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bCA Galleries is pleased to be associated with the current Artist in Focus - Dhirendra Mandge. He was the only abstractionist chosen for the show ‘Parenthesis’ held in Pakistan last year. His works radiate energy and positive vibes. We explore the varied dimensions of his paintings in an interview.
To read more about this: www.bcagalleries.com/notesboard.asp?CAT_ID=4644&paren...
Installation view of Abstractionists
Harbourfront Centre
January 23 - June 19, 2016
Photography: Tom Bilenkey
Installation view of Abstractionists
Harbourfront Centre
January 23 - June 19, 2016
Photography: Tom Bilenkey
Installation view of Abstractionists
Harbourfront Centre
January 23 - June 19, 2016
Photography: Tom Bilenkey
Installation view of Abstractionists
Harbourfront Centre
January 23 - June 19, 2016
Photography: Tom Bilenkey
People have lived in this area since the Neolithic period, but it has been continuously inhabited since the conquest by Roman legions, who established an outpost and took over the existing castros in the area. It developed into a military centre known for its baths. The Romans built defensive walls, spanned the river with a bridge, and exploited the local mines. The importance of the town led to it being elevated to the status of a city in 79 AD, during the reign of the first Flavian Caesar, which was also reflected in its name, Aquae Flaviae.
Rome's hegemony lasted until the 3rd century, when, successively, the Suebi and Visigoths as well as the Alani colonized the settlements of Chaves. The area surrendered to Islamic forces at around 714-716. The city was conquered by Alfonso I of Asturias in 773 and repopulated in 868 by Alfonso III of Asturias. Battles between Christian and Muslim forces then continued until the 11th century, when Alfonso V of León permanently reconquered Coimbra, establishing a firm buffer-zone to the south. He reconstructed, settled and encircled the settlement of Chaves with walls, in addition to establishing a Jewish quarter in the community. It was in the reign of Afonso I of Portugal that it was taken from León and firmly integrated into the Kingdom of Portugal domain (1160). Owing to its geographic location King Denis, ordered the construction of a castle to protect the kingdom's border.
The Portuguese artist Nadir Afonso was born in Chaves in 1920. Before devoting himself entirely to the geometric abstractionist, he worked as an architect with Le Corbusier and Oscar Niemeyer, among others.
His home town has dedicated a very modern museum to him.
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Installation view of Abstractionists
Harbourfront Centre
January 23 - June 19, 2016
Photography: Tom Bilenkey
Rolph Scarlett (1889-1984, American, b. Canada)
Untitled (ca. 1950)
de Young Museum, San Francisco
20241231_145301
Collections of satanic drawings, photographs and other graphics of gay Satanism (No. 1401-1500) for immersion in spiritualization by Satan. Collection SatanArt No. 15
Album theme: Abstract satanism art and satanic totems
Addition to the grimoire "Gay Lust". The names of the paintings are in English.
The album was compiled by His Majesty Satan's Fag Slut Sodomia ⚣ aka Antichrist SlutSodomia
2024 English version. Collection for 2021-2024
By releasing collections of Satanic drawings, photographs and other graphics of gay Satanism for immersion in the spirituality of Satan SatanArt, I am starting an irregular and periodic publication of graphics of gay Satanism for Satanists and all spiritualized people of our world. This art album SatanArt No. 15 from Slut Sodomia is dedicated to the abstract art of Satanists, Satanic totemic icons and the spiritualization of Satanists in painting.
Abstractionism is an art direction that rejects realistic depictions of objects and phenomena. Abstractionists experiment with shape, color, planes and lines. The main goal of the abstract art artists is to evoke emotions with their creations.
Abstractionism differs from classicism and realism in that it does not show us the real world in images that are familiar to us. And in comparison, with the same cubism, which in itself is also far from realism, our style has smoother lines. Some people confuse abstractionism and surrealism. But the surrealists distorted reality, created a kind of augmented reality, and abstractionists, refusing to depict real objects as they really are, wanted, first of all, to convey feelings and emotions, without pushing away from the world of things . Abstraction in Satanism is not necessarily divorced from the real things of our world, but its true satanic meaning is divorced from the things depicted. Therefore, the sword with the motto, along the outline, is also Satan, and not just an image of any sword. You can call satanic abstractionism a subtype of surrealism. For the album of paintings SatanArt #15, I prefer the term abstraction, because the painted things serve to convey satanic spirituality.
COMPLETE VIDEO ALBUM "Abstract satanism art and satanic totems" YOU CAN WATCH HERE IN VIDEO FORMAT: youtu.be/j1noM4sT4ZE