View allAll Photos Tagged aimusic
Click here for the music trailer: rumble.com/v76k8pu-a-bloom-beyond-compare.html
Click here for the full video : youtu.be/ZffNv3kT1SM
Click here for song: sonauto.ai/song/524ea7bc-2c10-40d0-b053-d46acf5b5f53
She rests where petals dare to fall, soft pink against the greening earth, draped in hues that echo all the quiet grace of spring's rebirth.
The cherry branches lean to kiss the dark silk rivers of her hair, as if the blooms could not resist the warmth of someone lying there.
Her gaze holds seasons yet to come, a stillness deeper than the ground, while blossoms whisper, one by one, that beauty needs no other sound.
The world turns soft in peach and rose, in tulle that pools like fading light — she is the secret springtime knows, the bloom that blooms most beautifully at night.
suno.com/song/12b16d3e-6df3-431f-b64c-23a847e8c015
Somewhere under the silence
A little light was breathing
Somewhere under the ache
My heart was still here
I went quiet in my own skin
Faded out of view
Kept a smile in the morning
But the colors never bloomed
I kept moving, I kept breathing
Like a shadow in the air
Just a body full of echoes
Just a soul not fully there
Then a pulse beneath the quiet
Touched the hollow in my chest
Not a storm, not a siren
Just a heartbeat coming back
I came back to my own light
Little by little, I returned
Found my heart beneath the ashes
Felt the golden ember burn
I came back to my own light
From the silence, from the cold
I was lost inside my body
Now I’m coming home
I’m coming home
I’m coming home
To my own light
To my own light
There were rooms inside my spirit
I had not opened for years
Windows covered over
With the salt of hidden tears
I had left myself in fragments
In the corners of my mind
But the softer I listened
The more of me I’d find
Then the dark became a doorway
And my breath became a sign
Every scar became a lantern
Every step returned me to life
I came back to my own light
Little by little, I returned
Found my heart beneath the ashes
Felt the golden ember burn
I came back to my own light
From the silence, from the cold
I was lost inside my body
Now I’m coming home
I’m coming home
I’m coming home
To my own light
To my own light
My pulse returns
My soul remembers
My light returns
Soft as surrender
No more living like a shadow
No more hiding from my name
No more holding all the emptiness
Like it was mine to claim
I place my hands over my heartbeat
I let the old ache leave
I am not the hollow places
I am what still breathes
I gather every little fragment
Every dream I left behind
I call my spirit back together
I return to my own light
[Passionate emotional violin lead]
[Violin rises above the beat]
[Cinematic strings build]
I came back to my own light
I rose slowly, I rose true
There is warmth beneath my sorrow
There is gold in what I grew
I came back to my own light
With my heart inside my hands
I am softer, I am stronger
I am learning how to stand
I came back to my own light
Every breath became a sign
What was empty now is sacred
What was lost is finally mine
I’m coming home
I’m coming home
To my own light
To my own light
Somewhere under the silence
A little light was breathing
Now I hear my own heart
Now I feel my own meaning
I’m coming home
I’m coming home
To my own light
suno.com/song/ec4ae471-8d81-482b-ba3b-308b1e0ea71a
You look at me and all the noise
falls back into the walls
I feel the world become a room
where only silence calls
I do not have to explain myself
you read what I conceal
Not with questions, not with force
but with something I can feel
And I am calm
but I am not the same
You do not touch me
still I feel the flame
Love me where the silence burns
where no one else can see
Where your eyes undress the shadows
I keep hidden inside me
You see me without asking
you pull me without chains
And something ancient in my body
keeps surrendering to your name
The way you see me
the way you see me
No words between us
but you still reach me
The way you see me
the way you see me
I am calm and burning
when you see me
There is a hunger in the air
but we do not make it loud
It moves beneath the conversation
like lightning underground
You sit close to my mystery
like you have known it all along
And every guarded part of me
starts leaning where you are
I should be careful
but I want to fall
You say so little
and I feel it all
Love me where the silence burns
where no one else can see
Where your eyes undress the shadows
I keep hidden inside me
You see me without asking
you pull me without chains
And something ancient in my body
keeps surrendering to your name
The way you see me
the way you see me
No promise needed
you already reach me
The way you see me
the way you see me
I am calm and burning
when you see me
Do not make it simple
do not make it safe
Some love comes like a whisper
with a storm beneath its face
Let the world stay outside
let them never understand
There are flames that need no touch
only the nearness of a hand
Love me where the silence burns
where the truth begins to breathe
Where I can be calm and burning
just from knowing you see me
You find me without searching
you hold me without claim
And something ancient in my body
keeps surrendering to your name
The way you see me
the way you see me
No words between us
but you still reach me
The way you see me
the way you see me
I am calm and burning
when you see me
No promise
no proof
Only this pull
between me and you
No warning
no escape
Just an invisible language
my heart already speaks
Thought you might enjoy this one, which has also just been posted (in slightly higher resolution) at YouTube.com/@ChazJer1. Our bot pals have given it a far better tune than the lyrics deserve. We played in the park to two teenagers, an elderly couple and a dog, who all left before the end so we had to add some fake applause.
