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Paragon Dance Animations - KIDA THE GREAT IN IT HIP HOP VOL 1 @ TMD VLOG #039
maps.secondlife.com/secondlife/TMD/2/2/2
maps.secondlife.com/secondlife/Mount%20Paragon/146/40/2088
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Product Description
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For Vol 1, Kida the Great shares his choreography of "In It" for Snowglobe Perspective, as seen here:
www.youtube.com/watch?v=7iQiR41LBxQ
...and a bit extra exclusively for Second Life.
Originally performed free-styled and choreographed to "In It" by A$AP Ferg (ft. Latto). Tempo = 75 BPM
Dance 01 - 23.05 sec
Dance 02 - 28.85 sec
Dance 03 - 28.95 sec *Choreography*
Dance 04 - 27.70 sec
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Dance Pack Contents
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Kida - Hip Hop Dance 01_PARAGON
Kida - Hip Hop Dance 02_PARAGON
Kida - Hip Hop Dance 03_PARAGON
Kida - Hip Hop Dance 04_PARAGON
☒ This product only contains animations (.anim files) with no audio supplied or dance hud. Music used in our videos are for demonstration purposes only. For a dance hud, we recommend the Smooth Dancer by Spot On Tools. Their choreography tools are the gold standard in the SL dance performance community.
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About Kida the Great
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American hip-hop dancer and actor Kida the Great shot to global fame when he won the 13th season of the “So You Think You Can Dance” TV show. His popularity has grown exponentially since then., performing on big stages such as the BET awards World of Dance. He has performed with artists including Usher and Chris Brown, and he choreographed and danced in Justin Bieber’s recent “Come Around Me” video.
On social media, he has 4.5 million followers on Instagram, 1.3 million followers on TikTok and 588k subscribers on YouTube.
For more, please visit Kida the Great social media:
www.instagram.com/kidathegreat/?hl=en
www.tiktok.com/@kidathegreatofficial
www.youtube.com/c/KidaTheGreat
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Product Features
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◘ Bento hands/fingers (detailed finger articulation)
◘ Motion-captured on an 22-camera Optitrack Prime 41 optical mocap system for the smoothest and natural flowing animations.
◘ Authentically danced/choreographed and mocap recorded by the Kida the Great
*Licensed by Leon Akida Burns*
♀ Disclaimer: Female Avatars - Although adjustments to the arms have been made during quality control phase to reduce hands clipping into the body, we aren't able to accommodate all shapes without compromising the natural aesthetics of the arm movements. Therefore, hand/arms clipping into the breast may still occur depending on your shape affected by a combination of several factors: shoulder broadness, breast size, breast buoyance, cleavage separation, and arm length. This particular dance, especially with the vogueing moves, have arm movements that brushes close against the body.
☒ This product only contains animations (.anim files) with no audio supplied or dance hud. Music used in our videos are for demonstration purposes only. For a dance hud, we recommend the Smooth Dancer by Spot On Tools. Their choreography tools are the gold standard in the SL dance performance community.
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Paragon Dance Animations Social Media
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Like/Follow us on social media and/or join Paragon Dance Animations group to stay updated on new releases, specials, and events.
Facebook: www.facebook.com/ParagonDanceAnimations
Flickr: www.flickr.com/photos/paragondanceanimations/
Instagram: www.instagram.com/paragondanceanimations/
Group url: secondlife:///app/group/6f12165e-7e7b-3e6a-b858-1a9e8ae45d4b/about
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Paragon Dance Animations - Paragon_Sam - Club Groove @ TMD VLOG #030
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Product Description
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Professional dancer/choreographer Sam Allen shares his branding Sam Allen Swag with Second Life starting with these slow swag club grooves for the guys.
Originally performed to "Toxic X Pony (TikTok Mashup) by Altego, Ginuwine & Britney Spears. Tempo = 71 BPM
Dance 01 - 30.00 sec
Dance 02 - 28.35 sec
Dance 03 - 26.45 sec
Dance 04 - 28.95 sec
Dance 05 - 29.80 sec
Dance 06 - 28.30 sec
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Dance Pack Contents
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Sam - Club Groove 01_PARAGON
Sam - Club Groove 02_PARAGON
Sam - Club Groove 03_PARAGON
Sam - Club Groove 04_PARAGON
Sam - Club Groove 05_PARAGON
Sam - Club Groove 06_PARAGON
☒ This product only contains animations (.anim files) with no audio supplied or dance hud. Music used in our videos are for demonstration purposes only. For a dance hud, we recommend the Smooth Dancer by Spot On Tools. Their choreography tools are the gold standard in the SL dance performance community.
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About Sam Allen
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Sam Allen, a graduate of LaGuardia High School (the “Fame” school in NYC), attended the University of Southern California and trained with the American Ballroom Theatre. Awarded “Best Choreography” by the United States Tournament of Dance. He teaches dance in Los Angeles, and conducts dance workshops internationally and across the US. Sam Allen’s choreography credits include the musical production of “In The Heights”, tv commercials for Nike, Canon, Doritos, and Almond Breeze, as well as music videos and live tours for artists such as Keith Urban, Todrick Hall, Sofia Carson, Mýa, and Kloë Shinn.
www.instagram.com/samallenswag_/?hl=en
www.youtube.com/c/SamAllenSwag
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Product Features
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◘ Bento hands/fingers (detailed finger articulation)
◘ Motion-captured on a 22-camera Optitrack Prime 41 optical mocap system for the smoothest and natural flowing animations.
◘ Authentically danced/choreographed and mocap recorded by Sam Allen
*Licensed by Sam Allen*
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Paragon Dance Animations Social Media
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Like/Follow us on social media and/or join Paragon Dance Animations group to stay updated on new releases, specials, and events.
Facebook: www.facebook.com/ParagonDanceAnimations
Flickr: www.flickr.com/photos/paragondanceanimations/
Instagram: www.instagram.com/paragondanceanimations/
Group url: secondlife:///app/group/6f12165e-7e7b-3e6a-b858-1a9e8ae45d4b/about
📌 Additional Credits:
Kinky Show - The Bearded Guy
Ruby Poses - Torn
CryBunBun - Little Mushka Garters - MAZE Soft Thighs
Doux Hairstyles
Deadwool Suit
Créditos - Credits:
melindabaynsl.blogspot.com/2021/08/ladies-power.html
TikTok here:
www.tiktok.com/@melindabaynsl/video/7000579448198188294?l...
well well ... I know I'm very late with this, though still finished before the deadline *phew*
this is Cecilia's teenmode round3 entry, she got blonde hair as a make-over and I love it :DD she looks sooo gah I can't describe it, just love it :3
btw this is my very first runway shot oO
I used this lovely dress from topshop link, some fringe boots and the rest is drawn :3
Créditos - Credits:
melindabaynsl.blogspot.com/2021/08/ladies-power.html
TikTok here:
www.tiktok.com/@melindabaynsl/video/7000579448198188294?l...
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{ViSion} // Denise Swimwear & Sarong @ Access
•Top & Bodysuit & Sarong Can be worn separately
•Maitreya, Petite, Legacy, Perky, Kupra, Reborn
•Many Color Options To Choose From
•Bonus Prints In Fatpack!
•Transparency Level Options
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MOVE! Cologne ANGIE VOL5 BENTO Vlog #042
Sexy, Sweet, Smooth, Dances, that are a must in your inventory, so head on over to Move! Cologne and grab yours today, you will be glad you did!
NEW GIRLS RELEASE @ MOVE! - Check out the NEW DANCE/STANDS "ANGIE VOL5"
FREE DANCE AVAILABLE
TIP: If you have the New MOVE Automatic Dance HUD, wear it while you purchase and get your dances automatically installed into the HUD
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#BENTO#SMOOTH#SEXY#ANGIEVOL5
The Dances have been recorded under real Clubbing Conditions.
MOVE Animations Cologne aims to bring the most possible authenticity into the Body-Capture, especially when it comes to club dances.
ENJOY !
■■SPECIAL THANK YOU PRICE OFFER
The Dances cost 300L$ each. We give MORE THAN 20% on each Dance Pack (10 Dances) ■■ (2399L$).■■
The Dances with the NEW MOVE! Automatic Dance HUD are at a reduced price of 3199L$
INSTAGRAM Move Animations Cologne
FLICKR Move Animations CologneFLICKR Group Move Animations CologneMarketplace Move Animations CologneFacebook Move Animations CologneTwitter Move Animations Cologne
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TRUTH / Mischief / Hairstyle
maps.secondlife.com/secondlife/Truth/71/136/28
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K&S Sea Front
K&S - // SL 9 3/4
maps.secondlife.com/secondlife/Beech/186/39/2704
~ Legacy Body Lelutka Avalon Head, TheSkinnery Skins, Maze Mods!
