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Handheld, Motorola Atrix 2, GB
In-phone, 3 exposure combination
Vivid mode
In autoexposure mode, sky is blown out and clouds are not visible
The Ittiam High Dynamic Range (HDR) algorithm for Mobile and Cellphone cameras, Smartphones and Tablets intelligently selects the exposures of the constituent images and combines the details using advanced de-noising, anti-ghosting and tone mapping techniques to obtain high quality HDR images. The HDR algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an Android camera application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.
For further information, please see Ittiam's HDR Algorithm Web Page
Algorithmically generated image created entirely from random numbers run through mathematical equations.
A big number of audiences online nowadays is mainly algorithms. Algorithms are trained on the auditory information that is produced and uploaded by humans. In *Not allowed for algorithmic audiences*, a digital assistant situated in an Athenian apartment exhibits an odd behavior. They borrow an avatar and for seven consecutive days before they end up in an e-waste dump, they hold seven monologues introducing themselves and their skills, their ancestors, their anatomy and their origins, and talking about voice and its significance. They reveal data on the listening infrastructures as well as the bias inherent in their programming. Just before they reach the end of their monologues, in a final effort to reconcile humans and machines, they share tips with humans on how they can manage…not to be heard by algorithms.
Credits
This artwork was developed within the framework of the Ars Electronica ArtScience Residency enabled by Art Collection Deutsche Telekom in partnership with Johannes Kepler University Linz. Part of the Art Collection Telekom.
kyriakigoni.com/projects/not-allowed-for-algorithmic-audi...
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
An illustration for a discussion of photo mosaic algorithms I'm having in one of the group forums.
www.flickr.com/groups/topic/215624
www.flickr.com/groups/topic/21562/--
More stuff by jbum:
Pour éclairer ces questions, France Stratégie organise avec l’EHESS et Inria un cycle de débats mensuels Mutations technologiques, mutations sociales. La séance « Algorithmes, libertés et responsabilités », a été introduite par Daniel Le Métayer, directeur de recherche Inria, et Antoinette Rouvroy, chercheuse qualifiée du FNRS au Centre de recherche en information, droit et société (CRIDS), à l’Université de Namur.
En savoir plus :
Here disclosed the mysterious algorithm on Explore: "01042009", simply eight figures nothing more, that is April fool's trick!
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Ecco svelato il misterioso algoritmo di Explore: "01042009", semplicemente otto cifre niente di più, ovvero un pesce d'aprile.
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Algorithmic line drawings created in Processing. Uses modulated Perlin Noise generated paths.
Rule: start each line at random position, move a defined number of steps, spawn 1,2 or 3 lines from the last section of the line at 90-degrees.
Algorithmically generated image created entirely from random numbers run through mathematical equations.
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
So on the face of it, this is one of Calders beautiful wire-and-leaf balanced sculptures. However, Computer Scientists - know the nameless terror of which I speak. For a while there, I used to lug this monstrous textbook to and from university each day (a three hour roundtrip!) where it served a number of critically useful functions:
* a useful reference book on algorithms and computational complexity
* weighing in at about 80kg, it also served as a blunt weapon
* at about 90000 pages thick, it also could stop rounds of tank ammunition (a real necessity on the Epping to Randwick commute in Sydney, let me tell you)
* if you drop couple of millilitres of Donald Knuths blood on the cover, you are granted three wishes and the ability to perform matrix inversions with O(1) time.
As seen at SFMOMA, San Francisco. Taken with the thrifty bendycam 19.
Permutated connections and influence for the Viterbi algorithm. Diagram automatically shaped by omnigraffle.
Araneae algorithm "IVH"
Early experiments with Context Free Art, introduced to me this year at Flashbelt. This is sort of an inspiration mashup of my old Tattoo renderings and the work of Jared Tarbell. What I like best about this tool is its simplicity (lightweight editor and only supports 2D rendering), random seeds that allow you to run identical renders and the ability to export svg files.
David Rowan, Editor-at-Large, Wired, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
Baohong Sun, Dean's Distinguished Chair Professor of Marketing; Associate Dean, Global Programmes, Cheung Kong Graduate School of Business, People's Republic of China during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing
#CottonCandy #parametric #desires #algorithm #makes #architecture with #desirable #garlic #courtyard #chamber . #Architecture #thesis #project by #ucberkeley #architecturestudent Li Jun, previously encountered, you may #recall, in #balloon #construction, #comicbook #drawings and #tearableheart #video #cameo
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Yearly algorithm updates are gone and now the traffic and ranking changes are daily or weekly. Updates are rarely confirmed by Google and of the 28 updates that were tracked, Google has only confirmed two. There are tips to help you understand penalties, assess the traffic drops and take action when appropriate.
When you see a rankings loss or big #traffic on a day when there was an algorithm you probably were not penalized. Site redesigns, analytical adjustments, site updates, and more can cause decreased traffic. Most likely it was not you but #Google.
Before deciding you have been penalized, look at any changes you made on your site. Check the activity of the tech team, talk to the QA and #content team, and talk to everyone who can make an update to the site. Check your search console because if there is a manual penalty this is where it will be located. If only one page has been effected i is not an algorithm.
Check your traffic data because if you have been impacted by an algorithm the only impact will be on Google. Check your competition for changes because algorithm updates target specific types of industries and results. Look at the rankings of your competitors.
There are tools available for nearly everything. Allow for a normal amount of fluctuation and use your tools to track the performance of your site. Look at your industry's performance and see if they have been impacted. Remember what has occurred during the day effects, sports, news, and entertainment. If a tool shows #SERP fluctuations it still does not mean you have been penalized.
#Google can tell what sites you like but not the sites everyone generally likes. They are trying to give their users a top experience. They are trying to give their users exactly what they want and these updates are how they plan to accomplish this. A perfect example is Disney. They had 80,000 lower quality pages removed because they wanted to boost their organic traffic. Most of the sites who choose to remove content do not see a rise in their organic. The pages from #Disney were mostly so low in quality they were receiving one visit a month and were not helpful to the site in any way at all.
The term #E-A-T stands for Experience, Authority, and Trust. If you do not pursue these key components your competitors will and they will outrank your site. There are also numerous brands who use EAT for specific ideas and this is something Google is working to put together.
The most important aspects are knowing what to look for and how to find the information you will need if you are penalized. You have to understand what you need to do. One of the best pieces of advice is to talk to your friends within the industry. When you see odd occurrences or changes, talking to the people in the search space is your best option. Chances are they can at least point you in the correct direction.
When the day is over, work to improve your site. If you believe something you are doing may result in a penalty simply stop and fix it. Work on your site because the search engines are working to bring you quality and this is exactly what you want to give them.
In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: tom mesic
playing with Rsizr to see how it handled a scale down by 268 pixels in width and 224 in height. It did the height ok, but went wonky on the width (most noticeable in the coppers legs), so I abandoned the width change. Compare with the size I chose to resize here
It's mostly removed sky and trees (note the change in the tree on the left) and road.
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek