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Zimbabwe Tourism is a member of the Meetings Africa honorary Exhibitors Guild. Portia Madoka is pictured here accepting the award on behalf of Zimbabwe Tourism
OM SYSTEM M.Zuiko Digital ED 90mm f3.5 Macro IS PRO
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I do sell my Work so if you’re interested in any photos, you can buy it with a good price!
Send me an email: kietbull@gmail.com and tell me which photo(s) you want.
Buy me a coffee: paypal.me/KietHuynh490
© All rights reserved.
Sonja Baskerville accepts the Secretarial Excellence award on behalf of David M. Hesse, award recipient, who could not be at the awards event.
David M. Hesse, on his own initiative, developed innovative computer software for transmission tower design. The software program, called the Advanced Tower Analysis and Design System, has already saved the Bonneville Power Administration over $18 million. These savings will continue to accrue with each improved tower that is constructed. The new stronger, lighter towers developed with Mr. Hesse's software use less steel and cost up to 25 percent less than previous tower designs. Their greater strength improves reliability yet requires fewer towers per circuit-mile, thereby reducing the environmental impact of transmission line construction. Engineers using Mr. Hesse's program can, in one day, evaluate a variety of different configurations. Without the software weeks or months were required to evaluate just one configuration. Not only is the Bonneville Power Administration a beneficiary of these savings; the agency has shared this time and money-saving software with utilities across the nation and the world, significantly expanding its benefits.
This image is copyright © Silvia Paveri. All right reserved. This photo must not be used under ANY circumstances without written consent.
Questa immagine è protetta da copyright © Silvia Paveri. Tutti i diritto sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
Serpentine Gallery Pavillion 2017, text from website copyright of serpentinegalleries.org
Summary
Diébédo Francis Kéré, the award-winning architect from Gando, Burkina Faso, was commissioned to design the Serpentine Pavilion 2017, responding to the brief with a bold, innovative structure that brings his characteristic sense of light and life to the lawns of Kensington Gardens.
Kéré, who leads the Berlin-based practice Kéré Architecture, is the seventeenth architect to accept the Serpentine Galleries’ invitation to design a temporary Pavilion in its grounds. Since its launch in 2000, this annual commission of an international architect to build his or her first structure in London at the time of invitation has become one of the most anticipated events in the global cultural calendar and a leading visitor attraction during London’s summer season. Serpentine Artistic Director Hans Ulrich Obrist and CEO Yana Peel made their selection of the architect, with advisors David Adjaye and Richard Rogers.
Inspired by the tree that serves as a central meeting point for life in his home town of Gando, Francis Kéré has designed a responsive Pavilion that seeks to connect its visitors to nature – and each other. An expansive roof, supported by a central steel framework, mimics a tree’s canopy, allowing air to circulate freely while offering shelter against London rain and summer heat.
Kéré has positively embraced British climate in his design, creating a structure that engages with the ever-changing London weather in creative ways. The Pavilion has four separate entry points with an open air courtyard in the centre, where visitors can sit and relax during sunny days. In the case of rain, an oculus funnels any water that collects on the roof into a spectacular waterfall effect, before it is evacuated through a drainage system in the floor for later use in irrigating the park. Both the roof and wall system are made from wood. By day, they act as solar shading, creating pools of dappled shadows. By night, the walls become a source of illumination as small perforations twinkle with the movement and activity from inside.
As an architect, Kéré is committed to socially engaged and ecological design in his practice, as evidenced by his award-winning primary school in Burkina Faso, pioneering solo museum shows in Munich and Philadelphia.
Serpentine Pavilion Architect's Statement:
The proposed design for the 2017 Serpentine Pavilion is conceived as a micro cosmos – a community structure within Kensington Gardens that fuses cultural references of my home country Burkina Faso with experimental construction techniques. My experience of growing up in a remote desert village has instilled a strong awareness of the social, sustainable, and cultural implications of design. I believe that architecture has the power to, surprise, unite, and inspire all while mediating important aspects such as community, ecology and economy.
In Burkina Faso, the tree is a place where people gather together, where everyday activities play out under the shade of its branches. My design for the Serpentine Pavilion has a great over-hanging roof canopy made of steel and a transparent skin covering the structure, which allows sunlight to enter the space while also protecting it from the rain. Wooden shading elements line the underside of the roof to create a dynamic shadow effect on the interior spaces. This combination of features promotes a sense of freedom and community; like the shade of the tree branches, the Pavilion becomes a place where people can gather and share their daily experiences.
