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bpNichol + 10.

edited by Frank Davey.

London, fall 1998.

5-3/8 x 8-7/16, 68 sheets white xerographic bond perfectbound in pink mayfair card wrappers, all except inside covers printed, black laser interiors in blue offset covers.

cover unacknowledged.

16 contributors ID'd:

Stephen Bann, Doiglas Barbour, Christian Bok, Gene Bridwell, Stephen Cain, Frank Davey, Lori Emerson, Robert Hogg, Peter Jaeger, Billy Little, Steve McCaffery, Roy Miki, Scott Pound, David Rosenberg, Steven Ross Smith, Darren Wershler-Henry.

includes:

i) bpNichol + 10: Some Institutional Issues Associated with the Continued Reading of Texts Known as 'bpNichol', by Frank Davey (pp.5-13; prose)

ii) Coach House Letters, by David Rosenberg (pp.14-22; prose in 5 parts with references to bpNichol in parts

––1. Dear Reader: (pp.14-16)

––2. Dear Frank: (pp.16-18)

––3. Dear National Library of Canada: pp.18-2o)

––5. Dear Reader: (pp.21-22))

iii) st. Ink, by Billy Little (pp.23-24; poem on Nichol, 56 lines)

iv) Nicholongings / because they is, by Lori Emerson (pp.27-33; prose in 5+ numbered parts:

––o. "when writing of one whom is greatly admired but no longer living, it is" (p.27)

––1. "My relationship with bpNichol's work has been from the start one" (pp.27-28)

––2. "And then there is the longing to bridge the unreal and often necessary" (pp.28-29)

––3. "Not unlike what Nichol aimed to do as a theradramist, his poetry points" (pp.29-3o)

––4. "Given Nichol's insistent attempts to overcome the bias of representational" (pp.3o-31)

––5. "In this final and persnal note it is tempting for me to mke melodramatic" (pp.31-32)

––6. Notes (pp.32-33))

v) False Portrait of bpNichol as Charles Lamb, by Steve McCaffery (pp.34-36; poem, 62 lines)

vi) Argument for a Secular Martyrology, by Darren Wershler-Henry (pp.37-47; prose in 3+ parts:

––1. "I don't remember exactly when it occurred to me that there might be (pp.37-38)

––2. "The Martyrology continues to occupy a central place in the Nichol canon" (pp.38-44)

––3. "The Martyrology has become the central text in the Nichol canon because" (pp.44-46)

__4. Works Cited (pp.46-47))

vii) The bpNichol Archive at Simon Fraser University, by Gene Bridwell (pp.48-49; prose)

viii) Sounding out the Difference: Orality and Repetition in bpNichol, by Scott Pound (pp.5o-58)

ix) Flutterings for bpNichol, by Steven Ross Smith (pp.59-61; poetry in 6 parts:

––1. fluttering. 5. (p.59; with reference to Nichol & Eleanor Nichol's th'read)

––2. fluttering. 12. (p.59)

––3. fluttering. 15. (p.6o)

––4. fluttering. 42. (p.6o)

––5. fluttering. 58. (p.61; dedicated "for mauricio kagel & you too nicky")

––6. fluttering. 65. (p.61))

x) Nickel Linoleum, by Christian Bök (pp.62-74; prose)

xi) Extreme Positions (for bp, by Robert Hogg (pp.75-76; poem, 55 lines)

xii) An Interview with Steve McCaffery on the TRG, by Peter Jaeger & Steve McCaffery (pp.77-96)

xiii) for bpNichol: these re-memberings an elegiac sequence, by Douglas Barbour (pp.97-1o8; poetry in 6 numbered parts with insertion section:

––1. cloud tones: martyred music (p.97; 16 lines)

––2. "rifts & thru ways" (p.98; 21 lines)

––3. (journeying & the returns . . . again) (p.99; 18 lines)

––4. cloud town, again (pp.1oo-1o2; 81 lines)

––A. a(nother)version therapy (n 3 parts:

––––a. "somewhere downwhen / sometime up there" (pp.1o2-1o4; 6o lines "in memoriam: bpNichol")

––––b. read dream (p.1o5; 18 lines)

––––c. song for barrie (p.1o6; 16 lines)

––5. "the playing fields of cloudtown stretch" (p.1o7; 1o lines)

––6. "Haloed & halooed" (pp.1o7-1o8; 27 lines))

xiv) Artifacts of Ecological Mind: bp, Gertrude, Alice, by David Rosenberg (pp.1o9-114; prose with Author's Note preface)

xv) bpNichol is alive and well and living in Bowmanville, ON, by Stephen Cain (p.115; concrete poem)

xvi) "Turn this page": Journaling bpNichol's The Martyrology and the Returns, by Roy Miki (pp.116-132; prose in 1o parts:

––1. February 12 (pp.116-119; in 3 parts:

––––a. "At the entrance to Book 5 the road as site of journey, of walking, of" (pp.116-117)

––––b. "In Book 5 the semiotheological procedure ("a road / a rod" = a dive / a" (p.117)

––––c. "Charles Bernstein, from "Matters of P{olicy" (in Controlling Interests" (pp.117-119))

––2. February 15 (pp.119-12o)

––3. March 5 (pp.12o-121)

––4. March 12 (pp.121-124)

––5. March 20 (p.124)

––6. March 26 (pp.124-128; in 3 parts:

––––a. "The transparency of the haunting instills the burden of memory–those" (pp.124-125)

––––b. "Ok, i'm ok now, believe me, i'm o k. Think of repositionings, contexts of" (pp.125-127)

––––c. "In the gift of context where does the sin reside? From "Scraptures: 8th" (pp.127-128))

––7. March 27 (p.128)

––8. April 1 (pp.128-13o)

––9. April 3 (pp.13o-132; in 2 parts:

––––a. "Change–of clusters of readers, of theoretical assumptions–it is inevitable," (pp.13o-131)

––––b. "Close up, line by line, page by page, book by book, The M appears" (pp.131-132)))

xvii) [untitled photograph, portrait of bpNichol reading from unidentified book, 197os?], photographer unknown (p.133)

xviii) Contributors, by [Frank Davey?] (pp.134-135; prose with quote by Robert Hogg on Nichol from "letter to Davey")

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