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Sonata Aurio panels installed within offices to reduce reverberation and improve speech intelligibility during conference calls. Some panels were printed with high resolution images supplied by the customer
Timberland 6 Inch Premium Waterproof Boots, Women’s Size 9, Mint Green, A1BJ9, TBOA1BJ9, Premium leather uppers, Pesto Waterbuck, Comes with two sets of laces green and orange, Seam-sealed waterproof construction, Direct-attach construction for durability, Leather lining for comfort and durability, Rustproof hardware, anti-fatigue technology, 200 grams of PrimaLoft® insulation, Padded collar for a comfortable fit around the ankle, Anti-fatigue midsole and removable footbed for all-day comfort, lightweight cushioning and shock absorption, Rubber lug outsole is made with 10% plant-based materials,
Name: Will Harris
Category: Natural
Title: A Glacial Figure
Physics Explanation: This image was taken on top of a glacier looking into the pure blue water typical of glacial water. The reflection is specular (mirror-like) and is created due to light rays traveling from the person (angle of incidence) and striking the plane of the water only to bounce back (reflected ray) at a similar angle into the camera lens. The reflection is not crisp due to vibration in the water and also because of the fact that some of the light rays pass through the water and refract (bend) and are not reflected back to the camera.
Sonata Aurio Class A acoustic absorbers in Stone fabric installed within Tadley Community Centre to improve the acoustics of the room when used as a cinema
Day 2: A room of Rothko paintings at the Tate Modern. Bankside, London, UK. [20060216]
Mark Rothko saw these paintings as objects of contemplation, demanding the viewer's complete absorption. They were originally commissoined for a restaurant, but Rothko soon realised that their brooding character required a very different environment.
In the late 1950s, Rothko was commissioned to paint a series of murals for the fashionable Four Seasons restaurant, in the Seagram Building on Park Avenue, New York. He set to work, having constructed a scaffold in his studio to match the exact dimensions of the restaurant. However, the murals were darker in mood than his previous work. The bright and intense colours of his earlier paintings shifted to maroon, dark red and black.
Roth was influenced by Michelangelo's Laurentian Library in Florence, with its blind windows and deliberately oppressive atmosphere. Rothko commented that Michelangelo 'achieved just the kind of feeling I'm after - he makes the viewers feel that they are trapped in a room where all the doors and windows are bricked up, so that all they can do is butt their heads forever against the wall.'
Recognising that the wordly setting of a restaurant would not be the ideal location for such a work, Rothko withdrew from the commission. He finally presented the series to the Tate Gallery, expressing his deep affection for England and for British artists, especially JMW Turner. All nine paintings are included in this display. Perceived, as the artist intended, in reduced light and in a compact space, the subtlety of the layered surfaces slowly emerges ,revealing their solemn and meditative character.
www.fature.net/release.php?id=6
He was only an elderly gentleman, hitching a ride on the misty wet highway. I asked him where he was heading and he said he had no real destination in mind.
He then said "That is beautiful music you're playing. Who is it?". I told him it was Various Artists - Pick n Mix Volume 2 from a great netlabel called Faturenet Recordings.
His eyes lit up with excitement. He said "My name is George Ripley, and I am the greatest travelling salesman who's ever lived! There is nothing I can't sell!".
I noticed that he had a small briefcase on his lap and said "So what do you sell these days? Insurance? Pensions? Broadband? I'm just curious".
He laughed and replied "Oh dear no, my young friend! You see... I sell people their SOULS!".
