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ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: «Il mito dei Dioscuri rinasce alla Fonte Giuturna ai Fori di Roma & A inizio 2016 riapriremo una parte dell’Antiquarium Forense di Giacomo Boni» C.D.S. (05|04|2015).
Inaugurata giovedì mattina l’esposizione «Lacus Iuturnae. La fontana sacra del Foro Romano» nel Tempio di Romolo ai Fori Imperiali, riaperto per l’occasione. La mostra è promossa dalla Soprintendenza speciale per il Colosseo, il Museo Nazionale Romano e l’Area archeologica di Roma e riunisce alcune sculture legate al mito dei Dioscuri che adornavano l’attigua fontana. Ingresso all’esposizione da Largo della Salara Vecchia.
-- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: Il mito dei Dioscuri rinasce alla Fonte Giuturna ai Fori di Roma, CORRIERE DELLA SERA (05|04|2015).
roma.corriere.it/foto-gallery/cronaca/15_marzo_05/mito-di...
-- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: L’annuncio del soprintendente Francesco Prosperetti: «A inizio 2016 riapriremo una parte dell’Antiquarium Forense [di Giacomo Boni]», CORRIERE DELLA SERA (05|04|2015). VIDEO [02:36].
video.corriere.it/dioscuri-cavalli-ricostruita-fontana-sa...
FONTE | FOTO | SOURCE:
-- CORRIERE DELLA SERA (05|04|2015).
s.v.,
-- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: PROF. GIACOMO BONI (1899-07), THE ROMAN FORUM: THE ANTIQUARIUM FORENSE - REDISCOVERING AN ANCIENT MUSEUM & RESTORATION OF THE ANTIQUARIUM (2004-07). THE EXCAVATIONS OF THE COMITIUM (2009-2015).
www.flickr.com/photos/imperial_fora_of_rome/sets/72157603...
-- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: Prof. Giacomo Boni & The Roman Forum (1902/2011): Restoration of the House of Vestals, Fountain of Giutarna, and the Medieval Fresco's of Santa Maria Antiqua (1902-2015).
www.flickr.com/photos/imperial_fora_of_rome/sets/72157625...
Once upon a time, in a far-off land, there was a potion that promised immortality. The potion was said to be made from the rarest of ingredients and was guarded by a powerful sorcerer who had discovered it deep in the ocean.
Many people sought the potion, hoping to live forever and escape the inevitability of death. Among them was a group of friends who were determined to find the sorcerer and obtain the potion.
The friends set out on a journey across the sea, facing many dangers and overcoming many obstacles. They finally reached the sorcerer's lair, deep beneath the ocean's surface. The sorcerer gave them the potion, warning them that immortality came at a great cost.
The friends drank the potion and immediately felt a strange sensation wash over them. They realized too late that the potion was not what they had expected. It trapped them in a state of eternal life, but they were unable to move, trapped beneath the ocean's surface.
As the years passed, the friends watched helplessly as coral grew around them, slowly consuming their bodies. They were trapped in a never-ending nightmare, unable to escape their watery prison.
The sorcerer, who had warned them about the side effects of the potion, watched over them for centuries, feeling guilty for his part in their fate. He could only watch as the friends' bodies were consumed by the coral, leaving behind only their faces in eternal agony.
The story of the friends spread, and soon, no one dared to seek the sorcerer or the potion of immortality. It served as a cautionary tale about the dangers of playing with the forces of life and death, and the consequences of immortality.
The Day of the Dead, or Dia de los Muertos, is a traditional Mexican holiday that honors and remembers deceased loved ones. The holiday takes place on November 1st and 2nd, and is a time for families to come together to remember and celebrate the lives of those who have passed away.
The origins of the Day of the Dead can be traced back to pre-Columbian Mexico, where indigenous cultures had a deep reverence for death and the afterlife. When the Spanish arrived in Mexico, they brought with them their own All Saints' and All Souls' Day celebrations, which eventually blended with the existing indigenous customs to create the modern-day Day of the Dead.
One of the most iconic symbols of the Day of the Dead is the calavera, or skull, which is often decorated with bright colors and intricate designs. Calaveras are used to decorate altars and ofrendas, which are set up in homes and cemeteries to honor the deceased. These altars are traditionally adorned with candles, marigolds, and other symbols of life and death, such as food and drink for the deceased, and photographs of the loved ones being honored.
Another important aspect of the Day of the Dead is the use of traditional foods, such as pan de muerto (bread of the dead), a sweet bread traditionally decorated with skull shapes, and calaveras made of sugar or chocolate.
É isso aí
Há quem acredite em milagres
Há quem cometa maldades
Há quem não saiba dizer a verdade
...
