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Permutated connections and influence for the Viterbi algorithm. Diagram automatically shaped by omnigraffle.
Permutated connections and influence for the Viterbi algorithm. Diagram automatically shaped by omnigraffle.
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Scott Hartley, Author and Venture Capitalist, gives his presentation during the New Economy Talk: Why the Liberal Arts Matter in an Algorithmic World on Thursday, October 12, during the 2017 IMF/World Bank Annual Meetings in Washington, D.C. Ryan Rayburn/IMF Photo
Moderator Ana Rold, Publisher and CEO of Diplomatic Courier introduces Scott Hartley, Author and Venture Capitalist, during the New Economy Talk: Why the Liberal Arts Matter in an Algorithmic World on Thursday, October 12, during the 2017 IMF/World Bank Annual Meetings in Washington, D.C. Ryan Rayburn/IMF Photo
Biological idealization of rat in maze problem.
The 'cheese' does not exist in a discrete idealized cell (as in the genetic algorithm model) but is distributed with a maximum at the x, y co-ordinates of the idealized cell, and a 'chemical' survival gradient which the idealized 'rat' can sense and climb.
Image created using particles obeying certain "gravitational" laws. Mostly variations on "accelerate toward/away from some particle unless some condition is met, in which case move toward/away from some other particle".
Made with processing (processing.org).
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Scott Hartley, Author and Venture Capitalist, gives his presentation during the New Economy Talk: Why the Liberal Arts Matter in an Algorithmic World on Thursday, October 12, during the 2017 IMF/World Bank Annual Meetings in Washington, D.C. Ryan Rayburn/IMF Photo
Facebook Algorithmic Factory sheds light on the invisible processes that take place inside the world’s largest social network. Inside this black box, non-transparent algorithms are deciding what kind of content will become a part of our reality, what will be censored or deleted, which ideas will spread and what news will gain most visibility. They are also defining new forms of labour and exploitation.
Credit: Vladan Joler
The difference between algorithms and newspapers is that newspapers are legally responsible for what they print and citizens generally understand their editorial positions.
Algorithms, however, give the impression of being neutral and can't be held to account - even though the YouTube algorithm alone shapes what 1.5 billion users are likely to see, which is more than every newspaper in the world combined. --Jamie Bartlett
See en.wikipedia.org/wiki/Jamie_Bartlett_(journalist) in The People vs Tech: How the internet is killing democracy (and how we save it)
Plot of rat in maze algorithm generation one.
Note that (engineered) chromosome A has lost its place as the elite (and just misses solving the problem by a whisker(!).
Chromosome AC acually passes through solution and this solves the problem: note that AC is a direct descendent of engineered chromosome A..
The stages of the image analysis algorithm include:
(1) detecting the cell and cropping the area around it
(2) resizing the 20 20 cropped image into the 200 200 image and enhancing its contrast,
(3) finding a center of the cell,
(4) extracting morphological features by converting the image into polar coordinates based on the cell’s center and cell walls.
Google is constantly making new updates in its algorithm. Well, this time, it was a two-part summer update that happened in June/July 2021. As the developers were not able to deliver it all in a single update, it had to be carried out in a second update. On June 16th, 2021, Google rolled out a brand-new algorithm update called "The Page Experience Update".
Read our latest blog to find out what all features does this core update possess.
pixbitsolutions.com/blogs/latest-google-algorithm-update-...
#googlewebvitals #googleupdate #googleupdate2021 #googlealgorithmupdate #SEO #digitalmarketing #seofacts #searchengineoptimization #seoagency #googleupdates #searchenginemarketingcompany #pixbit #pixbitsolutions #contentmarketing #socialmediamarketing #seoservices #seocompany #marketing #uiux #uitrends #latestupdates #google #googlealgorithm
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Permutated connections and influence for the Viterbi algorithm. Diagram automatically shaped by omnigraffle.
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
8192 triangles are drawn in 3 dimensional space and used to approximate a source image. An algorithm refines the colors and positions of the vertices until the image converges on the target.
Made with Processing (processing.org)
Image via Pixabay pixabay.com/en/lego-build-building-blocks-toys-708088/
Quote via API Evangelist apievangelist.com/2017/10/10/algorithmic-observability-sh...
How to Hire with Algorithms t.co/ZsoSAG7MmZ #HumanResources t.co/62MMQuqFLa (via Twitter twitter.com/AleantLLC/status/788083199863885824)
Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom, David Rowan, Editor-at-Large, Wired, United Kingdom and Baohong Sun, Dean's Distinguished Chair Professor of Marketing; Associate Dean, Global Programmes, Cheung Kong Graduate School of Business, People's Republic of China during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
Permutated connections and influence for the Viterbi algorithm. Diagram automatically shaped by omnigraffle.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
21 May 2019
2019 OECD Forum
Well-Being and Productivity At Work
Can algorithms make us more effective
and happier at work?
- Martin Lauquin (Making Tomorrow)
- Andre Zollinger (thecamp)
Headquarters, Paris
Photo: OECD/ Stéphane Kyndt
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo.
Please follow, like and leave a comment.
My websites:
Visit my portfolio sites:
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden