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"naked / klotz" (2008) is minimal art randomly generated on demand. you can visit the project: www.querzone.de/enter/room2/
equipment i used: python, PIL, gnu / linux (debian), beer :)
Homage to the Square.A pattern generated by an audio signal mapped to a Hilbert curve, reduced to 1-bit and colored using a flood fill algorithm in selections derived from Josef Albers’ Homage to the Square.
The Algorithm (métal progressif / electro, France), festival Prog Frog, 31 mars 2017, KIFF, Aarau (Suisse).
Photo: Stéphane Gallay, sous licence Creative Commons (CC-BY)
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Still playing around with my first work, Process_01. Either you take to it or not. I kind of like the forms it's making.
It was working well with listening to Minamo's 'When Unwelt Melts'
Well organized collectives can carry on battles of all kinds with diligence and perseverance. During the discussion, Stefano Rossetti (Data Protection Lawyer at noyb) will talk about some recent noyb’s cases on surveillance, data brokers, algorithms and artificial intelligence.
Credit:Markus Schneeberger
Algorithmically generated colors and coloring rules. Random pruning of top layer. No edits after output.
Two superimposed algorithmically / iteratively created patterns. The finest structure of each pattern is fixed: circles or triangles. The interaction of the elements in each pattern is bound by rules of proximity and overlap. The overall structure of each pattern is "random", but of course highly informed by own perception of balance and rhythm in the overall product.
Cut paper, ink on paper.
Precision at top 30 candidates recommended by the algorithm when using different levels of fitness score thresholds, along with the number of candidates expected to pass a score threshold.
This figure is associated with CABBI’s Year 2 Summary Narrative.
Figure courtesy of Chengxiang Zhai, Co-PI of a Conversion lab at the University of Illinois Urbana-Champaign.
Algorithmic composition. A zoomable image can be found here. This work is based on pattern piling with feedback, see this blog post.
Pour éclairer ces questions, France Stratégie organise avec l’EHESS et Inria un cycle de débats mensuels Mutations technologiques, mutations sociales. La séance « Algorithmes, libertés et responsabilités », a été introduite par Daniel Le Métayer, directeur de recherche Inria, et Antoinette Rouvroy, chercheuse qualifiée du FNRS au Centre de recherche en information, droit et société (CRIDS), à l’Université de Namur.
En savoir plus :
New Algorithm for Latin America session
Rafael Mariano Grossi, IAEA Director General, at the World Economic Forum 2025.
Amandeep Singh Gill, United Nations Secretary-General's Envoy on Technology; Andrew Ng, Founder, DeepLearning.AI, USA; Dina Ercilia Boluarte, President of Peru; Ilan Goldfajn, President, Inter-American Development Bank, Washington DC; Jose Raul Mulino Quintero, President of Panama; Marisol Argueta de Barillas, Head of the Regional Agenda, Latin America; Member of the Executive Committee, World Economic Forum; Mohamed Irfaan Ali, President of the Co-operative Republic of Guyana; Nacho De Marco, Founder and Chief Executive Officer, BairesDev, USA; Ronaldo Lemos, Chief Scientific Officer, ITS-Rio, Brazil; Tracy Francis, Senior Partner; Managing Partner, Latin America, McKinsey & Company, Brazil; speaking in New Algorithm for Latin America session at the World Economic Forum Annual Meeting 2025 in Davos-Klosters, Switzerland, 22/1/2025, 20:00 – 22:00 at Congress Centre - Parsenn/Pischa. Dinner.
Copyright: World Economic Forum / Sandra Blaser