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Einige sehr alte Papiere weisen einen derart hohen Lagerschleier auf, dass sie nur noch für die Lithentwicklung geeignet sind. Darüberhinaus nimmt auch die Empfindlichkeit ab, was zu noch längeren Belichtungszeiten führt, als sonst für den Lithprozess üblich.

Eines dieser Papiere ist das Record Rapid. Ich konnte eine größere Menge dieses Papiers in 50x60cm erwerben. Ursprünglich wurde es laut Versandaufkleber geliefert an Bernd und Hilla Becher, die damit letztmalig gegen Ende des vergangenen Jahrhunderts gearbeitet haben.

Um Frustrationen zu vermeiden, hier ein Hinweis zur Verarbeitung.

Der Lithentwickler darf nicht so hoch verdünnt werden, wie sonst üblich.

Garantierte Lithresultate bringt die Verdünnung 75+75 ml auf 900 ml Wasser.

Die resultierende Belichtungszeit ist durch Versuche zu ermitteln. Bei „richtiger“ Belichtungszeit liegt der snatch point zwischen 8 bis 11 Minuten.

 

Some very old papers have such a high storage fog that they are only suitable for lith development. In addition, sensitivity also decreases, resulting in even longer exposure times than is usual for the lith process.

One of these papers is Record Rapid. I was able to purchase a large quantity of this paper in 50x60cm format. According to the shipping label, it was originally delivered to Bernd and Hilla Becher, who last worked with it at the end of the last century.

To avoid frustration, here is a tip for processing.

The lith developer must not be diluted as much as usual.

Guaranteed lith results are achieved with a dilution of 75+75 ml to 900 ml of water.

The resulting exposure time must be determined by trial and error. With the ‘correct’ exposure time, the snatch point is between 8 and 11 minutes.

Agfa Optima IIIs

polypanF

Hc110

SS Tank

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contax tvs iii

agfa vista 200

nothing to say about that is only a fucking cs2 manipulation starting from a film shot

Randers, Denmark, 2017. Pentax K1000, 135/3.5 smc-m. Agfa CTPrecisa 100 slide film.

AGFA_SCALA_200_slide33_1997

Agfa Record II. HP5. ID11.

Agfa Vista 200 expired 2005

la versione per pellicole 120. il necessario e sufficiente per sviluppi di qualità. Tra poco ci provo!

LOMO LCA, agfa precisa, cross processed.

 

I was quite disappointed at how bright these two photos from Embankment station came out, especially considering how dark and gloomy it was down there. I've also spent far too long staring at this photo, trying to decide if it was ruined by being slightly wonky, and I really don't know. I may well head back there to take another version of it at some point.

Leica M3 back in action.

Agfa Optima 100

24x18 - Kentmere 200

Reference photo for Macro Mondays theme of Book. Inside the viewing bell are seven miniature books.

Agfa Clack

Foma Retropan 320 soft

Rodinal

Cyanotype toned in tea.

Kanchanaburi, Thailand.

 

Yashica FX-3 Super 2000, Agfa Vista 100

Camera: Agfa Clack 6x9

Film: Fomapan 200

ADOX Rodinal 1+25

Agfa Scala BW slide film. Almost in focus!

Agfa Isolette with HP5 in Rodinal

 

MINOLTA HI-MATIC 7sII AGFA VISTA400

Kentmere 200

 

24x18

Half format

Agfa Isoly, in-camera diptych

taken with Agfa Click on lomo color negative 100

Ilford HP5 400 - 120 film

Metered exposure 1/60 - f/8

Actual exposure 14" - f/234

Camera: EXA (1959)

Lens: Tessar 2.8/50mm

Film: Agfa APX-100

Dev: Adox Rodinal (1+40, 10min)

Agfa APX 100

Pushed 400

"Im Schilf"

 

Minolta X-700, 28mm, Rotfilter,

APX100 entw. mit Spur SLD

Picture taken in November 2020

* Agfa Silette SL

* Fomapan 400

* HC-110 B

 

I used this camera: flic.kr/p/2k7DcQP

Agfa Iscochrom D6 = 116 = 6.5x11 cm

In the area of the "Filmfabrik Wolfen"

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