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Not a frivolous offering this time but a serious - though ultimately positive - song inspired by a recent tragic event in Australia. My cousin Heylie (yes, that is how it's spelt) and I roped in some chums to express our shared sympathy and hope in this long-distance collaboration. I'm posting it here since I struggle to get many views on that other site. Let the sun and the surf keep rising.
The one that started it all! (“All what?” I hear you ask.) The original is at youtu.be/rbvGgSlE3Wo. "The song’s bad and the video’s jarring," said someone on another site, but I still like it and I thought you might enjoy this remix with a new improved video. Not quite a nudie, but Suze has fun on a conveyor belt and Gus gets worryingly close to my new Scandi chum Inga, who also plays a mean guitar as you’ll have seen in a couple of recent vids at YouTube.com/@ChazJer
The free music albums may be had from charityjerwield.bandcamp.com
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
credit: Florian Voggeneder
Photo showing the sound-installation TOC ONE by Moritz Simon Geist being set up in the Ars Electronica Center's AI & Music exhibition. In the course of Ars Electronica Home Delivery, the audience is invited to experience what TOC ONE is all about.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Here's a short introduction to the ninth of my illustrated songs. The words are by me, and the AI elves added the music. The video clips were made using various online tools.
The full song and video can be seen on YouTube at youtu.be/5h3vvoyGXDQ
(The channel is not monetized.)
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Here's a short introduction to the seventh of my illustrated songs. The words are by me, and the AI elves added the music. The video clips were made using various online tools.
The full song and video can be seen on YouTube at youtu.be/7ZKC9KWc2oM
(The channel is not monetized.)
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Here's a short introduction to the fourth of my illustrated songs. The words are by me, and the AI elves added the music. The video clips were made using various online tools.
The full song and video can be seen on YouTube at youtu.be/MTMQr70Te1c
(The channel is not monetized.)
Here's a short introduction to the eighth of my illustrated songs. The words are by me, and the AI elves added the music. The video clips were made using various online tools.
The full song and video can be seen on YouTube at youtu.be/ZuE4Gvto4PA
(The channel is not monetized.)
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: vog.photo
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Der Traum vom autarken Leben beschäftigt die Menschen mehr als je zuvor; Energieunabhängigkeit und Selbstversorgung im Einklang mit der Natur gewinnen zunehmend an Bedeutung.
Mit dem Solar Synthesizer 0.4 wurde nun der erste Versuch der Künstlergruppe gestartet, Klänge mit der Energie der Sonne zu erzeugen. Auf diese Weise kann elektronische Musik erstmals energieautark gespielt werden. Bei einer vollkommenen Bestrahlung durch die Sonne oder einer anderen Lichtquelle entsteht eine harmonische Klanglandschaft, die sich verändert, sobald ein Mensch sich zwischen Sonne und Photovoltaikzellen stellt. Anstatt Tasten zu drücken, bewegt man die Hand zum Panel hin oder von diesem weg.
ars.electronica.art/center/de/solar-synthesizer/
Foto: vog.photo
Neun Linzer Museen luden unter dem Motto „1 Ticket – 9 Museen – 4 Tage“ während der Semesterferien zu Führungen, Workshops und Sonderveranstaltungen ein. Im Ars Electronica Center gab es Workshops für Kinder aller Altersstufen, verschiedene Themenführungen durch die Ausstellungen und bildgewaltige Präsentationen im weltweit einzigartigen Deep Space 8K.
Foto: Ars Electronica / Birgit Cakir