Finding wall storage for a 25 inch length of wall was a challenge. Most kitchen shelf/hook combinations are 30 to 36 inches. Also, I wanted to avoid wire. I don't like the look of it, and I find that too many small things poke through or fall through. And I knew I wanted solid shelves to hold little things that needed a flat surface to perch on. I looked at a bunch of different storage systems and none of them did quite what I needed, so I put pieces together fron a few places.
The one thing I knew I wanted for sure was a way to store utensils - spatulas, spoons and kitchen scissors - right there for me to grab. The world is completely lacking in this ability. I didn't want to hang them from hooks suspended from bars, the fiddliness of this combined with the imagined sound of the S-hook always falling to the floor had me frustrated already. Besides, I would have needed more than 20 hooks. I considered using the Grundtal cutlery caddies from Ikea for this, but they are just too shallow to hold long-handled utensils, they would have just tipped and fallen out.
I decided I could attached a utensil canister to one of the Ikea Gruntal bars. At first I figured that a canister with holes in it - like this one - would be easy enough to attach using some flexible wire. But first I couldn't find the canister, and then I decided I really didn't love the way it looked. And then I found solid stainless canisters at Storables and declared that I would find a way to attach them. The lip at the top keeps them above the bar, I just needed a way to keep them snug to the bar and I'd be set.
I spent an embarrassing amount of time in the hardware store peering at the various plastic bits with holes and bolts. Finally I wandered into the aisle with chain and discovered thin wire cable and ferrules (little bits of metal that you thread the wire through, then clamp down to create a permanent hold). Please see the next picture to read how I attached the canisters.
The bars are Ikea Grundtal as are the two cutlery caddies, one of which holds napkins. The utensil canisters are from Storables, the small shelf is the stainless steel gallery ledge from Pottery Barn. I use it to hold kosher salt, sea salt, a pepper grinder and the kitchen timer.
I was hoping to find a little stainless steel shelf, but if I was unable to find one I was willing to go with a white picture ledge. You can find these everywhere and I think they would work really well for spices. I wonder if they are sturdy enough allow you to screw those little mug hooks into the bottom?
One note - I spent an obsessive amount of time comparing products from The Container Store, Bed Bath and Beyond, and Storables. I consistently found the products at Storables to be the most pleasing and didn't end up buying from the other places. Unfortunately Storables doesn't sell online and they only have a few stores in the PNW.
On the evening of August 17th, I was headed out the front door to take photos of the moon. To my surprise this sweet little tree frog was clinging to the glass on our storm door! I was able to place it gently in a clear box and create a temporary habitat, so that we could enjoy observing it for a short time and take some photos. I even caught some bugs for it, which it readily ate. The frog is called a Gray Tree Frog (Hyla versicolor) and very seldom leaves the trees it lives in, usually only to mate, but this is not their breeding time. I read that they may be attracted to porch lights, where they can easily find insects. It was released with no harm done. (Size of this frog is only 1 5/16th inches long and 3/4 inches wide (measured with legs folded).
www.inhs.illinois.edu/collections/herpetology/data/ilspec...
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Paragon Dance Animations SAM ALLEN "NEVER COMIN DOWN" COUNTRY LINE DANCE VLOG #032
Available at TMD themensdept Event June 5 2022
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Product Description
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This country line dance fusion pack is a mix of freestyle with the country line dance Sam Allen choreographed for the official music video "Never Comin' Down" by Keith Urban. You can see the line dance at the very end here:
www.youtube.com/watch?v=rLFZthp7cv8
Originally performed to "Never Comin' Down" by Keith Urban. Tempo = 95.0 BPM
Dance 01 - 23.50 sec
Dance 02 - 23.70 sec
Dance 03 - 29.30 sec
Dance 04 - 28.65 sec
Dance 05 - 26.70 sec
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Dance Pack Contents
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Sam - Country Line Fusion Dance 01_PARAGON
Sam - Country Line Fusion Dance 01 (Mirrored)
Sam - Country Line Fusion Dance 02_PARAGON
Sam - Country Line Fusion Dance 02 (Mirrored)
Sam - Country Line Fusion Dance 03_PARAGON
Sam - Country Line Fusion Dance 03 (Mirrored)
Sam - Country Line Fusion Dance 04_PARAGON
Sam - Country Line Fusion Dance 04 (Mirrored)
Sam - Country Line Fusion Dance 05_PARAGON
Sam - Country Line Fusion Dance 05 (Mirrored)
This product only contains animations (.anim files) with no audio supplied or dance hud. Music used in our videos are for demonstration purposes only. For a dance hud, we recommend the Smooth Dancer by Spot On Tools. Their choreography tools are the gold standard in the SL dance performance community.
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About Sam Allen
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Sam Allen, a graduate of LaGuardia High School (the “Fame” school in NYC), attended the University of Southern California and trained with the American Ballroom Theatre. Awarded “Best Choreography” by the United States Tournament of Dance. He teaches dance in Los Angeles, and conducts dance workshops internationally and across the US. Sam Allen’s choreography credits include the musical production of “In The Heights”, tv commercials for Nike, Canon, Doritos, and Almond Breeze, as well as music videos and live tours for artists such as Keith Urban, Todrick Hall, Sofia Carson, Mýa, and Kloë Shinn.
www.instagram.com/samallenswag_/?hl=en
www.youtube.com/c/SamAllenSwag
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Product Features
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◘ Bento hands/fingers (detailed finger articulation)
◘ Motion-captured on a 22-camera Optitrack Prime 41 optical mocap system for the smoothest and natural flowing animations.
◘ Authentically danced/choreographed and mocap recorded by Sam Allen
*Licensed by Sam Allen*
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Paragon Dance Animations Social Media
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Like/Follow us on social media and/or join Paragon Dance Animations group to stay updated on new releases, specials, and events.
Facebook: www.facebook.com/ParagonDanceAnimations
Flickr: www.flickr.com/photos/paragondanceanimations/
Instagram: www.instagram.com/paragondanceanimations/
Group url: secondlife:///app/group/6f12165e-7e7b-3e6a-b858-1a9e8ae45d4b/about
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Thank you Chloe Stark.
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Girls Wearing Blueberry Weekend Sales Dress & Top
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Excerpt from webapp.driftscape.com/map/387cddbe-d974-11eb-8000-bc1c5a8...:
From Here to Now
Bayview Station
Throughout Bayview station you’ll find twenty-four pieces. Start exploring and look for black swirls on the floors and walls. At first you might not recognize what they are, but keep moving, when you view these works from the right perspective you’ll have that A-Ha moment! You’ll often see a block of colour near the black illustration, shift your perspective until it starts to look like a square to view the piece from the right angle. Keep your eye out for a needle and spool, a tea cup, a cut apple, slices of lemon, a salt shaker. There are more treasures in store up the stairs.
The visual distortion, known as anamorphosis, shifts with the viewer’s position. The image seems distorted when seen from a frontal position but when viewed from one side or from an angle it resumes normal proportions. For a real treat view the images through the lens of your smartphone: they’ll appear as if in augmented reality – a ladder leaning against the wall, a stepladder, a pocket watch floating in the air, a dog waiting at the top of the stairs for its owner to come home.
The work heightens our awareness about movement and travel through these pedestrian spaces and infuses our experience with a sense of play. The pieces are made from waterjet-cut glazed ceramic tiles laid in the walls and floors, and based on free-hand black line drawings. The artist, Panya Clark Espinal, is a Toronto-based multi-media installation artist who has produced many public art commissions. Her pixelated interpretation of the famous Jack Pine painting by Tom Thomson is installed at Barberry Place, just a block from this station.
I FEEL FREE
FREE TO LOOK IN MY EYES
I FEEL FREE
FREE TO LOOK IN YOUR EYES
I FEEL FREE
FREE TO LOVE YOU MORE
MY BAGS by Mila Blauvelt
MY BAGS by Mila Blauvelt @ Swank & Co.
MY VENEZUELA, Exclusive Unixes Bag
Slidephotos captured by Romantomas
More info, music and photos
romantomas.blogspot.com/2022/01/961-libre.html
www.tiktok.com/@romantomassl/video/7055199850488401158?is...
Excerpt from webapp.driftscape.com/map/387cddbe-d974-11eb-8000-bc1c5a8...:
From Here to Now
Bayview Station
Throughout Bayview station you’ll find twenty-four pieces. Start exploring and look for black swirls on the floors and walls. At first you might not recognize what they are, but keep moving, when you view these works from the right perspective you’ll have that A-Ha moment! You’ll often see a block of colour near the black illustration, shift your perspective until it starts to look like a square to view the piece from the right angle. Keep your eye out for a needle and spool, a tea cup, a cut apple, slices of lemon, a salt shaker. There are more treasures in store up the stairs.
