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Purple and yellow
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An old Studebaker sitting at a garage and getting some work done on it.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 28-70mm, f/3.5, @60mm
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/11
Shutter Speed: 1/250 sec.
Date: September 12th, 2016, 3.30 p.m.
Location: Fairfield, Illinois, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 03ef
I apologize for the excessive green here and in the next photo. It had been ages since I checked out the original slides (printed from negatives, cut and mounted as slides) The slides had faded to the point that all I could see was a faded magenta, I couldn't see the other colors.
But what happened was that I had forgotten that the museum had mercury vapor lamps on the inside of the museum for the nighttime. Why that kind of light was chosen I have no idea, unless it was meant to be an energy saver. During the day regular daylight comes through the skylight, which is great if one is there during the daytime and can take photos, But because I had been on assignment during the day, and that I had decided to visit this place at the last minute, I found myself having to deal with extreme color temperature differences.
I shot this (and the other photos) with Eastman Kodak 5247 motion picture stock, rated at ASA 100. I used my trusty Vivitar 400/SL camera, and my Vivitar 28mm lens.
Eastman's motion picture stock has an incredible dynamic exposure and color range, which means it can see every color in the spectrum, even the ones the human eye doesn't always see.
I tried to fix the cyan from the lamps, but I was concerned I was also going to desaturate colors I was hoping to keep. I struggled with Lightroom (and Photoshop Express) and still didn't get what I was looking for. I looked at the slides again. They also showed a hint of cyan (what was left of it on the faded slide), so I decided to run with it.
I don't recall which of the Apollo command modules this one is. It might have been Apollo 7, the first manned flight following the tragic events of the Apollo 1 fire, or if it was 8 (the first orbital trip around the moon), or if it was the Big One, Apollo 11, the one that took Armstrong, Aldrin and Collins to the moon for the first landing and manned walk on the lunar surface.
Probably during the day there would have been more people hovering around this spacecraft. (I'm sure the summer months were really busy.) You can see by the coats, sweaters and jackets that it was still early spring (April 1980) and the days were just beginning to get longer.
You can see the X-15 at the top right (more on that later), and below it a rocket that I can't remember what it was designed for -- perhaps to send satellites up in. And then we see at the upper left the Wright Brothers' airplane and perhaps an earlier model they tested out to the right of that.
This photo was shot with my Vivitar 400 S/L 35mm camera, using (I think) a Vivitar 50mm lens. I used Eastman Kodak 5247 motion picture stock (negative), rated at ASA 100. The image was scanned at Samy's Camera in Pasadena, California.
The same thing happened with this photo of Charles Lindbergh's airplane. It's a little disconcerting to take photos of two of the most famous aircraft in American history, only to have them look green. I'm hoping someone at the museum by now has made changes to the night lights, such as using LED lamps that are brighter but use less electricity and are closer to the color temperatures of both daylight and tungsten. After all, it has been forty-four years since I took these photos.
I shot this photo (as I did the others) with my Vivitar 400/SL camera, using Eastman Kodak 5247 motion picture stock, rated at ASA 100. I used my Vivitar 28mm wide angle lens.
This is a closer view of the same Apollo capsule, looking inside. This shows us that when the other two astronauts went into the LEM (lunar excursion module), the remaining astronaut sat in the middle seat, having all of the controls at his disposal easily.
The pilot of the command module had the thankless and unglamorous job of staying with the "mother ship" while the other two landed on the moon and did their exploring. But the command module pilot wasn't just sitting it out, he had to be ready to engage in the rendezvous and docking of both the command module and the lunar lander once the excursion was over and it was time for the two astronauts to return to the command module. Both radio and radar contact was necessary for the two objects to hook up. They did, with hundreds of hours of training paying off as a result. Once the two astronauts returned inside the command module they jettisoned the lunar lander, leaving it to wander in orbit until gravity pulled it down to crash land somewhere on the lunar surface.
The flight would begin with the Apollo capsule atop a humongous Saturn V rocket, taller than some tall buildings. By the time the astronauts would return it would only be the single capsule (which you see in the previous photo). One of the greatest (if not the greatest) endeavors of humankind was accomplished, but at the same time something had to be done so that return trips wouldn't be such an act of attrition, using materials that could not be utilized a second or third time. Hence the shuttle program.
And the first shuttle launch would not be for another year after my visit to the Air Space Museum, which is why you will not see any photographs of it here.