Fundamental to my architecture is a sense of openness. In the Pavilion this is achieved by the wall system, which is comprised of prefabricated wooden blocks assembled into triangular modules with slight gaps, or apertures, between them. This gives a lightness and transparency to the building enclosure. The composition of the curved walls is split into four elements, creating four different access points to the Pavilion. Detached from the roof canopy, these elements allow air to circulate freely throughout.
At the centre of the Pavilion is a large opening in the canopy, creating an immediate connection to nature. In times of rain, the roof becomes a funnel channelling water into the heart of the structure. This rain collection acts symbolically, highlighting water as a fundamental resource for human survival and prosperity.
In the evening, the canopy becomes a source of illumination. Wall perforations will give glimpses of movement and activity inside the pavilion to those outside. In my home village of Gando (Burkina Faso), it is always easy to locate a celebration at night by climbing to higher ground and searching for the source of light in the surrounding darkness. This small light becomes larger as more and more people arrive to join the event. In this way the Pavilion will become a beacon of light, a symbol of storytelling and togetherness.
At the centre of the Pavilion is a large opening in the canopy, creating an immediate connection to nature. In times of rain, the roof becomes a funnel channelling water into the heart of the structure. This rain collection acts symbolically, highlighting water as a fundamental resource for human survival and prosperity.
In the evening, the canopy becomes a source of illumination. Wall perforations will give glimpses of movement and activity inside the pavilion to those outside. In my home village of Gando (Burkina Faso), it is always easy to locate a celebration at night by climbing to higher ground and searching for the source of light in the surrounding darkness. This small light becomes larger as more and more people arrive to join the event. In this way the Pavilion will become a beacon of light, a symbol of storytelling and togetherness.
Joe contemplates the Cotswold head I used to use on this body.
It is a pretty darned good knock-off, these guys really come as close as you probably can come without risking getting sued into oblivion by Hasbro, but I'm happy to have finally replaced it with a proper vintage head.
I customized the Cots head further by painting on a scar and repainting the lips to make them stand out a bit more (I think I overdid it a bit, and am not really happy with how those lips came out) and painted over the "shine" in his eyes to make him look more vintage).
This head is now available for sale or for trade! Contact me if you are interested!
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NEW YORK, NY - APRIL 23: Karlie Kloss accepts an award at The 9th Annual Shorty Awards on April 23, 2017 in New York City. (Photo by Dave Kotinsky/Getty Images for Shorty Awards)
Don't worry, i'm not dead. I've been traveling a lot these past few weeks so I haven't had time to edit or update anything. Within the next few days i'll have A LOT of flicks up..
CRYO-TRANS - ?? SLEEP / VITAL / SIZE21
Benched in Orlando, Florida.
This image is copyright © Silvia Paveri. All right reserved. This photo must not be used under ANY circumstances without written consent.
Questa immagine è protetta da copyright © Silvia Paveri. Tutti i diritto sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
Serpentine Gallery Pavillion 2017, text from website copyright of serpentinegalleries.org
Summary
Diébédo Francis Kéré, the award-winning architect from Gando, Burkina Faso, was commissioned to design the Serpentine Pavilion 2017, responding to the brief with a bold, innovative structure that brings his characteristic sense of light and life to the lawns of Kensington Gardens.
Kéré, who leads the Berlin-based practice Kéré Architecture, is the seventeenth architect to accept the Serpentine Galleries’ invitation to design a temporary Pavilion in its grounds. Since its launch in 2000, this annual commission of an international architect to build his or her first structure in London at the time of invitation has become one of the most anticipated events in the global cultural calendar and a leading visitor attraction during London’s summer season. Serpentine Artistic Director Hans Ulrich Obrist and CEO Yana Peel made their selection of the architect, with advisors David Adjaye and Richard Rogers.
Inspired by the tree that serves as a central meeting point for life in his home town of Gando, Francis Kéré has designed a responsive Pavilion that seeks to connect its visitors to nature – and each other. An expansive roof, supported by a central steel framework, mimics a tree’s canopy, allowing air to circulate freely while offering shelter against London rain and summer heat.