The visual distortion, known as anamorphosis, shifts with the viewer’s position. The image seems distorted when seen from a frontal position but when viewed from one side or from an angle it resumes normal proportions. For a real treat view the images through the lens of your smartphone: they’ll appear as if in augmented reality – a ladder leaning against the wall, a stepladder, a pocket watch floating in the air, a dog waiting at the top of the stairs for its owner to come home.
The work heightens our awareness about movement and travel through these pedestrian spaces and infuses our experience with a sense of play. The pieces are made from waterjet-cut glazed ceramic tiles laid in the walls and floors, and based on free-hand black line drawings. The artist, Panya Clark Espinal, is a Toronto-based multi-media installation artist who has produced many public art commissions. Her pixelated interpretation of the famous Jack Pine painting by Tom Thomson is installed at Barberry Place, just a block from this station.
Excerpt from webapp.driftscape.com/map/0e80330e-f0f7-11eb-8000-bc1c5a8...:
Trillium Park Ravine and Bridge
Standing between two slabs of Canadian Shield, engraved with giant moccasins, feels like standing before a piece of history. The Moccasins carved into the walls of the “ravine” you are standing in are in reference to the Moccasin Identifier Project founded by Carolyn King and spearheaded by the Mississaugas of the Credit First Nation. Across from the main image is a carved exhortation asking us to “walk gently on the land”. The moccasin is the symbol that identifies First Nations and their connection to the land. Each engraving was hand carved by renowned First Nations artist, Philip Cote.
Cote is a Sundancer, Pipe Carrier and Sweat Ceremony leader recognized by Elder Vern Harper and Floyd Looks for Buffalo Hand. Cote explores new ways to imbue sculpture and painting through oral traditions of storytelling and with traditional spiritual perspectives. Cote’s intent is to bring accuracy to the colonial archives through new research via archival and lived cultural practice and deep understanding of cultural symbolism. His great-grandfather is the great- grandson of Tecumseh, and he is engaged in exploring the importance of the Shawnee leaders’ life and spirit. His in-depth studio experience includes drawing, painting, soapstone carving, traditional drum-making, wood burning, multimedia and contemporary art installation. Cote shares his knowledge on the teachings of the Seven Grandfathers, the Medicine Wheel, Pipe, Naming and Sacred Fire Ceremonies, and the History of the Land. As an Indigenous artist, the purpose of Cote’s research is to unearth, and reveal, his cultural experience and knowledge of signs of Indigenous symbols, language and interpretation.
Excerpt from webapp.driftscape.com/map/047bb6be-7511-11ec-8000-bc1c5a8...:
Untitled by Victoria Charko (aka Still Movement): I grew up in the water, I was a competitive and synchronized swimmer throughout my childhood. I was surrounded by the artwork of my late grandmother Lillian Hayter. This mural pays homage to one of her many paintings. The original painting had three sisters swimming underwater amongst waves. I added my artistic graphic style and added coral reefs. Nature paints the most beautiful masterpieces. Coral reefs are the ocean's artwork with all the colors and textures. They are naturally resilient ecosystems and have been known to recover after natural disasters such as hurricanes and climate change.
My grandmother faced a lot of setbacks in her artistic career, she managed to grow her art despite them. She learned to work around these obstacles and embrace them to take her painting in new and original directions. She has been a great inspiration to me. She taught me to never give up on my passions but instead to adapt and evolve through uncertain times. I wanted to shine light on the generations of naturally resilient women adapting through the years.
Excerpt from webapp.driftscape.com/map/62fd1ffe-db0e-11eb-8000-bc1c5a8...:
Barren Ground Caribou
Spadina Station
In 1977 artist Joyce Wieland travelled to Kinngait (Cape Dorset) for the first time, to the West Baffin Eskimo Co-op, by then a well-known print-making studio. She had already, in 1971, established a firm reputation as an artist, being the first living woman to have a solo exhibit at the National Gallery of Canada. So when she was invited to create a piece for the new Spadina subway line, she declared that she wanted to bring the Arctic tundra to the city, but in a surprising and feminine way. She says, “I think of Canada as female.”
This large 8' by 30' quilt features a herd of seventeen barren ground caribou on a low rise. Barren-ground caribou are a species of reindeer that comprise about half the caribou in Canada and since 1937 have appeared on Canadian quarters. Both males and females have antlers. The colours and textures of the Arctic tundra are reproduced in swaths of bright fabric which complement the pale blue Arctic sky above and the muted tones of the caribou which, coincidentally, mirror the brown tiles of the station floor. Perspective is created through horizontal bands in the blue quilted sky which become progressively narrower as the sky approaches the horizon. The animals face us, observing us, as if we are interlopers in their land, not the other way around.
This quilt was sewn over a period of eight months by Joyce and a team of six quilters. It was created ten years after Joyce Weiland's famous 1968 quilt “Reason over Passion” where she subverted a statement by Prime Minister Pierre Trudeau by passionately illustrating his quote with quilted hearts.
Excerpt from webapp.driftscape.com/map/e602e4ee-e3a4-11eb-8000-bc1c5a8...:
Battersby’s March
Hello, I am Philip Cote. This writing is a counter narrative to John Kuna’s Mural entitled “Battersby's March” (War of 1812). Why is it necessary that there be such an important Indigenous reflection? The history of this country Canada rests on a single settler narrative and lens that marginalizes Indigenous contributions since the earliest documentations of European arrival and it is at this point we begin to see the importance of why Indigenous people were vanished from written colonial histories and narratives.
The War of 1812 was a battle set between two colonizing forces, the British and the Americans, both from the same origins in England. A division started by these earlier conflicts in the American Revolution and the Niagara Treaty of 1764. This is the beginning of the American Revolution of 1776 and how it was influenced by the Niagara Treaty of 1764 giving rights to Indigenous peoples and by doing so gave a place for the rights to Indians for protection of their home lands. Within all of these conflicts Indigenous people were at the heart of it as they were allies on either side to the British and to Americans. Much of what was going on during the expansion of the colonies was indeed about the Indian. For the Americans, the Indigenous people stood in the way of complete ownership of lands west of the thirteen colonies and if they were to form a new country they needed access to all the Indigenous lands and access to all of its natural resources to build this “new” country.
Indigenous alliances were formed over the many conflicts with the American colonies in which small wars happened. Peace was made each time and more land was taken and again conflict would happen, and peace would be made again. It was a pattern and vicious circle that repeated itself over and over until there were those few who would remember that would rise up to become leaders. Throughout this time in settler history the relations between indigenous people and those early settlers from the frontier days gave reasons to create leagues to protect Indigenous lands collectively. There is a list of significant indigenous leaders that are important to note throughout this important time period in Canadian history and there is no mention of any of them in Kuna’s Mural. This was a colonial production and a complete eraser of Indigenous contributions at important points in history. Ignoring these facts in history is the starting point of systemic racism where there should be a space put aside and told of these major Indigenous figures in the War of 1812 and the Indigenous leaders. Within Tecumseh’s alliance is where we can begin to see the evidence of the importance of why these leaders deserve a mention in our shared histories. Chief Corn Planter, Pontiac, Blue Jacket, Chief Little Turtle, Chief Roundhead of the Wendat and Odawa Chief Naywash, Odawa Chief Giiminiiijaagan Odawa Chief Mookomaanish Awaasizii (Brown Bullhead) and of course Tecumseh. All these leaders proved themselves long before the war of 1812 in battles such as Brownstown, Monguagon, Fort Meigs, Detroit and not to mention the thousands of warriors who followed those indigenous leaders into battle.
On 13 August 1812 General Isaac Brock arrived at Amherstburg and the famous meeting took place between him and Shawnee leader Tecumseh. Brock's aide, Captain John Glegg, described Tecumseh "with bright eyes beaming cheerfulness, energy and decision."
Brock's bold decision to attack Detroit was opposed by all his advisors but deeply impressed Tecumseh, who was said to declare of Brock, "This is a man!" keep in mind these are the few words that were shared in Brocks Memoires and at no other time does he mention Tecumseh as an ally or give credit to his reputation as a battle commander or even that he stopped the Americans at our border.
The War of 1812 was won because of the Indigenous alliance and their reputation of successful battles. Prior to the War of 1812 there were battles won by Indigenous warriors between American soldiers and militia men who had seen and fought with those warriors in battles who could attest to and leave a lasting memory of their skills on the battlefield.
