View allAll Photos Tagged VueScan
The dollar signs: I have not yet paid for Vuescan. But it is a damned lot more workable than HP 5370C's own software.
The cropping of the guitarist is hardly intentional, but I think it works.
Lavinio/Padiglione - Lazio - Italy
Pointless try (to build a new industrial area in a well know depressed site)
Fujifilm Pro400H @200ISO
Zenza Bronica EC-TL
Zenzanon 50mm f/2,8
Vuescan + GIMP (levels and curves)
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Ilford HP5 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Chinon CE-3 / Delta 400 (DX: 017523)
Ilford DD-X 1+4 (8m @ 70F)
Konica Minolta DiMAGE SE5400II => VueScan => RawTherapee 5.9
Or in this case, when you're bored out of your skull waiting for something to happen. Kurt being one with a power pole.
Negaunee MI
Film Stock: Kodak Advantix 200 (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Edited (inverted, auto levels and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
Primeros resultados de los experimentos con químicos para color. Dado que no pude hacer el bleach, los negativos quedaron muy densos y difíciles de scanear. La película usada es una "KLICK" asa 200. La camara es una Praktica L, con lente MIR 1B 37mm f2.8.
Scaneado con un Epson V600 y VueSan
Gescannt mit Vuescan Testversion - Einstellung In Datei speichern, Qualität Abzug (Original ist 2712x1744 Pixel) + "Infrarot cleaning" und deshalb mit Einblendung der Logos
Dieses Dia wurde vor etwa 28 Jahren aufgenommen.
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4
Ilford HP5 Plus 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/4
Kodak TMAX 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Film Stock: Kodak Advantix 200 (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Edited (inverted, auto levels and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
Photos shot with a Pentax ME with a 28mm Travenar on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. This time (semi) stand developed with Adonal (Rodinal) 1+100 for 60 minutes, with 10 inversions on start and one inversion after 30 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #2
Lavinio - Lazio - Italy
Zenza Bronica EC-TL
Zenzanon 50mm f/2,8
Fujifilm Pro400H @200ISO
Vuescan + Gimp
Lavinio - Lazio - Italy
Zenza Bronica EC-TL
Zenzanon 50mm f/2,8
Fujifilm Pro400H @200ISO
Vuescan + Gimp
Film Stock: Kodak Advantix 200 (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Edited (inverted, auto levels and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
This one has the honour of being he first scanned frame of the first roll I ever developed.
There is plenty of dirt on the neg, but this made me learn a lesson that is not in the books: A scissors can sometimes be the photographs best friend... The source of most of this dirt is cellulose from the tape that sticks the end of the film to the paper. I removed it, but there was still some cellulose and glue left as I closed the tank...
Ah, this was taken with my Zeiss Superinkonta 531/24, FP4 Plus and developed in Microphen.
I'm really looking forward to get my tank rotating thingy to begin with colour and C41.
And, Thanks a lot, Ben Anderson for your Vuescan howto!!!
Pentax ME Super soligor 35-70 Zoom lens Kodacolorplus 200 Epson v55o vuescan software lens & camera test
Film Stock: Kodak Advantix 200 (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Edited (inverted, auto levels and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
Gescannt mit Vuescan Testversion - Einstellung "Archiv" (Original ist 5440x3528 Pixel).
Zusätzlich wurde das entstandene 37MB TIF-File in jpg gewandelt um das Hochladen auf flickr zu ermöglichen.
A random bath tub next to the farm road in the previous photo. I think there use to be a house here but they moved it (it was one of those movable houses).
From my first roll of self developed film! The part I was dreading the most was the loading of the film on to the reels but it was easier than I thought. I might have messed up a bit developing because I say some discolouring around the sprockets but the pictures came out fine. I should also do a better job at drying the film. I made the poor choice of squeegeeing the film with my fingers after taking it out of the tank which left some streaks of residue. Oh well, it was a test roll for a reason!