Kéré has positively embraced British climate in his design, creating a structure that engages with the ever-changing London weather in creative ways. The Pavilion has four separate entry points with an open air courtyard in the centre, where visitors can sit and relax during sunny days. In the case of rain, an oculus funnels any water that collects on the roof into a spectacular waterfall effect, before it is evacuated through a drainage system in the floor for later use in irrigating the park. Both the roof and wall system are made from wood. By day, they act as solar shading, creating pools of dappled shadows. By night, the walls become a source of illumination as small perforations twinkle with the movement and activity from inside.
As an architect, Kéré is committed to socially engaged and ecological design in his practice, as evidenced by his award-winning primary school in Burkina Faso, pioneering solo museum shows in Munich and Philadelphia.
Serpentine Pavilion Architect's Statement:
The proposed design for the 2017 Serpentine Pavilion is conceived as a micro cosmos – a community structure within Kensington Gardens that fuses cultural references of my home country Burkina Faso with experimental construction techniques. My experience of growing up in a remote desert village has instilled a strong awareness of the social, sustainable, and cultural implications of design. I believe that architecture has the power to, surprise, unite, and inspire all while mediating important aspects such as community, ecology and economy.
In Burkina Faso, the tree is a place where people gather together, where everyday activities play out under the shade of its branches. My design for the Serpentine Pavilion has a great over-hanging roof canopy made of steel and a transparent skin covering the structure, which allows sunlight to enter the space while also protecting it from the rain. Wooden shading elements line the underside of the roof to create a dynamic shadow effect on the interior spaces. This combination of features promotes a sense of freedom and community; like the shade of the tree branches, the Pavilion becomes a place where people can gather and share their daily experiences.
Fundamental to my architecture is a sense of openness. In the Pavilion this is achieved by the wall system, which is comprised of prefabricated wooden blocks assembled into triangular modules with slight gaps, or apertures, between them. This gives a lightness and transparency to the building enclosure. The composition of the curved walls is split into four elements, creating four different access points to the Pavilion. Detached from the roof canopy, these elements allow air to circulate freely throughout.
At the centre of the Pavilion is a large opening in the canopy, creating an immediate connection to nature. In times of rain, the roof becomes a funnel channelling water into the heart of the structure. This rain collection acts symbolically, highlighting water as a fundamental resource for human survival and prosperity.
In the evening, the canopy becomes a source of illumination. Wall perforations will give glimpses of movement and activity inside the pavilion to those outside. In my home village of Gando (Burkina Faso), it is always easy to locate a celebration at night by climbing to higher ground and searching for the source of light in the surrounding darkness. This small light becomes larger as more and more people arrive to join the event. In this way the Pavilion will become a beacon of light, a symbol of storytelling and togetherness.
At the centre of the Pavilion is a large opening in the canopy, creating an immediate connection to nature. In times of rain, the roof becomes a funnel channelling water into the heart of the structure. This rain collection acts symbolically, highlighting water as a fundamental resource for human survival and prosperity.
In the evening, the canopy becomes a source of illumination. Wall perforations will give glimpses of movement and activity inside the pavilion to those outside. In my home village of Gando (Burkina Faso), it is always easy to locate a celebration at night by climbing to higher ground and searching for the source of light in the surrounding darkness. This small light becomes larger as more and more people arrive to join the event. In this way the Pavilion will become a beacon of light, a symbol of storytelling and togetherness.
8296348544 you set up the channel without even asking me jami, and then you did what you wanted to, in 2005 and 2006. you chose murder jami, you chose
who supported you jami.. and why did you accept $$,$$$ to contain 176 at 1831 salecdo/guyaso, and let those people die.. without even asking
me, if you could could create that channel, if you contain me. you chose jami. you chose murder. who supported you?
your CIA Whore Jami Rose MURDERED all of those people, DESTROYED all of those lives, what should her punishment be?
CIA Whore and MURDERER, Jami Rose. her photo, right here :)
www.flickr.com/photos/89268704@N08/8123854555/in/photostream
JamiRoseCIAWhore
jami rose cia whore all those people that she killed all that damage that she caused
looking for who is responsible for the aurora colorado july 19 2012 theatre shooting for the dark night rises? look no further.. CIA Whore Jami Rose, right here
JamiRoseCIAWhore
jami rose cia whore all those people that she killed all that damage that she caused
1)hurricane katrina
2)bp oil spill
3)japan tsunami
and most recently, Aurora Colorado Batman Murders,
and many others in time.
raped. robed. murdered. dismembered.
never punished for her crimes
born on april 4 1980.
here you go :)
by entering in her information from date of birth here:
www.timeanddate.com/date/duration.html
you can monitor her information that is used by the world markets on a daily basis, not only that, but control for what is in numerical belief, thru out the us and the rest of the world.
on a daily basis. in forward motion time placement.
also,
www.timeanddate.com/date/durationresult.html?m1=01&d1...