Even here in Toronto the War of 1812 came to our doorstep and the Indigenous allies defended the people at Fort York and were courageous in the efforts. There is a story that speaks of these thirteen warriors: a mix of nations; the Mississauga, Chippewa, Ojibway, Odawa, and the Haudenosaunee who stood their ground when American troops landed on the north shore of Lake Ontario. There was a fierce battle as the Americans came ashore but Indigenous warriors kept them off until the settlers were safe and cleared from the Fort. There was a memorial (now removed) at Fort York dedicated to those thirteen warriors. And also, I’ve heard there were thirteen trees planted on the Lakeshore to honour these brave warriors and their deeds. The trees would be over 200 years old now. These are just a few words here that barely begin to tell the story of our contributions throughout this country's history.
Excerpt from webapp.driftscape.com/map/387cddbe-d974-11eb-8000-bc1c5a8...:
From Here to Now
Bayview Station
Throughout Bayview station you’ll find twenty-four pieces. Start exploring and look for black swirls on the floors and walls. At first you might not recognize what they are, but keep moving, when you view these works from the right perspective you’ll have that A-Ha moment! You’ll often see a block of colour near the black illustration, shift your perspective until it starts to look like a square to view the piece from the right angle. Keep your eye out for a needle and spool, a tea cup, a cut apple, slices of lemon, a salt shaker. There are more treasures in store up the stairs.
The visual distortion, known as anamorphosis, shifts with the viewer’s position. The image seems distorted when seen from a frontal position but when viewed from one side or from an angle it resumes normal proportions. For a real treat view the images through the lens of your smartphone: they’ll appear as if in augmented reality – a ladder leaning against the wall, a stepladder, a pocket watch floating in the air, a dog waiting at the top of the stairs for its owner to come home.
The work heightens our awareness about movement and travel through these pedestrian spaces and infuses our experience with a sense of play. The pieces are made from waterjet-cut glazed ceramic tiles laid in the walls and floors, and based on free-hand black line drawings. The artist, Panya Clark Espinal, is a Toronto-based multi-media installation artist who has produced many public art commissions. Her pixelated interpretation of the famous Jack Pine painting by Tom Thomson is installed at Barberry Place, just a block from this station.
Créditos - Credits:
melindabaynsl.blogspot.com/2023/07/miss-sl-agency-beyond-...
YouTube Stream:
www.youtube.com/live/r-INOIZIyuo?feature=share
TikTok:
www.tiktok.com/@melindabaynsl/video/7253490322360093958?i...
And I know she'll be the death of me, at least we'll both be numb
And she'll always get the best of me, the worst is yet to come
But at least we'll both be beautiful and stay forever young
This I know, (yeah) this I know...
WHITE QUEEN available at Swank Event
More info, music and photos:
romantomas.blogspot.com/2022/01/965-but-i-love-it.html
www.tiktok.com/@romantomassl/video/7057318721567673605?is...
Créditos - Credits:
melindabaynsl.blogspot.com/2021/08/ladies-power.html
TikTok here:
www.tiktok.com/@melindabaynsl/video/7000579448198188294?l...
Excerpt from webapp.driftscape.com/map/85426f0e-f2a8-11eb-8000-bc1c5a8...:
Then & Now Mural
1167 Weston Rd. (North facing wall of building)
We start the tour with the oldest mural, called Then & Now, which was painted in 2010 by lead artist Diliana Popova with the help of six local youth whose names are at the bottom left of the mural in a yellow semi-circle. The project was funded through the Graffiti Transformation Program and designed by Diliana and the youth in consultation with UrbanArts and the property owners to reflect the history of the Weston-Mount Dennis area.
An information panel is painted on the wall in a box to the left of the mural explaining the imagery and features a quote that is not attributed to anyone that reads “The great thing in the world is not so much where we stand as in what direction we are moving.” These are the words of Oliver Wendell Holmes Jr. who was a US Supreme Court Justice from 1902 to 1932.
On the left are featured two local Meals on Wheels volunteers who served this community in the 1970s. According to the panel they represent charity, one of the community values the artists wanted to emphasize, especially with it being on the side of Humber Community Services for Seniors. Beside that are three images of different vehicles that operate on rails, two old streetcars and a train, referencing the area’s historical importance as a rail hub. The contrast between the sepia-toned image of the old streetcar on the left and the colourful, fancy new train on the right is meant to lead the eye forward through time and evoke the idea of progress. To the right of the train is a man with a camera, a symbol of the contributions the Kodak plant has made to this community throughout its growth and into the present and future.
It’s holding up well considering it is over 10 years old. Speaking from experience, one added challenge for an artist working with a team of youth volunteers who might be painting a mural for the first time or even painting for the first time is finding work that can be done by beginners, and breaking the picture into areas of flat colour like this is a great way to give people a simple job that they are less likely to mess up. You transfer the outlines of your design onto the wall by projector or however, and then assign each area a colour to be filled in. Then all you have to do is teach your volunteers to spot areas that need two coats and how to make the edges nice and clean by keeping the brush very wet and moving slow.
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Paragon Dance Animations - KIDA THE GREAT GO CRAZY HIP HOP VOL 3 Vlog #044
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Kida the Great shares his dance moves from TikTok "Go Crazy" Dance Challenge as seen here:
www.youtube.com/shorts/HLnTVw9grtM
Originally performance captured to "Go Crazy" by Chris Brown. Tempo = 94.0 BPM
Dance 11 - 29.45 sec *Tik Tok Segment*
Dance 12 - 28.25 sec
Dance 13 - 28.70 sec
Dance 14 - 26.60 sec
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Dance Pack Contents
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Kida - Hip Hop Dance 11_PARAGON
Kida - Hip Hop Dance 11_PARAGON (Mirror)
Kida - Hip Hop Dance 12_PARAGON
Kida - Hip Hop Dance 12_PARAGON (Mirror)
Kida - Hip Hop Dance 13_PARAGON
Kida - Hip Hop Dance 13_PARAGON (Mirror)
Kida - Hip Hop Dance 14_PARAGON
Kida - Hip Hop Dance 14_PARAGON (Mirror)
☒ This product only contains animations (.anim files) with no audio supplied or dance hud. Music used in our videos are for demonstration purposes only. For a dance hud, we recommend the Smooth Dancer by Spot On Tools. Their choreography tools are the gold standard in the SL dance performance community.
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About Kida the Great
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American hip-hop dancer Kida the Great shot to global fame when he won the 13th season of the “So You Think You Can Dance” TV show. His popularity has grown exponentially since then., performing on big stages such as the BET awards World of Dance. He has performed with artists including Usher and Chris Brown, and he choreographed and danced in Justin Bieber’s recent “Come Around Me” video.
On social media, he has 4.5 million followers on Instagram, 1.3 million followers on TikTok and 588k subscribers on YouTube.
For more, please visit Kida the Great social media:
www.instagram.com/kidathegreat/?hl=en
www.tiktok.com/@kidathegreatofficial
www.youtube.com/c/KidaTheGreat
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Product Features
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◘ Bento hands/fingers (detailed finger articulation)
◘ Motion-captured on an 22-camera Optitrack Prime 41 optical mocap system for the smoothest and natural flowing animations.
◘ Authentically danced/choreographed and mocap recorded by the Kida the Great
*Licensed by Leon Akida Burns*
♀ Disclaimer: Female Avatars - Although adjustments to the arms have been made during quality control phase to reduce hands clipping into the body, we aren't able to accommodate all shapes without compromising the natural aesthetics of the arm movements. Therefore, hand/arms clipping into the breast may still occur depending on your shape affected by a combination of several factors: shoulder broadness, breast size, breast buoyance, cleavage separation, and arm length. This particular dance, especially with the vogueing moves, have arm movements that brushes close against the body.
☒ This product only contains animations (.anim files) with no audio supplied or dance hud. Music used in our videos are for demonstration purposes only. For a dance hud, we recommend the Smooth Dancer by Spot On Tools. Their choreography tools are the gold standard in the SL dance performance community.
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Paragon Dance Animations Social Media
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Like/Follow us on social media and/or join Paragon Dance Animations group to stay updated on new releases, specials, and events.
Facebook: www.facebook.com/ParagonDanceAnimations
Flickr: www.flickr.com/photos/paragondanceanimations/
Instagram: www.instagram.com/paragondanceanimations/
Group url: secondlife:///app/group/6f12165e-7e7b-3e6a-b858-1a9e8ae45d4b/about
Mainstore: maps.secondlife.com/secondlife/Mount%20Paragon/146/40/2088
Parmigiano polenta pollo espinica. Picpoul salsa de pan (picante).
www.tiktok.com/@dana__brown/video/7161477714484989230?is_...
