View allAll Photos Tagged Weddinghall
Garden hall
The garden hall in Kamayan Sa Palaisdaan in the Philippines can be used for all kind of activities and festivities.
A restaurant for a big party or a wedding and even a conference for business people.
Now that some kind of a different location then the standard hotel hall isn't it?
Even when it is not used one can think of the fairies just dropping in for a quick visit.
1909 wurde der Grundstein für das Historische Rathaus gelegt. Das Historische Rathaus liegt direkt an der Fußgängerzone der Kölner Straße. Dort befindet sich das Standesamt der Stadt Dormagen mit dem kleinen und dem großen Trausaal.
Das neue Rathaus befindet sich direkt hinter dem historischen Rathaus.
In 1909 the foundation stone for the historic town hall was laid. The historic town hall is located directly on the pedestrian zone on Kölner Strasse. There is the registry office of the city of Dormagen with the small and the large wedding hall.
The new town hall is located directly behind the historic town hall.
TCD Ballroom over Castro (skybox at an altitude of 2,000 meters). The excellent place for events, weddings, concerts, formal dances, etc!
Visit this location at [TCD] Castro District - Gay Community in Second Life
Please contact 火 fire (fire Alpha) in-world for rentals.
TCD Ballroom over Castro (skybox at an altitude of 2,000 meters). The excellent place for events, weddings, concerts, formal dances, etc!
Visit this location at [TCD] Castro District - Gay Community in Second Life
Please contact 火 fire (fire Alpha) in-world for rentals.
TCD Ballroom over Castro (skybox at an altitude of 2,000 meters). The excellent place for events, weddings, concerts, formal dances, etc!
Visit this location at [TCD] Castro District - Gay Community in Second Life
Please contact 火 fire (fire Alpha) in-world for rentals.
TCD Ballroom over Castro (skybox at an altitude of 2,000 meters). The excellent place for events, weddings, concerts, formal dances, etc!
Visit this location at [TCD] Castro District - Gay Community in Second Life
Please contact 火 fire (fire Alpha) in-world for rentals.
...for rotting meat today."
Gotta love autofocus. I was shooting the flowers and the camera snap focused on the fly. woo hoo, automation!
TCD Ballroom over Castro (skybox at an altitude of 2,000 meters). The excellent place for events, weddings, concerts, formal dances, etc!
Visit this location at [TCD] Castro District - Gay Community in Second Life
Please contact 火 fire (fire Alpha) in-world for rentals.
ROERMOND - Het stadhuis is gelegen aan de Markt. Dit stadhuis heeft een lange geschiedenis, al in 1399 werd er gesproken van een ‘raithuys’. Op 16 juli 1554 was er een grote brand in de binnenstad van Roermond, deze brand verwoestte een hele hoop waaronder ook het stadshuis. Voor de wederopbouw van het stadshuis kreeg de stad zes jaar lang jaarlijks 200 goudguldens, er kwamen nu leien- of pannen daken in plaats van riet of hout waardoor brand zich nooit meer zo snel zou kunnen verspreiden.
Rond 1700 kreeg het stadhuis een grote verbouwing, het diende vanaf toen ook als vergaderplaats voor de Staten van het Overkwartier van Gelre. In 1695 werd er een ridderkamer gebouwd, die volgens 19e eeuwse beschrijvingen identiek is met de huidige burgemeesterskamer. Ook werd er een vertrek voor de gedeputeerden van de Staten gebouwd, de huidige Statenzaal (Trouwzaal).
ROERMOND - the Town Hall is located on the Market. This Town House has a long history, already in 1399, there was talk of a ' raithuys '. On 16 July 1554, there was a large fire in the town of Roermond, this fire devastated a whole bunch including the city home. For the reconstruction of the City House got the city annually for six years, 200 gold guldens, there were now Slate or tiled roofs in place of reeds or wood which fire will never could spread so quickly. Around 1700 the Town Hall got a major remodeling, it served since that time also as a meeting place for the States of the Overkwartier van Gelre. There was a Knight room built in 1695, which according to 19th century descriptions is identical with the current mayors room. There was also a departure for the deputies of the States built, the current States Hall (Wedding Hall).
