, 90x180"
100 Darks
100 Flats / filter
100 DarkFlats
Polar Align: SharpCap 3.2
Adquisición: SGP 3.1
Procesado: Pixinsight 1.8.8, PS
A lunar eclipse occurs whenever the Moon passes through some portion of the Earth's shadow. This can occur only when the Sun, Earth, and Moon are aligned exactly, or very closely so, with the Earth in the middle. Hence, the Moon is always full during a lunar eclipse. The type and length of an eclipse depend upon the Moon's location relative to its orbital nodes. The most recent total lunar eclipse was on 28 August 2007 where the Sun, Earth and Moon were in total alignment.
The above sequence of 5 shots was taken last night (August 28, 2007) at :
19:12
19:52
20:45
21:04
21:53
Location : Central Coast, NSW, Australia