Excerpt from webapp.driftscape.com/map/19d41cae-db10-11eb-8000-bc1c5a8...:
Anonymous Somebody
Runnymede Station
Elicser Elliot's distinctive aerosol style is on display in groups of portraits of subway patrons throughout the concourse and street level. The images are taken from Elliot's sketchbook of real and imagined people: for example, the nurse is actually Elliot's agent's grandmother who lives near Runnymede Station, and took the same subway to work every day for 40 years. As the artist says, ““Anonymous Somebody” captures the snippets of our bustling Bloor West Village lives while standing still. The artworks aim to communicate the story of individual spirit as fresh and relevant to the metabolism of the neighbourhood. The images work as an anchor to a thought or memory for the person viewing it - to commemorate, celebrate, provoke, and heal”.
The characters are presented three-dimensionally, on panels that do not wholly align with the surrounding tiling, as if served up to us for our contemplation. We might recognize ourselves in them – the woman on the cell phone at the top of the escalator, the man sleeping on a streetcar after a hard shift, the woman sitting on a bench with a coffee and a magazine, the man waiting for a bus with his hands in his pockets. These are the glimpses we see as we transit through our day, and these we see again and again as we pass through the station. We will have our favourites, wonder at their stories, give them names, design a backstory for them.
Elicser Elliot is an alumnus of Sheridan College's animation program. Initially an aerosol artist, his work has been shown at the Art Gallery of Ontario, the Royal Ontario Museum and the McMichael Museum.
Excerpt from webapp.driftscape.com/map/864462be-db0f-11eb-8000-bc1c5a8...:
K'San Village Posts
Spadina Station
The three figures behind the metal barrier are traditional cedar house posts from the Gitxsan First Nation in Hazelton, British Columbia, about 1,000km north of Vancouver in the BC interior. They were commissioned by the Wigwamen Housing Corporation to commemorate the building of Wigwamen Terrace, a residence for First Nation seniors, at 14 Spadina Road across the street. The three figures were donated to the Toronto Transit Commission in February 1979 shortly after the station's opening in 1978 when the TTC acquired nine other artworks for the newly built stations located North of here on Line 1.
While house posts like these were not traditionally used by First Nations peoples who inhabited this area, they are a highly recognizable symbol of the presence of First Nation peoples of all nations in the city. K'san Historical Village stands in Gitxsan Territory where the village of Gitanmaax “the people who fish by torchlight” existed for centuries. The community was part of the 1997 Delgamuukw Supreme Court of Canada ruling that affirmed aboriginal treaty rights to land claims.
K'san is the home of the Gitanmaax School of Northwest Coast Art, and is a showcase of skilled Gitxsan craft, with elaborate totem poles and seven decorated houses at the confluence of the Skeena and Bulkley Rivers. Carved out of western red cedar, these traditional housing supports depict an owl, a wolf and a hawk, and represent family crests. The owl was carved by Fedelia O'Brien, the wolf by Murphy Green, and the hawk by Chuck Heit, all of whom, at the time, practiced at the Gitanmaax School of Northwest Coast Art. Chuck Heit has also carved the totem pole at the federal court building at 180 Queen West and a large carving at Osgoode Hall Law School at York University.
MocapAnimations Electro BENTO Dances Pack!
CREATiCA - Animated Cell Shader Aura & Electroshock Aura FX Sound Engine
For Her :
GALVANIZED. Kent Tanktop - White & Adicts Joggers
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Paragon Dance Animations & The Bearded Guy Vlog #045
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The Matrix Backdrop - The Bearded Guy
Copy, Mod, No Trans
maps.secondlife.com/secondlife/Moonwall/123/122/32
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Paragon Dance Animations - ANGEL CLUB GO-GO DANCE
Available now at Uber Event 11/25/22
maps.secondlife.com/secondlife/Uber/159/156/22
maps.secondlife.com/secondlife/Mount%20Paragon/146/40/2088
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Product Description
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This is a club go-go dance made for the stage free-styled performance captured by Angel. Great for club hosts/dance masters.
Originally performed to "Boyfriend" (Remix) by Ariana Grande. Tempo = 98..00 BPM
Dance 01 - 30.85 sec
Dance 02 - 26.30 sec
Dance 03 - 26.75 sec
Dance 04 - 29.70 sec
Dance 05 - 30.00 sec
Dance 06 - 26.85 sec
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Dance Pack Contents
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Angel - Club Go-Go Dance 01_PARAGON
Angel - Club Go-Go Dance 02_PARAGON
Angel - Club Go-Go Dance 03_PARAGON
Angel - Club Go-Go Dance 04_PARAGON
Angel - Club Go-Go Dance 05_PARAGON
Angel - Club Go-Go Dance 06_PARAGON
☒ This product only contains animations (.anim files) with no audio supplied or dance hud. Music used in our videos are for demonstration purposes only. For a dance hud, we recommend the Smooth Dancer by Spot On Tools. Their choreography tools are the gold standard in the SL dance performance community.
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About Angel Kim Spicer
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Angel Kim Spicer is a Seattle and Los Angeles-based professional dancer/instructor/choreographer and the producer of her own neo-burlesque show called Chaotica. Angel is trained and well-versed in many dance genres, but now focuses on heels floorwork, chair and pole dancing. She is known for her esoteric tastes that blends chaos and erotica into her own branding.
Social Media:
www.instagram.com/angelkimspicer/
www.tiktok.com/@angelkimspicer
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Product Features
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◘ Bento hands/fingers (detailed finger articulation)
◘ Motion-captured on a 22-camera Optitrack Prime 41 optical mocap system for the smoothest and natural flowing animations.
◘ Authentically danced/choreographed and mocap recorded by Angel Kim Spicer
*Licensed by Emily Spicer*
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Paragon Dance Animations Social Media
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Like/Follow us on social media and/or join Paragon Dance Animations group to stay updated on new releases, specials, and events.
Facebook: www.facebook.com/ParagonDanceAnimations
Flickr: www.flickr.com/photos/paragondanceanimations/
Instagram: www.instagram.com/paragondanceanimations/
Group url: secondlife:///app/group/6f12165e-7e7b-3e6a-b858-1a9e8ae45d4b/about
maps.secondlife.com/secondlife/Mount%20Paragon/146/40/2088
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Additional Credits:
Foxy - Pulse. hairstyle
SPIRIT - April cardigan
SPIRIT - April shorts
Excerpt from webapp.driftscape.com/map/6c58044e-db16-11eb-8000-bc1c5a8...:
Sky Ellipse
Highway 407 Station
As you take the escalator upstairs to the street level you will see large, oval windows above that appear to be smeared with bright blues and volcanic oranges, as if painted onto the glass. The coloured glass covers the western facade of the station and the skylights, bringing coloured natural light into the cavernous subway below.
This is Sky Ellipse by David Pearl, a work which occupies several places in this subway station, and complements both the airiness of the station and the open oval that punctures the north corner of the roof. Ahead, at street level, in the GO bus waiting area, there is a panel of coloured glass facing the south parking lot. The piece brings movement and colour into the space in a simple way, by taking advantage of the shifting angle of the sun, and the movement of people within. David Pearl explains it this way: , “a simple palette of expressive coloured glass works with the dynamic of natural light and the movement of the observer to animate the space and interior surfaces. This is colour that is not coded to sign or direct - just pure coloured natural light; responding to the cycles and rhythms of the sun; echoing the building’s response to the greenbelt surroundings and its environmental sensitivity celebrated as art and architecture.” The stained glass is an apt tribute to this cathedral of transit.
David Pearl is a glass artist working in Toronto. His work has appeared in Toronto, the UK and elsewhere.
An Infra Red shot of one of the Radical Horizons sculptures at Chatsworth which were originally produced for the Burning Man Festival in the Nevada Desert.
www.chatsworth.org/events/burning-man/
This Sculpture is called Lodestar and is by Randy Polumbo
Try the Chatsworth audio guide for more info
tourbuilderplus.imagineear.com/webapp/9UQXZBQ5a02PiGivXlX...
i was working on a uni project with my cousin the last three weeks. we built a webapp called "cost share". the idea was to make it easier to calculate debts after you were buying groceries for your flatshare or something like that. that's not always as easy as it seems, because not everyone is paying for everything.
so yesterday 23:59 we had to commit the whole thing and as always we experienced some last minute deployment problems. that was really stressfull and i had to stay up late to get it done...
if you zoom in, you can see the app. :]
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MOVE Animations Cologne - GIRLS LATIN Booty Dances from NINA VLOG #040
~~ Fun time for all, these moves, can be used with almost any form of music, club, hip hop, alternative as you see in our video,
the fun is unlimited, so, head on over to MOVE, and check out these dances, and while you are there, check out the others they have to offer,
you will be glad you did.
