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Improper but intentional use of rolleinar ...

APX25 in Rodinal

Lithprint on Kodak Polyroyal (Se5)

Available to buy as prints or cards, or to send free as an e-card, here:

blog.alfiegoodrich.com/index.php?showimage=700

 

Finished teaching in Ebisu earlier today and wandered up through Shibuya to Shinjuku, via the Meiji Shrine. This scene seemed a perfect one to try another infra-red shot with Ken's D300 which he has loaned me for a while.

 

Waited a while for one of the birds to fly through, as that gap in the trees needed filling with something...

 

Have screen-grabbed the workflow on this shot and will put it all up on japanorama.co.uk asap. Doing a photowalk tomorrow, so I need to get to bed now.

 

The edges of the trees near the top of the frame have gone a bit weird. To get it perfect would require a bit more work. Really still experimenting with this camera. Will try a black and white version of this too and post it.

 

Nikon D300 converted to infra-red

Tamron 14mm f/2.8 @ f/11

100ISO

White balanced off some nearby grass

Processed through Capture One and Photoshop.

Monument Valley Navajo Tribal Park, Arizona.

 

In the absence of any recent photography expeditions, I've started going back through older shots that initially failed to make the cut to see if my processing skills have improved over the past few years. Learning the basics of luminosity masking has made a huge difference to not only my workflow generally, but also the level of control that I have over adjustments as a result of the pixel-based masks that can be created based on luminosity values. If interested check out the great luminosity masking tutorials by Sean Bagshaw. Ryan Dyar also has some very helpful tutorials on his site. (Note: I have no affiliation with either Sean or Ryan - I just enjoy their work and have learned much from both).

 

This picture was taken during a week-long trip with Kevin Benedict and Sky Matthews across the southwest in early January 2015. Over the course of the week, we traveled over 1700 miles, while visiting Zion NP, Bryce Canyon, Death Valley, Coyote Buttes South (i.e. the Wave), Antelope Canyon, Horseshoe Bend, Valley of Fire and a few other random locations in and around Nevada, Arizona, Utah and California.

 

Our only morning in Monument Valley was certainly one of the highlights of the trip. It was easily the coldest morning of the week and waking up for the sunrise was definitely a challenge, especially after staying up half the night shooting stars. It’s a good thing that I was able to pull myself out of bed this particular morning as we were rewarded with the one truly epic sunrise of the trip – and all for the price of some frozen toes and fingers. This picture, however, was actually taken shortly after peak color as many of the clouds began fading back to gray. The sky was truly spectacular just a few minutes before this shot was taken. Unfortunately I was shooting in a different location and had not yet found this particular comp.

 

Frankly, perhaps because it was taken after the peak colors has faded, the raw image was nothing special and, as a result, this image did not make “the cut.” However, after languishing on my computer for more than two years, I gave it another look and realized that the comp had a lot going for it. As mentioned, my processing skills had also improved in the intervening time since I took the shot and decided that it might be worth the effort to see if I could do anything with the raw image. I’m glad I did. Along the way, I learned a valuable lesson about periodically reviewing old files as this image is now a personal favorite.

Thanks for the views, faves and comments! This encourages me to put more of alike stuff.. thank you. Have a wonderful day !

 

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Just pulling a few more from my trip to NC a few weeks back . . . the beautiful and oh so talented Natasha Cuevas

 

Edited with my soft pop action from my Workflow set

So... I'm trying out DXO's PureRAW and I took one of my "depth finding" shots of the Levy Semaphores. These are throwaway shots used to judge what the shot will look like in a short amount of time... By cranking up the ISO to some ungodly number... in this case, 51200. Completely useless for sharing, but great for telling me in the field what's my image going to look like.

 

Thanks to DXO's Pure Raw 4, The middle image came out into the world. Further processing in Lightroom classic and Nik ColorEffex results in the lower one... One that's, well, actually usable.

 

More probally to come now.

Visit my website at akikorhonen.org for more projects, thanks!

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My DIY ringflash that I've been doing for the last few days.

