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The scissor arches, which often visitors believe to be later, modern additions were constructed from 1338-48 as an engineering solution to a very real problem.
By 1313 a high tower topped by a lead covered wooden spire had been constructed but as the foundations were not stable large cracks began to appear in the tower structure.
In fear of a total collapse, several attempts at internal strengthening and buttressing were made, until the famous ‘scissor arches’ were put in place by master mason William Joy as a final solution.
Well maybe it's just this mishmash of images that makes no sense but I like it and it's made up of a few shots I took this morning. I started with a visit from my deer family, progressed through some dew covered spiders and webs in the sunlight and ended up with a 4 inch long Imperial Moth caterpillar. Interesting morning. I've been working on my vacation shots to the exclusion of a good slide so I thought I'd craft up something from this morning with the caterpillar and the other images composited together.
If you have forgotten or this is your first time viewing my photostream: Things That Make No Sense are just that, assorted bits of amusement for nothing more than visual curiosity and my idea of what I call art or abstract art. Now a series of sorts, the series is interrupted with photographs that do make sense, or at least make sense to me. You can like them or not but they make me smile.
Happy Slider Sunday - HSS!
It is well known that the lakes in the Upper Engadine freeze at an altitude around 1800 metres in winter, and I wanted to experience this for myself. I travelled there in mid-February in the most beautiful weather - and it was far too warm for the time of year! But the Lake Sils was frozen and I - like many others - hiked across it to the mouth of the Aua da Fedoz. There, however, the lake was open and formed gorgeous ice sculptures. I just had to make sure that the ice under my feet was stable enough, a cold bath would have been a bit unpleasant...
Es ist bekannt, dass die Seen im Oberengadin auf rund 1800 Meter im Winter gefrieren, und das wollte ich einmal selber erleben. Mitte Februar bin ich bei schönstem Wetter hingereist - und es war viel zu warm für die Jahreszeit! Doch der Silsersee war zugefroren und ich bin - wie viele andere auch - darüber gewandert bis zur Flussmündung der Aua da Fedoz. Dort war der See allerdings offen und bildete wunderschöne Eisskulpturen. Ich musste beim Fotografieren nur gut aufpassen, dass das Eis unter meinen Füssen stabil genug war, ein kaltes Bad wäre etwas unangenehm gewesen...
Great crested grebe
natural behavior
unrestricted satisfaction of all desires is not conductive to well-being, nor is it the way to happiness or even to maximum pleasure
Erich Fromm
Seen from my garage window. I left a lot of my fallen apples on the ground this year and have had several grateful deer enjoying them.
#sliderssunday
Spot the two birds :)
For a change, this is a new (outside!) photo, taken just a few days ago at the wonderful Britzer Garten, one of Berlin's biggest and most beautiful public parks (please check my album for more "Britz bliss", if you like).
For better dynamic range, I've used exposure bracketing (three images), pre-processed the images in DXO PhotoLab (sharpness and DeepPrime denoising only), from which I directly went into HDR Efex Pro to combine the images. I'm trying to get away from the annual Adobe subscription, and combining images from an exposure bracketing series in HDR Efex instead of Lightroom is one step into that direction. Unfortunately, whenever I think I can finally leave Adobe behind for good they come up with improvements such as the new "supersize" function (now also available in LR), a ton of new presets for LR, and other interesting stuff (and I'm still used to the LR/PS workflow, and the layers in PS). Well, maybe I'll be ready next year ;)
Extra sliding was done in Color Efex, where I added some "Brilliance and Warmth" and a tiny bit of "Contrast Color Range".
Happy Sliders Sunday, Everyone, stay safe and have a nice week ahead!
I can't breathe, I'm waiting for the exhale
Toss my pain with my wishes in a wishing well
Still no luck, but oh, well
I still try even though I know I'm gon' fail
Stress on my shoulders like an anvil
Perky got me itching like an anthill
Drugs killing me softly, Lauryn Hill
Sometimes I don't know how to feel
Ring-ring, phone call from depression
You used my past and my memories as a weapon
On the other line, I talk to addiction, huh
Speaking of the devil, all the drugs, I miss them
This can't be real, is it fiction?
Somethin' feels broke, need to fix it
I cry out for help, do they listen?
I'ma be alone until it's finished
This is the part where I tell you I'm fine
But I'm lying, I just don't want you to worry
This is the part where I take all my feelings and hide 'em
'Cause I don't want nobody to hurt me
well... I think so... :-) this one has the most impressive petal edges, I've seen...
same day last year www.flickr.com/photos/shab_khos/5609610114/
thank you, my dear Flickr friends, for all your comments, favs and invites! you guys are the BEST!!
FOR SURE ENJOY ON BLACK!! :-) "L"
This week I have been working on merging photos with flower backgrounds. Instead of using blends I have tried to use masks to remove or fade parts of the photos that I don't wants. I am still trying to find a suitable topic for my final submission.
will be away for a bit.... don't know if there is internet access... oh well.... sometimes life takes a different turn than planned....
Somerset, England.
It was built between 1175 and 1490, replacing an earlier church built on the same site in 705. It is moderately sized among the medieval cathedrals of England, between those of massive proportion such as Lincoln and York and the smaller cathedrals in Oxford and Carlisle
Amidst passing trains and waiting passengers, a couple shares a moment of (pre-pandemic) passion at an L station in Chicago's Loop.
