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Click here for the music trailer: rumble.com/v76k8pu-a-bloom-beyond-compare.html
Click here for the full video : youtu.be/ZffNv3kT1SM
Click here for song: sonauto.ai/song/524ea7bc-2c10-40d0-b053-d46acf5b5f53
She rests where petals dare to fall, soft pink against the greening earth, draped in hues that echo all the quiet grace of spring's rebirth.
The cherry branches lean to kiss the dark silk rivers of her hair, as if the blooms could not resist the warmth of someone lying there.
Her gaze holds seasons yet to come, a stillness deeper than the ground, while blossoms whisper, one by one, that beauty needs no other sound.
The world turns soft in peach and rose, in tulle that pools like fading light — she is the secret springtime knows, the bloom that blooms most beautifully at night.
Here's a song inspired by my late Grandad's Alvis TC21/100 Drophead Coupé, the "Grey Lady". AI video isn't great with cars, so please excuse inaccuracies like extra door handles!
Please visit YouTube.com/@ChazJer1 for more original songs and videos.
Not a frivolous offering this time but a serious - though ultimately positive - song inspired by a recent tragic event in Australia. My cousin Heylie (yes, that is how it's spelt) and I roped in some chums to express our shared sympathy and hope in this long-distance collaboration. I'm posting it here since I struggle to get many views on that other site. Let the sun and the surf keep rising.
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Here are some excerpts from the latest uploads to that other site (ones which don't have versions here on Flickr). Some are now on my new channel YouTube.com/@ChazJer1.
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
The one that started it all! (“All what?” I hear you ask.) "The song’s bad and the video’s jarring," said someone on another site, but I still like it and I thought you might enjoy this remix. Not quite a nudie, but Suze has fun on a conveyor belt and Gus gets worryingly close to my Scandi chum Inga.
Please visit YouTube.com/@ChazJer1 for more songs and videos, including this one with the original arrangement.
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
Photo showing the sound-installation TOC ONE by Moritz Simon Geist being set up in the Ars Electronica Center's AI & Music exhibition. In the course of Ars Electronica Home Delivery, the audience is invited to experience what TOC ONE is all about.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
credit: Florian Voggeneder
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
I sent some of Shakespeare's sonnets to the AI forge for tunesmithing. Here are some examples of what came back.
The full videos are at YouTube.com/@ChazJer2
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Neun Linzer Museen luden unter dem Motto „1 Ticket – 9 Museen – 4 Tage“ während der Semesterferien zu Führungen, Workshops und Sonderveranstaltungen ein. Im Ars Electronica Center gab es Workshops für Kinder aller Altersstufen, verschiedene Themenführungen durch die Ausstellungen und bildgewaltige Präsentationen im weltweit einzigartigen Deep Space 8K.
Foto: Ars Electronica / Birgit Cakir
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: vog.photo
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Today, digital assistants use artificial intelligence to help us with daily tasks – and through robotics it becomes possible to extend this assistance into our physical world. AI Music does not replace the musician and generate music by itself, but instead shares the instrument with the musician and listens attentively. Once it has heard enough, it can continue on its own, or even play in parallel, learning from everyone it interacts with.
Credit: Florian Voggeneder
Nestled on a lush estate in Wassenaar, Museum Voorlinden is less of a traditional gallery and more of a masterclass in architectural harmony. Opened in 2016, the building features an ingenious roof design consisting of 115,000 slanted tubes that filter natural Dutch light, creating an interior that feels as airy and bright as the surrounding dunes. It is the kind of place where the transition from the manicured greenery to the sleek, minimalist galleries feels almost seamless, proving that contemporary art doesn’t need a dark, dusty corner to command your attention.
The museum’s permanent collection is famous for its playful yet profound installations that consistently challenge your sense of reality. You will find Leandro Erlich’s "Swimming Pool", where you can walk "underwater" without getting a drop on you, and Ron Mueck’s "Couple under an Umbrella", which features hyper-realistic, oversized beachgoers that make you feel like a tiny intruder in a private moment. Then there is the massive steel labyrinth of Richard Serra’s "Open Ended" - a 216-ton sculpture that invites you to lose yourself in its rust-colored curves. These pieces aren't just for looking; they are designed to be experienced with the whole body.
Beyond the indoor galleries, Voorlinden is an immersive dialogue between creativity and nature. The surrounding landscape, designed by the renowned Piet Oudolf, features flowering grasses and perennials that shift with the seasons, ensuring the view outside the floor-to-ceiling windows is just as curated as the one inside. Whether you are wandering through the meadow paths or contemplating a contemporary masterpiece, the vibe is consistently serene and sophisticated. It is a rare trifecta of world-class art, innovative architecture, and wild Dutch greenery that makes it one of the most peaceful day trips in the Netherlands.
Der Traum vom autarken Leben beschäftigt die Menschen mehr als je zuvor; Energieunabhängigkeit und Selbstversorgung im Einklang mit der Natur gewinnen zunehmend an Bedeutung.
Mit dem Solar Synthesizer 0.4 wurde nun der erste Versuch der Künstlergruppe gestartet, Klänge mit der Energie der Sonne zu erzeugen. Auf diese Weise kann elektronische Musik erstmals energieautark gespielt werden. Bei einer vollkommenen Bestrahlung durch die Sonne oder einer anderen Lichtquelle entsteht eine harmonische Klanglandschaft, die sich verändert, sobald ein Mensch sich zwischen Sonne und Photovoltaikzellen stellt. Anstatt Tasten zu drücken, bewegt man die Hand zum Panel hin oder von diesem weg.
ars.electronica.art/center/de/solar-synthesizer/
Foto: vog.photo