View allAll Photos Tagged adoxsilvermax100
Pentax MZS with FA 43mm Ltd, red filter; f8, 1/45 sec, Adox Silvermax 100 ; Developer - Adox Silvermax, 1:29 dilution, 11 mins, Agfa Rondinax 35U daylight tank.
At the start of the summer I bought some Adox Silvermax 100 film to try out. The plan was to shoot it quickly, develop it myself in the dedicated Silvermax developer, then scan it using my Plustek scanner. We all know what happens to the best laid plans. During the summer, due to family illness I had no time for photography at all so the film travelled north to Skye a few days ago where I quickly used it up. Unfortunately I completely forgot to bring all my developing gear so the film was sent to my usual lab to see what they could make of it.
Here are some of the results. Looking at the negatives I thought they looked quite contrasty and this was backed up when I started to work on the computer. In a lot of them the highlights were blown out. I'm sure my exposures were correct because I use a hand held meter so it must be a combination of what the lab used as a developer and the scanning process. I have read online that even using the Silvermax developer the film speed should more accurately be set at ISO 200 at least to avoid the highlights blocking up. When I get back down the road I'm going to try shooting at ISO 100, 200 and 400 and will develop it in the Silvermax developer following the manufacturers instructions to see what comes out.
These are all crops to a greater or lesser extent but at first glance the claims to be a fine grained film certainly stack up.
Pentax MZS with FA 43mm Ltd, red filter; f8, 1/45 sec, Adox Silvermax 100 ; Developer - Adox Silvermax, 1:29 dilution, 11 mins, Agfa Rondinax 35U daylight tank.
A purposeful double exposure
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Voigtlander Bessa R2
Industar-61 L/D 53mm/ƒ2.8
Adox Silvermax 100
Blazinal 1:50 12.5min
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A purposeful double exposure
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Voigtlander Bessa R2
Industar-61 L/D 53mm/ƒ2.8
Adox Silvermax 100
Blazinal 1:50 12.5min
º
Pentax MZS with FA 31mm Ltd; f8, 1/250 sec, Adox Silvermax 100; Developer - Adox Silvermax, 1:29 dilution, 11 mins, Agfa Rondinax 35U daylight tank.
Pentax MZS with FA 31mm Ltd; f8, 1/45 sec, Adox Silvermax 100 ; Developer - Adox Silvermax, 1:29 dilution, 11 mins, Agfa Rondinax 35U daylight tank.
Pentax MZS with FA 43mm Ltd, red filter; f8, 1/45 sec, Adox Silvermax (exposed as ISO 50); Developer - Rodinal, 1:50 dilution, 17 mins, Agfa Rondinax 35U daylight tank.
Pentax MZS with FA 43mm Ltd, red filter; f5.6, 1/20 sec, Adox Silvermax (exposed as ISO 50); Developer - Rodinal, 1:50 dilution, 17 mins, Agfa Rondinax 35U daylight tank.
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If you’re anything like me, you’ve probably wondered how many fresh film stocks are still in production and available for purchase today. With the help of Phil Harrison, I checked. At the time of writing there are at least 172 of them…and that’s where this multi-part ...
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Read on at: emulsive.org/reviews/film-reviews/every-single-film-stock...
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Filed under: #Articles, #FilmReviews, #ADOX, #ADOXCMS20, #ADOXScala160, #ADOXSILVERMAX100, #Agfa, #AgfaCopexRapid, #AgfaVistaPlus200, #AgfaVistaPlus400, #Agfaphoto, #AgfaphotoAPX100, #AgfaphotoAPX400, #AristaEDUULTRA100, #AristaEDUULTRA200, #AristaEDUUltra400, #Bergger, #Cinestill, #Cinestill50D, #Cinestill800T, #CinestillBWXX, #DubblefilmBUBBLEGUM, #DubblefilmMONSOON, #DubblefilmMOONSTRUCK, #DubblefilmSUNSTROKE, #FilmList, #FilmReviews
#shootfilmbenice #filmphotography # believeinfilm
A purposeful double exposure
º
Voigtlander Bessa R2
Industar-61 L/D 53mm/ƒ2.8
Adox Silvermax 100
Blazinal 1:50 12.5min
º
Pentax MZS with FA 43mm Ltd, red filter; f8, 1/60 sec, Adox Silvermax 100 ; Developer - Adox Silvermax, 1:29 dilution, 11 mins, Agfa Rondinax 35U daylight tank.
