Best Of Pet Portrait Group *Admin Invite Only* P1 A2
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LeLUTKA Fleur Head 2.5
[theSkinnery] Amber (LeLutkaEVO) sorbet
Jack Spoon .Hynde Smudged liner + eyeshadow
Jack Spoon . glitter gloss
(Yummy) Disco Nights Bangles
(Yummy) Disco Nights Rings
BUENO-Royal Necklace
(NO) Sequin Bow @C88
Foxy - Chibi Hair (Essential)
ISON - evita knit top - black @C88
Emery Guinea Pleated Skirt Malbec @C88
Mangula Scarlett Pantyhose - [FAT PACK] @C88
[Gos] Rachel Platform Sandals - Metallic @ Santa Inc
**Manifeste** - Model_760
FOXCITY. Photo Booth - Crescent Room
[ keke ] pine tree . L soft . glitter
[ keke ] pot . gold
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
This was captured in August 2020 before I had a single Covid-19 vaccine dose but, because of other simple public health measures, it was 'relatively' safe for me to continue to shoot street occasionally. Current rates are falling but are still at 1 in 40 infected in Scotland and any vaccine immunity now is almost entirely gone.
The government tells us it is all over. They "got Covid done"! We can get back to our lives! These are all narratives pushed by far right millionaire driven think-tanks. They want the workers in their offices and do not care, at the moment, of the human cost. The ERG, HART and similar have been pushing against scientific advice from SAGE and IndieSAGE from the start and the Government have been eager to take their advice above all else. Here are some important figures to remember:
England only - COVID hospital admissions in the first 60 days of summer for:
2022: 78,029
2021: 34,740
2020: 6,566
England only - COVID deaths* in the first 7 weeks of summer for:
2022: 6,344
2021: 2,202
2020: 1,144
*deaths where Covid-19 is mentioned as a contributory factor on the death certificate
Up to 14th Aug 2022 for the whole UK:
1 in 69 people have been admitted to hospital with Covid
1 in 331 has died of Covid (as a cause)
1 in 37 is suffering from Long Covid
1 in 3 people have been officially registered as a case at least once
an estimated 110,000 people have left the workforce due to Long Covid
These numbers are unsustainable!
Covid-19 is not a simple case like a cold or flu even though many are only affected like this during the initial acute infection phase. Covid-19 is more akin to an airborne AIDS because it ravages the bodies immune system and makes you more susceptible to a multitude of further infections. Degradation of immunity is long lasting and may even be permanent.
Covid-19 is more akin to a thrombotic vasculitis and causes widespread blood vessel damage resulting in increased risks of strokes, heart attacks and pulmonary embolism. Damage to all organs can occur from microclots. Recent studies have found that almost all infected children have shown permanent blood vessel damage.
Be on the right side of history and protect yourself from Covid-19 by wearing a well fitting N95/N99 mask (FFP2/FFP3) in indoor spaces. Insist on adequate ventilation and filtration of indoor air. Keep your distance outdoors. These are not restrictions, they are protections.
Stay safe my Flickr friends. Stay safe.
50,000 Covid deaths, countless lost hours of work, Long Covid and a collapsing health system. That is what "Living with Covid" looks like.
Now that the black and white challenge is over (for me) I can admit that I actually prefer this image in colour. So here it is.
I was on the bridge when a man with a camera came rushing past and quickly said "its going up, five minutes". It took me a moment to digest and understand what he'd said, but when the penny dropped I followed him round to the riverside. I don't think the bridge is raised very often nowadays so I was grateful to him.
The sailing barge making way under the bridge is The Ardwina which has been fully restored in traditional manner, based at St. Katherine Docks.
Gieten
I was thinking, a JDM-Galant but it was more exciting:
Date of first admission in Japan: 01-04-1997
Import to England: 11-02-2009
Import to the Netherlands: 25-02-2011
Mileage: 132,085km
This Mitsubishi model is produced for the Japanese market.
At the time, this car was intended as a high-performance showcase for the manufacturer to demonstrate its technological lead.
The Galant model is from the eighth generation (1997-2002), equipped with WRC Group A car technology.
This model was introduced on a very small scale in Europe, about 5 of them known in the Netherlands.
Thus an old advertisement of this car.
on tour with maxelmann
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Today Hef & I went to Portmeirion. It was free admission today St David's Day / Dydd
Gwyl Dewi Saint @ Portmeirion 1st March 2023.
The next set of photographs are from walking around Portmeirion in North Wales.
Built by Sir Clough Williams-Ellis between 1925 - 1975 In the style of an Italian Village.
