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Come on girls. work with me here, can't you see my hands are tied.

 

Tecnically, just about everything is wrong with this shot, but I quite like it because I captured a fly, a bee and a beetle in focus in one shot. I had my camera set for quite a different shot and just quickly changed the shutter speed and snapped the shot :-)

 

OLYMPUS DIGITAL CAMERA

Olympus OM-D E-M10 MKII, M.Zuiko 14-42mm f3.5-5.6 EZ

Another school day dream...am i in the wrong school? Or am i wearing the wrong uniform?

Sometimes I find myself in a spot of bother simply by taking a wrong turn in the forest 😲

 

Celtic Mystery Music - Forest of Forgetfulness

www.youtube.com/watch?v=mz66bnRWQJM

Please right click the link and open in a new tab to view and listen. Thank you !

 

Rollingstone1's most interesting photos on Flickriver

© All rights reserved. Use without permission is illegal.

You may not download or use this image in any way without express written permission.

Taken at The International Centre for BIrds of Prey in Newent (well some of it was!).

 

Thank you all for viewing, commenting and favouring my images

More random acts of rendering

 

Copyright 2005 Ron Diorio

  

Photography Now 2005

Center for Photography at Woodstock

May 7 - June 19

 

I told you to use the GPS, HAROLD!!!!!

↳ NewPost // Blog in my Bio

 

My Store Miranda Shapes → marketplace.secondlife.com/pt-BR/stores/224828

 

My blog for more details → zizer-closet.blogspot.com

 

→ INFO:

Pose solo: WRONG - BREATHING ANIMATION MALE POSES - 144

 

Outfit: [ ERAUQS ] - Azzy Jeans and Tank @ TMD Event

... but easter will come

When I begun to process this exposure bracketing, I thought that I knew what I wanted to attain. I was perfectly wrong. Indeed, these RAW files kept a few secret bits of beauty which I was not aware of when I selected them for processing – and they changed the course of the journey I had foreordained.

 

I was in a gloomy mood, for both personal and general concerns, and the RAWs looked rather duller than the average – taken: they appeared to accurately mirror the state of my soul. At worst, I would have wasted some hours of pointless procesing work before deciding to look for something better. Nobody would have known. However things were to contradict my expectations. I got some good news (a rarity in those tough days) about the health conditions of my brother and my “adopted brother-in-law” (i.e. my brother’s brother-in-law); on the other hand, Darktable – that wonderful software – gifted me with a few unanticipated treasures. My thoughts were growing more and more positive and the processing of this bracketing were proceeding accordingly: a hidden beauty was unfolding before me, my own persisting unawareness of it notwithstanding. At last I found myself with a picture that had apparently self-processed itself*, while I was busy exploring uncharted thoughts that kept emerging along the way

  

* Admittedly a bizarre phenomenon, which Maurits Cornelius Escher would have loved – think of his Drawing hands.

 

I would avoid to nag you about this incredibly wonderful location: you can take a look at my album Silent banks, the complete collection of the photos I have taken there; the attached narratives are rich in information about the place, if you are curious enough.

This location is especially renowned for its legendary morning mists, but only a thin layer of milky mist floated above the water that morning. On top of the hill in the distance, beyond the river, lays the sanctuary of the Madonna della Rocca ( = Madonna of the Rock), already brushed by the first light pouring from the Eastern horizon.

 

I have obtained this picture by blending an exposure bracketing [-1.7/0/+1.7 EV] by luminosity masks in the Gimp (EXIF data, as usual, refer to the "normal exposure" shot), then, as usual, I added some final touches with Nik Color Efex Pro 4.

I tried the inverted RGB blue channel technique described by Boris Hajdukovic as a possible final contribution to the processing. While this technique (which, its imposing name notwithstanding, is pretty simple to implement) often holds interesting results in full daylight landscapes, its effects on a low-light capture (e.g. a sunrise) are utterly unpredictable, so at the end of my workflow I often give it a try to ascertain its possibilities. In this picture I have exploited this technique in a very frugal, yet effective, way – just some touches where needed.

RAW files has been processed with Darktable. Denoising with DFine 2 and the Gimp (denoised and original images blended by lightness).

Reality is wrong

Dreams are for real

Tupac Shakur

An installation by Terry, at terrygold art gallery in Second Life, one work saying so much in one scene. maps.secondlife.com/secondlife/Peaceful%20Land/241/118/1107

 

Terry writes:

"With my friends, when I was a young girl, we played lying on the lawn, looking for funny faces, animals and strange objects among the clouds in the sky… the clouds stirred by the wind’s fantasy created stories, we laughed on that lawn, few things were enough.

