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21erHaus: Ai Weiwei - translocation – transformation (14.7. - 20.11.2016, Pressekonferenz) aiww.21erhaus.at | Foto: eSeL.at
To complement the display of 'Trace' at the Hirshhorn, Ai Weiwei has created a new 360-degree wallpaper installation entitled (1) 'The Animal That Looks Like a Llama but Is Really an Alpaca'; and (2) 'The Plain Version of the Animal That Looks Like a Llama but Is Really an Alpaca'.
At first glance, the repeating graphic pattern looks merely decorative, but a closer inspection reveals surveillance cameras, handcuffs, and Twitter bird logos, which allude to Ai Weiwei’s tweets challenging authority. Together, both massive works span nearly 700 linear feet around the Hirshhorn’s second floor Outer Ring galleries.
Source: Hirshhorn Museum website
IMG_4108 V2
laughingsquid.com/circle-of-animals-zodiac-heads-by-ai-we...
photo by Scott Beale / Laughing Squid
This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
'Rapture', a major exhibition by Ai Weiwei
A Cordoaria Nacional de Lisboa, Portugal, abriu uma grande apresentação da primeira exposição em Portugal de Ai Weiwei . 'Rapture', com curadoria de Marcello Dantas, é a maior mostra do artista até hoje, e apresenta cerca de 80 obras. Incluem algumas das obras mais icónicas do artista, bem como peças originais produzidas em Portugal que exploram as técnicas artesanais tradicionais do país.
The Cordoaria Nacional in Lisbon, Portugal, has opened a major presentation of the first exhibition in Portugal by Ai Weiwei. 'Rapture', curated by Marcello Dantas, is the artist's largest show to date, and presents around 80 works. These include some of the artist's most iconic works, as well as original pieces produced in Portugal that explore the country's traditional artisanal techniques.
EXPO 2010 DANISH PAVILION (Shanghai) - BIG
www.channelbeta.net/2010/05/iexpo-2010-danish-pavilion-sh...
HIGH RESOLUTION ON CHANNELBETA
CHANNELBETA - Information Channel on Contemporary Architecture
To complement the display of 'Trace' at the Hirshhorn, Ai Weiwei created a new 360-degree wallpaper installation entitled (1) 'The Animal That Looks Like a Llama but Is Really an Alpaca'; and (2) 'The Plain Version of the Animal That Looks Like a Llama but Is Really an Alpaca'.
At first glance, the repeating graphic pattern looks merely decorative, but a closer inspection reveals surveillance cameras, handcuffs, and Twitter bird logos, which allude to Ai Weiwei’s tweets challenging authority. Together, both massive works span nearly 700 linear feet around the Hirshhorn’s second floor Outer Ring galleries.
Source: Hirshhorn Museum website
IMG_4037
"a study for AiWeiWei" by Davide Fasolo
(waiting to see the documentary about...)
A4 * watercolor - 2013 *
laughingsquid.com/circle-of-animals-zodiac-heads-by-ai-we...
photo by Scott Beale / Laughing Squid
This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
Ausstellung "Evidence" in Berlin im Martin-Gropius-Bau:
Die Kunstwerke Ai Wieweit kritisieren versteckt die chinesische Politik und das System. Diese Stahlkonstruktionen z.B. sind ein Hinweis auf das Erdbeben in der chinesischen Provinz Sichuan vom 12.5. 2008, bei dem unzählige Menschen ums Leben kamen, weil viele öffentlichen Gebäude nicht mit genügend Stahl verstärkt waren und so dem Erdbeben nicht standhalten konnten.