In 1925, Welsh architect Clough Williams-Ellis acquired the site which was to become Portmeirion. He had been searching for a suitable site for his proposed ideal village for several years and when he heard that the Aber Iâ estate near Penrhyndeudraeth was for sale, he did not hesitate to make an offer.
He wanted to show how a naturally beautiful location could be developed without spoiling it, and that one could actually enhance the natural background through sympathetic development. The Aber Iâ estate had everything he had hoped for as a site for his architectural experiment: steep cliffs overlooking a wide sandy estuary, woods, streams and a nucleus of old buildings.
But the history of Portmeirion started long before 1925. The construction of Castell Deudraeth was recorded in 1188 by Gerald of Wales, who wrote: "We crossed the Traeth mawr and the Traeth Bychan. These are two arms of the sea, one large and one small. Two stone castles have been built there recently. The one called Castell Deudraeth belongs to the sons of Cynan and is situated in the Eifionydd area, facing the northern Mountains."
Castell Deudraeth was referenced again by the 17th century philologist, geologist, natural historian and keeper of the Ashmolean Museum in Oxford, Edward Lhuyd in 1700. Lhuyd recorded the name as Aber Iâ, stating " The Castle of Aber Iâ yet stood in ruined form overlooking the south western extremity of the peninsula".
In 1861, Richard Richards wrote a description: "Neither man nor woman was there, only a number of foreign water-fowl on a tiny pond, and two monkeys, which by their cries evidently regarded me as an unwelcome intruder. The garden itself was a very fine one, the walls of which were netted all over with fruit trees...Aber Iâ, then, gentle reader, is a beautiful mansion on the shore of Traeth Bach, in Merionethshire."
When Williams-Ellis acquired the land in 1925 he wrote, "a neglected wilderness - long abandoned by those romantics who had realised the unique appeal and possibilities of this favoured promontory but who had been carried away by their grandiose landscaping...into sorrowful bankruptcy." Clough immediately changed the name from Aber Iâ (Glacial Estuary) to Portmeirion; Port because of the coastal location and Meirion as this is Welsh for Merioneth, the county in which it lay.
His first job was to extend and convert the old house on the shore into a grand hotel. The concept of a tightly grouped coastal village had already formed in Clough's mind some years before he found the perfect site and he had quite a well-defined vision for the village from the outset.
Portmeirion was built in two stages: from 1925 to 1939 the site was 'pegged-out' and its most distinctive buildings were erected. From 1954-76 he filled in the details. The second period was typically classical or Palladian in style in contrast to the Arts and Crafts style of his earlier work. Several buildings were salvaged from demolition sites, giving rise to Clough's description of the place as "a home for fallen buildings".
"An architect has strange pleasures," Clough wrote in 1924. "He will lie awake listening to the storm in the night and think how the rain is beating on his roofs, he will see the sun return and will think that it was for just such sunshine that his shadow-throwing mouldings were made."
The first article about Portmeirion appeared in The Architects' Journal (January 6 1926) with photographs of scale models and preliminary designs prepared by Clough to impress potential investors. In this article, John Rothenstein writes: "On the sea-coast of North Wales, quite near his own old home, Plas Brondanw, he has acquired what he believes to be an ideal site, and he is engaged upon plans and models for the laying out of an entire small township. The results of his scheme will be significant and should do much to shake the current notion that although houses must be designed with due care, towns may grow up by chance."
The Hotel Portmeirion officially opened for the Easter Weekend, on 2nd April 1926. The last building, the Tollgate, was built in Clough's 93rd year.
The Ferris wheel known as Big Easy. Six Flags, abandoned after Hurricane Katrina.
New Orleans, Louisiana.
“The Musée Cognacq-Jay is a museum located in the Hôtel Donon in the 3rd arrondissement at 8 rue Elzévir, Paris, France. It is open daily except Monday; admission is free. The nearest Metro stations are Saint-Paul and Chemin Vert.
The museum's collection was formed between 1900–1925 by Théodore-Ernest Cognacq (1839–1928) and his wife Marie-Louise Jay (1838–1925), founders of La Samaritaine department store. At his death, Cognacq gave the collection to the City of Paris, which in 1929 inaugurated the Musée Cognacq-Jay at 25 boulevard des Capucines, a building especially conceived for it by the Cognacq couple, who wished to display the collection in the intimacy of a seemingly inhabited home, without the conventions of a museum.[1] In 1990 however, the City, arguing that the Boulevard des Capucines was not part of a "cultural circuit", sought the approval of the legal heirs (the owners of La Samaritaine), and, under silent disagreement of the Cognacq-Jay family,[2] moved the collection to the ill-fitting Hôtel Donon (c. 1575) in the Marais, where the collection is displayed in twenty paneled rooms (four floors) in the styles of Louis XV and Louis XVI. The renovation work of the Hôtel Donon was led by Paris' chief architect Bernard Fonquernie, whilst the interior renovation was done by Reoven Vardi.