Even today every now and then, remembering those times, I play this game, white clouds in ever-changing vortices, new faces... new animals and stories.

But if the clouds are created by thunderous bombs… if the clouds are dark and threatening, what game can kids play today?

Will they be able to see with their imagination… stories?..."

▽Film

Ultrafine Jazzy Blues ISO 25

 

▽Camera

Nikon L35TWAD

Park walking path is a one way path.

CP 234 at Mile 59 Galt Subdivision.

 

Having high hopes of CP 7023 leading 234 this morning I was a little let down to see the red nose of CP 7006 leading...but all in all it's still a decent consist and I don't have any real issues with it!

Does this Great Blue Heron not know to be on the other side of the path so that the sun is at my back?

Macro Mondays: Candy

 

Thanks for all the comments and fave's :)

As it was shooted. Sem tratamento, apenas a foto.

In the North of Iceland, we of course also visited the famous Goðafoss, although the weather was not great. When we arrived, we parked at the “wrong” side, from which one has a more lateral view onto the waterfall, but we stayed there for quite a while trying to find some hopefully more unique compositions. However, it started to rain more heavily, and even though I really wanted to take some more images from that side, at some point I decided to pack up. Before I turned my camera off, I wanted to quickly check whether I had gotten at least a few good images, but the camera was frozen, no matter which button I pressed. I then though that a restart might fix everything, but the camera then did not turn back on again. At this point, I got a little nervous since I had just bought my Sony A7IV right before this trip and there aren’t many camera stores in Iceland where one could get it fixed or replaced.

 

Back in the camper van, we took our time drying off a bit, ate lunch and took a short nap after which it had almost stopped raining. Moreover, my camera was fortunately back to life working properly. So we got to the other side and finally photographed the more famous view onto this beautiful waterfall. Again, by the time we were fully set up, it started raining, but not as hard as before and so I continued refining my composition and took lots of long exposures while trying to somehow keep the filters clean of water droplets. Although I would have really loved to photograph this location at sunrise or sunset, I’m really happy how this turned out since I really like the texture and streaks in the water as well as the overall mood and atmosphere in this image. I hope you like it too!

 

PS: According to legend, around the year 1000 AD, after the adoption of Christianity as the state religion, the then law speaker threw the last pagan images of the gods into Godafoss and hence the title.

Büdelsdorf/Rendsburg - Nordart 2022

New England Central train 608 gets started southbound on the Palmer Subdivision crossing Chicopee Brook in Monson, MA on a Fall day. I originally went out this day to shoot 608 with the blue and gold Geep leading but the crew tacked the 3317 on the south end while switching in Palmer. Not what I wanted but I guess you can't really complain about a tunnel motor leading in 2022...

Wisely, Step 10 does not emphasize a moral inventory, which becomes too self-absorbed and self-critical, but speaks instead of a “personal inventory.” In other words, just watch yourself objectively, calmly, and compassionately. You will be able to do this from your new viewing platform and perspective as a grounded child of God. “The Spirit will help us in our weakness” (Romans 8:26). From this most positive and dignified position, we can let go of, and even easily admit, our wrongs. We are being held so strongly and so deeply that we can stop holding onto, or defending, ourselves. God forever sees and loves Christ in us; it is only we who doubt our divine identity as children of God.

 

We now have an implanted position and power whereby we can see ourselves calmly and compassionately, without endless digging, labeling, judging, or the rancor that we usually have toward our own imperfection. Don’t judge, just look can be our motto— and now, with the very eyes of God. That will awaken consciousness, and then things will usually take care of themselves, with even the least bit of honesty and courage. A wonderful Indian Jesuit, Anthony de Mello (1931–1987), used to say, “Awareness, awareness, awareness!”…

 

… To be fully conscious would be to love everything, on some level and in some way—even our mistakes. To love is to fall into full consciousness, which is contemplative, non-dualistic, and includes everything—even “the last enemy to be destroyed, which is death itself” (1 Corinthians 15:26). That is why we must, absolutely must, love!

-BREATHING UNDER WATER SPIRITUALITY AND THE TWELVE STEPS, RICHARD ROHR

04 SCARS LEFT & FIGHT FACE SIDES

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