Here's a song inspired by my late Grandad's Alvis TC21/100 Drophead Coupé, the "Grey Lady". AI video isn't great with cars, so please excuse inaccuracies like extra door handles!
Please visit YouTube.com/@ChazJer1 for more original songs and videos.
Jolly voting weather! Here's a song for everyone who hasn't a clue who to trust these days. It won't help, but it may feel familiar. The full video is at youtu.be/e7bQtyACIDQ.
In other news, I've resurrected more of the videos from my old YouTube channel. They're on DailyMotion (dailymotion.com/chazjer1) in case YT's lurk-bots find something they deem shocking. There's another newish one there too: 'Pathways'.
suno.com/song/c8cce6fd-dac4-4a5a-894b-bf5422645a5e
There are nights I feel a door
open softly in my chest
Like a life I never lived
still refuses to forget
I don’t know where we began
I don’t know what we were called
Only that some quiet part of me
still reaches through it all
Maybe love can change its body
Maybe longing changes skies
Maybe we meet in other lives
and lose each other twice
If time remembers us
let it find us softly
Not like a storm
not like a wound
just like light across the sea
If desire crossed the years
if loss became a prayer
then somewhere in the silence
I know you’re almost there
If time remembers us
let it bring you close to me
not in the world
not in the noise
but where the soul can see
Ooh, if time remembers
Ooh, if time remembers
Ooh, if time remembers us
let it find us softly
Sometimes dreams arrive like rain
on a window in the dark
I wake up with a tenderness
I cannot pull apart
There’s a shadow made of warmth
there’s a voice without a sound
Something lost inside the distance
keeps turning me around
Maybe love was never finished
Maybe endings are disguise
Maybe we meet in other lives
with the same unfinished eyes
If time remembers us
let it find us softly
Not like a storm
not like a wound
just like light across the sea
If desire crossed the years
if loss became a prayer
then somewhere in the silence
I know you’re almost there
If time remembers us
let it bring you close to me
not in the world
not in the noise
but where the soul can see
I don’t need a sign
I don’t need a name
Some fires stay hidden
but they still remain
If the heart has a language
older than goodbye
then mine is still speaking
to yours through the night
If time remembers us
let it find us gently
Not like regret
not like the past
but like something meant to be
If desire crossed the years
if loss became a prayer
then somewhere after silence
I know you’ll meet me there
If time remembers us
let it bring you close to me
not in the world
not in the noise
but where the soul can see
If time remembers
let it remember softly
If love remembers
let it remember me
No proof
no claim
only this feeling
calling through the rain
Not a frivolous offering this time but a serious - though ultimately positive - song inspired by a recent tragic event in Australia. My cousin Heylie (yes, that is how it's spelt) and I roped in some chums to express our shared sympathy and hope in this long-distance collaboration. I'm posting it here since I struggle to get many views on that other site. Let the sun and the surf keep rising.
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
To save you looking here, there and elsewhere, I've set up a simple Google site (that's the link) containing all my videos that have been on YouTube or DailyMotion. The latest releases are also featured, and there's a link to a 'guest artist' video that will change from time to time. Do please take a look. Suggestions for improvements welcome!