Compiled and mastered by Robert Lamont
01.Lamont Prologue WELCOME
02.Hellscion - Seven
03.Dario - Razor Dust CJ Blacklime Remix
04.Delcraft - Moogfashion
05.Babungus - Primate Bait
06.Diek - Onyria
07.Enigma of Sound - Toro Twilight
08.Absorption - Wilderness
09.Fature - Your Trust In Others
10.Drew Costigan - Departed
11.Hypnokid - Plan D
12.Magnetik9 - Europa
13.Mainiakist - New World Order
14.Fafnirrockson - Agharta
15.Nabux - Blight
16.Sevish - Whitey
17.Waverine - Starfish
18.Lucifer Complex - Death Once More
19.Incentive - Palin Rape Kit
Released: 23rd Dec 2009
On July 4, 2024, I took my camera Zenza Bronica S2A (Japan, 1972-1977) for a tour in the district of Fourvière, Lyon, France.
The Nikkor normal lens 1:2.8 f=75mm was equipped of a Hoya Yellow (K2) 67mm screwed filter and the dedicated Zenza Bronica metal hood.
I used an Ilford FP4+12-exposure negative 120-format film . The film was exposed for 64 ISO (to compensate the filter absorption) using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas.
The Zenza Bronica at the Odeon, July 4, 2024
Théâtres Antiques
69005 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 70mm large film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+25 and the film processed for 9min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm films.
The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivo Y76 color pictures.
Strangely, although its 1.8 kg the camera is not at all uncomfortable to carry, especially when the camera is hold on the chest by the neck strap. I did not feel tied after this photo tour (about 4km walking). It is easily to get a good stability and a precise framing with the camera on the chest.
Details about the camera :
The Zenza Bronica’s S (ゼンザブãƒãƒ‹ã‚«) were often referred to the « Japanese Hasselblad ». Conceived in the year 50’s (Bronica D, 1959) was manufactured in ToKy,o Itabashi-ku, Minami-Tokiwadai with the Japan engineering spirit of that time : « we wlll do as … in better! »; The Bronica (ETR, SQ series) camera’s were progressively discontinued twenty years ago between 2002 and 20O4 and the brand was bought by Tamron company and disappeared from the market.
The Zenza Bronica S2A was produced by Bronica Insdutries founded by Yoshino Zenzaburo, between 1972 and 1977 and was the ultimate model of fully mechanical medium format modular SLR o th e S series. The camera in made in stainless steel 18-8 quality for the outer elements. The S2A is still a focal-plane shutter camera with automatic diaphragm and automatic film back coupled to the shutter cocking through a re-arming crank. Bronica were equipped either with Nikon Nikkor lenses, Zenzanon of Komura optics.
I got this exemplary from a French eBay auction for a quite reasonable price, equipped with a Nikkor-P normal lens 1:2.8 f=75mm, a generic 67mm lens cap, and a neck/shoulder Bronica strap. I found at my monthly trade -exchange photo meeting new-old stock 67mm filters (Hoya HMC anti-UV, Yellow K2, and a Zenzza Bronica Skylight 1A) and two shade shade hoods (one generic foldable and a rigid metal Zenza Bronica Japan). I also found a nice storage box 15x20x20cm to store the machine with silica-gel protectant.
The camera fit in my ThinkTank Retrospective 5 usual bag as easy as my French TLR Semflex. The weight is however twice more heavy by about 1.8 kg (0.8 kg for my Semflex TLR).
Sonata Vario acoustic panels used on the ceiling to reduce noise and reverberation at Highfield School
Sonata Vario and Memo acoustic absorption panels installed within the hall at The Dales School in Blyth to reduce reverberation during use.
Wetlands are biodiversity rich sensitive ecosystems that harbor hundreds of plants, insects, birds and other animals uniquely adapted to their wetland mode of life.They are crucial to maintain the regional water balance through ground water recharge and absorption of flood waters and also serve as the rice bowl of developing countries. Nevertheless, wetlands play immense role in the socio-economic and livelihood aspects of local communities living around the wetland. In India, rural communities depend wetland for livelihood through farming, mat making etc; for food through fishing and hunting; for roof thatching by collection of reeds and palm leaf ; for firewood; for fodder etc. However, these wetlands are now under a threat of conversion for big industrial and real estate projects, change in lifestyle of local community, over extraction of resources by increased population, pollution,waste dumping, eutrophication and pesticide farming. There are three important wetlands in the Puducherry region namely Oussudu, Bahour and Kaliveli that provide important resources for local communities and also are a home to tens of thousands of migratory birds that visit the Puducherry region in winter. These wetlands have been acknowledged as Important Bird Areas(IBAs) by IBCN, since many of these birds are represented in more than 1% of their global population.