The museum contains an exceptional collection of fine art and decorative items, about 1200 items in total, with an emphasis on 18th century France, ranging from European and Chinese ceramics, jewels, and snuffboxes, to paintings by Louis-Léopold Boilly, François Boucher, Canaletto, Jean-Siméon Chardin, Jean-Honoré Fragonard, Jean-Baptiste Greuze, Maurice Quentin de La Tour, Sir Thomas Lawrence, Hubert Robert, Giovanni Battista Tiepolo, and Jean-Antoine Watteau; sculpture by Jean-Antoine Houdon, Jean-Baptiste Lemoyne, and Jacques-François-Joseph Saly; and fine furniture attributed to Jean-François Oeben and Roger Vandercruse Lacroix. 17th century is also represented, notably with two paintings by Rembrandt while 19th century is represented with works by Camille Corot, Paul Cézanne and also Edgar Degas.
The Cognacq-Jay Museum is one of the 14 City of Paris' Museums that have been incorporated since 1 January 2013 in the public institution Paris Musées.”
en.wikipedia.org/wiki/Musée_Cognacq-Jay
OLYMPUS DIGITAL CAMERA
Title.
Admission manager.
Title.
入場管理者。
( Panasonic Lumix DMC-L10 shot)
Tokyo Big Site. Koto Ward. Tokyo. Japan. 2009. … 2 / 7
(Today's photo. It is unpublished.)
東京ビッグサイト。江東区。東京都。日本。2009年。 … 2 / 7
(今日の写真。それは未発表です。）
Images
The Native … Wildest Dreams
youtu.be/4b2mr9pP-fM?si=XkGB9RXXcAbADjZX
Images-2
Taylor Performs "Wildest Dreams" at The GRAMMY Museum
youtu.be/OGDkg3QiJmk?si=5Un5YhNH27nfqR8l
Images-3
Taylor Swift - Wildest Dreams/Enchanted (1989 World Tour) (4K)
youtu.be/6CpXjjnmwvg?si=_KNbtRxWMxQw6zcf
_________________________________
_________________________________
２０２３年の展示
テーマ
カメラは時間にキスをする。
Mitsushiro - Nakagawa
展示場で配布するリーフレット（案内表示も）は以下でダウンロードできます。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
展示の概要
今回の作品は、
みなさんのご家族の写真が
主人公です。
作った３つの作品は、
すべて写真を差し替えられます。
展示が終わって、
誰かがこれらの作品を受け取っていただけたら
ご自身の家族の写真と差し替えてください。
僕がきょうまで展示を続けられた感謝の気持ちです。
展示に足を運んでくれた多くの方と、
世界中の写真好きのみなさんに、僕は心から感謝しています。
長い期間、僕に付き合っていただき、ありがとうございます。
作品１ 沐浴後
寸法
1000mm X 800mm
素材
新聞
The wall street Journal
International life
梱包紙
チョーク
(黒、白、オレンジ)
ガムテープ
メンディングテープ
撮影場所 自宅
作品２ 反抗期
寸法
900mm X 1800mm
素材
新聞
The New York Times
The Japan Times
梱包紙
チョーク
(黒、白、オレンジ)
ガムテープ
メンディングテープ
撮影場所 成田空港
作品３ 成長
寸法
900mm X 1800mm
素材
新聞
The New York Times
Financial Times
梱包紙
チョーク
(黒、白、赤、オレンジ)
ガムテープ
メンディングテープ
撮影場所 ロンドン
主催
デザインフェスタ
場所
東京ビッグサイト
日程
１１月１１日。土曜日。12日。日曜日。2023年。
ブースナンバー
J - 232
exhibition.mitsushiro.nakagawa@gmail.com
images.
SEVENTEEN(세븐틴)-All My Love
_________________________________
_________________________________
Exhibition in 2023
theme
Camera kisses time.
Mitsushiro - Nakagawa
Leaflets(Also information display) to be distributed at the exhibition hall can be downloaded below.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Exhibition overview
The main character of this work is a photo of your family.
You can replace the photos in all three works you created.
Once the exhibition is over, if someone receives these works,
please replace them with a photo of their own family.
I feel grateful that I was able to continue exhibiting until today.
I am deeply grateful to the many people who visited the exhibition
and to all the photography enthusiasts around the world.
Thank you for sticking with me for a long time.