(The stasis of origin should show in the above link, like what is just listed below. why not tell people? :)
From and including: Saturday, January 1, 0001 (Julian calendar)
To, but not including : Friday, April 4, 1980 (Gregorian calendar)
It is 722,910 days from the start date to the end date, but not including the end date
Or 1979 years, 3 months, 3 days excluding the end date
Note:The From date is a Julian calendar date. The current Gregorian calendar was adopted in United States where Thursday, September 3, 1752 was the first of 11 days that were skipped. This has been accounted for in this calculation. Read more about the Julian and Gregorian calendars
Alternative time units
722,910 days can be converted to one of these units:
62,459,424,000 seconds
1,040,990,400 minutes
17,349,840 hours
103,272 weeks (rounded down)
if you need a little help to her "stasis of orgin" here you go. if you're not smart enough to know what a birthday does in time, its an active measure for which you create throught your life span. there, i said it. don't like that intelligent secret? millions people living, and not knowing that. how could anyone not know? :)
and all those people she killed. never punished
thomas warn varnas will make sure that happens, won't he?
you attempted two murders on his life at 143 Rue Esplanade and Villa Du Lac,
by channeling his dreams with tenants and parking cars outside of his residence, capturing him..
how does it feel now Jami, to know the same is happening
to you :)
:)
there you go :)
Pregnant Mule Deer Doe
I’ve seen a lot of various looks from Mule Deer before. Few this precious as from this doe. It is obvious her look was annoyance with me. I’m patient though and tend to wait out such attitude. It wasn’t long before she was back grazing with the group around her exhibiting normal deer behavior. They more or less are accepting my Black Ford Raptor as just another Big Smelly Black Angus moving across the Prairie. I seldom scare the local wildlife or push them intentionally. I have found that if you pressure wildlife, they will run from you next time you see them. So for me to get really close to the wild inhabitants of Wyotana, I have to be very respectful of personal space.
Most of the Does are VERY pregnant this time of year. The wheel of life is turning seemingly with a quickening in the late spring. The quantity of newborns born at one time assures a new generations. Deer have a few predators up here but human’s riding their machinations account for the majority of deer fatalities. In the two decades I’ve driven in deer/pronghorn country, only a few over a dozen deer have been “hit” by our families cars. Less than one a year average. We have never filed an insurance claim from a deer impact.
Having discovered early on putting a custom made front bumper / crash bar/ deer bumper on any vehicle that will support it is necessary. Cars… no reason to put a 500+ pound chunk of steel on a Toyota lol. The pickups and SUV’s that we own are all graced with a significant steel front end. Hitting a deer at 60 mph or so is no fun certainly for the driver OR the deer. Bright bright bright headlights help too. Being able to see a 1300 pound Black Angus at night on a gravel road is a good thing if you are traveling. Cleaning a deer you hit at speed off your vehicle takes a while. Trust me on this. My son lost a passenger Mirror from swishing past a deer. They do hit you in the side sometimes ☺️
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands (Wyotana)
Title: Pregnant Mule Deer Doe
Kaiserslautern garrison welcomes new commander
By Rick Scavetta, U.S. Army Garrison Kaiserslautern
KAISERSLAUTERN, Germany – Lt. Col. Lars Zetterstrom grabbed hold of U.S. Army Garrison Kaiserslautern’s guidon Friday, accepting responsibility to provide support and services to thousands of U.S. Soldiers, civilians and family members in the Kaiserslautern area.
Zetterstrom took command of the garrison during a ceremony held at Armtstrong’s Club on Vogelweh Housing Area. Dozens of U.S. and German military officials and civilians attended the event. Zetterstrom is looking forward to his new job, he said.
“I have been thoroughly impressed with the quality and professionalism of the garrison staff,” Zetterstrom said. “I look forward to working with the outstanding Soldiers and civilians of the garrison headquarters.”
The highlight of the ceremony was the traditional passing of the unit colors. Throughout history, the guidon has showed the commander is present and it served as a rally point for troops on the battlefield. Soldiers from U.S. Army Garrison Kaiserslautern’s Headquarters and Headquarters Detachment served as color bearers and color guards.