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
The one that started it all! (“All what?” I hear you ask.) "The song’s bad and the video’s jarring," said someone on another site, but I still like it and I thought you might enjoy this remix. Not quite a nudie, but Suze has fun on a conveyor belt and Gus gets worryingly close to my Scandi chum Inga.
The original video is here.
Please visit YouTube.com/@ChazJer1 for more songs and videos, including this one with the original arrangement.
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Photo showing the sound-installation TOC ONE by Moritz Simon Geist being set up in the Ars Electronica Center's AI & Music exhibition. In the course of Ars Electronica Home Delivery, the audience is invited to experience what TOC ONE is all about.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Here are some excerpts from the latest uploads to that other site (ones which don't have versions here on Flickr). Some are now on my new channel YouTube.com/@ChazJer1. Please also explore dailymotion.com/chazjer1
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
credit: Florian Voggeneder
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Nestled on a lush estate in Wassenaar, Museum Voorlinden is less of a traditional gallery and more of a masterclass in architectural harmony. Opened in 2016, the building features an ingenious roof design consisting of 115,000 slanted tubes that filter natural Dutch light, creating an interior that feels as airy and bright as the surrounding dunes. It is the kind of place where the transition from the manicured greenery to the sleek, minimalist galleries feels almost seamless, proving that contemporary art doesn’t need a dark, dusty corner to command your attention.
The museum’s permanent collection is famous for its playful yet profound installations that consistently challenge your sense of reality. You will find Leandro Erlich’s "Swimming Pool", where you can walk "underwater" without getting a drop on you, and Ron Mueck’s "Couple under an Umbrella", which features hyper-realistic, oversized beachgoers that make you feel like a tiny intruder in a private moment. Then there is the massive steel labyrinth of Richard Serra’s "Open Ended" - a 216-ton sculpture that invites you to lose yourself in its rust-colored curves. These pieces aren't just for looking; they are designed to be experienced with the whole body.
Beyond the indoor galleries, Voorlinden is an immersive dialogue between creativity and nature. The surrounding landscape, designed by the renowned Piet Oudolf, features flowering grasses and perennials that shift with the seasons, ensuring the view outside the floor-to-ceiling windows is just as curated as the one inside. Whether you are wandering through the meadow paths or contemplating a contemporary masterpiece, the vibe is consistently serene and sophisticated. It is a rare trifecta of world-class art, innovative architecture, and wild Dutch greenery that makes it one of the most peaceful day trips in the Netherlands.
I sent some of Shakespeare's sonnets to the AI forge for tunesmithing. Here are some examples of what came back.
The full videos are at YouTube.com/@ChazJer2
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Neun Linzer Museen luden unter dem Motto „1 Ticket – 9 Museen – 4 Tage“ während der Semesterferien zu Führungen, Workshops und Sonderveranstaltungen ein. Im Ars Electronica Center gab es Workshops für Kinder aller Altersstufen, verschiedene Themenführungen durch die Ausstellungen und bildgewaltige Präsentationen im weltweit einzigartigen Deep Space 8K.
Foto: Ars Electronica / Birgit Cakir
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: vog.photo
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Der Traum vom autarken Leben beschäftigt die Menschen mehr als je zuvor; Energieunabhängigkeit und Selbstversorgung im Einklang mit der Natur gewinnen zunehmend an Bedeutung.
Mit dem Solar Synthesizer 0.4 wurde nun der erste Versuch der Künstlergruppe gestartet, Klänge mit der Energie der Sonne zu erzeugen. Auf diese Weise kann elektronische Musik erstmals energieautark gespielt werden. Bei einer vollkommenen Bestrahlung durch die Sonne oder einer anderen Lichtquelle entsteht eine harmonische Klanglandschaft, die sich verändert, sobald ein Mensch sich zwischen Sonne und Photovoltaikzellen stellt. Anstatt Tasten zu drücken, bewegt man die Hand zum Panel hin oder von diesem weg.
ars.electronica.art/center/de/solar-synthesizer/
Foto: vog.photo