Sodoma (Giovanni Antonio Bazzi 1477-1549) - The Marriage of Alexander and Roxane (1519) - fresco size 370 × 660 cm - Villa Farnesina, Rome
La sala era in origine la camera da letto di Agostino Chigi che avrebbe accolto i novelli sposi.
Il banchiere nel 1519 ne affidò la decorazione al pittore senese Giovanni Antonio Bazzi, detto il Sodoma, un pittore nato a Vercelli ma da tempo attivo tra Siena e Roma. Sulla base di una “prima idea” di Raffaello, questi elaborò nel 1519 sulle pareti del locale un ciclo imperniato sulle nozze di Alessandro Magno e Roxane quali risultano da un celebre dipinto dell’antichità descritto da Luciano.
Fulcro della narrazione, sulla parete nord, la scena stessa delle nozze, con il condottiero macedone in atto di offrire la corona alla sua sposa la quale, attorniata da amorini, lo attende sul bordo di un sontuoso letto a baldacchino. Le altre scene mostrano la magnanimità di Alessandro nei confronti della madre, della moglie e delle figlie di re Dario, la doma del cavallo Bucefalo (non esente da interventi estranei alla sua mano) e il momento culminante di una battaglia. La scena con Alessandro e Bucefalo, sul fianco della porta, fu affrescata in seguito, poiché in origine, con ogni probabilità, a questa parete era appoggiato il letto.
Tthis hall was originally the bedchamber of Agostino Chigi.
The banker commissioned its decoration from Giovanni Antonio Bazzi, known as Sodoma, a painter who was born in Vercelli but had long been working in Siena and Rome. In 1519, Following an “initial idea” from Raphael, he designed a fresco cycle on the walls of the bedchamber, depicting the wedding of Alexander the Great and his bride Roxana, based on Lucian’s description of a famous lost painting of antiquity.
The centre piece of the narrative reveals the scene of the imminent consummation of the marriage: the Macedonian warrior is shown hurrying towards his bride, who is surrounded by amorinos and is sitting waiting for him naked on the edge of the splendid four-poster bed. The other scenes represent Alexander’s magnanimity towards the mother and daughters of the defeated Darius; the taming of the horse Bucephalus (which is not in Sodoma’s style; the coarse ill-constructed and vulgar figures are late sixteenth century) and the culminating moment of battle.
Sodoma (Giovanni Antonio Bazzi 1477-1549) - The Marriage of Alexander and Roxane (1519) - fresco size 370 × 660 cm - Villa Farnesina, Rome
La sala era in origine la camera da letto di Agostino Chigi che avrebbe accolto i novelli sposi.
Il banchiere nel 1519 ne affidò la decorazione al pittore senese Giovanni Antonio Bazzi, detto il Sodoma, un pittore nato a Vercelli ma da tempo attivo tra Siena e Roma. Sulla base di una “prima idea” di Raffaello, questi elaborò nel 1519 sulle pareti del locale un ciclo imperniato sulle nozze di Alessandro Magno e Roxane quali risultano da un celebre dipinto dell’antichità descritto da Luciano.
Fulcro della narrazione, sulla parete nord, la scena stessa delle nozze, con il condottiero macedone in atto di offrire la corona alla sua sposa la quale, attorniata da amorini, lo attende sul bordo di un sontuoso letto a baldacchino. Le altre scene mostrano la magnanimità di Alessandro nei confronti della madre, della moglie e delle figlie di re Dario, la doma del cavallo Bucefalo (non esente da interventi estranei alla sua mano) e il momento culminante di una battaglia. La scena con Alessandro e Bucefalo, sul fianco della porta, fu affrescata in seguito, poiché in origine, con ogni probabilità, a questa parete era appoggiato il letto.
Tthis hall was originally the bedchamber of Agostino Chigi.