 

(Photo, starting from top left) Description

 

(1) I started with a 24 cm diameter steel bown and a normal food can.

(2) Added some tape on the bowl and drew the cutting lines with the can as a guide.

(3) Bottom from the bowl and can removed. I also shortened the cat a little bit. I first drilled a hole on the bottom of the bowl and then cut the metal with metal cutters.

(4) The two parts connected with strong epoxy that was meant for metals.

(5) Hole for the flash made and few connecting holes drilled. Also the needed aluminum parts are cut and bent in shape.

(6) The bottom part covered with black hockey tape. In the photo it has a Manfrotto quick attachment plate on it. Also has a hole for attaching it to the tripod mount of the camera.

(7) The top part where the flash is attached. Made some holes for the DIY TTL flash cord.

(8) I added some plastic parts for the flash hole to make it look nicer and to prevent light from escaping too much. Next I added some putty to finish it (wasn't necessary but I got too carried away again with the building).

(9) Putty and the bowl fully sanded and waiting for some gray primer and matte black finish.

(10) Painted and finished. Added some black hockey tape on the can's edge to prevent it from scratching the camera.

(11) Close up of the flash hole. A little bit of aluminum foil tape on the inside and black hockey tape on the edge.

(12) White thin fabric streched and being glued on the edges to get some diffusion to the light. There is a rubber band holding the fabric to the can.

 

See the finished righflash:

* DIY ringflash finished, without camera

* DIY ringflash finished, with camera

 

Cost: bowl 3€, can 0€, aluminum 1€ + some extra costs from paints etc. but I'm not going to count them to the total. Cheap anyway.

 

20090114: Added to favorites 100 times.

Wednesday workflow

Platinum-palladium print on Rives BFK. Original capture was digital. Inkjet neg made on Pictorico OHP and Epson K3 printer using ABW workflow.

 

Have a great Thursday! Thank you for your support and visits!

  

Edited with "Frothy BW" a monochrome action from "Soulful BW Workflow", with the matching texture and overlay.

oh yeah, i'm still going on these. . . . a bridal in an old abandoned house . . .

 

Edited with my soft pop action from my Workflow set

Part of the set bilderordner album: "res noscenda note notiz sketch skizze material sammlung collection entwurf entwurfarbeit überlegung gedanke brainstorming musterbogen schnittmuster zwischenbilanz bestandsaufnahme rückschau vorschau" 365-days project 2: construction weaving loom, mounting mirror background, bau Webstuhl. Montage Spiegel Hintergrund, Unterlegung // Nonsense Analogie schuh werkstatt weben haus bauen torte backen auflauf kochen // Szenen ohne Ehe, selbst ist die Frau

 

used photos:

DMC-GH3 - P1100035 - 2015-11-09

DMC-GH3 - P1100036 - 2015-11-09

DMC-GH3 - P1100041 - 2015-11-09

DMC-GH3 - P1100044 - 2015-11-09 #variation #draughtsman #problem #leiermann #leier #improvisation #raster #handwerk #chrysalis #chrysalides #chrysalises #haushalt #analogie #haus #bauen #baustelle #hausbauen #weben #leere #lehre #sinnlos #falsch #widerlegen #beweis #beweisführung #gegenbeweis #inhalt #erklärung #erläuterug #loom #webstuhl #bau #construction #öffentlich #rede #einblick #anblick #ausblick #weiß #white #bunt #work #arbeit #profession #beruf #handwerk #theater #diagramm #schaubild #linie #line #linear #trash #müll #mist #abfall #recycling #upcycling #idee #konzept #überlegung #gedanke #napkin #serviette #unterlegung #herbstlicht #herbst #autumn #licht #light #sonnig #sunny #sun #sonne #schatten #shadow #arbeitslicht #gold #silber #private #privat #privateness #metapher #symbol #lampion #green #grün #bilderzyklus #tapestry #tapisserie #tapis #wandteppich #küche #kitchen #bildwirkerei #bildteppich #textilkunst #carpet #teppich #rug #schatten #shadow #szene #scene #review #preview #kaleidoskop #kaleidoscope #heute #neu #neuer #neuest #beobachtung #view #blick

bees in springtime

scratchy black

► I have created a free eBook for you called HDR Top Tips.