During the ceremony, both incoming and outgoing commanders offered remarks.
Lt. Col. Kevin Hutchison, who now heads to Fort Sill, Okla., for his next assignment, took time to thank garrison staff and other leaders in the Kaiserslautern Military Community. He also spoke in German to thank local officials for supporting the command. His time in command will not be forgotten, he said.
“I will miss the job, the camaraderie and the great team that we have in the Kaiserslautern garrison,” Hutchison said.
Commanding a garrison in Kaiserslautern in unique, due to its collocation with a large U.S. Air Force contingent, said Col. William Butcher, commander of United States Army Garrison Baden-Württemberg. The Kaiserslautern garrison supports dozens of tenant units, to include the 21st Theater Sustainment Command, Landstuhl Regional Medical Center, Stars and Stripes and the 357th Air and Missile Defense Detachment.
Under Hutchison, the garrison supported the deployment of 31 units from the area and the reintegration of more than 4,000 Soldiers, civilians and family members following deployments, Butcher said.
Hutchison led the garrison as the Army acquired Sembach Kaserne from the U.S. Air Force and began preparing the installation for new Army units moving from Mannheim and Heidelberg.
That included developing relationship with key German leaders in the Sembach area. During his command, the garrison underwent countless renovations and construction projects to support Kaiserslautern’s growing military community – most recently opening new child care centers at Sembach and Landstuhl.
For officers, a command is an honor and privilege that is often tough, demanding and arduous, Butcher said.
“It’s fitting that we gather together on occasions like this one and recognize contributions, bid farewell and welcome new blood,” Butcher said.
Zetterstrom, an Army engineer and West Point graduate from Clifton Park, N.Y., most recently served a tour in southern Afghanistan. Previously, he served as deputy commander with the Buffalo, N.Y.-district of the U.S. Army Corps of Engineers.
For Zetterstrom, the command position returns him and his family to Germany, where he began his Army career as a platoon leader with the Bamberg-based 82nd Engineer Battalion. Other assignments include both staff and command positions with the 18th Airborne Corps at Fort Bragg, N.C., and the 10th Mountain Division at Fort Drum, N.Y. During his career, Zetterstrom has deployed to Bosnia-Herzegovina, Kosovo and Afghanistan.
He and his wife Erin, also a New Yorker, have three children. He holds a master's degree in Civil and Environmental Engineering from the University of Missouri.
“He is no stranger to the business of military construction, which will serve the command well considering the breadth of construction and renovation which will occur in the coming years,” Butcher said.
Dutch officers who served with Zetterstrom in Afghanistan also attended the ceremony, as did many local German officials.
“I look forward to continuing and building the critical relationships with our German and European friends and allies,” Zetterstrom said.
(Photos by Rick Scavetta, U.S. Army Garrison Kaiserslautern)
Sky Garden Noida is by far the most ambitious and largest project under the umbrella of the ever-growing and expanding SHRI Group.
The Noida authority on Wednesday said the two Metro lines—one towards Noida Extension and the other towards Greater Noida—it accepted on Thursday were “part of the government’s honest and authentic efforts” to offer better connection to citizens.
A year ago, when Bahujan Samaj Party (BSP) was in authority in Uttar Pradesh, the authority had “approved” two identical collections. In the last one season, nothing occurred on floor but contractors rode the Metro trend and wooed customers. Even before the last govt declared programs to take Metro from Noida to Noida Extension and Greater Noida, contractors estimated Shri Radha Sky Garden Noida a profitable venture.
Shri Sky Garden Noida is a premium property with most luxury activities and features present inside the project. All the features inside the campus of the project suit the taste of a modern individual. There are present a number of large bay windows on the walls of every unit which gives strikingly lovely views of the greens spread outside. The complete project is contrived in a space of 50 acres which is quite wide to accommodate features such as reserved car parking and kids’ playground. Recreational facilities which are made available to its residents by the Shri Group are cricket ovals, basketball courts, social clubs, swimming pools, and plethora of other activities.
“Within two decades, 1.5 Lac family members will have filled these two and three-BHK apartments in Noida Extension. These people generate between Rs. 40,000 and Rs. 70,000 monthly and 80% of them are employed in Delhi. These are common Metro customers. These are also potential customers of Shri Sky Garden as this is an economy luxury endeavour. As it is, as a growth authority, it’s our requirement to offer water, authority and connection to our citizens,” he said.