The banker commissioned its decoration from Giovanni Antonio Bazzi, known as Sodoma, a painter who was born in Vercelli but had long been working in Siena and Rome. In 1519, Following an “initial idea” from Raphael, he designed a fresco cycle on the walls of the bedchamber, depicting the wedding of Alexander the Great and his bride Roxana, based on Lucian’s description of a famous lost painting of antiquity.
The centre piece of the narrative reveals the scene of the imminent consummation of the marriage: the Macedonian warrior is shown hurrying towards his bride, who is surrounded by amorinos and is sitting waiting for him naked on the edge of the splendid four-poster bed. The other scenes represent Alexander’s magnanimity towards the mother and daughters of the defeated Darius; the taming of the horse Bucephalus (which is not in Sodoma’s style; the coarse ill-constructed and vulgar figures are late sixteenth century) and the culminating moment of battle.
Sodoma (Giovanni Antonio Bazzi 1477-1549) - The Marriage of Alexander and Roxane (1519) - fresco size 370 × 660 cm - Villa Farnesina, Rome
La sala era in origine la camera da letto di Agostino Chigi che avrebbe accolto i novelli sposi.
Il banchiere nel 1519 ne affidò la decorazione al pittore senese Giovanni Antonio Bazzi, detto il Sodoma, un pittore nato a Vercelli ma da tempo attivo tra Siena e Roma. Sulla base di una “prima idea” di Raffaello, questi elaborò nel 1519 sulle pareti del locale un ciclo imperniato sulle nozze di Alessandro Magno e Roxane quali risultano da un celebre dipinto dell’antichità descritto da Luciano.
Fulcro della narrazione, sulla parete nord, la scena stessa delle nozze, con il condottiero macedone in atto di offrire la corona alla sua sposa la quale, attorniata da amorini, lo attende sul bordo di un sontuoso letto a baldacchino. Le altre scene mostrano la magnanimità di Alessandro nei confronti della madre, della moglie e delle figlie di re Dario, la doma del cavallo Bucefalo (non esente da interventi estranei alla sua mano) e il momento culminante di una battaglia. La scena con Alessandro e Bucefalo, sul fianco della porta, fu affrescata in seguito, poiché in origine, con ogni probabilità, a questa parete era appoggiato il letto.
Tthis hall was originally the bedchamber of Agostino Chigi.
The banker commissioned its decoration from Giovanni Antonio Bazzi, known as Sodoma, a painter who was born in Vercelli but had long been working in Siena and Rome. In 1519, Following an “initial idea” from Raphael, he designed a fresco cycle on the walls of the bedchamber, depicting the wedding of Alexander the Great and his bride Roxana, based on Lucian’s description of a famous lost painting of antiquity.
The centre piece of the narrative reveals the scene of the imminent consummation of the marriage: the Macedonian warrior is shown hurrying towards his bride, who is surrounded by amorinos and is sitting waiting for him naked on the edge of the splendid four-poster bed. The other scenes represent Alexander’s magnanimity towards the mother and daughters of the defeated Darius; the taming of the horse Bucephalus (which is not in Sodoma’s style; the coarse ill-constructed and vulgar figures are late sixteenth century) and the culminating moment of battle.
Sodoma (Giovanni Antonio Bazzi 1477-1549) - The Marriage of Alexander and Roxane (1519) - fresco size 370 × 660 cm - Villa Farnesina, Rome
La sala era in origine la camera da letto di Agostino Chigi che avrebbe accolto i novelli sposi.
Il banchiere nel 1519 ne affidò la decorazione al pittore senese Giovanni Antonio Bazzi, detto il Sodoma, un pittore nato a Vercelli ma da tempo attivo tra Siena e Roma. Sulla base di una “prima idea” di Raffaello, questi elaborò nel 1519 sulle pareti del locale un ciclo imperniato sulle nozze di Alessandro Magno e Roxane quali risultano da un celebre dipinto dell’antichità descritto da Luciano.
