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Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Content Workflow 2010 is an exciting one day event detailing strategies for professionals -- in information management, knowledge management and IT, R&D, medical affairs, and publishing -- to inject high-value STM content into the workflow of knowledge workers when and where they need it, and exploring critical information about global copyright compliance.
A snapshot of one nights shooting.
Very little to tweak or dick about with. I shoot RAW and downsave to jpg for the web, left the white balance alone. Tone curved and set the dynamic range a little... so not far from vanilla and straight out of the camera. The shot above was ISO 160, f8/22mm/ and a 30th of a second. Shot on a tripod.
1 - From camera
2 - Lightroom 3
+Exposure (if needed)
+White balance shift
+Healing tool for easy blemishes
+Color correction (Vibrance/HSL)
+Brush tool (exposure)
3. Photoshop CS4
+Surface blur, vary opacity
+Levels adjustment & Mask for toning, eyes, background
+Greater healing brush tools
+Liquefy (if needed)
4. Lightroom 3
+Final curves adjustment
+Vignette
+Sharpening
+Export
This is a comparison of my old and new Photoshop workflows. See full-size for best comparison. The original photo-which sucks--is on top. The middle one was accomplished with my normal photoshop workflow, which is an improvement, but the colors are horrible. The bottom one was created using Dan Margulis's "Picture Postcard" workflow, which is dramatically better than either of the others.
The new workflow involves 3 stages. Simplified, they are:
1. removing minor color casts in RGB mode without regard for contrast
2. boosting the contrast without regard for color
3. combining the color from step 1 and the contrast from step 2 in Lab mode while also boosting overall color.
Today is the first day I've been trying this new workflow, and I did this one rather quickly, so I don't contend that I've created a perfect image. But it's so much better than the way it would have otherwise ended up that clearly, I will be changing the way I fix pictures in Photoshop from now on.
Was working on updating our JIRA workflow for projects using Feature Cards. Tinderbox maps work well for this - along with pretty much everything else.
Cannes is a city located on the French Riviera. It is a commune located in the Alpes-Maritimes department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions International Festival of Creativity. The city is known for its association with the rich and famous, its luxury hotels and restaurants, and for several conferences. On 3 November 2011 it hosted the 2011 G20 summit [Wikipedia.org]
Here is a shot of a Verify workflow on the whiteboard. This was an early concept sketch that held together.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
This is a collection of past timelaspes that created but haven't post. With a few new techniques and a better workflow I reworked these scenes. Its has been a journey for me in photography. From starting out originally in film not knowing nothing to the point where I seek out the "light" and the "shot" has been a daily occurrence. I strive to take the leaps and challenges that will not only let me tune my craft but also to discover me potential. Capturing these images has been a visual journal for me. Each image allows me to capture one second of life and remember the places, people, and things that I have encountered. These timelapses have allowed me to expand those seconds into a minute or more. So take a journey and enjoy every minute of it!
Here's some information about "Lapses." Lapses was taken in Boston and San Diego. The opening is Boston. To get to this location my buddy and I took the subway to the east and walked about 10 minutes to park. Making this particular scene gave us an opportunity to relax and enjoy the day before leaving. A
After Boston, the next scenes take place in San Diego. The first one was taken on top of Mt. Helix and the second one was taken on the Cabrillo Bridge in Balboa Park. Mt. Helix is one of those I didn't know this existed places that I happen to discover during one of my random afternoon explorations. I love the view from up here and have made several trips back just to gaze across the city.
The last scene is of Downtown San Diego from Balboa Park. This is the classic place where a lot of photographers come to capture the scene. Just search Balboa Park and San Diego and see how many times this scene comes up. Given that fact I still do come here to once again gaze and try to give my spin on the scene. So my version is to actually show it in movement. And the time-lapse was a result.
Settings:
Canon 40D (Balboa Park) & 50D (Boston, Mt Helix)
Boston: 340 stills
Mt. Helix: 504 stills
Balboa Park: 356 stills
Music by Kevin Macleod
After buying the book and listening to the seminar I'm getting the benefits of a GTD based work routine and layout.
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Workflow:
1. Non destructive
2. Preparing custom brushes
3. Selection & masking
4. Adjustment and Filters
5. Texturising
6. Lighting effects
7. Fine tuning
8. Adobe Lightroom tuning
Used technique: layers, adjustment, smart object styles, masking, clipping masking, Adobe Lightroom, Adobe Photoshop CC 2017, several Stock Photos, plugins.
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Model Mayhem #1716116 Felicia Nichole
Photographed By: Brian Crouch aka shollowend
Photoshopped By: Ed Perez
Original File is located on this link: [http://www.flickr.com/photos/shallowend24401/]
...bei der Sichtung und Auswahl von besonders guten und sonderlich schlechten Bildern kommt es im üblichen Gebrauch von Lightroom fast täglich zur Zensur. Die Frage ist immer, was ist ein "P" und was ist ein "X"
This images is of the Duke University Libraries Verne and Tanya Roberts Conservation Lab. The lab was opened in August 2008.
For more information see library.duke.edu/about/depts/preservation/conservation/in...