 

This eBook contains 10 handy tips for your HDR work (plus a bonus tip). The range of tips covers the entire HDR workflow starting with shooting your source photos, via the preparation and the merging of the images, all the way to the tone-mapping and post-processing phase.

 

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The Radio City Music Hall really is a stunning place and can be found in the heart of New York City. Its interior art deco style decoration and styling makes you feels as if you have ventured back in time to the olden days. ..... Super Art Deco

 

This was taken in the main lobby.

 

I also have a new tutorial out which covers the workflow on my Times Square image. You can find that here.

 

HDR Tutorial Beginner | HDR Tutorial Advanced | My New York Set

#Sunset on the #beach in #summer 2015 (jetzt erst entwickelt mit meinem neuen workflow) #hdr #landscape #balticsea #sky

From my photo storage, re-developed in new workflow.

 

Cityscape of Odaiba and Tokyo Bay area ,Rainbow Bridge and Tokyo Tower in twilight, taken from the observatory of Fuji TV Bldg. "Hachitama" in Daiba, Minato Ward, Tokyo.

 

Pentax K-5, smc PENTAX-DA 18-55mm F3.5-5.6 AL WR.

On November 16, 2014, 17:04.

Focal 31mm / Aperture f11 / Exposure 30s / ISO100.

RAW development (16bit TIFF) in Adobe Photoshop Lightroom 5.7.1,

applying Luminosity Mask effect with Adobe Photoshop CC 2014.2.2.

 

This image is available on Getty Images.

workflow "kaplun-art"

ODC Theme: Work

 

Even though currently I don't make my main income from photography I hope someday I will.

I remembered an old portrait technique I used to employ in Photoshop all the time and tried to marry it to my Lightroom workflow. Super stylized.

1. Enderezado de la imagen, he tomado como referencia los pilares de la casa, su linea vertical

2. Correccion perfil de lente, aberracion cromatica y correccion de perspectiva automatica

3 Equilibrio de blancos temperatura 5900 matiz +6

4. Ajustes basicos

Exposicion -0.65

Contraste +24

Iluminaciones -100

Sombras +79

Blancos +63

Negros -6

Claridad +30

Intensidad +18

Saturacion +8

 

HSL TONO

Rojo +13

Naranjas -26

Amarillos +29

Verdes +12

Aguamarinas +13

Azules +28

Purpuras +8

 

HSL SATURACION

Rojo +4

Naranjas +17

Amarillos +8

Verdes -4

Aguamarinas -26

Azules +52

 

HSL LUMINANCIA

Rojo +14

Naranjas -32

Amarillos -13

Verdes -33

Aguamarinas -54

Azules -59

Purpuras -38

 

CURVAS

Parametrico

Iluminaciones -6

Claros +9

Oscuros -6

Sombras +8

Punto Rojo

He levantado muy levemente los tonos medios a rojo

Verde

Las iluminaciones las he bajado muy levemente a magenta y las sombras muy levemente hacia verde

Azul

Las iluminaciones he bajado bastante a amarillo, los tonos medios lo he bajado a amarillo levemente al igual que sombras.

RGB

Solo he dado mas luz pero muy levemente a las sombras

 

Filtro radial para cielo

temperatura -6

Exposicion -0.25

Contraste 25

Iluminaciones -35

Sombras +32

Blancos +7

Negros +1

Claridad +31

Saturacion 14

 

Filtro radias para tierra

Temperatura +2

Matiz -3

Exposicion +0.1

Contraste +26

Iluminaciones -65

Sombras +57

Blancos +22

Negros +6

Claridad 15

Saturacion +14

 

ENFOQUE

Cantidad 62

Radio 0.8

Detalle 32

Mascara 43

 

workflow: Nikon D600, RawVision, PixlrExpress, Snapseed on an SamsungTab3 (For Tryout in HDR Mode with Snapseed)

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