The recent threat on wetlands of Puducherry is more due to the change in life style of local community living around these wetlands. The younger generation is not much dependent on wetland resources, The younger and modern generation has lost the compassion and bonding to the wetland which their forefathers maintained through sustainable livelihood practices. This has resulted in a change in attitude and perception of the community towards unsustainable farming and resource extraction, game hunting, intensive fishing and reclamation, ultimately resulting in shrinking of wetland area and loss of biodiversity at an alarming pace. Local community is leaving the traditional farming practices for more fertilizer and pesticide based farming; fish stock is depleted using invasive Gill nets. Since Puducherry is fast developing region with rapidly growing commercial tourism and industrial establishments, these wetlands are under the threat of reclamation for resort construction and other commercial establishments. Poaching for a sport as well as open selling of birds including the threatened species is common. School drop-out are noticed to get attracted to such practices to make easy money as well as hunting for a sport with peers. With time, they may grow into expert hunters who will depend on poaching as the main source of income for the family. There are many wetland awareness programs organized by Forest Department as well as NGOs targeting school kids and educated community through workshops. School drop-outs are often not specially targeted by any of such programs and often not brought under the ambit of such programs. This gap needs to be addressed for local conservation efforts to be fully effective. We have chosen birds as the umbrella species whose conservation will in turn protect the lake and biodiversity as a whole. Birds are attractive and beautiful; ,which may easily get compassion from drop-out kids if guided appropriately. With proper efforts, the poachers can be turned to protectors and expert tour guides to facilitate ecotourism.
Sonata Aurio acoustic panels used on the ceiling to reduce noise and reverberation at Maple Primary School in St Albans
The A&S ISO CAB pictured here is exemplary of our engineered solution for speaker sound isolation. The case is a double walled case with a sprayed in barrier between the walls. It has a convex wall with egg crate foam on both sides to prevent sound bounce back to the microphone. A pass through for cable couplers is provided to pass the inbound signal to the speaker and outbound signal from the microphone. The entire case is built in compliance with the ATA Spec 300 Cat 1 to protect all the gear while in transit.
There was a sizeable contingent of matriarchs the groom's side produced, his grandmother and her sisters and sisters in law, featured here in various states of absorption in the ceremony
A Fomapan Action 400 black-and-white film to test the effect a the special Foca filter "Dyma" produced in France in the 50's.
The filter is called "Dyma" due to the presence of neodymium in the glass giving an unusual absorption by bands in the visible spectrum. In particulier blue and yellow color ans more absorbed than the rest of the spectrum. The filter existed in two different versions with the coefficient x2.5 or 3.5. Here the 42mm push-on Foca Dyma filter used is a x 3.5.
As a consequence, I exposed the Foma 400 for 80 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. I used my FOCA camera PF2B year 1956 and its normal Oplar lens1:2.8 f=5cm equipped for all the views with the Dyma filter and a Genaco metal shade hood.
Typical settings during the session : 1/100s f/8 to f/11.
Place Chardonnet, May 29, 2023
69001 Lyon
France
After exposure, the film was processed using Adox Adonal (Agfa Rodinal) developer at dilution 1+25, 20°C for 6 min.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
The Foca type PF2B (PF for "Petit Format") was constructed in France by the company "Optique & Precision de Levallois" (OPL) starting from 1947. It was manufactured in the Chateaudun OPL factory, route de Jallans, France, in 1956 among a late series of the PF2B. The factory, constructed in 1938, is still at the same place under the name of SAFRAN now producing precision devices for aerospace appliances.