TIP:(WEAR your MOVE Automatic HUD for AUTOMATIC Dance Installation)
Check out this ultrasmooth Dance Animations in Latin Dance Style and enjoy the smoothest MOVES ever been !
Amazing high framerate moves!
Get the them here:
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#BENTO#BOOTY#LATIN#HIGHFRAMERATE#NINA
The Dances have been recorded under real Clubbing Conditions.
MOVE Animations Cologne aims to bring the most possible authenticity into the Body-Capture, especially when it comes to club dances.
ENJOY !
■■SPECIAL THANK YOU PRICE OFFER
The Dances cost 300L$ each. We give MORE THAN 20% on each Dance Pack (10 Dances) ■■ (2399L$).■■
The Dances with the NEW MOVE! Automatic Dance HUD are at a reduced price of 3199L$
NSTAGRAM:
www.instagram.com/moveanimations/
FLICKR:
www.flickr.com/photos/moveanimations/
FLICKR GROUP:
www.flickr.com/groups/2930103@N23/
MARKETPLACE:
marketplace.secondlife.com/de-DE/stores/178868
FACEBOOK:
www.facebook.com/moveanimations
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www.twitter.com/moveanimations
COMES WITH:
Nina_01_Bento_Dance_MOVE!, 32.00
Nina_02_Bento_Dance_MOVE!, 25.00
Nina_03_Bento_Dance_MOVE!, 22.20
Nina_04_Bento_Dance_MOVE!, 23.60
Nina_05_Bento_Dance_MOVE!, 27.40
Nina_06_Bento_Dance_MOVE!, 23.90
Nina_07_Bento_Dance_MOVE!, 25.10
Nina_08_Bento_Dance_MOVE!, 27.10
Nina_09_Bento_Dance_MOVE!, 24.90
Nina_10_Bento_Dance_MOVE!, 26.70
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Bichota Alley Backdrop - The Bearded Guy @ Available at Thirsty
LI 175
Copy, Mod, No Trans
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Dark Road - The Popstars - The Bearded Guy
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Ruby Poses - 1 + 1 = 2
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Additional Credits:
N-core VALERIA "Black"
[RM] Ribbon Garters [Add Me!]
Magika - Hair - Addison (Size 1)
Stiff - Agda Romper - Anxiety
Dengys map y degwm am 1842 nad oedd dim tai annedd yn y man y datblygodd Trehopyn, dim ond tir fferm, a oedd yn nwylo Evan Hopkin.
Erbyn diwedd y degawd, roedd llawer wedi newid. Daeth Glofa Gyfeillion (Tŷ Mawr), a datblygiadau diwydiannol eraill, i weddnewid y cwm. "Rhondda Road" oedd enw'r man lle yr oedd y tai yn 1851 ac yn 1861.
Ceir yr enw Hopkin's Town yn 1871. Cymerodd ei enw, Trehopcyn yn Gymraeg, oddi wrth y gŵr a fu'n berchen y tir.
Caewyd y pwll yn 1983.
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Ti ar c'heflusker, Meingleuz-c'hlaou ar Great Western
E 1842 ne oa ket a diez el lec'h ma kreskast bourk Trehopcyn, nemet douaroù ur feurm dalc'het gant Evan Hopkin. Dek vloaz diwezhatoc'h avat e oa bet treuzfurmet an draoñienn gant Mengleuz Glaou Gyfeillion, ha gant greanterezh all. An anv Hopkin's town ne gaver nemet e 1871.
Serret e voe ar poull-glaou e 1983.
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Teach Innill Hetty, Mianach Guail an Great Western
Taispeánann léarscáil na deachún do 1842 nach raibh aon teach cónaithe ar bith san áit a d’fhás Trehopyn. Ní raibh ann ach talamh feirme, a bhí i lámha Evan Hopkin.
Faoi dheireadh na ndeich mbliana, bhí athruithe ollmhóra tar éis tarlú sa tír. Claochlaíodh an gleann le Mianach Guail Cyfeillion (Ty Mawr), agus forbairtí tionsclaíocha eile. Ba é “Rhondda Road” ainm na háite seo i 1851 agus 1861.
Ní fhaighimid an t-ainm Hopkin's Town ach i 1871. Is é ainm an úinéara talún a fheictear in Hopkinstown, nó Trehopcyn sa Bhreatnais.
Dúnadh an mianach i 1983.
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Hetty Engine House, Great Western Colliery, Hopkinstown
In 1842 there were no homes on the land here Hopkinstown developed, only farmland which was owned by Evan Hopkin.
By the end of that decade, the place had been transformed by the opening of the Great Western Colliery and by other industrial activity. The name "Hopkin's Town" only appears in 1871, and seems to refer to the former landowner.
The mine was closed in 1983.
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Cymraeg
webapps.rhondda-cynon-taf.gov.uk/heritagetrail/Cymraeg/ta...
English
webapps.rhondda-cynon-taf.gov.uk/heritagetrail/taff/hopki...
Excerpt from webapp.driftscape.com/map/0d1f7dae-db16-11eb-8000-bc1c5a8...:
Piston Effect
York University Station
Look up as you step off the train onto the subway platform. You will see a number of dark glass panels each containing a grid of small squares. This is Piston Effect, by London interaction designer Jason Bruges. Like much of the art we’ll see on this tour, it has been fully integrated into the architecture of this station, which was designed by UK architects Foster + Partners. This work runs almost the whole length of the station, and in addition to being an interactive work of art, also acts to contain smoke in the event of a fire.
Let’s look closer now, do you see anything changing when you look at the dark glass panels?Those small squares are actually LCD screens which respond to changes in air pressure as trains enter the station (called the piston effect) illuminating each of the squares in the panel display, in shades ranging from white to black.
As the artist states: “Station air movement is the invisible element explored in this artwork. Air is disturbed and excited by people and trains passing through the station. The Piston Effect... is [an] air movement type being investigated to bring the station to life. The arrival and departure of the trains and the passengers and staff all create this flux, creating a generative and random choreography. This will be used as the score or algorithm to control the digital canvas, creating a unique and ever changing real time four dimensional artwork.”
Jason Bruges has installed similar works in England, such as London's Digital Fountain. Based in the UK, he works at the intersection of art and technology, creating interactive works. His Canadian work includes a project for Library and Archives Canada in Ottawa.
Excerpt from webapp.driftscape.com/map/d53a7cae-f2a3-11eb-8000-bc1c5a8...:
Weston GO/Union Pearson Express Station Mural
1865 Weston Road
In the parking lot next to the Weston GO and UP Express station is a large mural done by Mahmood Popal and collaborator Jesse Albert. The mural is an interesting compilation of imagery of historical aspects of Weston including a lifesize photo of the local library and, of course, the penny farthing bicycle and a box of Kodak film, two items synonymous with Weston’s manufacturing past.
The artist used “rudimentary” pieces created by members of the community throughout the design. Community members of all ages participated through workshops hosted by Popal and Albert by using stencils created using pieces of paper, rags, plastic, and other objects.
He said by “crumpling it up and dipping it, pressing it, [it] makes a mark.” “It makes a pattern and if you start repeating those patterns you start to get an art piece.”
At a closer glance you will notice that the top half of the mural is vinyl and the lower half is painted. There had been a large print affixed to the wall the year prior, but people were tearing at the material. It is interesting to see how the artist continues the patterns of the vinyl using paint.
Excerpt from webapp.driftscape.com/map/eb879bae-e3f3-11eb-8000-bc1c5a8...:
This Kensington Market landmark was created by local artists Ryan Dineen and Alexandar Bacon. Both artists are well known in the Toronto arts community and have shown work around the world. This iconic mural is one of the longest running street art pieces in the area. My favourite part about this piece is the level of detail and intricacy. It's also really cool how they were able to find a balance between figurative illustrative imagery and traditional graffiti forms.
Explored November 29, 2024
www.flickr.com/explore/2024/11/29
My favorite hike trail, also the most challenging hike on my Rocky Mountain trip. It's a 20km one way in, one way out hike that encompasses almost 1000m of elevation gain. The last 2km is a scramble up the peak. If you want to find the secrets on the summits, here you are 😊
The video shows scrambling ...
www.tiktok.com/@rqjiang/video/7419890101708164358?is_from...
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Huge thanks for the visiting, faves and kind comments my dear Flickr friends! Enjoy the weekend!l! 🙏💕
Excerpt from webapp.driftscape.com/map/a656862e-e7c9-11eb-8000-bc1c5a8...:
The Vessel
Taddle Creek Park
When you arrive in the park, look for a gigantic pitcher that seems to be composed of wires. This is The Vessel, our next stop. This work aims to connect us to Taddle Creek that once flowed here and is the namesake for this park. Like many of the creeks in Toronto Taddle Creek has been buried, but still finds ways to make its presence known. Artist Ilan Sandler will explain how this work invokes the creek and the long history of inhabitation along it. He’ll also tell us the story of how this piece was built. The clip you’re about to hear is a part of the Artbuzz project produced by David Tarnow.