This photo was shot with my Vivitar 400 S/L 35mm camera, using Eastman Kodak 5247 motion picture stock, rated at ASA 100. I used my Vivitar 50mm lens. The image was scanned at Samy's Camera in Pasadena, California.
I picked up this Vivitar V50 SLR recently because it was a clone of the Minolta X-300. I've shot with it and it performed admirably.
Kompakt. Kultig. Und heute extrem selten.
Die Vivitar PS20 steht sinnbildlich für die Point-and-Shoot-Ära der 90er – minimalistisch, analog und immer einsatzbereit. Ein echtes Relikt aus der Zeit vor der Digitalwende.
Mehr zur Geschichte, Technik & zum Sammlerwert dieser Kamera findest du jetzt im ausführlichen Review in der Rubrik GEMS auf www.fujicolours.com
#VivitarPS20 #VivitarCamera #PointAndShoot #FilmIsNotDead #AnalogPhotography #35mmCamera #FujicoloursGEMS #CameraCollecting #VintageCameraGear #RetroKamera #ClassicFilmCamera #90sPhotography #CameraReview #Fujicolours #GEMSbyFujicolours #AnalogLove #CompactCamera #FilmCameraCommunity #PhotographyHistory #RetroFotografie
This Mustang didn't sit here for very long. Maybe somebody fixed it up and is driving it.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 28-70mm, f/3.5, @50mm
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/4
Shutter Speed: 1/60 sec.
Date: September 16th, 2016, 5.30 p.m.
Location: Norris City, Illinois, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 34df
Winter was closing in when this picture was taken, although there was still a lot of bright sunlight around.
I am looking the other direction, before crossing over to the village. The train goes around the village. I didn't have the time to ride on it. Maybe whenever I return to Michigan for Christmas I will try to ride the train. I shot film, Eastman Kodak motion picture stock 5298, ASA 500, using a Vivitar 400 S/L camera.
This sign was alongside the road on my way home, so I thought it would make an interesting subject to try out my new photographic acquisition - the Vivitar V50.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 28-70mm, @70mm
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F11
Shutter Speed: 1/250 sec.
Date: September 12th, 2016, 4.07 p.m.
Location: Sacramento, Illinois, U.S.A.
Developing chemicals @68 degrees:
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 04ff
A picture of the Lucky film box that supplied the film which took this shot. It was a shot I didn't intend on taking. I was just loading the film and found out I had taken this only after I developed the roll.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Vivitar M/MD 50mm F/1.8
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/1.8
Shutter Speed: 1/30 sec.
Date: September 12th, 2016, 8.00 a.m.
Location: Norris City, Illinois, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 0ef
I'm guessing this is the original Mercury capsule that John Glenn flew in the first American orbital mission of February of 1962. It was also on display at the Smithsonian Air Space Museum in Washington, D.C.
Glenn was supposed to have made seven orbits, but a malfunction sign showed up on Mission Control's computers (which turned out to be an error), limiting Glenn's flight to only three orbits. The error suggested that the heat shield was going to slip off, so the best way to protect the spacecraft and Glenn was to keep the booster rockets attached to the heat shield. (The data later determined that this was not necessary.) Glenn was able to manually maneuver the ship into re-entry position, and it successfully landed in the Atlantic Ocean. (I recommend seeing this segment in "The Right Stuff." While the film plays a little fast and loose with the facts, this is still one of the best sequences in the film, pretty much recreating the flight and the tensions among Mission Control. Ed Harris' portrayal of John Glenn is an amazing performance. The film would not be out until more than three years after my visit to this museum.)
I shot this photo with my Vivitar 400 S/L camera, using my Vivitar 50mm lens. My film was Eastman Kodak 5247 motion picture negative, tungsten balanced, rated at ASA 100. The negative was scanned at Samy's Camera in Pasadena, California.
This is a slightly shaky shot taken from the middle part of the coach section of our DC-10. Remember how roomy passenger jets used to be? And they actually served decent food too, which was going on at this point. The headsets were complimentary, and I would either enjoy some classical music, or I would laugh at some of Woody Allen's early monologues (his early funny stuff), done in the early to mid-1960s.
These big planes were not entirely infallible. Two months later a DC-10 crashed shortly after takeoff from O'Hare Airport in Chicago, killing everyone on board. But when they did fly without a problem they were great, as this one was.