Work 1 After bathing
size
1000mm x 800mm
material
newspaper
The wall street Journal
International life
packing paper
chalk
(black, white, orange)
duct tape
mending tape
Shooting location: home
Work 2 Rebellion period
size
900mm x 1800mm
material
newspaper
The New York Times
The Japan Times
packing paper
chalk
(black, white, orange)
duct tape
mending tape
Shooting location: Narita Airport
Work 3 Growth
size
900mm x 1800mm
material
newspaper
The New York Times
Financial Times
packing paper
chalk
(black, white, red, orange)
duct tape
mending tape
Shooting location: London
organizer
Design festa
place
Tokyo Big Site
schedule
11th. Sat. 12th. Sun. Nov. 2023.
Booth number
J-232
exhibition.mitsushiro.nakagawa@gmail.com
images.
SEVENTEEN(세븐틴)-All My Love
_________________________________
_________________________________
Title.
Checking admission.
Title.
入場チェック中。
( Panasonic Lumix DMC-L10 shot)
Tokyo Big Site. Koto Ward. Tokyo. Japan. 2009. … 4 / 7
(Today's photo. It is unpublished.)
東京ビッグサイト。江東区。東京都。日本。2009年。 … 4 / 7
(今日の写真。それは未発表です。）
Images
The Native … Wildest Dreams
youtu.be/4b2mr9pP-fM?si=XkGB9RXXcAbADjZX
Images-2
Taylor Performs "Wildest Dreams" at The GRAMMY Museum
youtu.be/OGDkg3QiJmk?si=5Un5YhNH27nfqR8l
Images-3
Taylor Swift - Wildest Dreams/Enchanted (1989 World Tour) (4K)
youtu.be/6CpXjjnmwvg?si=_KNbtRxWMxQw6zcf
_________________________________
_________________________________
２０２３年の展示
テーマ
カメラは時間にキスをする。
Mitsushiro - Nakagawa
展示場で配布するリーフレット（案内表示も）は以下でダウンロードできます。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
展示の概要
今回の作品は、
みなさんのご家族の写真が
主人公です。
作った３つの作品は、
すべて写真を差し替えられます。
展示が終わって、
誰かがこれらの作品を受け取っていただけたら
ご自身の家族の写真と差し替えてください。
僕がきょうまで展示を続けられた感謝の気持ちです。
展示に足を運んでくれた多くの方と、
世界中の写真好きのみなさんに、僕は心から感謝しています。
長い期間、僕に付き合っていただき、ありがとうございます。
作品１ 沐浴後
寸法
1000mm X 800mm
素材
新聞
The wall street Journal
International life
梱包紙
チョーク
(黒、白、オレンジ)
ガムテープ
メンディングテープ
撮影場所 自宅
作品２ 反抗期
寸法
900mm X 1800mm
素材
新聞
The New York Times
The Japan Times
梱包紙
チョーク
(黒、白、オレンジ)
ガムテープ
メンディングテープ
撮影場所 成田空港
作品３ 成長
寸法
900mm X 1800mm
素材
新聞
The New York Times
Financial Times
梱包紙
チョーク
(黒、白、赤、オレンジ)
ガムテープ
メンディングテープ
撮影場所 ロンドン
主催
デザインフェスタ
場所
東京ビッグサイト
日程
１１月１１日。土曜日。12日。日曜日。2023年。
ブースナンバー
J - 232
exhibition.mitsushiro.nakagawa@gmail.com
images.
SEVENTEEN(세븐틴)-All My Love
_________________________________
_________________________________
Exhibition in 2023
theme
Camera kisses time.
Mitsushiro - Nakagawa
Leaflets(Also information display) to be distributed at the exhibition hall can be downloaded below.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Exhibition overview
The main character of this work is a photo of your family.
You can replace the photos in all three works you created.
Once the exhibition is over, if someone receives these works,
please replace them with a photo of their own family.
I feel grateful that I was able to continue exhibiting until today.
I am deeply grateful to the many people who visited the exhibition
and to all the photography enthusiasts around the world.
Thank you for sticking with me for a long time.
Work 1 After bathing
size
1000mm x 800mm
material
newspaper
The wall street Journal
International life
packing paper
chalk
(black, white, orange)
duct tape
mending tape
Shooting location: home
Work 2 Rebellion period
size
900mm x 1800mm
material
newspaper
The New York Times
The Japan Times
packing paper
chalk
(black, white, orange)
duct tape
mending tape
Shooting location: Narita Airport
Work 3 Growth
size
900mm x 1800mm
material
newspaper
The New York Times
Financial Times
packing paper
chalk
(black, white, red, orange)
duct tape
mending tape
Shooting location: London
organizer
Design festa
place
Tokyo Big Site
schedule
11th. Sat. 12th. Sun. Nov. 2023.
Booth number
J-232
exhibition.mitsushiro.nakagawa@gmail.com
images.
SEVENTEEN(세븐틴)-All My Love
_________________________________
_________________________________