My name's Ilan Sandler. I'm the artist who created the vessel that you're looking at in Taddle Creek Park. The Vessel's made up of 4 kilometers of stainless steel rod. The reference to 4 kilometers was the length that Taddle Creek River ran from the park down to Lake Ontario.
When you look up to the top you can see a large pipe that's running around the rim of the piece. It's perforated with about 180 holes through which the water is flowing in the summer. As the water cascades down over the object it hits the piece, which creates a certain amount of resonance and then drains into a catchment basin for later irrigation of the park.
Taddle Creek, from what I gather, ran for millennia. It ran through what is now Toronto from Wychwood Park southeasterly through Taddle Creek Park along Philosopher's Walk and then eventually meandered down to Queen and Parliament and then down into Lake Ontario. It was dammed up in the late 19th century primarily due to pollution, but prior to European settlement it had been of great importance to the Anishnabe people, an Ojibwe speaking nation. And there's evidence of a long history of using it for sustenance. So I wanted to make an object that could somehow transcend particular groups or nations and become emblematic of human civilization as a whole.
The intention was to make an object that was both there and not there at the same time, something that you could see but also see through. And in looking through it you were able to relate the park itself to this lost river.
I've certainly gotten to know my welder really well. We spent 4 months together and Paul was always on the inside of the object and I was on the outside holding things in place; and both of us grimacing as we stretched our arms a little further than we'd ever anticipated having to do. But at the end of those 4 months we had over 11,000 welds and 4 kilometers of rod forming this large vessel.
We built the piece in 4 sections. The bottom two-thirds, which in a sense looks like a large vase was the first part that we completed. After that we built the top third which included the spout. Once these sections were finished, and the handle was basically built from an arc and a set of concentric ellipses - if you look closely you'll see how the rods are sitting on sprocketed ellipses that run through that handle - we then took all 4 sections out of our fabrication shop and spent several sunny days putting the piece together. Once that was done the most difficult part was to determine whether in fact the handle was going to fit into these pre-ordained sizes that we had come up with using our computer modeling. And of course we were off by about 3.3 centimeters. So a little hole had to be cut and the handle was re-positioned and sure enough everything fit together. It was at this moment, a really exciting moment, where I was able to create all the splaying rods. If you look at the bottom of the handle or the top you'll see a number of rods, which are emanating from that elliptical handle out onto the body of the piece. And this was a really fun thing to do. It was at this point that I could leave behind all of my preconceived calculations and all the numbers that we had gone over in our minds and slowly link one rod to another rod on the body of the piece. And there are actually 84 rods around the bottom and another 84 around the top of the handle, and on-by-one we positioned them, created the arcs and then welded them in place.
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Paragon Dance Animations - CiCi STAMPER SHUFFLE DANCE VOL 1 - VLOG #029
CiCi STAMPER SHUFFLE DANCE VOL 1
Available at Access Event May 12 2022
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Product Description
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In Volume 1, Shuffle Queen CiCi Stamper shares her social media famous style of shuffling/cutting shapes that combines pirouettes,
heels floorwork and acrobatic tricks. There are many shuffle queens on social media, but none brings it to a new level like CiCi.
Shuffle dance is a footwork dance developed in the UK during the late 1980s and early 90s in Melbourne Australia,
which known as Melbourne Shuffle. It is originally danced to Hardstyle music when the genre popularity was at the peak in Melbourne.
Melbourne shuffle trend subsided mid-2009 and the dance moves later resurface into a new style of shuffling called "Cutting Shapes".
Nowadays the new shuffle dance moves work well with any electronic dance music from Electro House, House Music, Melbourne Bounce,
even the Old School Eurodance and etc.
Originally performed to "High on You" by Matroda. Tempo = 125.00 BPM
Dance 01 - 26.35 sec
Dance 02 - 24.35 sec
Dance 03 - 22.85 sec
Dance 04 - 28.15 sec
Dance 05 - 28.80 sec
Dance 06 - 24.55 sec
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Dance Pack Contents
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CiCi - Shuffle Dance 01_PARAGON
CiCi - Shuffle Dance 01_PARAGON (Mirrored)
CiCi - Shuffle Dance 02_PARAGON
CiCi - Shuffle Dance 02_PARAGON (Mirrored)
CiCi - Shuffle Dance 03_PARAGON
CiCi - Shuffle Dance 03_PARAGON (Mirrored)
CiCi - Shuffle Dance 04_PARAGON
CiCi - Shuffle Dance 04_PARAGON (Mirrored)
CiCi - Shuffle Dance 05_PARAGON
CiCi - Shuffle Dance 05_PARAGON (Mirrored)
CiCi - Shuffle Dance 06_PARAGON
CiCi - Shuffle Dance 06_PARAGON (Mirrored)
☒ This product only contains animations (.anim files) with no audio supplied or dance hud. Music used in our videos are for demonstration purposes only.
For a dance hud, we recommend the Smooth Dancer by Spot On Tools. Their choreography tools are the gold standard in the SL dance performance community.
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About Ciara Christine Stamper
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Ciara Christine "Cici" Stamper is a LA-based Shuffle Queen, professional dancer, and social media influencer with over 210k followers.
She has an extensive dance background in ballet, contemporary, hip hop, jazz and acrobatics.
She fell in love with a new style of dance called Shuffling/Cutting Shapes and since then combined technical dance training with the
footwork of shuffling to create her own unique personalized style. Cici has traveled the world teaching and performing, sharing her passion for dance.
She currently performs for Matroda during his live sets.
Cici's Social Media:
www.youtube.com/channel/UCu-d4QBfoV0IS4EtGq6NxXg
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Product Features
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◘ Bento hands/fingers (detailed finger articulation)
◘ Motion-captured on a 22-camera Optitrack Prime 41 optical mocap system for the smoothest and natural flowing animations.
◘ Authentically danced/choreographed and mocap recorded by CiCi Stamper
*Licensed by Ciara Christine Stamper*
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Paragon Dance Animations Social Media
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Like/Follow us on social media and/or join Paragon Dance Animations group to stay updated on new releases, specials, and events.
Facebook: www.facebook.com/ParagonDanceAnimations
Flickr: www.flickr.com/photos/paragondanceanimations/
Instagram: www.instagram.com/paragondanceanimations/
Group url: secondlife:///app/group/6f12165e-7e7b-3e6a-b858-1a9e8ae45d4b/about
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📌 Ruby Poses - Sales Bag - Fam-ILY (Pose For 5)
maps.secondlife.com/secondlife/Miriam%20Orange/122/108/3451
📌 Additional Credits
[Cosmic Dust] - Lexi Bodysuit
-KC- OMEGA PLATFORMS / 40 COLORS FATPACK
S.E LELUTKA EVOX DISSOLVE HAIR L.BLONDE 20
www.tiktok.com/@claufosse/video/7185914040097541382?is_fr...
♣ Ⓑαυнαuѕ ♣
♠ Noemi Set ♠
Legacy / Perky.
Maitreya / Petite.
Mainstore:
Créditos - Credits:
melindabaynsl.blogspot.com/2021/08/ladies-power.html
TikTok here:
www.tiktok.com/@melindabaynsl/video/7000579448198188294?l...
Excerpt from webapp.driftscape.com/map/b47372be-db15-11eb-8000-bc1c5a8...:
Spin
Downsview Park Station
If you are starting this tour from the subway, proceed up the escalators to the concourse level, through the turnstiles and up the escalator to exit the station at either the East or West entrance. It’s there that you’ll find the best vantage point from which to view this work. Can you see the giant black arc, opening like a wide mouth, encompassing the entire station?
Move around, and you’ll see how these arcs become disjointed. Move back to see them realign and leap out at you as the circle completes itself when you’re looking at it from just the right angle.
Artist Panya Clark Espinal uses anamorphic techniques to create this perspective-shifting effect. Her previous work at Bayview Station, which uses the same technique to create playful forms throughout the station, could be regarded as a sketchbook for the astonishing size of this work “Spin”, a collaboration of art, architecture and skilled trades that seamlessly wraps the space in its embrace.
The artist worked with architect Nathaniel Grey to perfect and execute this idea, a process that required precise 3D digital models of the architecture overlaid with hand-drawn sketches of the rings.The artist described the experience this way: “Designing it was a bit of a game… We had to figure out where people could stand to view these floating rings, but also where they could be rendered into the architecture.” Finally the idea was translated into drawings that were used to create just the right shapes in the terrazzo floors, enamel metal panelling, ceramic wall tiles and ceiling panels, all working together to achieve the effect of rings floating in space.