The camera is equipped with the collapsible OPLAR lens (a Tessar formula) 1:2.8 f=5cm. The focal shutter of the PF2B has timing of 1/1000, 1/500, 1/200, 1/100, 1/50 and 1/25s plus the B pose. A slow exposure device below 1/25s could be installed by the aftermarket service and was installed basically for the FOCA PF3 and Foca Universel.
Performed by Miriam Nicholls
See also vimeo.com/56022251 for the complete film.
Description by Dani Powell:
The knitting machine ‘dance’ demanded a different scale and yet the same qualities of repetition, absorption, the isolation of the maker or craftsperson in the confinements of her practice remained. Seeing Nicky knit on the machine was immediately for me a choreography but I was also interested in exploring the dynamics between this repetitive, manual task and the flight of the mind when the body is grounded so.
The knitting machine dance became about departure and return: about the physical tie to the mundi, the world, the task at hand, and the departure of the mind, to the realm of dreams. The ‘thread’ which connected the two worlds was of course the yarn, which Nicky carefully guided down from the yarn guide to the needles to begin knitting.
The yarn would enable the dancer to depart the task, to reach as if blind and roam in the world of thought and daydream. And yet it would pull her back each time to her work, sometimes with a jolt.
Hildegarde de Bingen came to mind, the 12th century visionary, abbess, writer and composer. And yet underneath this otherworldly music there would always be the rhythmic repetitive sound of the knitting machine.
And of course all the while something is being made. And when it is complete does it not contain the dreams of the maker, knitted in to the garment itself, and will it not always carry even a sense of this time of making?
Sadly I knew I would not be in town for Nicky’s exhibition opening and so approached Miriam Nicholls, whom I’d enjoyed collaborating with for the past five years, to work with me as a choreographer and dancer. So together we have worked to create these two pieces, the hand-knitting and the machine-knitting dance, both of which you will see on opening night and the latter, filmed by Shane Mulcahy, throughout the exhibition. Shane has also worked with us to film the knitting machine at work, capturing in the second short film, its anatomy and inherent dance.
Nicky’s first response to what we made was emotional, feeling we’d transformed her daily practice into something beautiful, shown it in a way she had not seen it before. It’s funny because as a performance-maker that was there for me from the beginning, seeing her work. So in a sense making something of it through dance was almost to extend what I saw in order to show her. And this of course was only achieved through working with someone like Miriam who has the ability to interpret through her body what I am describing that I can see in my mind.
I was reminded through this project how artistic collaboration is a process of extending each other’s ideas in a dialogue that transcends language so that perhaps, as TS Eliot put it, ‘the end of all our exploring will be to arrive where we started and know the place for the first time’.
Sonata Vario Class A acoustic absorbers installed within the hall at Flanshaw Junior Primary and Infant School in Wakefield
Fluorescing Coral- Fluorescence is the absorption of one wavelength of light and the re-emission of another, a totally different colour. A fluorescent object under near UV light, it absorbs the blue and re-emits a fluorescent colour, brightly glowing in a totally different colour. - Raja Ampat, Dampier Strait, West Papua, Indonesia.
WELCOME TO INDONESIAN SAWDUST / WOOD CHIPS FACTORY
Sawdust is one of the wastes that we can get from the sawing process carried out by carpenters.
In general, there are some people who immediately throw away this sawdust, even though if you look at it more broadly, it turns out that this sawdust waste has a lot of benefits.
Our sawdust, as well as sawdust in general, is obtained from the process of sawing pine and sengon wood done by our expert team.
In the logs, the choice of saws is used for furniture / furniture, while the sawdust is used for other purposes.
One of the benefits of sawdust from an industrial point of view is that it can be used as a raw material for making mosquito coils, concrete flexibility, a mixture for making glue and also used as a raw material for making vehicle brake pads.