“As for the Noida-Greater Noida venture, the visitors nowadays might be less than predicted but it will go up with time. We will industry our venture in such a way that we never experience the low-traffic issue,” he said. “It’s a big venture and we’re discovering the opportunities of performing it on PPP foundation.”
The new plan
The 7-km Noida-Noida Extension path will price Rs. 1,400 crore. Till Noida Extension there will be two programs. The 30-km (approx) Noida-Greater Noida path will price Rs. 8,000 crore. This will be designed on PPP design.
The old plan
The authority panel a season ago accepted a range from Noida to Greater Noida via Noida Extension. It never made the decision duration, programs and budget. Even before that the authority accepted a range from Noida to Greater Noida along the Expressway and placed the price at Rs. 5,000 crore. The 23-km path was to have 22 programs.
Current challenges
Construction of Greater Noida and Noida Extension collections would experience difficulties because of agitations by farm owners, non-clearance of Greater Noida’s expert strategy by the NCR preparing panel and money meltdown.
Builders rode the Metro wave
Even before the last govt declared programs to take Metro from Noida to Noida Extension and Greater Noida, contractors rode a non-existent Metro trend. They briefed and attracted sales homeowners into booking stating “upcoming Metro links” in Shri Sky Garden Noida Extension. Several group sites stayed abuzz, “letting citizens know” “better connectivity” in Noida Extension in “the times to come.” “The Noida Extension Metro path, described regularly in Shri Radha Sky Garden, was a item of individuals' creativity,” said a mature formal. Actually, there is no place known as Noida Extension in formal information. The place being known by contractors as Noida Extension for self-evident factors is actually aspect of Greater Noida.
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President Quillen symbolically accepted her new office by accepting the college mace presented to her by Board of Trustees chair Mackey McDonald.
WIP Latino 2 - 3 de noviembre 2017 Convocatoria abierta
Convocatoria para proyectos fílmicos en etapa de postproducción.
Con el objetivo de contribuir a la conclusión de largometrajes de ficción y documental, que se encuentren en etapa de postproducción, con temática de frontera, migración, racismo, derechos humanos, movimientos sociales, o temática de la vida latina en el extranjero, WIP Latino 2 abre su convocatoria.
Este programa se celebrará el 3 de noviembre de 2017, en el marco del Guadalajara International Film Festival en Los Ángeles, FICG in LA del 3-6 de noviembre 2017.
Tres largometrajes de ficción o documental en búsqueda de financiamiento para sus procesos de postproducción serán presentadas a un jurado de notables miembros de la industria y patrocinadores con la posibilidad de contribuir a la finalización de los proyectos y su posterior exhibición.
Una de las películas calificará automáticamente para ser considerada para Guadalajara Construye 12 o para la Programación Oficial de la próxima edición del Festival Internacional de Cine en Guadalajara (FICG 33) – Marzo 9-16 de 2018.
Los proyectos seleccionados obtendrán:
La posibilidad de una proyección para miembros de la industria y el jurado en el marco de las actividades de FICG in LA 7.
La publicación de la información del proyecto en el catálogo de FICG in LA 7 y en el sitio oficial del festival (www.ficginla.com)
Acreditación del festival para dos representantes de cada película participante.
Dos noches de hospedaje en Los Ángeles, California (una habitación doble por proyecto para asistir a FICG in LA los días 2 y 3 de noviembre, 2017).
Los gastos de traslado a Los Ángeles y de alimentación correrán a cargo de los proyectos participantes.
BASES
La inscripción a este programa no tiene costo.
La inscripción de las películas debe ser realizada por el representante legal de cada película o suministrar una carta del representante legal que autoriza la inscripción al WIP Latino 2.
Las películas podrán inscribirse a partir del 18 de mayo y hasta el 27 de julio de 2017.
Se recibirán obras con, al menos, un primer corte de edición. El corte debe tener una duración mínima de 70 min. y una máxima de 100 min.
Las películas seleccionadas obligatoriamente deberán confirmar su asistencia a FICG in LA a más tardar del 21 de agosto de 2017; en caso contrario, automáticamente se considerará cancelada su participación y se seleccionará otra propuesta concursante.