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Nikon F-801s
#1 & #3 Nikkor ED 180mm ƒ2.8 Ai-S
#2 Zeiss ZF 50mm ƒ1.4 - 2-panel stitch
Adox Scala 160 {exp. 2020}
homemade Scala Reversal kit – vers.16 – Kalogen / Blazinal
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Pentax MZS with FA 31mm Ltd; f8, 1/45 sec, Adox Silvermax (exposed as ISO 50); Developer - Rodinal, 1:50 dilution, 17 mins, Agfa Rondinax 35U daylight tank.
For General Information and Comment.
Old cinder block building Route 66 east of Albuquerque.
This was from a test roll of the Adox Silvermax 100, using a Nikon F100 and commercially developed. I was really pleased with the detail in both the shadows and high lights and especially the mid tones. I think this would be a great film for those who develop their own negatives. The building itself was in both direct light and shadow and very little visible contrast on the cinder block. I would really like hearing from others, especially those who home develop on their experiences with this film.
A veces revelar mal un rollo de película produce resultados misteriosos e inesperados. - Sometimes developing a roll of film wrong produces mysterious and unexpected results.
Pentax MZS with FA 31mm Ltd; f8, 1/90 sec, Adox Silvermax 100 ; Developer - Adox Silvermax, 1:29 dilution, 11 mins, Agfa Rondinax 35U daylight tank.
Pentax MZS with FA 31mm Ltd; f8, 1/45 sec, Adox Silvermax 100 ; Developer - Adox Silvermax, 1:29 dilution, 11 mins, Agfa Rondinax 35U daylight tank.
Taken with the 35mm adapter for my Lomo Lubitel 166+ camera.
Lomo Lubitel 166+. ADOX Silvermax 100 35mm B&W film.
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Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
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Read on at: emulsive.org/photography/35mm-format/scratch-my-back-shot...
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Filed under: #35mmformat, #Photography, #2018July, #35MmFormatFilm, #ADOX, #ADOXSILVERMAX100, #BlackAndWhiteNegativeFilm, #EI100, #EI200, #EMULSIVEDailyPhoto, #ISO100, #PushProcessing
#shootfilmbenice #filmphotography #believeinfilm
my first roll with this “new to me” camera. i didn’t process with lightroom, just cropped if needed. not bad. I love these vintage cameras...the mirror slap...cranking the film advance. getting the feel for photography. nikomat ftn
nikkor 28mm f2.8 ai-s
adox silvermax 100
Pentax MZS with FA 31mm Ltd; f8, 1/30 sec, Adox Silvermax 100 ; Developer - Adox Silvermax, 1:29 dilution, 11 mins, Agfa Rondinax 35U daylight tank.
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Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together. So much so in fact, that I enlisted the help of a few friends in the film photography community to help out...
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Read on at: emulsive.org/interviews/i-am-emulsive-and-this-is-why-i-s...
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Filed under: #Interviews #6X12 #ADOX #AdoxSilvermax100 #Agfa #AgfaAPX400Professional #AgfaPrecisaCT100 #EastmanDouble-X5222 #EM #EMULSIVE #FilmFerrania #Fuji #FujiAcros100 #FujiProvia100F(RDPIII) #ILFORD #ILFORDFP4+ #ILFORDHP5+ #Interview #Kodak #KodakAEROCHROMEIII(1443) #KodakEktachrome100VS(E100VS) #KodakEKTACHROMEE100GP #KodakEKTACHROMEE100VS #KodakPortra160NC #KodakPortra800 #KodakVISION3250D(5207) #Lomography #Maco #MacophotOrtho25 #Rollei #RolleiSuperpan200