This wood powder is in great demand in the manufacture of several industrial and home products because of its friendly and environmentally friendly prices, so it can reduce production materials to a minimum and increase the marketing price as high as possible so that as much profit can be obtained.
THE BENEFITS OF WOOD POWDER
It turns out that apart from that sawdust still has a lot of uses that are environmentally friendly and good for our lives, now what are the benefits included are as follows:
1. As a raw material for making furniture
Sawdust has good benefits as a mixed raw material in furniture making. We can see some furniture factories that choose to replace wood products into aluminum and so on which are good for our growth and development as well as our children.
This is because the aluminum or plastic materials contain a lot of chemicals that are not good for the body. This is because wood raw materials are starting to be difficult to obtain due to land conversion into buildings.
For that we can use this sawdust as an additional material for making furniture for the manufacture of chairs, cabinets and other furniture products, so that it is more hygienic, environmentally friendly and good for body health because it does not contain excess chemicals.
2. As a brick making material
Modern technology, as it is today, also utilizes sawdust as a raw material for the mixtures in brick-making.
From the results of the study concluded that the mixture of sawdust in the brick can reduce production costs, and it is said that the quality of the brick made is also no less strong than the type of brick that does not use a mixture of sawdust.
3. As a base for keeping hamsters, rabbits, reptiles, cats and other pets.
Usually this sawdust is placed on the bottom of the hamster or guinea pig cage. The goal is to make the hamster or guinea pig feel comfortable, be able to warm the hamster's body and if you urinate it doesn't smell bad.
In addition, hamsters or guinea pigs also enjoy playing in cages filled with sawdust.
4. As a planting medium
The benefits of sawdust in agriculture can be used as a planting medium or fertilizer, because it is obtained from nature and made from natural raw materials. Wood powder as a planting medium will be very good and more natural with good results.
By using sawdust as a planting medium will be able to optimize the maximum absorption of water and nutrient elements in plants. With the increased absorption of water and nutrients in plants, the fertility of the planting medium and fertility will be better.
You can use sawdust or sawdust as a planting medium in polybags or small pots, and it can also be used as a growing medium for larger plants.
5. As a sausage casing
Do you often consume sausages? If you look in more detail, every sausage that is marketed must have an outer layer that covers the sausage meat.
The outer layer that covers the processed sausage meat is not the plastic wrap for sausage, but the layer of red or creamy processed meat on the sausage.
Well, it turns out that this layer is treated with the benefits of sawdust. However, don't worry, because the layer made from wood dust has been processed in such a way, and is safe for consumption. This will not endanger health, because it is already standardized internationally.
6. As a briquette from sawdust
In fact, for those who are creative sawdust can be used as a business opportunity, as well as the benefits of wood sawdust, it can be processed into briquettes.
This briquette can be used for everyday cooking. This briquette made from wood saw waste has a much cheaper price than coal briquettes and is certainly environmentally friendly. When compared with the use of natural gas and kerosene, briquettes from sawdust are much more effective and efficient, of course, can reduce the daily household expenditure budget.
For those who are able to process this sawdust into briquettes, it will certainly bring benefits to you, because it will increase your sales turnover. You can develop this sawdust briquette business until it becomes one of the big industrial forms again.
7. As a substitute for fuel
This sawdust can also be used as fuel for cooking, as a substitute for paper because it is easier to generate fire. This will be very helpful in cooking and it is faster to turn on the fire and the burning process is also better.
Those are some of the benefits of sawdust that we can list, but actually there are many more benefits of this sawdust such as paper making, food wrapping, brake lining and others.
For more information or interested in buying sawdust, please contact us via Telp / WhatsApp +62813-3455-9771
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Sonata Aurio panels installed within offices to reduce reverberation and improve speech intelligibility during conference calls. Some panels were printed with high resolution images supplied by the customer
Sonata Vario Class A acoustic absorption panels wrapped in Trilogy fabric and printed with customer-supplied images.
