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http://www.youtube.com/watch?v=ChJJXkpXlhM
Porque no supiste entender a mi corazón
lo que había en él porque no tuviste el valor de ver quien soy
porque no escuchas lo que esta tan cerca de ti
sólo el ruido de afuera y yo
que estoy a un lado desaparezco para ti
No voy a llorar y decir que no merezco esto
porque es probable que lo merezco pero no lo quiero
por eso me voy que lástima pero adiós
me despido de ti y me voy
que lástima pero adiós me despido de ti
Porque sé que me espera algo mejor
alguien que sepa darme amor
de ese que endulza la sal y hace que salga el sol
yo que pensé nunca me iría de ti
que es amor del bueno de toda la vida
pero hoy entendí que no hay suficiente para los dos
No voy a llorar y decir que no merezco esto
porque es probable que lo merezco pero no lo quiero
por eso me voy que lástima pero adiós
me despido de ti y me voy
que lástima pero adiós me despido de ti
Me voy que lástima pero adiós
me despido de ti y me voy
que lástima pero adiós
me despido de ti y me voy
que lástima pero adiós
me despido de ti
me voy
que lástima pero adiós
me despido de ti
me voy
Julieta Venegas - "Me voy"
This Window in the West end Depicts Jesus talking to two of his Disciples on the shore of the Sea of Galilee, All Saints church in Doddinghurst,
Essex, England.
Does this count as a window? I came across a picture of a vintage card not too long ago, and they had suspended a disc on a thread, and, when spun, it was really neat. This is my version of that idea. (The middle shot was actually taken first and received too much backlight - which is why it's so dark. The Blue Butterfly is the most true color match to the card in real life.)
Supplies: Hero Arts kraft cards; Paper: Basic Gray Marakesh, BoBunny Press; Stamps: Hero Arts CL115, CL272; INK: Versafine, ColorBox; Pearls: Hero Arts; Stickles; popdots
Read that this month's 2009/365 theme was THROUGH THE WINDOWS AND DOORS OF OUR LIVES so just pointed camera at the window to show what I see when I sit at my desk!
The old cabin
has a window
overlooking a lake.
hidden in summer
when trees are dressed...
yet ever so present
once Autumn arrives...
it doesn't take her long
to make a date
with old man winter..
Their lovers you know..
(doesn't everyone know?)
she sends him autum kisses
made of leaves
dancing in the cold winds..
(she left a few for me
tucked on the window)
Just before He arrives
she changes things..
(green is not
her favorite color..)
she paints them red
yellow and mauve,
orange..even purple..
then she strips them naked
to prove her promice
of dancing
into winter...
I have been told
in late September
the old man stands
at this window
watching Her ......
All peoms posted on this site are by connetta jean...
Millennium window in the south aisle by Andrew Taylor, an attractive display of rich colour incorporating scenes of rural life.
St Mary's at Shawbury was my last church of the day, but as it was now nearly 6pm hopes of getting inside were fading, but the door yielded nonetheless!
It is marked by a particularly fine late medieval pinnacled west tower. Much of the building is otherwise late Norman, including the nave arcades with some interesting carved capitals. The font is Norman too, a tub carved with purely non figurative ornament including rope molding.
The wide interior culminates in a Perpendicular chancel with a plain glazed east window, but nearby is one window crammed full of early 15th century fragments including bits of an Annunciation and canopywork. The modern window in the south aisle with rural, secular imagery really grew on me.
Window at the Sacred Heart Roman Catholic church in Bilton, Warwickshire.
This composite panel was made up of 'leftover' pieces of one of the former side windows of the nave, displaced when the church was extended in 1990. Other parts have been incorporated into windows two similar windows nearby.
Originally built in 1958 on a traditional plan with an oblong nave and chancel in one chamber, the church was dramatically re-organised and extended in the early 1990s under the guidance of Fr Paul Chamberlain, wherein the axis of the church was re-orientated by 90 degrees with a centralised granite block altar in what was the heart of the old nave. The 'south' nave wall was removed to allow an extended aisle and ambulatory on this side. The former main entrance narthex was blocked up to create what is now the Blessed Sacrament chapel.
One of the most dramatic innovations in the re-ordered church is the full immersion fount, a cruciform marble pool set into the floor before the altar, evoking the earliest method of Christian Baptism by immersion in the River Jordan.
The two main stained glass windows on either side of the old nave were removed and re-sited in truncated form in the new extension, and in the place of the northern one a large crucifix (painted by Fr Chamberlain) has been set up as a focus behind the new altar. The six high windows on this wall are the latest addition to the church and are my own work from 1999.
Taken at Museu do Paço dos Duques de Bragança at Guimarães. View On Black
(crop and clarity adjustments)
I really like this angel reflection in our old church window, but it is still a work in progress so expect to see it again soon.
I liked the way the Ivy was creeping over the window .. Not sure about the reflection of the electricity pylon though.
Taken at Merton Abbey Mills.