This was also shot on film, using Eastman Kodak 5247, tungsten balanced, rated at ASA 100. I'm not using the 85 filter here, but there wasn't that much light coming in, and I had to shoot wide open with my f/1.8 lens at a slow shutter speed. I was shooting with my Vivitar 400/SL camera, using my 50mm lens.
NOTE: Someone was recently posting comments, insisting this was not a DC-10, even though I remember the information at the airport, on my boarding pass, and my ticket back then. I removed his comments and blocked him, largely because he had no photostream, nor did he have any favorites. As much as I do not appreciate "know it all" types, I also do not appreciate those who will not share their work with the rest of us Flickr members. Why have an account?
This house is just a block or so from my home. The significance of it is that my Grandparents had this house built back in the late-1980's, with the intention of moving into it to be near my parents, and two Uncles - all three, my Dad and two Uncles - being the sons of my Grandparents. But something must have happened because they never actually moved into this house. I don't remember what happened about it. It sat empty for a long while.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 28-70mm, @28mm
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/5.6
Shutter Speed: 1/30 sec.
Date: September 16th, 2016, 5.15 p.m.
Location: Norris City, Illinois, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 32ff
testing this vivitar film camera (pz3070) I picked out at an assistance league thrift store in vegas.
Analog film decomposed with saline water and Decadron and Zofran pills. (Decadron and Zofran are pills taken after chemo treatment to avoid vomit and other side effects; I had to take them in 2012-2013)
Película análoga, dañada con suero (suero fisiológico), Decadron y Zofran. (Las pastillas Decadron y Zofran se toman para evitar vómito y otros efectos secundarios después de los tratamientos de quimioterapia; las tomé en 2012-2013)
Camera/Cámara: Vivitar
Film/Película: Fuji 200.
Washington, DC - Richmond, Virginia
2013-2014
This little 110 pocket camera has a surprising amount of features packed into it's tiny frame. Built-in flash, automatic winding to the next frame and a telephoto setting that allows you to get closer to the subject without moving. I've used it and am quite satisfied with it's abilities.
My yucca plants out front are starting to send up shoots.
Taken with my ninety-third camera.
Camera: Vivitar Freelance 3-in-1 digital point and shoot
Megapixels: .3 (Yes, you read that right)
Date: May 19th, 2023, 10.45 a.m.
Location: Norris City, Illinois, U.S.A.
May 19th, 2023 - 017b
This is the "Crayola Sport 35" camera. Also known as the "Vivitar CR450", it is a simple 35mm, point-and-shoot camera licenced by Crayola and produced by Vivitar in the early 1990s.
In the early 1990s Vivitar began producing 35mm and 110 cameras licenced under the Crayola name. These cameras often had all-plastic bodies, bright colours (often yellow), simple controls and were primarly marketed towards kids.
Overall the Crayola Sport 35 is a pretty basic 35mm camera. It features a fixed focus, fixed shutter speed and aperature, as well as manual advance and rewind. Below the lens there is a sliding switch which both activates a green plastic cover to protect the lens, and locks the shutter to prevent accidental exposures. Lastly, the camera requires 2 AA batteries for the built-in flash.
Just an old barn falling down in the countryside surrounding my little town.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 28-70mm, f/3.5, @35mm
Film: Fuji Film Neopan Acros 100 B&W 35mm
Shooting Program: Manual
Aperture: F/11
Shutter Speed: 1/250 sec.
Date: September 16th, 2016, 4.12 p.m.
Location: Norris City, Illinois, U.S.A.
Developing chemicals:
Caffenol CM-RS: 11 mins.
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 29ef
I saw this great looking Dodge Aspen station wagon in front of Bosse Field, right before watching the Evansville Otters win the first game of the 2016 Frontier League baseball championship series.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 70-210mm
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/8
Shutter Speed: 1/60 sec.
Date: September 13th, 2016, 5.57 p.m.
Location: Evansville, Indiana, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 08ff
I decided to go back to the original high resolution scan of this image and run it through Photoshop, cropping it and blowing up, as well as trying some color correction.