Sonata Aurio Class A acoustic absorbers in Stone fabric installed within Tadley Community Centre to improve the acoustics of the room when used as a cinema
Sound Reduction Systems Ltd used Sonata Aurio panels within the offices at Norwich Council to reduce noise and reverberation during use.
4110000562028 Exhaust valve seat
MF454.14037 Rubber Gasket; Shock Absorption 240100121247
4A3Z-T91X.030000 Support Weldment; Steering Gear 240100106975
LY1104-3-46S-0401 Oil Pipe Support 240100124069
LY1054-2-21A-002 Four Pipe Clamp 240100128011
MFZ554-58BL-015 Oil Pipe Assy; Left Steering Gear 240100123984
LX854.00.001 Left Steering Output Pipeline 240100059978
MK704.55.105A Oil Pipe 240100123983
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LX1200.38B.001 Oil Pipe Assy; Right Steering 240100123985
20104020201 Oil Return Pipe Assy; Steering System 240100123988
YT4A2-T105FS-1.090000 Hollow Bolt; M14×1.5×30 240100030973
SZ1604-55-102 Screw M5x12 210104050027
6M5U-T73YNR.040000U3 Inner Four Pipe Clamp 240100129346
LX804.00.001 Washer 210110050066
LX1000.00.001 Steering Oil Tank 240100146174
20101010081 Oil Pipe 240100001467
E500.37.107 Oil Pipes Assy;Steering System 240100031526
SK400.19002 Steering with Steering Wheel 240100060053
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SZ804F.30.101 Retaining ring 210111090013
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C602S-56-049 Steering wheel assy 240100109591
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1204.37.155～164 License Card Weldment 240100111625
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LY1100.41M.131 Washer 210110050006
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LF1104.00.001 Right Protecting Plate 240100125054
YT4A2-T55FSAK-1.080000 Left Protecting Plate 240100125053
4M5-T73EH1XJN.620000 Muffler Assy. 240100138167
LX1000.00.001 Driving wheel assy for Irrigated field 240100031637
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LY1404.00.001 Washer 210110050081
C1202.45.220FG Rim-radials plate assy 240100031083
1002.39.130 Wheel rim bolt 240100059844
MF704.17014L Front driving wheel assy for Irrigated field 240100031636
E300.39.106 Tyre 211001000145
1.82.531/5129400 Rim weldment 211002000041
ZCL140.21C.011 Driving cab assembly 240100124641
M300.34.001 Cushion Ring 240100002151
MKZ904G-58-185 Rubber Floor 240100101510
SG404G-21-015 Sleeve ;gear box main control lever 240100057372
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6R3LR.070001 Bolt 210101270210
LY1404.00.001 Bolt 210101320028
SZ904.56D.002 Inner spacer bush of backend suspention 240100127716
LX1300.00.001 Driving Cab Assy. 240100072760
LX804.00.001 Seat plate weldment 240100070647
LX904.00.001 Screw M5x12 210104210036
LG1804.58A.001 Right Side Rear Window assy 240700000239
MKZ804S-55W-011 Left seal tape 240100012645
1002.37.161-1 Clip board I of wind shield glass 240100014968
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1002-1JQX.00.001 Inner decoration ceiling 240100079119
6K5LFH-T71.420001 Inner base plate 240100071414
4A3LUP-T4-540008 Screw M5x12 210104210056
LX904.37X.001 Clip board II of wind shield glass 240100014969
4M3LUP-T73FJS1NR.140000U3 Seal Pad; Side Window Hinge 240100001940
SG254.47.040-1 Driving cab and floor assy 240100132766
LY1204.00.001 Left Rear-View Mirror Rod Weldment 240100029052
LX1000.00.001 Right seal tape of mud- proof board 240100012646
4B5P-T73YQR.330000 Left mud-proof board 240100012440
