View allAll Photos Tagged affinity
the result of sticky shutter blades on the 1933 Voigtlander Rollfilmkamera. Perhaps even some fog in the elements. Will have to fix up.
This is one of the last ones I'll share of a wonderful evening at #highlightcarnival. Here Affinity is reflected in the large glass cafe window of the Dowse Art Museum. I liked how it looks like a window into another world.
Sky replaced, beach huts removed, flipped, bored so playing with Affinity. I quite like it but it's not a real photo......comments?
This was shot in the Affinity Room at SUMMIT One Vanderbilt, the observation space high above Grand Central Terminal. The room is filled with floating silver-gray balloons that children -- and adults -- can enjoy.
This is one from a short series of experiments I did exploring the idea of macro ICMs with flowers. It’s probably not going to be the area I will make my fortune in…
The problem is they either end up as “eh? What’s that? What’s he trying to say?” type images (and I do enough of those already where at least I know what I might be saying which I don’t here), or as macros that just look poorly focused.
Part of the problem may be the subject. Here it’s the close-up of the centre of a paeony. It doesn’t have a lot of shape or contrast.
Anyway, it’s for your delight and delectation while we move on to something else. I console myself that at least it’s not a panning shot ;).
For my 100x Motion project.
Thank you for taking the time to look. I hope you enjoy the image. Happy 100x :)
[Handwobbled in daylight.
Developed in Capture One increasing the tonal range and trying to emphasise the colour contrast without adding saturation.
In Affinity rotated, sharpened with USM and used a light vignette. (I also tried Nik Color Efex with this one, but I managed to make it look worse, so abandoned the idea).]
This is another image I have taken form my stock of RAWs for re-processing. I am trying to step-up my post processing a little and have even read some user manuals! I am happier with this than with previous versions of this image I have posted. I have managed to preserve the look I want in all areas of the image. This image was shot with a Samyang 85mm f/1.4 prime fitted on the excellent PENTAX K-1. The image was developed form RAW with DxO PhotoLab. Some stylisation was performed using ON1 Photo RAW (local exposure and dynamic contrast manipulation). Final edits to remove artefacts was performed using Affinity Photo.
Copyright © Dave Sexton. All Rights Reserved.
This image is protected under international copyright laws and agreements. No part of the image or the Flickr Photostream to which it belongs may be reproduced, stored in retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the Copyright owner’s prior permission.
Where the Steam Hammer spent the majority of its useful life
ADOX CHS 100ii @200iso
Minolta X-700
Minolta MD 50mm f/1.7
Developed in Zone Imaging 510 Pyro
Digitised with Nikon D700
Tamron Adaptall 2 90mm f/2.5 Macro
Affinity Photo 2
Lecce is a historic city of 93,300 inhabitants (2013) in southern Italy, the capital of the province of Lecce, the second province in the region by population, as well as one of the most important cities of Apulia. It is the main city of the Salentine Peninsula, a sub-peninsula at the heel of the Italian Peninsula and is over 2,000 years old.
Because of the rich Baroque architectural monuments found in the city, Lecce is commonly nicknamed "The Florence of the South". The city also has a long traditional affinity with Greek culture going back to its foundation; the Messapii who founded the city are said to have been Cretans in Greek records. To this day, in the Grecìa Salentina, a group of towns not far from Lecce, the griko language is still spoken.
Olympus 35RC
Ilford HP5+ 400 at box speed
HC110 dilution E 1+47 8 minutes at 20 celcius
Nikon D700
Tamron Adaptall 2 90mm f/2.5 macro
Valoi film holder
Pixl-Latr
A5 led light pad
Affinity Photo 2
Nikon F4S, B&W film, V600, Affinity Photo
-----------------------------
Detail of the house shown in the previous picture. The wish to have a garden, something totally impossible in this house, is transparent in the way how a few vases are laid out on this cover.
Brings to mind the lyrics by João Gilberto of the song "Desafinado" (out of tune) saying (very free translation):
You don't know, nor even fathom,
....
That in the chest of those who sing out of tune,
Deep inside their chest, it quietly beats...
Yes, in their chest you'll also find a beating heart.
前の家の詳細です。植木鉢がポツンポツン置かれている様子に依って、住んでいる人の庭を育てる不可能な願望が分かります。私にDesafinado (音痴) と云う曲のJoão Gilberto歌詞を思い出させる。
（自由翻訳）
貴方がわからない、夢にさえ見ない、
.....
音痴の人の胸の中に
その胸の深いところに、鼓動してるよ
そんな人の胸の深い中にも心が鼓動してる。
I studied a YouTube channel tutorial on this technique and composition from Michael Wilson using Affinity Photo. The birds I have previously photographed in my backyard.
We had to walk back through past Affinity so here's a couple of last ones from #highlightcarnival. Thanks for all your encouraging comments, it was a fun evening that's for sure :)
© Zoë Murdoch - All Rights Reserved. use without permission is illegal!
Requiem For Fiction
~ Image No: 10.
It is wrong to think that love comes from long companionship and persevering courtship. Love is the offspring of spiritual affinity and unless that affinity is created in a moment, it will not be created for years or even generations.
~ Kahlil Gibran
Explore ~ 139
Korinthos harbour and fishing boats. The sky today was exceptionally good for reflection. Fisheye distortion corrected in LR and Affinity Photo. Korinthos, Greece.
Plywood burning bright.
Processed in Affinity Photo
The Tyger by William Blake
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies,
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water'd heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?