What I like about this photo is the expression on the face of the pretty brunette with the guitar. I was too busy framing the shot and making sure the exposure read right in my viewfinder to notice her looking at me. I did later, when putting on the 200mm, but with this shot I was far enough away that I didn't notice it until later, when I projected the slide made from this negative. I'd forgotten about it over the years, and then I noticed it again when I worked on the photos for here and my Facebook page. It's almost as if she was not accustomed to being photographed while performing. I can't imagine why. Venues like this create numerous opportunities for people with cameras of all kinds to take photos like this. Perhaps I was one of the few with an SLR (Vivitar). I always regretted not being more aggressive and seeking them out when they were in between shows. I keep thinking that if I had spoken with them I would have had to have gotten a mailing address to send any copies of the photos to them. I'm sure if I can track them down now they would appreciate seeing these photos, but it may not do much good, so much time has passed.
This photo was shot on Eastman Kodak 5247 Motion Picture Stock, rated at ASA 100. It was shot with a Vivitar 400 S/L camera, using a Vivitar 50mm lens and a Vivitar Number 85 filter to correct the tungsten balanced film to shoot in daylight. This was cropped and blown up from the original image.
This shot was taken at Bosse Field, located in Evansville, Indiana. Some filming of the movie "A League Of Their Own" took place here. In between innings when the Evansville Otters play, they have short games for the kids.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 70-210mm
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/8
Shutter Speed: 1/60 sec.
Date: September 13th, 2016, 6.46 p.m.
Location: Evansville, Indiana, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 17ff
A great-looking Chevrolet El Camino I saw recently.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Vivitar M/MD 50mm MC, f/1.8
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/11
Shutter Speed: 1/250 sec.
Date: September 12th, 2016, 2.20 p.m.
Location: Fairfield, Illinois, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 01ff
The going down over the road that runs right past my house. The section you see at the bottom is about the last block where it's name West Main Street. Further on, it's known as the Dale Blacktop.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 70-210mm, @210mm
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/8
Shutter Speed: 1/60 sec.
Date: September 15th, 2016, 6.39 p.m.
Location: Norris City, Illinois, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 20ff
Analog photo - scanned negative. Camera: Vivitar (toy camera). Film: 35mm Kodak 400, decomposed with water and multivitamin capsules. No retouching.
Please, hit "L" to see the colors and texture better.
Foto análoga - negativo escaneado. Cámara: Vivitar (cámara de juguete). Película: 35mm, Kodak 400, descompuesta con agua y cápsulas de multivitamina. Sin retocar.
Por favor, presione la tecla "L" para ver mejor los colores y la textura.
testing this vivitar film camera (pz3070) I picked out at an assistance league thrift store in vegas.
Taken at Bosse Field during the first game of the Frontier League baseball championship series.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 70-210mm, @210mm
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/4
Shutter Speed: 1/1000 sec.
Date: September 13th, 2016, 7.06 p.m.
Location: Evansville, Indiana, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 19-2cf
This guy was just driving by in this off-road vehicle and stopped to see if I needed help. I didn't because I was photographing some wildflowers along the road. So I asked him if he wouldn't mind posing. His name turned out to be John Feldmann.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Vivitar M/MD 50mm F/1.8
Film: Fuji Film Neopan Acros 100 B&W 35mm
Shooting Program: Manual
Aperture: F/8
Shutter Speed: 1/250 sec.
Date: September 16th, 2016, 3.56 p.m.
Location: Norris City, Illinois, U.S.A.
Developing chemicals:
Caffenol CM-RS: 11 mins.
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 27gf
testing this vivitar film camera (pz3070) I picked out at an assistance league thrift store in vegas.
Analog film decomposed with saline water and Decadron and Zofran pills. (Decadron and Zofran are pills taken after chemo treatment to avoid vomit and other side effects; I had to take them in 2012-2013)
Película análoga, dañada con suero (suero fisiológico), Decadron y Zofran. (Las pastillas Decadron y Zofran se toman para evitar vómito y otros efectos secundarios después de los tratamientos de quimioterapia; las tomé en 2012-2013)
Camera/Cámara: Vivitar
Film/Película: Fuji 200.
Washington, DC - Richmond, Virginia
2013-2014
This is my tiny Vivitar Point and Shoot 110 camera. It looks much bigger than is in this picture, but it's actually only about 4 inches wide! I'd like to try it out, but not sure where I can find 110 film or anybody that still develops it in my area. It's almost mint condition with the original box and paperwork, and I only paid $1 for it! What a steal!
Taken with a Konica Minolta Maxxum 5D DSLR.
Manual Exposure setting, 20 second exposure, f/36, ISO 200.