Keep observing the work as you head to the trains. When you arrive on the platform, look for two columns in the centre of the subway platform decorated with black lines. Move around them to observe how they change. Have you found the right place to stand to see a perfect teardrop shape?
Panya Clark Espinal is a multi-media installation artist interested in exploring the act of looking. She holds an MFA from OCADU where she received the Governor General’s Award for her work in Experimental Art and Sculpture Installation. She has exhibited at the Art Gallery of Ontario, the Canadian Embassy (Tokyo), the McMichael Canadian Art Collection, and the National Gallery of Canada.
A breath of the past
My inspiration songs for this pictures:
1. Egzod & Maestro Chives - Royalty
Visit: Panjin
Inspiration finds its way:
In this series of pictures I want to give you all something the feeling of freedom of letting go of daydreaming the feeling of the higher self that is world-spanning.
Do you know the feeling of being completely detached from everything? The feeling of just letting go you just let go of everything you let it go no matter if it is a thought or a situation you let go of the old you let go of the old you spread your wings and finally start to fly.
Do you feel it?
Do you feel the air that fills your lungs and gives your wings lift?
I am taking you on a journey through time and we are sending an important message in both the past and the future so hold on tight because it is going to be turbulent.
My message to my past self and my future self:
Life is a marathon so don't give it your all right from the start keep your pace you will still need energy towards the end when life goes uphill pull it through grab the uphill and keep the focus looking forward and yes you will overtake people you will leave people behind but you don't have to worry about them they will go their own way. Believe in yourself! And when you realize that your lungs are burning your body is heavy and you want to give up pull it through!!!
Because I believe in you and I have done so since I existed in so many reincarnations in which I accompanied you and was at your side . . .
So many lifetimes we have been through together to arrive here and now I know you feel it you can see your past lives you can feel them and accept them . . everything is happening now you are the one in all the multiverses the one who will change everything and yes it will take everything from you and you will make it you will climb every obstacle you will change all the bad into good because you are the born alchemist . . you will be the one who sees everything from a different point of view yes many will not understand you do not let this discourage you stand up for yourself you know your ancestors stand united behind you you will always see the light and you will be the light you will be a bright light to so many people in their darkest days you will give them the strength and courage to walk your soul path . . .
I tell you that you have the iron will to create everything that you dream of, so believe in yourself and trust your higher self. . Do what you love, follow your heart and have the deep trust in yourself, in your strength and in your big heart . . .
Because what makes you tick is what the people you meet in your life love you show them something they don't know you show them their own inner self I show them how it could be and yes some will run screaming some will hate you some will do bad things to you and you will grow through every experience through every hurt you will mature until one day you look back and see the whole picture . . .
Because no matter where you are right now your past has strengthened you for what is coming and what may come. . . .
So Sophie come what may and will wath may come
Then God damned Girl you're ready!
Bei dieser Bilder Serie möchte ich euch allen etwas schenken das Gefühl der Freiheit des Loslassens des Tagträumens das Gefühl des höheren Selbst das Weltenüberspannend ist.
Kennst du das Gefühl völlig los gelöst von allem zu sein? Das Gefühl einfach los zu lassen du lässt alles einfach los du lässt es frei egal ob Gedanken Situationen du lässt altes hinter dir lässt dein altes ich hinter dir breitest die Flügel aus und fängst endlich an zu Fliegen.
Spürst du es?
Spürt du die Luft die deine Lungen füllt die deinen Flügeln Auftrieb gibt?
Ich nehme dich mit auf eine Zeitreise und wir setzen eine wichtige Botschaft ab sowohl in der Vergangenheit wie auch in der Zukunft also halt dich fest den es wird turbulent werden.
Meine Botschaft an mein Vergangenes Ich und mein Zukünftiges Ich:
Das Leben ist ein Marathon also gib nicht gleich von Anfang an alles halte deine Pace den du wirst zum Ende hin noch Energie brauchen wenn das Leben bergauf geht zieh es durch greif im Anstieg an und halte den Fokus den Blick nach vorn und ja du wirst Menschen überholen du wirst Menschen auf der Strecke lassen doch um die brauchst du dir keine Sorgen zu machen den sie gehen ihren eigenen Weg. Glaube an dich! Und wenn du merkst das deine Lunge brennt dein Körper schwer wird und du am liebsten aufgeben möchtest zieh es durch!!!
Den ich glaube an dich und das habe ich schon getan seit ich existiere in so vielen Reinkarnationen in denen ich dich begleitet habe und an deiner Seite war . . .
So viele Leben haben wir gemeinsam gemeistert um im hier und heute an zu kommen ich weiss du spürst es du kannst deine vergangen Leben sehen du kannst sie spüren und nimmst sie an. . . alles geschieht jetzt du bist die Eine in all den Multiversen die Eine die alles verändern wird und ja es wird dir alles abverlangen und du wirst es schaffen du wirst jedes Hindernis erklimmen du wirst all das schlechte in gutes verwandeln den du bist die geborene Alchemistin. . . du wirst die eine sein die alles aus einem anderen Blickwinkel siehst ja viele werden dich nicht verstehen lass dich davon nicht entmutigen Steh für dich ein den du weisst deine Ahnen stehen geschlossen hinter dir du wirst immer das Licht sehen und du wirst das Licht sein du wirst so vielen Menschen in ihren dunkelsten Tagen ein helles licht sein wirst ihnen die Kraft und den Mut geben Ihren Seelenweg zu gehen . . .
Ich sage dir du hast den eisernen willen alles zu schaffen was du dir erträumst also Glaube an dich vertraue deinem Höheren selbst . . . tu was du liebst folge deinem Herzen und habe das tiefe vertraue in dich selbst in deine Stärke und in dein grosses Herz . . .
Den das was dich ausmacht ist das was die Menschen die dir in deinem Leben begegnen Lieben du Zeigst ihnen etwas das Sie nicht kennen du Zeigst Ihnen ihr eigenes inneres ich zeigst ihnen wie es sein könnte und ja manche werden schreiend davon laufen manche werden dich hassen manche werden dir schlimme Dinge an tun und du wirst daran Wachsen durch jede Erfahrung durch jede Verletzung wirst du reifen bis du eines Tages zurück blickst und das gesamt Bild siehst . . .
Denn ganz egal wo du gerade bist deine Vergangenheit hat dich für das gestärkt was gerade kommt und was noch kommen mag. . . .
Also Sophie komme was wolle und wolle was da komme
Den Gottverdammt Girl du bist bereit!
Excerpt from webapp.driftscape.com/map/a58b3ede-f2a9-11eb-8000-bc1c5a8...:
Water Birds
1162 Weston Rd. (South and West facing walls, visible from Eglinton)
This mural was painted in 2018 by lead artist Bacon and features three local bird species, all of which can be spotted in and around the waters of Topham Pond, just west of where you are standing, down the hill in Gladhurst Park. The inspiration for the subject matter came from the owner of the building, Dr. Marvin Cooper of Northwestern Eye Associates, who loves to birdwatch by the water and takes beautiful photographs of the pond.
The birds featured on the South-facing wall are the Great Horned Owl to the left and the Red-Winged Blackbird to the right, while the west-facing wall features a Great Egret. Bacon selected these from studying various species that frequent the pond or the Humber River nearby.
Throughout the mural, the images of the birds are interrupted and fragmented by shards of different colours and spliced with images of flowers. All are rendered with Bacon’s usual realistic precision and vibrant, highly saturated colour palette. He describes his style as a combination of Abstraction, Realism and Expressionism. Speaking as a huge fan of his work this is an exciting evolution of a style he has been exploring in his graffiti pieces over the years where he fragments the letters into flat forms like overlapping stained glass windows. Seeing him do this with an animal, I think this was the first time he did it that way and when I saw the design my mind was blown, but he pulled it off perfectly.
Fun fact about this wall, in addition to Bacon having the assistance of two talented Toronto artists, Christina Mazzulla and Wales, I got to help out on this project. We did the whole thing in spray paint, which is the preferred medium for all four of us. I could only help for a day because of my own schedule, but I’m glad I did because I got to meet Bacon’s 13-year old apprentice Sam who was well into learning the basics of spray painting and ripping through cans of purple with great enthusiasm.
My Rumi inspiration!
www.tiktok.com/@melindabaynsl/video/7559556385726418232?i...
"About KPop Demon Hunters:
When they aren't selling out stadiums, KPop superstars Rumi, Mira and Zoey use their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet – an irresistible rival boy band of demons in disguise."
“Golden”