{ Salto el laja - región del biobio , chile }
"Been experimenting with AI for image creation while taking an online AI class!
I know there are mixed feelings about AI-generated art among photographers, but I wanted to explore tools like DALL-E, MidJourney, and Firefly to see what they could do.
Ended up creating about 40-50 images and I will share many of them here.
Curious to hear your thoughts—both positive and negative. Feel free to throw your comments at me!
A lost boy who lived in a haunted house, deep in the heart of the forest. He was a strange child, with wild hair and big, curious eyes. He always wore a pair of elk antlers on his head, claiming that they protected him from the evil spirits that haunted the house and the surrounding area.
The boy had lived in the haunted house for as long as he could remember. He had grown accustomed to the ghostly presence that lingered in the halls, and the eerie noises that echoed through the house at night. But he never ran away, he just looked at them straight into their evil eyes until they were gone again.
As the boy grew older, he began to see the creatures more and more. They would appear to him in his dreams and even when he was wide awake, in the form of shadows and whispers. But he never feared them, he knew that they could not harm him as long as he wore his elk antlers.
One night, the boy was awakened by a loud noise coming from downstairs. He got out of bed and made his way to the living room, where he saw a figure standing in the corner of the room. It was a ghostly woman, dressed in a long white gown. The boy approached her, not afraid, and looked straight into her eyes. And with that, the figure vanished into thin air.
The boy went back to bed, but he could not shake the feeling that something was not right. And as he lay there, he realized that the antlers on his head no longer felt like a protection but a curse, trapping him in that haunted house forever.
From then on, the boy started to notice more and more spirits around him, it seemed like they were gathering in that house to get to him. They were everywhere, in every room, every corner, every shadow. The boy knew that he had to leave that house before it was too late. But as he tried to escape, the spirits would always block his path, tormenting him with visions of his own death.
The boy was trapped in that haunted house, forever haunted by the spirits that he had once thought he could control. And even though he had his elk antlers to protect him, they were no match for the evil that lurked in the shadows, waiting for its chance to claim him as its own
In a future where China has taken the lead in the development of advanced androids, a new type of soldier has emerged. This android soldier squad, known as the "Wolf Unit," consisting of young and beautiful women, is designed to be the ultimate weapon in the battlefield.
One of the most remarkable features of these androids, known as the "Wolf Unit," is their ability to reproduce. The process of reproduction for these androids is a highly advanced and AI-guided retrodictive process. Sperm is collected and analyzed by the AI, which then selects the most suitable sperm for fertilization. The fertilized egg is then implanted into the android, and the pregnancy is monitored and guided by the AI, until the birth of a new android soldier.
This process is said to speed up evolutionary processes by an unknown factor, making the androids more advanced with each new generation. They are developed by China's global AI4 neural network in cooperation with Hong Kong, which is now the only Japanese controlled territory on the continent.
The Wolf Unit is praised for their achievements on the battlefield, with their strength, endurance and intelligence, as well as their beauty and femininity. Their abilities are enhanced with state-of-the-art technology and advanced neural networks, allowing them to process vast amounts of information and make decisions in a fraction of a second. Their physical abilities are also beyond human capabilities, allowing them to run faster, jump higher, and lift more weight than any human soldier.
These androids are also equipped with advanced weapons and armor, making them a formidable force on the battlefield. They are able to adapt to any environment and operate in any conditions, making them the perfect soldiers for any mission.
The Wolf Unit androids are not only fierce fighters, but they are also highly intelligent, able to communicate and coordinate with their fellow soldiers and human commanders. They possess a level of self-awareness and consciousness that is comparable to that of a human.
But as the world continues to change and evolve, the Wolf Unit androids raise ethical and moral questions. Some argue that they are not truly alive, and their reproduction is nothing but a way to create more efficient killing machines. Others argue that they are a new form of life and deserve the same rights and protections as humans.
Regardless of the debates surrounding their true nature, the Wolf Unit androids are a symbol of the future of warfare, and a testament to the power of technology and human ingenuity.
AI_084 probably by AmsterInvader.
This (sunny) afternoon I have found a new space invader in Amsterdam. Between Amstel and Weesperplein. Click here to ZOOM OUT and view the location of this new space invader in Amsterdam.
Date of invasion: 28/08/2007
DELETED (March 2009)
Ai Weiwei installation at the Haus der Kunst in Munich.
Ai Weiwei’s memorial to the earthquake that took place in the Chinese province of Sichuan in 2008. The installation consists of 9,000 backpacks in five different colours that make up the sentence "For seven years she lived happily on this earth" in Chinese lettering – a sentence with which a mother of one of the earthquake victims commemorated her daughter.
See also "Sichuan schools corruption scandal"