MF600.16024 Left Door Assy 240700001070
4B5-T73EYA.620000 Cover Plate 240100107518
LY1204.00.001 Rear Window Assy. 240700000240
6M5U-T73A.510000U3 Left middle pole cover 240100061020
SZ904-3-61C-001 Screw M5x12 210104220006
LF1404-H-38-109 Left middle pole cover 240100061019
SZ1204.34H.001 Rubber cover 240100006235
14607/10263460-22*28*1.5 Part name Material code
DL1290G left ceiling board 240100059214
LX754.00.001 Sleeve 240100135419
ME300.19043 Bolt 210101310204
LY1404.00.001 Front window glass assy 240700000241
LG1304.45.031FG Left Side Rear Window 240700000238
6A3L-T16-540005 Screw M5x12 210104050026
LY1404.00.001 Inner joint plate 240100072129
销 GB/T879.1 10*45-Zn.D Left seal tape of mud-proof board 240100013656
LY1004.00.001 Air Spring 240100066577
4B5P-T73EYQ.610000 Washer 210110050030
SG350F-56L-001A Right backend mirror bar weldment 240100029051
LY1200.00.001 left lower wind shield glass assy 240700000242
SZ700.58.108 Lower Hinge Support Washer 240100002448
LG1504-45B-8038 Screw M5x12 210104050012
LX804.00.001 Right mud-proof plate 240100012677
LX904H-1.43.101 Side Window Hinge Assembly 240100001941
YH4.37-601 Right lower wind shield glass assy 240700000243
MK654-2-48-001 Right Door Assy 240700001071
YT4A2-T105FS-1.080000 Lowering valve cover plate 240100080253
802.45.216 Block Cap 240100009040
LR6B5UT102.54.001 Screw M5x12 210104050102
LY1004.00.001 Round nut pad 240100002554
LD1804-41A-001 Door stay bar weldment 240100134964
SZ954S-31B-001 Canopy assy of driving cab 240700000434
MF554-45-010K Rear window handrail connecting bolt 240100002555
A498BT-001C-1 Washer 210110030027
4M5-T73X1NR.350000 Pin 240100002490
LX904.00.001 Gas Spring of rear window support 240100091834
LX904.00.001 Right seal tape 240100057682
021T50B7-1.060000 Hinge Support Assy of rear window opening device 240100002131
31301020097 Elastic washer of front suspention 240100013034
1604-1.38.106 Lower Gasket 240100003910 www.meppon.cc/product/4110000562028-exhaust-valve-seat
Nanofiber Sanitary Napkin
Natural high quality, take care of you that day.
Bring new product experience to women.
Release the pressure of work, a better life from exercise.
Change, only for the better.
Understand You Difficult To Say, Give You Comfortable
Bacteriostatic: new nanomaterials can completely inhibit Candida albicans, Staphylococcus aureus, and Escherichia coli, giving you full care.
Refreshing: New nanomaterial, light, and breathable, only 0.3cm thick.
Instant absorption: 100% increase in absorption, 100% reduction in return penetration, comfortable and dry.
Nanofiber Sanitary Napkin: Instant Absorption, Dry And Breathable, All Inclusive
Nanofiber sanitary napkin has bactericidal and bacteriostatic properties, which can effectively kill candida Albicans, Staphylococcus aureus, Escherichia coli, and other bacteria. The sterilization rate is over 99%. The soft surface layer of skin-friendly cotton, delicate three-dimensional embossing, embossing can quickly channel and absorbed liquid. Three-dimensional personal protection, smooth and tight, close to the skin, zero distance. Small microporous funnel, dry and clean surface layer, efficient absorption, prevent reverse seepage, and side leakage.
Nanofiber Sanitary Napkins: Super light, Dry And Breathable, All Contained
Only 0.3 cm thick.
Sonata double Class A Desk Dividers installed within YOPA's UK contact centre in Tamworth to reduce noise and reverberation during use