0091ff
Camera: Vivitar 400S/L. Lens: Vivitar 28mm. Film: Eastman 5247 motion picture negative (with a No. 85 filter).
Analog film decomposed with saline water and Decadron and Zofran pills. (Decadron and Zofran are pills taken after chemo treatment to avoid vomit and other side effects; I had to take them in 2012-2013)
Película análoga, dañada con suero (suero fisiológico), Decadron y Zofran. (Las pastillas Decadron y Zofran se toman para evitar vómito y otros efectos secundarios después de los tratamientos de quimioterapia; las tomé en 2012-2013)
Camera/Cámara: Vivitar
Film/Película: Fuji 200.
Washington, DC - Richmond, Virginia
2013-2014
Analog film decomposed with saline water and Decadron and Zofran pills. (Decadron and Zofran are pills taken after chemo treatment to avoid vomit and other side effects; I had to take them in 2012-2013)
Película análoga, dañada con suero (suero fisiológico), Decadron y Zofran. (Las pastillas Decadron y Zofran se toman para evitar vómito y otros efectos secundarios después de los tratamientos de quimioterapia; las tomé en 2012-2013)
Camera/Cámara: Vivitar
Film/Película: Fuji 200.
Washington, DC - Richmond, Virginia
2013-2014
Kassidee was my ex-girlfriend's daughter and Autumn was her friend who was sleeping over.
Camera: Vivitar 845 Tele Motor
Film: Kodak Gold Ultra 400 ASA, (Exp. 03/2000)
Lens: Normal (not the telephoto setting)
Date: November 22nd, 2013, 4.38 p.m.
Location: Opdyke, Illinois, U.S.A.
Vivitar 845 01gf
This is Bosse Field during the first game of the Frontier League baseball championship series. This view shows the opposing team's dugout, the River City Rascals. The Evansville Otters ended up winning game one of the series.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Zoom 70-210mm, @70mm
Film: Lucky SHD100 B&W 35mm
Shooting Program: Manual
Aperture: F/8
Shutter Speed: 1/125 sec.
Date: September 13th, 2016, 6.12 p.m.
Location: Evansville, Indiana, U.S.A.
Developing chemicals
Adox Adonal stand developing
1:150 - 1 1/2 hour
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 12ff
One of the Modern Woodsman headstones at Ebenezer Cemetery.
Camera: Vivitar V50 (Minolta X-300 clone)
Lens: Minolta MD Rokkor-X 50mm, f/1.2
Film: Fuji Film Neopan Acros 100 B&W 35mm
Shooting Program: Manual
Aperture: F/11
Shutter Speed: 1/250 sec.
Date: September 16th, 2016, 3.48 p.m.
Location: Norris City, Illinois, U.S.A.
Developing chemicals:
Caffenol CM-RS: 11 mins.
Water Rinse: 1 min.
Ilford Ilfostop Stopbath: 1 min.
Water Rinse: 1 min.
Ilford Hypam Fixer: 7 1/2 mins.
Water Rinse: 4 mins.
Kodak PhotoFlo 200: 1 min.
Vivitar V50 Lucky 100 32ff
I got this mint condition, still in the box Vivitar 110 point and shoot camera for $1. It's probably only worth .25 cents!
0090ef
Analog film decomposed with saline water and Decadron and Zofran pills. (Decadron and Zofran are pills taken after chemo treatment to avoid vomit and other side effects; I had to take them in 2012-2013)
Película análoga, dañada con suero (suero fisiológico), Decadron y Zofran. (Las pastillas Decadron y Zofran se toman para evitar vómito y otros efectos secundarios después de los tratamientos de quimioterapia; las tomé en 2012-2013)
Camera/Cámara: Vivitar
Film/Película: Fuji 200.
Washington, DC - Richmond, Virginia
2013-2014
testing this vivitar film camera (pz3070) I picked out at an assistance league thrift store in vegas.
This shot was taken with a 70's vintage Vivitar Camera. Full Manual, 50mm f/1.7 at about 1/125. The kicker!... 25 year old Fujicolor that was just sitting in the bag. This treatment of the shot is as it came back with a little curves adjustment, +5 Vibrance and +5 Saturation as well as some rather heavy noise reduction to change the look of the grain. Old School is fun! But expensive. It is good to know I can still get exposure right.. but I really like Autofocus!
Now, this is version two with noise reduction. What think you of this compared to the other one?