Fulcro della narrazione, sulla parete nord, la scena stessa delle nozze, con il condottiero macedone in atto di offrire la corona alla sua sposa la quale, attorniata da amorini, lo attende sul bordo di un sontuoso letto a baldacchino. Le altre scene mostrano la magnanimità di Alessandro nei confronti della madre, della moglie e delle figlie di re Dario, la doma del cavallo Bucefalo (non esente da interventi estranei alla sua mano) e il momento culminante di una battaglia. La scena con Alessandro e Bucefalo, sul fianco della porta, fu affrescata in seguito, poiché in origine, con ogni probabilità, a questa parete era appoggiato il letto.
Tthis hall was originally the bedchamber of Agostino Chigi.
The banker commissioned its decoration from Giovanni Antonio Bazzi, known as Sodoma, a painter who was born in Vercelli but had long been working in Siena and Rome. In 1519, Following an “initial idea” from Raphael, he designed a fresco cycle on the walls of the bedchamber, depicting the wedding of Alexander the Great and his bride Roxana, based on Lucian’s description of a famous lost painting of antiquity.
The centre piece of the narrative reveals the scene of the imminent consummation of the marriage: the Macedonian warrior is shown hurrying towards his bride, who is surrounded by amorinos and is sitting waiting for him naked on the edge of the splendid four-poster bed. The other scenes represent Alexander’s magnanimity towards the mother and daughters of the defeated Darius; the taming of the horse Bucephalus (which is not in Sodoma’s style; the coarse ill-constructed and vulgar figures are late sixteenth century) and the culminating moment of battle.
TCD Ballroom over Castro (skybox at an altitude of 2,000 meters). The excellent place for events, weddings, concerts, formal dances, etc!
Visit this location at [TCD] Castro District - Gay Community in Second Life
Please contact 火 fire (fire Alpha) in-world for rentals.
just like i told you guys earlier (on the following link: www.flickr.com/photos/gocinematic/12817421274/), that he can be dangerous and now he is here in full throttle with a Red Rose in his hand... :)
NO IMAGES IN COMMENTS PLS.
Sodoma (Giovanni Antonio Bazzi 1477-1549) - The Marriage of Alexander and Roxane (1519) - fresco size 370 × 660 cm - Villa Farnesina, Rome
La sala era in origine la camera da letto di Agostino Chigi che avrebbe accolto i novelli sposi.
Il banchiere nel 1519 ne affidò la decorazione al pittore senese Giovanni Antonio Bazzi, detto il Sodoma, un pittore nato a Vercelli ma da tempo attivo tra Siena e Roma. Sulla base di una “prima idea” di Raffaello, questi elaborò nel 1519 sulle pareti del locale un ciclo imperniato sulle nozze di Alessandro Magno e Roxane quali risultano da un celebre dipinto dell’antichità descritto da Luciano.
Fulcro della narrazione, sulla parete nord, la scena stessa delle nozze, con il condottiero macedone in atto di offrire la corona alla sua sposa la quale, attorniata da amorini, lo attende sul bordo di un sontuoso letto a baldacchino. Le altre scene mostrano la magnanimità di Alessandro nei confronti della madre, della moglie e delle figlie di re Dario, la doma del cavallo Bucefalo (non esente da interventi estranei alla sua mano) e il momento culminante di una battaglia. La scena con Alessandro e Bucefalo, sul fianco della porta, fu affrescata in seguito, poiché in origine, con ogni probabilità, a questa parete era appoggiato il letto.
Tthis hall was originally the bedchamber of Agostino Chigi.
The banker commissioned its decoration from Giovanni Antonio Bazzi, known as Sodoma, a painter who was born in Vercelli but had long been working in Siena and Rome. In 1519, Following an “initial idea” from Raphael, he designed a fresco cycle on the walls of the bedchamber, depicting the wedding of Alexander the Great and his bride Roxana, based on Lucian’s description of a famous lost painting of antiquity.