El Comité Organizador se reserva el derecho de invitar a algún proyecto a participar. Los resultados sobre los proyectos seleccionados son inapelables y se darán a conocer de manera oficial el 29 de agosto de 2017.
Al ser seleccionada para participar, el representante de la película deberá enviar a las oficinas de FICG in LA dos copias de su trabajo en discos Blu-ray. Los discos deberán contar con sonido estéreo y con subtítulos insertados en el disco, al inglés o español dependiendo del idioma original del filme.
El costo de envío e impuestos de las copias de exhibición corren por cuenta de los representantes de los proyectos seleccionados y deben ser recibidas en las oficinas de FICG, Nebulosa 2916, Jardines del Bosque, Guadalajara México a más tardar el 22 de septiembre de 2017.
NOTA:
En caso de utilizar servicios de correo privado o mensajería, el costo debe estar previamente pagado por el remitente y se deberá señalar claramente en el sobre o paquete “Material cultural sin valor comercial”. El festival no cubrirá el costo de envío o impuestos de aduana.
REQUISITOS INDISPENSABLES PARA LA INSCRIPCIÓN
a) Llenar de forma electrónica, completa y correctamente, el documento de inscripción de películas que se encuentra en el sitio www.ficginla.com o www.ficg.mx dentro de la pestaña de INDUSTRIA.
Se debe crear un usuario y el sistema enviará un correo electrónico confirmando ese usuario. Una vez recibido ese correo se podrá completar el formulario de inscripción a más tardar el 27 de julio de 2017.
En caso de que la película sea seleccionada para participar en WIP Latino 2, la información del formulario de inscripción será la que se publicará en el catálogo de FICG in LA y en el sitio online del festival.
b) Adjuntar al formulario de inscripción el corte más reciente del filme, subtitulado al inglés o español dependiendo del idioma original del proyecto, en un enlace con contraseña. ARCHIVOS DESCARGABLES NO SERÁN TOMADOS EN CUENTA.
No se considerarán para selección aquellas propuestas que no incluyan todos los materiales solicitados.
Para mayor información escribir a Angélica Lares a: angelica.lares@ficg.mx
FECHAS CLAVE
Apertura de la convocatoria: 18 de mayo 2017
Fecha límite para completar el formulario y envío de todos materiales incluido el enlace de la película: 27 de julio 2017
Fecha de notificación a seleccionados de resultados: 15 de agosto 2017
Fecha límite para confirmación de asistencia de proyectos seleccionados: 21 de agosto 2017
Fecha del anuncio oficial de seleccionados: 29 de agosto 2017
Fecha de entrega de materiales: 22 de septiembre 2017
Fechas de WIP Latino: 3 de noviembre 2017
WIP Latino 2
Call for entries for films currently in post-production.
WIP Latino 2 is seeking for feature fictional and documentary films that are currently in post-production stage and which are centered on the theme of boarders, migration, racism, human rights, social movements or Latinos living abroad.
WIP Latino 2 will take place on November 3, 2017 as part of the Guadalajara International Film Festival in Los Angeles –FICG in LA.
Three feature fictional or documentary films seeking post-production funds will be chosen to screen for the jury and film industry professionals atFICG in LA. WIP Latino 2 is working to garner specific support for the post-production and commercial distribution of selected films.
In addition, one of the films will automatically qualify to be considered for Guadalajara Construye 12 / Works in progress, or for the Official Program of the next edition of the Guadalajara International Film Festival (FICG33) – March 9th-16th, 2018.
All selected films will have:
·One screening for members of the industry and the jury as part ofFICG in LA.
Inclusion of their film information in theFICG in LAprogram book and website
Two festival badges for representatives of each film.
Lodging for two (2) nights in Los Angeles (One double room per project from November 2-3, 2017).
Each participant will be responsible for covering travel and meal expenses.
Submission Guidelines:
Film submission is free.
Films must be submitted by its legal representative or the submitter must provide a letter of authorization by the legal representative of the film.
The call for entries opens on May 18, 2017. Final deadline is on July 27, 2017.
Submitted films must be at least in a first cut of the film with a minimum length of 70 minutes and must not exceed 100 minutes.
FICG in LAreserves the right to invite any of the projects and its decision is final. The participants will receive a notification with the results of the selection on August 15, 2017.
The selected films must confirm their participation to WIP Latino 2 on August 21, 2017 at the latest, otherwise their participation will be cancelled automatically, and another film will be selected.