After doing some reading, I learned that Rodinal works better with less agitation. Don't know why the instructions said otherwise. Going to try stand development for my next roll.
I did some editing after scanning in lightroom. I haven't really mastered scanning film yet so I still have to edit afterwards. Kentmere didn't have a profile in Vuescan which also made it more difficult. The processing wasn't very good either but I think it was a success considering it was my first roll!
Minolta X700 - Minolta 50 mm F1.7
Kentmere ISO 400
Rodinal 1+25 - 9 Minute developing time, first minutes continuous agitation with slight agitation every 30 seconds afterwards.
Scanned using Epson V600 at 4800 dpi
Edited in Lightroom (Sharpness, contrast, crop)
Developed May 20th 2011.
Olympus Trip 35
Agfa VistaPlus 200
Canon CanoScan 8600F
VueScan
Photo Blog:
tumblr:
Instagram:
Film Stock: Kodak Advantix 200 (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Edited (inverted, auto levels and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
Film Stock: Kodak Advantix 200 (APS)
Scanned as 64bit RAW TIF file using Canon Canoscan FS4000US and Vuescan software.
Edited (inverted, auto levels and cropping) using Adobe CS5 Photoshop
Converted to JPG file using Adobe CS5 Photoshop
Metadata edited using Exif Pilot software
Photograph of a paper plant on the St. Joseph River at Niles Michigan on the Sunday when the aftermath of Hurricane Ike blew through.
DR5 reversal processing of Ilford HP5 Plus 400 film shot at ISO 800. Photographed with a Nikon FE using a red (Wratten 25) filter on a 50mm f/1.4 lens to enhance cloud contrast and to capture the mood of the day. Transparency scanned by a Nikon Coolscan 5000 ED using Vuescan. Highlight/Shadow can extract more detail from the shadows, but I thoght this ruined the mood of the photo, thus, it is presented as scanned.
A test slide scan from my CanoScan FS2710 conected to my iMac with an Adaptec USBXChange SCSI-to-USB adapter. The iMac is running VueScan software. The scan gives a 10MP file.
She's 17 now, and still does art with the same level of focused attention you see in this picture.
Anzio commercial seaport - Lazio - Italy
Zenza Bronica EC-TL
Zenzanon 50mm f/2,8
Fujifilm Pro 400H @200 ISO
Vuescan + GIMP (levels) + Vuescan again (white balance)
Route 66 Display, 2013 Clipsal 500.
Shot on Kodak Portra 400 with a Minolta XE-7 and a Rokkor 50mm F1.4.
Scanned with an Epson V700 and Vuescan
Photos shot with a Pentax ME with a 28mm Travenar on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. This time (semi) stand developed with Adonal (Rodinal) 1+100 for 60 minutes, with 10 inversions on start and one inversion after 30 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #2
This has been bugging me for awhile. You have many options when using Vuescan software to run the Epson Scanners. If you want a properly scanned Negative, save your Scan under "OPTIONS" as a TIFF file. If you save your scan as a .DNG file...when Vuescan saves the file, for import into Lightroom 3.6, it (Lightroom) will change the "Gamma" setting from "1" to "2.2". Which will make your scan seem slightly overexposed.
This has been driving me crazy for awhile. I thought maybe there was some pre-selected import setting i had wrong, but it has to do with the file and the way a DNG file is saved. Rangefinder Forum has an interesting discussion on it.
www.rangefinderforum.com/forums/showthread.php?postid=189...
If you are using Vuescan and lightroom, save the film negative in TIFF format instead of DNG on the "output" tab using no compression in Vuescan.
This was driving me bonkers. Seriously, maybe i never read that in the instructions, or i missed it or maybe I am not a programmer. I just want the stupid thing to look like what i scanned. The reason for shooting film is that i don't have a big workflow to do, Just shoot,scan.post. film is awesome.
Hope this helps somebody...
anyway, glad that is figured out so i can stop swearing under my breath.