The centre piece of the narrative reveals the scene of the imminent consummation of the marriage: the Macedonian warrior is shown hurrying towards his bride, who is surrounded by amorinos and is sitting waiting for him naked on the edge of the splendid four-poster bed. The other scenes represent Alexander’s magnanimity towards the mother and daughters of the defeated Darius; the taming of the horse Bucephalus (which is not in Sodoma’s style; the coarse ill-constructed and vulgar figures are late sixteenth century) and the culminating moment of battle.
TCD Ballroom over Castro (skybox at an altitude of 2,000 meters). The excellent place for events, weddings, concerts, formal dances, etc!
Visit this location at [TCD] Castro District - Gay Community in Second Life
Please contact 火 fire (fire Alpha) in-world for rentals.
Sodoma (Giovanni Antonio Bazzi 1477-1549) - The Marriage of Alexander and Roxane (1519) - fresco size 370 × 660 cm - Villa Farnesina, Rome
La sala era in origine la camera da letto di Agostino Chigi che avrebbe accolto i novelli sposi.
Il banchiere nel 1519 ne affidò la decorazione al pittore senese Giovanni Antonio Bazzi, detto il Sodoma, un pittore nato a Vercelli ma da tempo attivo tra Siena e Roma. Sulla base di una “prima idea” di Raffaello, questi elaborò nel 1519 sulle pareti del locale un ciclo imperniato sulle nozze di Alessandro Magno e Roxane quali risultano da un celebre dipinto dell’antichità descritto da Luciano.
Fulcro della narrazione, sulla parete nord, la scena stessa delle nozze, con il condottiero macedone in atto di offrire la corona alla sua sposa la quale, attorniata da amorini, lo attende sul bordo di un sontuoso letto a baldacchino. Le altre scene mostrano la magnanimità di Alessandro nei confronti della madre, della moglie e delle figlie di re Dario, la doma del cavallo Bucefalo (non esente da interventi estranei alla sua mano) e il momento culminante di una battaglia. La scena con Alessandro e Bucefalo, sul fianco della porta, fu affrescata in seguito, poiché in origine, con ogni probabilità, a questa parete era appoggiato il letto.
Tthis hall was originally the bedchamber of Agostino Chigi.
The banker commissioned its decoration from Giovanni Antonio Bazzi, known as Sodoma, a painter who was born in Vercelli but had long been working in Siena and Rome. In 1519, Following an “initial idea” from Raphael, he designed a fresco cycle on the walls of the bedchamber, depicting the wedding of Alexander the Great and his bride Roxana, based on Lucian’s description of a famous lost painting of antiquity.
The centre piece of the narrative reveals the scene of the imminent consummation of the marriage: the Macedonian warrior is shown hurrying towards his bride, who is surrounded by amorinos and is sitting waiting for him naked on the edge of the splendid four-poster bed. The other scenes represent Alexander’s magnanimity towards the mother and daughters of the defeated Darius; the taming of the horse Bucephalus (which is not in Sodoma’s style; the coarse ill-constructed and vulgar figures are late sixteenth century) and the culminating moment of battle.
I have taken this photo at Orleans a few months ago. Firstly private appartment, the building as been turned as town hall since the french revolution in 1790. Today it is used as wedding hall.
This office is the mayor's one. The place is very sumptuous, all in wood and accurate decorations. I have visited this amazing hostel a sunday afternoon. Nobody was there, so I have been able to use my tripod to take all shoots I needed.
About the processing, I have worked with Photomatix and Lightroom with my old way to do. In fact, this photo was in my stock and I never published it yet.
I know the result is not very natural, but I kind of like it this way.
Thanks for the comments.
Please don't use this image on websites, blogs or other media without my explicit written permission.
©VR Danduprolu: All rights reserved.
TCD Ballroom over Castro (skybox at an altitude of 2,000 meters). The excellent place for events, weddings, concerts, formal dances, etc!
Visit this location at [TCD] Castro District - Gay Community in Second Life
Please contact 火 fire (fire Alpha) in-world for rentals.