Nikon D7500, Sigma 18-300, ISO 900, f/3.5, 18mm, 1/125s
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Spa Relax Massage Set by Tm:.Creation
@ Tres Chic Event (closes September 9th)
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Outfit Sculptural (Top, Pant and Pantie) by ArisAris B&W
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Tattoo Colette by Juna Artistic Tattoo
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Image taken on the beach at Wells-next-the-sea on the North Norfolk coast just before sunset. Image shows a colourful sunset sky over the beach huts situated at the far end of the beach.
Quinta da Regaleira. Sintra, Lisboa.
38°47′47″N 9°23′46″W
Sintra is a UNESCO World Heritage Site.
N38 46 59.988 W9 25 0.012
I went to look for the chamois again today, and although they showed up they didn’t seem pleased that I had brought my mom along... they made a big show of giving warning calls and sprinting towards cover while not appearing particularly nervous. (They do remind me a bit of cats.) As I didn’t manage to capture their show very well I took a few flower shots instead...
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(Thanks so much to Teyla ❤)
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The girl spent most of the next three days cleaning the theater, scavenging chairs from other buildings, and even finding some curtains that could be used to dress up the stage.
The Angel would drop in occasionally, to watch, or sit and chat, and on one occasion to do maintenance on her leg frame, which fascinated the girl.
"Does it ever hurt?" she asked the Angel, who was tightening something, with a fixed look of concentration on her face.
"Oh no, well; rarely, I did try dancing last year and that got a bit iffy, although I'd been to the ballerina camp so I was slightly wobbly from the Vodka.
"I'm wondering if you *are* one of the Russian Ballet members, you know - I visited the camp last night .. " The girl rubbed the back of her head as if soothing a headache, then continued .. "They asked me to help them out."
The Angel glanced up from her work, a twinkling eye directed at the girl...."A tasting?" she asked.
The girl shook her head, then thought better of it, grasping the back of her head again. "No, no.... washing, I needed to wash a few things, and traded my time.." She paused a moment... "might have been some tasting...."
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Reflected at Eulennest Gallery
Exhibiting through to Dec 5
Every task completed with care is a testament to our dedication. Here’s to the love we pour into our work! 💖✨ Excellence is achieved when love meets hard work. Let’s celebrate our little victories together! 🌟💼
In 1990, Archaeological Survey of India discovered a sunken apsidal stepped well along with few sculptures inside it. This stepped well is located immediately to the north of the Shore Temple, its south edge abutting the northern wall of the Shore Temple. On the extreme south of this newly discovered shrine is placed a monolith statue of Varaha (Boar)in its zoomorphic form. This image is carved in round from a single boulder. The statue was found severely damaged, however, with efforts from ASI restorers, we now see this image in its near original glory. The other element of this stepped well is a slender cylindrical shrine constructed partly in rock and partly in stone. Beyond this cylindrical shrine, further northward, is a circular cistern or mini-well. This is cut downwards with a circular rim-like stone placed at the ground level.
ASI report mentions that this well provides potable water though situated near the ocean. Though Rabe accepts these sockets for the capstones of a well, however, he suggests that these might be constructed to hold the ‘pillar of victory’ taken by Narasimhavarman I from Vatapi (Badami) which probably was installed here.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>Rabe2 tries to explain political reason behind the systematic destruction of this Varaha image. Rabe suggests that this Varaha monolith was severely and systematically butchered when the Chalukya king Vikramaditya I invaded the Pallava kingdom. The rationale behind this destruction was the submissive and prostrated attitude of the Varaha (Boar) Varaha was the dynastic crest of the Chalukyas. This specific posture of Varaha might be taken as a reference to the subjugation of the Chalukyas by the Pallava king Narasimhavarman I. And to take revenge, the Chalukyan army destroyed this Varaha image while marching forward into the Pallava kingdom.
Inscriptions On the Varaha (boar) monolith –
The Varaha sculpture is carved out of the mother rock like the three other animal sculptures in the Five Rathas nearby. It has four birudas (titles) of Rajasimha Pallava, some of his favorites, inscribed upon the base, in Sanskrit in the Pallava Grantha script. The birudas on the side are “Sri RajasimhaH” “Sri RanajayaH” and “Sri BharaH”. The biruda on the rear, under the varaha’s tail, is “Sri Citra KaarmukaH”. Between the legs of the boar on both the and under its tail, leaves of acquatic plants are sculpted. These are similar to those at the base of the Varaha and Gajalakshmi panels in the Varaha Mandapam. These indicate that the boar which represents Vishnu, is diving under water, not merely digging.
However, how to explain the engraved titles of Rajasimha, as the Chalukyan attacked the Pallava kingdom before the reign of Rajasimha. To explain it, Rabe tells that it was most possible that like other monoliths, this Varaha was also executed during the period of Narasimhavarman I(630–668 AD). Therefore, when the Chalukyas attacked the Pallavas, during the reign of Narasimhavarman I and Parameshvaravarman I, this monolith was present in the temple complex. As the Varaha was destroyed before the reign of Rajasimha (695 to 722 AD), it was Rajasimha who restored it and that’s how we find his titles engraved on it. (Above description source Internet). Location - Mada Koil St, Mahabalipuram, Tamil Nadu 603104, India