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Ai & Uyen Prewedding Photoshoot
Location: Tuy Hoa. Phu Yen. Vietnam
Done by 2016
Photo by Le Dang Khoa
Make up & Concept by Vuong Khai Vy
Album made by Le Dang Khoa & Vuong Khai Vy
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Lê Đăng Khoa | 090 990 7800 | ledk1711@gmail.com
Vuong Khai Vy | 091 888 0128 | vyvk1610@gmail.com
There was a man named Jack, who was a successful businessman. On the surface, he had it all: a high-paying job, a beautiful wife and children, and a luxurious home. But despite his outward appearance of success, Jack couldn't shake the feeling that something was missing in his life.
Every day, as he waited for his train at the station on his way to work, he couldn't help but feel a deep sense of longing and sadness. He would watch the other commuters, bustling about their daily lives, and couldn't help but feel like an outsider.
The truth was, Jack had always felt like a monkey trapped in a human's body. He had always been fascinated by the creatures and often wished he could be one of them, living freely in the wild. He would often daydream about swinging from branch to branch, climbing trees, and foraging for food.
But as much as he longed for the life of a monkey, he knew it was impossible. He was stuck in his human life, with all its responsibilities and obligations. He couldn't escape the reality that he was a successful businessman, with a family who relied on him to provide for them.
The sadness and longing that he felt at the train station every day became a constant companion, weighing heavily on him as he went through the motions of his daily life. He tried to push it away and focus on his job, but the feelings of longing never truly went away.
Years went by, and Jack's longing for a monkey's life never faded. He grew older, and his hair turned gray, but the sadness remained. Eventually, he retired, but his longing for the freedom and wildness of being a monkey never subsided. Jack spent his retirement years alone, living with the regret of not being able to be true to himself and follow his heart. He died with a heavy heart, knowing that he had spent his entire life living as something he wasn't, and the sadness he felt every day at the train station was the constant reminder of that.
In a scene reminiscent of a blockbuster sci-fi movie, Tokyo's skyline rises boldly beneath the vast, shimmering dome of a giant crystal cave. The city's modern architecture, from the towering Tokyo Skytree to the bustling Shibuya Crossing, is cast in a new, otherworldly light. Neon signs and digital billboards reflect off the cave's surfaces, creating a kaleidoscope of colors that celebrates Tokyo's dynamic energy and technological advancements. This cinematic view portrays Tokyo as a city of the future, living harmoniously within the embrace of an ancient natural wonder, inspiring awe and a sense of endless possibilities. --ar 16:9 --s 750 --v 6.0 --style raw@Dreamoire
In a future where technology has advanced to the point of merging different lifeforms, a new kind of being has emerged. These beings, known as "Chloro-Humans," are a unique blend of human, machine, and plant. They are able to produce vast amounts of energy by absorbing sunlight and water, making them highly efficient and self-sustaining.
One of the most remarkable features of the Chloro-Humans is their ability to communicate with plants. They are able to sense the movements and needs of the plants around them, and respond accordingly. This ability makes them highly valuable in areas where plant life is abundant, such as forests.
The Chloro-Humans are mainly deployed as first defense and security guards in these areas, due to their camouflage abilities. They are able to blend in with their surroundings, making them nearly impossible to detect. Their sense of vast amounts of area movements and quick reaction times make them ideal for this role.
Giant versions of the Chloro-Humans have also been developed. These larger versions are able to move surprisingly quickly, despite their size. They are often used as heavy-duty security guards, able to patrol large areas and respond quickly to any threats.
The Chloro-Humans' cloaking abilities are also a result of their unique genetic makeup. They are able to manipulate the chlorophyll in their skin to change color and blend in with their surroundings. They can also manipulate the light that reflects off their skin to make them virtually invisible. This technology has been developed with the use of advanced artificial intelligence algorithms that work to mimic the way plants interact with their environment.
The Chloro-Humans are a remarkable development in the field of biotechnology, and a testament to the power of technology to merge different lifeforms. However, their deployment raises ethical concerns about the use of living beings as security guards and the manipulation of living beings for military purposes. The question of whether or not these beings should be considered as living entities with rights or as mere tools for military use is a complex one. Some argue that since they are a hybrid of human, plant and machines they should be considered as a new kind of life form that should have rights.
Another concern is the potential for the Chloro-Humans to be weaponized. Their abilities make them formidable opponents in battle, and the idea of using them as soldiers raises serious moral and ethical questions about the value of human and non-human life in war.
Additionally, their deployment in areas like forests raises questions about the impact on natural ecosystems and the delicate balance of plant and animal life. The Chloro-Humans' ability to manipulate the plants around them could have unintended consequences for the surrounding environment.
As the world continues to change and evolve, it is important to consider the ethical implications of advanced technology like the Chloro-Humans, and ensure that it is used in a responsible and humane way. It is also essential to keep in mind the long-term impact on natural ecosystems and to consider the rights of all living beings that may be affected by the deployment of these lifeforms.
In a future where technology has advanced to the point of being able to extend life indefinitely, dogs have become the latest recipients of this revolutionary treatment. With the help of exoskeletons that replace their failing organs and mechanical limbs that replace their worn-out joints, these dogs are able to live for centuries.
The oldest of these dogs is 245 years old, and despite its advanced age, it is more alive and active than ever before. Thanks to its mechanical enhancements, it is able to run, jump and play just like a young puppy.
As these dogs continue to age, they also develop a very impressive state of consciousness, comparable to that of a 10-year-old child. They are able to understand and respond to their surroundings in ways that were previously thought impossible for dogs.
One of the most remarkable developments of these dogs is their ability to communicate with humans via neural implants. These implants allow the dogs to understand and respond to human speech, and even to initiate conversations with their human companions.
As these dogs continue to age, they become increasingly intelligent and self-aware, leading some to question whether they are truly still dogs, or something else entirely. Some argue that these dogs have crossed the threshold into true artificial intelligence.
But regardless of the debates surrounding their true nature, these dogs continue to be a source of joy and companionship for their human caretakers. They are a testament to the power of technology and the boundless potential of life.
"A futuristic office scene where diverse humans and humanoid robots collaborate at a high-tech workspace, using advanced computers and interactive digital interfaces. The atmosphere is harmonious and innovative, highlighting a seamless integration of human creativity and AI technology." --ar 201:107 --s 750 @Adam Engelhardt
Finissage com MISCUTEM e TUNA do Iscte, a 2 de maio de 2023.
Performance e Instalação sobre a Inteligência Artificial.
18 de abril a 2 de maio, na sala de exposições do Iscte.
Curadoria/Organização, Luís Botelho.
Ideia e conceito original, Hugo Alexandre Cruz e João Sousa.
III atos, o passado, o presente e futuros.
O diálogo de forças entre o Homem e as Máquinas ao longo do tempos.
Vídeo - Digital Arts Lab of Iscte Dali,
Grupo de Teatro do Iscte, Miscutem,
Alexandre Almeida e Hugo Alexandre Cruz.
Música e paisagem sonora - Tuna do Iscte e Dali
Fotografia e imagem digital - Dali
Pintura e instalação - Khaoula e Luís Miguel Botelho,
Performances - Miscutem e Tuna.
Fotografia de Hugo Alexandre Cruz
Iron wood (tieli wood), table, chairs, parts of beams and pillars from dismantled temples of the Qing Dinasty (1644-1911)
2005
Royal Academy of Arts
London, UK
en.wikipedia.org/wiki/Ai_Weiwei
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