Once a film has been confirmed, the submitter must send two (2) master screening copies in Blu-ray format. The film copies must have stereo sound and include English or Spanish subtitles depending on the original language of film.
Participants will cover the cost of print shipping and taxes. The copies must be received in Los Angeles by September 22, 2017.
NOTE:
In case of using a courier service or a private shipping company, the shipping expenses must be pre-paid by the sender and the package must clearly indicate in its description “Cultural material with no commercial value”. The Festival will not cover shipping or customs expenses.
SUBMISSION REQUIREMENTS
Fill out the online submission form at www.ficg.mx
in the Industry tab. First, create a user profile, the system will send you a confirmation email. After you receive this email you can complete your submission. You must upload all the materials before July 27, 2017.
Upload the most recent cut of the film (with English or Spanish subtitles depending of the original language) in a link along with the password to the link. DOWNLOADABLE FILES WILL NOT BE ACCEPTED.
IMPORTANT: Please make sure all information is accurate and current. The information provided in the submission form will be used for theFICG in LAprogram book and the festival website if the project is selected.
Incomplete submission forms or failure to provide the required materials will make a project ineligible for this competition.
For more information please contact Angélica Lares at:angelica.lares@ficg.mx
KEY DATES
Call for entries opens:May 18, 2017
Completion of the submission form including link to film project deadline:July 27, 2017
Notification to participants of selected films: August 15, 2017
Selected films participation confirmation deadline:August 21, 2017
Official announcement of the selected projects:August 29, 2017
WIP Latino 2: November 3, 2017
8296348544 you set up the channel without even asking me jami, and then you did what you wanted to, in 2005 and 2006. you chose murder jami, you chose
who supported you jami.. and why did you accept $$,$$$ to contain 176 at 1831 salecdo/guyaso, and let those people die.. without even asking
me, if you could could create that channel, if you contain me. you chose jami. you chose murder. who supported you?
your CIA Whore Jami Rose MURDERED all of those people, DESTROYED all of those lives, what should her punishment be?
CIA Whore and MURDERER, Jami Rose. her photo, right here :)
www.flickr.com/photos/89268704@N08/8123854555/in/photostream
JamiRoseCIAWhore
jami rose cia whore all those people that she killed all that damage that she caused
looking for who is responsible for the aurora colorado july 19 2012 theatre shooting for the dark night rises? look no further.. CIA Whore Jami Rose, right here
JamiRoseCIAWhore
jami rose cia whore all those people that she killed all that damage that she caused
1)hurricane katrina
2)bp oil spill
3)japan tsunami
and most recently, Aurora Colorado Batman Murders,
and many others in time.
raped. robed. murdered. dismembered.
never punished for her crimes
born on april 4 1980.
here you go :)
by entering in her information from date of birth here:
www.timeanddate.com/date/duration.html
you can monitor her information that is used by the world markets on a daily basis, not only that, but control for what is in numerical belief, thru out the us and the rest of the world.
on a daily basis. in forward motion time placement.
also,
www.timeanddate.com/date/durationresult.html?m1=01&d1...
(The stasis of origin should show in the above link, like what is just listed below. why not tell people? :)
From and including: Saturday, January 1, 0001 (Julian calendar)
To, but not including : Friday, April 4, 1980 (Gregorian calendar)
It is 722,910 days from the start date to the end date, but not including the end date
Or 1979 years, 3 months, 3 days excluding the end date
Note:The From date is a Julian calendar date. The current Gregorian calendar was adopted in United States where Thursday, September 3, 1752 was the first of 11 days that were skipped. This has been accounted for in this calculation. Read more about the Julian and Gregorian calendars
Alternative time units
722,910 days can be converted to one of these units:
62,459,424,000 seconds
1,040,990,400 minutes
17,349,840 hours
103,272 weeks (rounded down)
if you need a little help to her "stasis of orgin" here you go. if you're not smart enough to know what a birthday does in time, its an active measure for which you create throught your life span. there, i said it. don't like that intelligent secret? millions people living, and not knowing that. how could anyone not know? :)
and all those people she killed. never punished
thomas warn varnas will make sure that happens, won't he?
you attempted two murders on his life at 143 Rue Esplanade and Villa Du Lac,
by channeling his dreams with tenants and parking cars outside of his residence, capturing him..
how does it feel now Jami, to know the same is happening
to you :)
:)
there you go :)